Life and career
Philip Pullman was born in Norwich, England, the son of Audrey Evelyn Pullman (née Merrifield) and Royal Air Force pilot Alfred Outram Pullman. The family travelled with his father's job, including to Southern Rhodesia, though most of his formative years were spent in Llanbedr in Ardudwy, Wales. [9]
In 1954, when Pullman was seven, his father, an RAF pilot, was killed in a plane crash in Kenya, being posthumously awarded the Distinguished Flying Cross (DFC). In an exchange with a journalist in 2008, Pullman said that, as a boy, he saw his father as "a hero, steeped in glamour, killed in action defending his country", and who had been "training pilots". Pullman was then presented with a report from The London Gazette of 1954 "which carried the official RAF news of the day [and] said that the medal was given for 'gallant and distinguished service' during the Mau Mau uprising. 'The main task of the Harvards [the aircraft flown by his father's unit] had been bombing and machine-gunning Mau Mau and their hideouts in densely wooded and difficult country.' This included 'diving steeply into the gorges of [various] rivers, often in conditions of low cloud and driving rain.' Testing conditions, yes, but not much opposition from the enemy, the journalist in the exchange continued. Very few of the Mau Mau had guns that could land a blow on an aircraft."
Responding to that new information, Pullman wrote: "My father probably doesn't come out of this with very much credit, judged by the standards of modern liberal progressive thought", and he accepted the revelation as "a serious challenge to his childhood memory." [10] In the 2017 BBC series documentary Imagine , Pullman said that he has since become aware that his father could have crashed his plane deliberately, saying "There was something odd about the crash ... he just took his plane up and flew into the side of a hill", citing rumours of his father having debt troubles and a problematic love affair. His mother remarried the following year and, following a move to North Wales, Pullman discovered comic books, including Superman and Batman , a medium which he continues to enjoy.
In his early years, Pullman attended Taverham Hall School and Eaton House [11] and, from 1957, he was educated at Ysgol Ardudwy in Harlech, Gwynedd, spending time in Norfolk with his grandfather, a clergyman. Around that time, Pullman discovered John Milton's Paradise Lost , which would become a major influence on His Dark Materials : [12] "I found, in that classroom so long ago, that it had the power to stir a physical response: my heart beat faster, the hair on my head stirred, my skin bristled. Ever since then, that has been my test for poetry, just as it was for A. E. Housman, who dared not think of a line of poetry while he was shaving, in case he cut himself." [13]
As a teenager, Allen Ginsberg's poetry led him to William Blake: "Thanks to those books, and thanks to my encounter with Ginsberg, and thanks further back to the enlightened local education authority that sent a library van around to the secondary schools in Merionethshire so that I could choose from their shelves the anthology (Donald Allen’s The New American Poetry 1945-1960 : still in print, still irreplaceable) that contained Howl– thanks to those things, I discovered what I believed in. My mind and my body reacted to certain lines from the Songs of Innocence and of Experience , from The Marriage of Heaven and Hell , from 'Auguries of Innocence', from Europe, from America with the joyful immediacy of a flame leaping to meet a gas jet. What these things meant I didn’t quite know then, and I’m not sure I fully know now. There was no sober period of reflection, consideration, comparison, analysis: I didn’t have to work anything out. I knew they were true in the way I knew that I was alive." [14]
From 1965, Pullman attended Exeter College, Oxford, receiving a Third-class BA in 1968. [15] In an interview with the Oxford Student, he noted that he "did not really enjoy the English course", and that "I thought I was doing quite well until I came out with my third class degree and then I realised that I wasn't – it was the year they stopped giving fourth class degrees otherwise I'd have got one of those". [16]
Pullman married Judith Speller in 1970 and they have two sons. [17] At the time of his marriage he began teaching children aged 9 to 13 at Bishop Kirk Middle School in Summertown, North Oxford, as well as writing school plays.
