Author | Maria Edgeworth |
---|---|
Language | English |
Genre | Historical novel |
Publisher | J. Johnson |
Publication date | 1800 |
Publication place | Ireland |
Media type | Print (hardback and paperback) |
Pages | 90 |
Text | Castle Rackrent online |
Castle Rackrent is a short novel by Maria Edgeworth published in 1800. Unlike many of her other novels, which were heavily "edited" by her father, Richard Lovell Edgeworth, before their publication, the published version is close to her original intention.
Shortly before its publication, an introduction, glossary and footnotes, written in the voice of an English narrator, were added to the original text to blunt the negative impact the Edgeworths feared the book might have on English enthusiasm for the Act of Union 1800. [1] One of the main sources of inspiration for the novel was a chronicle of her own family history called The Black Book of Edgeworthstown, which contain legal struggles of the Edgeworth's similar to those portrayed in the novel. [2] [3]
The novel is set prior to the Constitution of 1782. It tells the story of four generations of Rackrent heirs through their steward, Thady Quirk. The heirs are: the dissipated spendthrift Sir Patrick O'Shaughlin, the litigious Sir Murtagh Rackrent, the cruel husband and gambling absentee Sir Kit Rackrent, and the generous but improvident Sir Condy Rackrent. Their sequential mismanagement of the estate is resolved through the machinations—and to the benefit—of the narrator's astute son, Jason Quirk.
Kathryn Kirkpatrick suggests that the novel "both borrows from and originates a variety of literary genres and subgenres without neatly fitting into any one of them". [5] It satirises Anglo-Irish landlords and their overall mismanagement of the estates they owned at a time when the British and Irish parliaments were working towards formalising their union through the Acts of Union. Through this and other works, Edgeworth is credited with serving the political, national interests of Ireland and the United Kingdom the way Sir Walter Scott did for Scotland. [6]
Castle Rackrent is a dialogic novel, comprising a preface and conclusion by an editor bookending a first person narrative proper. It is widely regarded as the first Irish novel to use the device of a narrator who is both unreliable and an observer of, rather than a player in, the actions he chronicles. It also has a glossary (which was a last-minute addition). [5]
Castle Rackrent is sometimes regarded as the first historical novel, the first regional novel in English, the first Anglo-Irish novel, the first Big House novel, and the first saga novel. [5] William Butler Yeats pronounced Castle Rackrent "one of the most inspired chronicles written in English". [7] [8] Sir Walter Scott, who met and carried on a correspondence with Edgeworth, [9] [10] credited her novel for inspiring him to write his Waverley series of novels:
Without being so presumptuous as to hope to emulate the rich humour, pathetic tenderness, and admirable tact, which pervade the works of my accomplished friend, I felt that something might be attempted for my own country, of the same kind with that which Miss Edgeworth so fortunately achieved for Ireland—something which might introduce her natives to those of the sister kingdom in a more favourable light than they have been placed hitherto. [11] [12]
The novel is alluded to in The Great Gatsby by F. Scott Fitzgerald, A Mother in History by Jean Stafford and Milkman by Anna Burns.
Maria Edgeworth was a prolific Anglo-Irish novelist of adults' and children's literature. She was one of the first realist writers in children's literature and a significant figure in the evolution of the novel in Europe. She held critical views on estate management, politics, and education, and corresponded with some of the leading literary and economic writers, including Sir Walter Scott and David Ricardo. During the first decade of the 19th century she was one of the most widely read novelists in Britain and Ireland. Her name today is most commonly associated with Castle Rackrent, her first novel, in which she adopted an Irish Catholic voice to narrate the dissipation and decline of a family from her own landed Anglo-Irish class.
The Absentee is a novel by Maria Edgeworth, published in 1812 in Tales of Fashionable Life, that expresses the systemic evils of the absentee landlord class of Anglo-Irish and the desperate condition of the Irish peasantry. There are many turns of plot and much information about Ireland as well as Irish dialect and details of shallow London fashionable life, and the egregious results of the propertied classes treating their Irish lands as a resource to be exploited rather than as a relationship among classes and with the land. In this respect, it addresses similar themes to her first novel, Castle Rackrent.
