Chevengur

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Chevengur
Chevengur 1930.jpg
Author Andrei Platonov
Original titleЧевенгур
Language Russian
Publisher Krasnaya Nov, Ardis
Publication date
1928,1929 (fragments)
1972 (full text)
Publication place Soviet Union
Published in English
1978

Chevengur ( ‹See Tfd› Russian : Чевенгур) is a socio-philosophical novel by Andrei Platonov, written in 1928. It is his longest work and often regarded by scholars as the most significant of his works. [1] Although its fragments were published in the Soviet magazine Krasnaya Nov , the novel was banned in the Soviet Union until 1988. Full text of the novel was published by Ardis in 1972.

Contents

The novel was first translated into English in 1978 by Anthony Olcott.

According to N. Poltavtseva, there is reason to speak of a "philosophical trilogy", which includes the novels Chevengur, The Foundation Pit and Soul . [2]

Title of the novel

There are various interpretations of the title of the novel, which, according to the feeling of its protagonist, "sounded like the enticing hum of an unknown country." “A whole book can be written about the decoding of this toponym". [3] According to Sergey Zalygin and Nina Malygina, it is associated with the words cheva - lumps, bast shoes, and gur - noise, roar, roar. [4] G. F. Kovalev and O. Yu. Aleinikov give a different interpretation, taking into account the predilection of that era for all sorts of revolutionary abbreviations: CheVeNGUR - Extraordinary military invincible (independent) heroic fortified area. [5] Sometimes the "Chevengur space" is localized in the south of the Voronezh and Belgorod regions, [6] or even directly in the city of Boguchar, Voronezh region. [7]

Plot

The novel takes place somewhere in the south of Russia and covers the late 1910s early 1920's period of war communism and the New Economic Policy, although real events and the area have been transformed in accordance with the logic of the myth. Alexander Dvanov, the main character of the novel, lost his father early, who drowned himself out of curiosity before the afterlife. His adoptive father Zakhar Pavlovich somewhat resembles the writer's father (at the same time, the image of Alexander is partly autobiographical). "At seventeen, Dvanov still had no armour under his heart - no faith in God, no other mental peace ...". Going “to look for communism among the amateur population”, Alexander meets Stepan Kopenkin - a wandering knight of the revolution, a kind of Don Quixote [8] whose Dulcinea [9] becomes Rosa Luxemburg. Kopenkin saves Dvanov from the anarchists of Mrachinsky's gang. The heroes of the novel find themselves in a kind of communist reserve - a town called Chevengur. Residents of the city are confident in the coming offensive of the communist Paradise. They refuse to work (with the exception of Subbotniks, meaningless from a rational point of view), leaving this prerogative exclusively to the Sun; they eat pasture, resolutely socialize their wives, and cruelly deal with bourgeois elements (destroying, Platonov emphasizes, both their body and soul). The revolutionary process in Chevengur is led by the fanatic Chepurny, Alexander's half-brother Prokofiy Dvanov "with the makings of a grand inquisitor", the romantic executioner Piyusya and others. In the end, the city is attacked by either the Cossacks or the Cadets; in a fierce battle, the defenders of the commune show themselves as true epic heroes and almost all die. The surviving Alexander Dvanov on Rocinante Kopenkina (nicknamed Proletarian Power) goes to the lake where his father drowned himself, enters the water and reunites with his father. Only Prokofy remains alive, "weeping on the ruins of the city among all the property he inherited [10] "

Ideological origins

As in other works of the writer, in Chevengur one can feel Platonov's acquaintance with the ideas of Nikolai Fyodorov, Alexander Bogdanov, V. V. Rozanov, Konstantin Tsiolkovsky, Albert Einstein, Z. I. Vernadsky, A. L. Chizhevsky, Georgy Gurdjieff and Otto Weininger. [11] In addition, the novel is seen as a reflection of the theories of Tommaso Campanella and Joachim Floorsky, the worldview of peasant writers of the 1920s (A. Dorogoichenko, Fedor Panferov, I. Doronin, P. Zamoysky). Possible sources for the novel include the Victory Over The Sun by Alexei Kruchenykh and Velimir Khlebnikov.

Interpretations

The novel is structured in such a way that allows for many different and even polar opposite interpretations: from anti-communist: “revolution is the coming to power of fools” [12] to neo-Bolshevik: “justification of post-revolutionary horror by pre-revolutionary”. [13] From the point of view of N. G. Poltavtseva, the novel can be viewed as "a story about the collapse of the myth of the first creation of the model of an ideal state." T. I. Dronova defines the content of the novel as a "conglomerate" of the ideologemes of communism and Christian apocalypticism.