His first published work was The Haunted Storm , which was joint-winner of the New English Library's Young Writer's Award in 1972, but which he refuses to discuss. [18] Galatea, an adult fantasy-fiction novel, followed in 1978, but it was his school plays which inspired his first children's book, Count Karlstein, in 1982. He stopped teaching shortly after the publication of The Ruby in the Smoke (1986), a Victorian mystery and the first book in the Sally Lockhart tetralogy.
Between 1988 and 1996, Pullman taught part-time at Westminster College, Oxford, continuing to write children's stories. He began His Dark Materials in about 1993. The first book, Northern Lights , was published in 1995 (The Golden Compass in the U.S., 1996). Pullman won both the annual Carnegie Medal [6] and the Guardian Children's Fiction Prize, a similar award that authors may not win twice. [19] [lower-alpha 1] While working on His Dark Materials, he wrote two novellas, The Firework-Maker's Daughter (1995) and Clockwork, or All Wound Up (1996), which he calls fairy tales. The trilogy continued with The Subtle Knife (1997) and The Amber Spyglass (2000).
Pullman has been writing full-time since 1996. He continues to deliver talks and writes occasionally for The Guardian , including writing and lecturing about education, in which he is often critical of unimaginative education policies. [20] [21] He was awarded a CBE in the New Year's Honours list in 2004. In 2004, he was elected President of the Blake Society. [22] In 2004 Pullman also guest-edited The Mays Anthology, a collection of new writing from students at the Universities of Oxford and Cambridge.
In 2005, Pullman won the annual Astrid Lindgren Memorial Award from the Swedish Arts Council, recognising his career contribution to "children's and young adult literature in the broadest sense". According to the presentation, "Pullman radically injects new life into fantasy by introducing a variety of alternative worlds and by allowing good and evil to become ambiguous." In every genre, "he combines storytelling and psychological insight of the highest order." [23]
In 2006, he was one of five finalists for the biennial, international Hans Christian Andersen Medal, [24] and he was the British nominee again in 2012. [25]
In 2008, he started working on The Book of Dust , a companion trilogy to his His Dark Materials, and "The Adventures of John Blake", a story for the British children's comic The DFC , with artist John Aggs. [26] [27] [28]
On 23 November 2007, Pullman was made an honorary professor at Bangor University. [29] In October 2009, he became a patron of the Palestine Festival of Literature. He is also a patron of the Shakespeare Schools Festival, a charity that enables school children across the UK to perform Shakespeare in professional theatres [30]
On 24 June 2009, Pullman was awarded the degree of D.Litt. (Doctor of Letters), honoris causa, by the University of Oxford at the Encænia ceremony in the Sheldonian Theatre. [31]
In 2012, during a break from writing The Book of Dust, Pullman was asked by Penguin Classics to curate 50 of Grimms' classic fairytales, from their compendium of over 200 stories. "They are not all of the same quality", said Pullman. "Some are easily much better than others. And some are obvious classics. You can't do a selected Grimms' without Rumpelstiltskin, Cinderella and so on." [32]
On 19 October 2017, the first volume of The Book of Dust was published by Penguin Random House Children's and David Fickling in the UK and by Random House Children's in the US. [33] [34] The second title in The Book of Dust, The Secret Commonwealth , published in October 2019, includes a character named after Nur Huda el-Wahabi, a 16-year-old victim of London's Grenfell Tower fire. As part of the charity auction Authors for Grenfell Tower, Pullman offered the highest bidder a chance to name a character in the upcoming trilogy. Ultimately, he raised £32,400. [35]
Pullman was named a Knight Bachelor in the 2019 New Year's Honours list. [5] In March 2019, the charity Action for Children's Art presented Pullman with their annual J. M. Barrie Award to mark a "lifetime's achievement in delighting children". [36]
A lifelong fan of Norwich City F.C., [37] Pullman penned the foreword to the club's official history, published in 2020. [38]
Campaigns and views
Pullman has been a vocal campaigner on a number of issues related to books and politics.
Views on writing
In the epigraph of The Amber Spyglass , Pullman writes that "I have stolen ideas from every book I've ever read. My principle for researching a novel is 'Read like a butterfly, write like a bee,' and if this story contains any honey, it is because of the quality of the nectar I have found in the work of better writers." He acknowledges his primary influences as Heinrich von Kleist's essay "On the Marionette Theater", Milton's Paradise Lost and the works of William Blake. He says his favorite book is probably Robert Burton's The Anatomy of Melancholy , describing it as "a funny book about depression written in a very prolix, ornate style." [42]
Views on fantasy
In a lecture at the Sea of Faith conference, Pullman said that "the writers we call the greatest of all – Shakespeare, Tolstoy, Proust, George Eliot herself, are those who have created the most lifelike simulacra of real human beings in real human situations. In fact the more profound and powerful the imagination, the closer to reality are the forms it dreams up." He said he wanted to write fantasy realistically, or write fantastic characters with psychological depth: "Because when I thought about it, there was no reason why fantasy shouldn't be realistic, in a psychological sense – and it was the lack of that sort of realism that I objected to in the work of the big Tolkien and all the little Tolkiens." He says David Lindsay's A Voyage to Arcturus "shows that fantasy is capable of saying big and important things." [43] He concludes that fantasy is "a great vehicle when it serves the purposes of realism, and a lot of old cobblers when it doesn't." Pullman says that he sees His Dark Materials as "stark realism", not fantasy. [44] He has praised fantasy authors like Alan Garner [45] and Neil Gaiman. [46]
Views on children's literature
Pullman believes that children deserve quality literature, and that there isn't a clear demarcation between children's and adult literature. In a talk at the Royal Society of Literature, he quoted C. S. Lewis in "On Three Ways of Writing for Children": "I now like hock, which I am sure I should not have liked as a child. But I still like lemon-squash. I call this growth or development because I have been enriched: where I formerly had only one pleasure, I now have two." Pullman says that "It would be nice to think that normal human curiosity would let us open our minds to experience from every quarter, to listen to every storyteller in the marketplace. It would be nice too, occasionally, to read a review of an adult book that said, 'This book is so interesting, and so clearly and beautifully written, that children would enjoy it as well.'" [47] He is an admirer of Philippa Pearce; when Pullman's Northern Lights won the Carnegie of Carnegies, Pearce's Tom's Midnight Garden was the runner-up. Pullman said "Personally, I feel they got the initials right but not the name. I don't know if the result would be the same in a hundred years' time; maybe Philippa Pearce would win then." [48] In 2011, Pullman gave the Philippa Pearce Lecture. [49]
He is also an admirer of Leon Garfield, "someone who put the best of his imagination into everything he wrote", particularly praising The Pleasure Garden. In a lecture, he said that "one of the things we need to do for children is introduce them to the pleasures of the subtle and complex. One way to do that, of course, is to let them see us enjoying it, and then forbid them to touch it, on the grounds that it's too grown-up for them, their minds aren't ready to cope with it, it's too strong, it'll drive them mad with strange and uncontrollable desires. If that doesn't make them want to try it, nothing will." [50]
Monarchy
In 2002, to coincide with the Golden Jubilee of Queen Elizabeth II, Pullman was interviewed for a feature in The Guardian on notable republicans. According to Pullman, "The present system is unsustainable, because it is cruel. No individual and no family should be subject to the pressures of publicity and expectation that have beset the Windsors." Expressing sympathy for the young Prince William, Pullman added, "we can't have a quiet, sensible, unobtrusive sort of monarchy because of the mistakes the Windsors have made, and because of the disgusting and unredeemable nature of the tabloid press; so we shall have to have a republic. The one thing to avoid is a political president. Let's have a well-respected figure from some other walk of life, and leave politics to the prime minister and parliament." [51] In 2010, The Atlantic described Pullman's Jesus in The Good Man Jesus and the Scoundrel Christ as "a proper republican in the Pullman sense of the word: instinctively fraternal and anti-institutional, spreading his rough-and-ready enlightenments across the horizontal axis." [52]