The image of the protagonist, with his inherent purity and chastity, reflected Platonov's thoughts about Jesus Christ. Many motives and episodes of Chevengur are reminiscent of the Gospel [14]

Genre

As Leonid Yaroshenko points out [15]

"Chevengur" is considered as a story (V. Vyugin), a menippea (M. Geller), a philosophical novel (L. Fomenko), an ideological novel (M. Zolotonosov), a tragic utopia (V. Svitelsky), an Epic poetry poetry (V. Vasiliev), dystopia (N. Poltavtseva, R. Galtseva, I. Rodnyanskaya); indicate the interaction in the same genre structure of utopian and dystopian tendencies (A. Kedrovsky, K. Isupov, N. Malygina). Other modifications of the novel were reflected in "Chevengur": "polyphonic novel" (N. V. Kornienko), "novel-myth", "novel of the formation of man", "novel-travel".

Maxim Gorky called Chevengur a "lyrical Satire" [16]

Publishing history

The text was sent by the author to the editor-in-chief of the publishing house "Molodaya Gvardiya" G.Z. Litvin-Molotov. who gave Platonov a number of instructions on the completion of the novel, and Maxim Gorky, in a letter dated September 18, 1929, stated: "Your novel is extremely interesting, its technical flaw is excessive stretching, an abundance of" conversation "and obscurity, blurred" action. [17] At the same time, Gorky expressed great doubts about the prospects for the publication of the book - and he was right. Despite all the efforts of Litvin-Molotov, the novel, already brought to the galley stage, was never published during the author's lifetime.

The publishing house "Russian Association of Proletarian Writers" also refused to print the novel. According to the memoirs of an employee of the publishing house I. S. Shkapa - Platonov, taking the manuscript, said in his hearts:

Oh, you pathetic people! They pulled out your rectum, nailed it to the table with a gold nail and said: move! Reinsurers. [18]  

In 1928, the Krasnaya Nov magazine published excerpts from the novel: The Origin of the Master in No. 4 and The Descendant of the Fisherman in No. 6; the magazine "New World" - the story "Adventure" in No. 6. The story "The Origin of the Master" - "artistically, perhaps, the most perfect part of the novel" [19] - was published in 1929 in the author's collection of the same name.

The continuation of the story - a fragment entitled "Traveling with an Open Heart" - was published in the "Literaturnaya Gazeta" in 1971 (issue dated October 6). In the same year, the magazine "Kuban" (No. 4) published another fragment entitled "Death of Kopenkin". In 1972, a French translation of the novel was published in Paris (titled Les herbes folles de Tchevengour) and with a foreword by Michel Heller; it, however, lacked the text of The Origin of the Master. The Italian translation, published in the same year under the title: "Village of New Life" (Italian: Villaggio della nuova vita), was highly praised by Pier Paolo Pasolini. The first full publication of the novel in the West was in London (1978). In the USSR, the publication of the novel became possible only during the years of perestroika: in 1988, this task was fulfilled by the magazine Druzhba Narodov (No. 3-4); in the same year the novel was published as a separate edition and as part of the "Chosen".