Age and gender labelling of books
In 2008, Pullman led a campaign against the introduction of age bands on the covers of children's books, saying: "It's based on a one-dimensional view of growth, which regards growing older as moving along a line like a monkey climbing a stick: now you're seven, so you read these books; and now you're nine so you read these." [53] More than 1,200 authors, booksellers, illustrators, librarians and teachers joined the campaign; Pullman's own publisher, Scholastic, agreed to his request not to put the age bands on his book covers. Joel Rickett, deputy editor of The Bookseller , said: "The steps taken by Mr Pullman and other authors have taken the industry by surprise and I think these proposals are now in the balance." [53]
In 2014, Pullman supported the Let Books Be Books campaign to stop children's books being labelled as "for girls" or "for boys", saying: "I'm against anything, from age-ranging to pinking and blueing, whose effect is to shut the door in the face of children who might enjoy coming in. No publisher should announce on the cover of any book the sort of readers the book would prefer. Let the readers decide for themselves." [54]
Civil liberties
Pullman has a strong commitment to traditional British civil liberties and is noted for his criticism of growing state authority and government encroachment into everyday life. In February 2009, he was the keynote speaker at the Convention on Modern Liberty in London [55] and wrote an extended piece in The Times condemning the Labour government for its attacks on basic civil rights. [56] Later, he and other authors threatened to stop visiting schools in protest at new laws requiring them to be vetted to work with youngsters—though officials claimed that the laws had been misinterpreted. [57]
Public jury
In July 2011, Pullman was one of the lead campaigners signing a declaration that called for a 1,000-strong "public jury", selected at random, to draw up a "public interest first" test to ensure that power was taken away from "remote interest groups". The declaration was also signed by 56 academics, writers, trade unionists and politicians from the Labour Party, the Liberal Democrats and the Green Party. [58]
Library closures
In October 2011, Pullman backed a campaign to stop 600 library closures in England, calling it a "war against stupidity". London Borough of Brent claimed that it was closing half of its libraries to fulfil its "exciting plans" to improve its library service. Pullman said: "All the time, you see, the council had been longing to improve the library service, and the only thing standing in the way was – the libraries." [59]
Speaking at a conference organised by The Library Campaign and Voices for the Library, he added:
The book is second only to the wheel as the best piece of technology human beings have ever invented. A book symbolises the whole intellectual history of mankind; it's the greatest weapon ever devised in the war against stupidity. Beware of anyone who tries to make books harder to get at. And that is exactly what these closures are going to do – oh, not intentionally, except in a few cases; very few people are stupid intentionally; but that will be the effect. Books will be harder to get at. Stupidity will gain a little ground. [59]
Ebook library loans
In advance of becoming president of the Society of Authors in August 2013, Pullman led a call for authors to be fairly paid for ebook library loans. Under arrangements in force at the time, authors were paid 6p per library loan by the government for physical books, but nothing for ebook loans. In addition, the Society found that publishers had possibly been inadvertently underpaying authors for ebook loans. Altogether, this may have resulted in authors losing up to two-thirds of the income they would have received on the sale and loan of a physical book. Addressing this issue, Pullman said:
New media and new forms of buying and lending are all very interesting, for all kinds of reasons, but one principle remains unchanged: authors must be paid fairly for their work. Any arrangement that doesn't acknowledge that principle is a bad one, and needs to be changed. That is our whole argument. [60]
William Blake's cottage and memorial stone
As a long-time enthusiast of William Blake, and president of the Blake Society, Pullman led a campaign in 2014 to buy the Sussex cottage where the poet lived between 1800 and 1803, saying:
Surely it isn't beyond the resources of a nation that can spend enormous amounts of money on acts of folly and unnecessary warfare, a nation that likes to boast about its literary heritage, to find the money to pay for a proper memorial and a centre for the study of this great poet and artist. Not least because this is the place where he wrote the words now often sung as an alternative (and better) national anthem, the poem known as Jerusalem: "And did those feet in ancient time". Blake's feet walked in Felpham. Let's not let this opportunity pass by. [61]
As president of the Blake Society, on 11 August 2018, Pullman inaugurated Blake's new memorial gravestone on the site of his grave in Bunhill Fields, following a long campaign by the society. [62]
Boycott of Brexit 50p coin
In January 2020, Pullman called for literate people to boycott the newly minted Brexit 50p coin due to the omission of the Oxford comma in its slogan "Peace, prosperity and friendship with all nations". The viewpoint was supported by some, while lexicographer Susie Dent indicated it was optional and Baroness Bakewell said she had been "taught that it was wrong to use the comma in such circumstances". [63]
Presidency of the Society of Authors
In 2013 Pullman was elected President of the Society of Authors – the "ultimate honour" awarded by the British writers' body, and a position first held by Alfred, Lord Tennyson. [64] In January 2016, Pullman resigned as patron of the Oxford Literary Festival in support of the Society of Author's campaign for writers to be paid fees at festivals and drew attention to the poor remuneration of writers. [65]
On 10 August 2021 Pullman tweeted a response to what he wrongly thought was criticism of Kate Clanchy's teaching memoir Some Kids I Taught and What They Taught Me. His tweet said that those who condemn a book without reading it would be at home with "Boko Haram and the Taliban." Pullman later deleted the tweet and apologised. On the 11th of August The Society of Authors put out a statement and an interview with Chair of Management Committee Joanne Harris which were described by The Guardian as the society "distancing" itself from Pullman. [66] Pullman resigned his presidency, later stating that the management committee urging him to apologise for something he hadn’t done had been a factor in his decision to stand down. [67] He later criticised Harris for her "facetious and flippant" public comments and stated that the Society of Authors had become a "vehicle for gesture politics" and called for external review and reform of the organisation. [68] [69] [70] [71]
Perspective on religion
Although Pullman has stated he is "a Church of England atheist, and a 1662 Book of Common Prayer atheist, because that's the tradition I was brought up in", [72] he has also said he is technically an agnostic. [73] He has singled out elements of Christianity for criticism: "if there is a God, and he is as the Christians describe him, then he deserves to be put down and rebelled against." [73] He has also acknowledged that the same could be said of all religions. [74] [75] Pullman has also referred to himself as knowingly "of the Devil's party", a reference to William Blake's revisionist view of Milton in The Marriage of Heaven and Hell . [76] Pullman is a supporter of Humanists UK and an Honorary Associate of the National Secular Society. [77] In 2011, he was given a services to Humanism award by the British Humanist Association for his contribution as a longstanding supporter. [78]
On 15 September 2010, Pullman, along with 54 other public figures (including Stephen Fry, Professor Richard Dawkins, Terry Pratchett, Jonathan Miller and Ken Follett), signed an open letter published in The Guardian stating their opposition to Pope Benedict XVI being given "the honour of a state visit" to the UK; the letter argued that the Pope had led and condoned global abuses of human rights, leading a state which has "resisted signing many major human rights treaties and has formed its own treaties ("concordats") with many states which negatively affect the human rights of citizens of those states". [79]
New Yorker journalist Laura Miller described Pullman as one of England's most outspoken atheists. [72] He has characterised atheist totalitarian regimes as religions. [80]
Alan Jacobs (of Wheaton College) said that in His Dark Materials Pullman replaced the theist world-view of John Milton's Paradise Lost with a Rousseauist one. [81]