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References

  1. ↑ "Илюшин Г.Е. Испанские переводы русской литературы XX века: проблема прагматической адекватности". Litera. 3 (3): 289–295. March 2018. doi: 10.25136/2409-8698.2018.3.27304 . ISSN   2409-8698.
  2. ↑ Грюбель, Райнер (August 2012). ""Между всеми стульями". Место Андрея Платонова в истории русской литературы и мировой культуры двадцатого века". Russian Literature. 72 (2): 201–222. doi:10.1016/j.ruslit.2012.08.003. ISSN   0304-3479.
  3. ↑ Vishnyakova, Yulia (2019-06-30). "Education through the example: eighty years of the biographical series Жизнь замечательных людей ("Lives of remarkable people") of the publishing house Молодая гвардия". St. Tikhons' University Review. Series IV. Pedagogy. Psychology. 53: 120–132. doi:10.15382/sturiv201953.120-132. ISSN   1991-6493. S2CID   211577733.
  4. ↑ Каплуновский, Александр (2000). "ТАТАРЫ МУСУЛЬМАНЕ И РУССКИЕ В МЕЩАНСКИХ ОБЩИНАХ СРЕДНЕГО ПОВОЛЖЬЯ В КОНЦЕ XIX – НАЧАЛЕ XX ВЕКА". Ab Imperio. 2000 (1): 101–122. doi:10.1353/imp.2000.0057. ISSN   2164-9731. S2CID   161936100.
  5. ↑ Karasik, V. I. (2021). "Network Linguistic Personality". Вестник Московского государственного лингвистического университета. Гуманитарные науки (6): 33–45. doi:10.52070/2542-2197_2021_6_848_33. ISSN   2542-2197. S2CID   238941931.
  6. ↑ Фэй, Линь (2020-12-25). "Роль прессы в формировании медиаобраза Китая (по материалам изданий "Российская газета" и "Независимая газета")". Mediascope (4). doi:10.30547/mediascope.4.2020.10. ISSN   2074-8051. S2CID   234438118.
  7. ↑ Sekushina, I. (2019-12-05). "ОПЫТ СТРАТЕГИЧЕСКОГО ПЛАНИРОВАНИЯ В УПРАВЛЕНИИ РАЗВИТИЕМ МАЛЫХ И СРЕДНИХ ГОРОДОВ РЕГИОНОВ ЕВРОПЕЙСКОГО СЕВЕРА РОССИИ". Perspektivy Social'no-ekonomicheskogo Razvitiia Prigranichnyh Regionov 2019. Институт экономики - обособленное подразделение Федерального исследовательского центра "Карельский научный центр Российской академии наук": 309–313. doi: 10.36867/br.2019.83.21.052 . ISBN   978-5-9274-0871-9. S2CID   242987374.
  8. ↑ Rees, Margaret A.; Perrot, Danielle (July 2004). "Don Quichotte au XXe siecle: receptions d'une figure mythique dans la litterature et les arts". The Modern Language Review. 99 (3): 856. doi:10.2307/3739107. ISSN   0026-7937. JSTOR   3739107. S2CID   163584943.
  9. ↑ Regnaut, O.; Jarde, O. (December 2014). "Six inspections pour la réforme de 2010 de la médecine légale". La Revue de Médecine Légale. 5 (4): 137–139. doi:10.1016/j.medleg.2014.11.001. ISSN   1878-6529.
  10. ↑ Vishnyakova, Yulia (2019-06-30). "Education through the example: eighty years of the biographical series Жизнь замечательных людей ("Lives of remarkable people") of the publishing house Молодая гвардия". St. Tikhons' University Review. Series IV. Pedagogy. Psychology. 53: 120–132. doi:10.15382/sturiv201953.120-132. ISSN   1991-6493. S2CID   211577733.
  11. ↑ Веселов, Юрий Александрович (2020), Мир-Системная Теория Империализма Йохана Гальтунга, ICSP «NEW SCIENCE», doi: 10.46916/11122020-5-978-5-00174-060-5 , S2CID   235000016
  12. ↑ Vishnyakova, Yulia (2019-06-30). "Education through the example: eighty years of the biographical series Жизнь замечательных людей ("Lives of remarkable people") of the publishing house Молодая гвардия". St. Tikhons' University Review. Series IV. Pedagogy. Psychology. 53: 120–132. doi:10.15382/sturiv201953.120-132. ISSN   1991-6493. S2CID   211577733.
  13. ↑ Дырдин, Александр (2015-01-01). "Славянофильский подтекст романа А. Платонова Чевенгур". Literatūra. 48 (2): 83–92. doi: 10.15388/litera.2006.2.8071 . ISSN   1648-1143.
  14. ↑ Спиридонова (1994). "Христианские и антихристианские тенденции творчества Андрея Платонова 1910- 1920-х годов". Проблемы исторической поэтики (3). doi: 10.15393/j9.art.1994.114 . ISSN   1026-9479.
  15. ↑ Proskurina, Elena N. (2008-03-01). "The genre perception of myth in the prose of A. Platonov and L.V. Yaroshenko. The genre of a novel-myth in the creative work of A. Platonov. Grodno, 2004". Sibirskiy Filologicheskiy Zhurnal (1): 198–207. doi: 10.17223/18137083/22/25 . ISSN   1813-7083.
  16. ↑ Николина, Н. А. (2019-04-30). "Основные тенденции словотворчества в русской художественной речи XIX века". Proceedings of the V.V. Vinogradov Russian Language Institute. 19: 85–92. doi: 10.31912/pvrli.2019.19.10 . ISSN   2311-150X. S2CID   213665160.
  17. ↑ Dronova Tatiana Ivanovna. Историософский дискурс: объем понятия (к вопросу о жанровой специфике историософского романа) [Historiosophical discourse: the scope of the concept (on the issue of the genre specificity of the historiosophical novel)] (in Russian).
  18. ↑ Shkapa, Ilʹi︠a︡.; Шкапа, Илья. (1990). Semʹ let s Gorʹkim. Moskva: Sov. pisatelʹ. ISBN   5-265-00981-7. OCLC   29670612.
  19. ↑ Vishnyakova, Yulia (2019-06-30). "Education through the example: eighty years of the biographical series Жизнь замечательных людей ("Lives of remarkable people") of the publishing house Молодая гвардия". St. Tikhons' University Review. Series IV. Pedagogy. Psychology. 53: 120–132. doi:10.15382/sturiv201953.120-132. ISSN   1991-6493. S2CID   211577733.
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