The books in the series have been criticised for their attitude to religion, especially Catholicism, by the Catholic League for Religious and Civil Rights [82] and Focus on the Family. [83] Writing in the Catholic Herald in 1999, Leonie Caldecott cited Pullman's work as an example of fiction "far more worthy of the bonfire than Harry [Potter]" on the grounds that
"[by] co-opting Catholic terminology and playing with Judaeo-Christian theological concepts, Pullman is effectively removing, among a mass audience of a highly impressionable age, some of the building blocks for future evangelisation". [84]
Pullman was flattered and asked his publisher to include quotes from Caldecott's article in his next book. [85] [86] In 2002, the Catholic Herald published an article by Sarah Johnson that compared Pullman to a "playground bully" whose work "attacks a religious minority". [87] The following year, after Benedict Allen's reference to the criticism during the BBC TV series The Big Read , the Catholic Herald republished both articles and Caldecott claimed her "bonfire" comment was a joke and accused Pullman and his supporters of quoting her out of context. [88] [89] In a longer article for Touchstone magazine earlier in 2003, Caldecott had also described Pullman's work as "axe-grinding" and "a kind of Luciferian enterprise". [90]
Columnist Peter Hitchens, in a 2002 article for The Mail on Sunday , accused Pullman of "killing god" and described him as "the most dangerous author in Britain" because he said in an interview: "I'm trying to undermine the basis of Christian belief." Pullman responded by posting Hitchens' article on his study wall. [91] [92] [93] In that interview, which was for a February 2001 article in The Washington Post , Pullman acknowledged that a controversy would be likely to boost sales, but continued: "I'm not in the business of offending people. I find the books upholding certain values that I think are important, such as life is immensely valuable and this world is an extraordinarily beautiful place. We should do what we can to increase the amount of wisdom in the world." [94] Hitchens also views the His Dark Materials series as a direct rebuttal of C. S. Lewis's The Chronicles of Narnia ; [95] Pullman has criticised the Narnia books as religious propaganda. [96] Hitchens' brother Christopher Hitchens, author of God Is Not Great , praised His Dark Materials as a fresh alternative to Lewis, J. R. R. Tolkien and J. K. Rowling, describing the author as one "whose books have begun to dissolve the frontier between adult and juvenile fiction". [85] However, he was more critical of The Good Man Jesus and the Scoundrel Christ , accusing Pullman of being a "Protestant atheist" for supporting the teachings of Christ but being critical of organised religion. [97]
Pullman has found support from some Christians, most notably Rowan Williams, the former Archbishop of Canterbury, who argued that Pullman's attacks focus on the constraints and dangers of dogmatism and the use of religion to oppress, not on Christianity itself. [98] Williams recommended His Dark Materials for discussion in religious education classes, and said that "to see large school-parties in the audience of the Pullman plays at the National Theatre is vastly encouraging". [99] Pullman and Williams took part in a National Theatre platform debate a few days later to discuss myth, religious experience and its representation in the arts. [100]
Donna Freitas, professor of religion at Boston University, argued that challenges to traditional images of God should be welcomed as part of a "lively dialogue about faith". The Christian writers Kurt Bruner and Jim Ware "also uncover spiritual themes within the books". [101] Pullman's contribution to the Canongate Myth series, The Good Man Jesus and the Scoundrel Christ, was described by Mike Collett-White as "a far more direct exploration of the foundations of Christianity and the church as well as an examination of the fascination and power of storytelling". [102]
In a 2017 interview with The Times Magazine, Pullman said: "The place religion has in our lives is a permanent one." He concluded that there was "no point in condemning [religion]", and mused that it is part of the human mind to ask philosophical questions such as the purpose of life. He reiterated that it was useless to "become censorious about [religion], to say there is no God". He also mentioned that his novel, The Book of Dust, is based on the "extreme danger of putting power into the hands of those who believe in some absolute creed, whether that is Christianity or Islam or Marxism". [103]