This article contains information about the literary events and publications of 1800.
Kilkenny Castle is a castle in Kilkenny, Ireland, built in 1260 to control a fording-point of the River Nore and the junction of several routeways. It was a symbol of Norman occupation, and in its original 13th-century condition, it would have formed an important element of the town's defences with four large circular corner towers and a massive ditch, part of which can still be seen today on the Parade.
Esther Vanhomrigh or Van Homrigh, an Irish woman of Dutch descent, was a longtime lover and correspondent of Jonathan Swift. Swift's letters to her were published after her death. Her fictional name "Vanessa" was created by Swift by taking Van from her surname, Vanhomrigh, and adding Esse, the pet form of her first name, Esther.
Sir Samuel Ferguson was an Irish poet, barrister, antiquarian, artist and public servant. He was an acclaimed 19th-century Irish poet, and his interest in Irish mythology and early Irish history can be seen as a forerunner of William Butler Yeats and the other poets of the Irish Literary Revival.
The Bride of Lammermoor is a historical novel by Sir Walter Scott, published in 1819, one of the Waverley novels. The novel is set in the Lammermuir Hills of south-east Scotland, shortly before the Act of Union of 1707, or shortly after the Act. It tells of a tragic love affair between young Lucy Ashton and her family's enemy Edgar Ravenswood. Scott indicated the plot was based on an actual incident. The Bride of Lammermoor and A Legend of Montrose were published together anonymously as the third of Scott's Tales of My Landlord series. The story is the basis for Donizetti's 1835 opera Lucia di Lammermoor.
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Leonora is a novel written by Maria Edgeworth and published in 1806.
The Betrothed (1825) is one of the Waverley novels by Sir Walter Scott. Set in the Welsh Marches in the 12th century it is the first of two Tales of the Crusaders, the second being The Talisman.
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Harrington is an 1817 novel by Anglo-Irish novelist Maria Edgeworth. The novel was written in response to a letter from a Jewish-American reader who complained about Edgeworth's stereotypically anti-semitic portrayals of Jews in Castle Rackrent (1800), Belinda (1801), The Absentee (1812), and her Moral Tales (1801) for children. The novel is an autobiography of a "recovering anti-Semite", whose youthful prejudices are undone by contact with various Jewish characters, particularly a young woman. It draws parallels between the religious discrimination of the Jews and the Catholics in Ireland. Set between the Jewish Naturalisation Act of 1753 and the Gordon Riots of 1780, the timeframe highlights these connections.
Patronage is a four volume fictional work by Anglo-Irish writer Maria Edgeworth and published in 1814. It is one of her later books, after such successes as Castle Rackrent (1800), Belinda (1801), Leonora (1806) and The Absentee in 1812, to name a few. The novel is a long and ambitious one which she began writing in 1809. It is the longest of her novels.
The Lord of the Isles is a narrative poem by Walter Scott in six cantos with substantial notes. Set in 1307 and 1314 Scotland it covers the story of Robert the Bruce from his return from exile in Ireland to the successful culmination of his struggle to secure Scottish independence from English control at the Battle of Bannockburn. Interwoven with this account is a romantic fiction centring on one of the Bruce's prominent supporters, Ronald, Lord of the Isles, involving his love for the Bruce's sister Isabel, who eventually takes the veil, and the transfer of his affections to Edith of Lorn to whom he had been betrothed at the beginning of the poem and whom he marries at the end.
In literature regionalism refers to fiction or poetry that focuses on specific features, such as dialect, customs, history, and landscape, of a particular region. The setting is particularly important in regional literature and the "locale is likely to be rural and/or provincial."
Honora Edgeworth was an eighteenth-century English writer, mainly known for her associations with literary figures of the day particularly Anna Seward and the Lunar Society, and for her work on children's education. Sneyd was born in Bath in 1751, and following the death of her mother in 1756 was raised by Canon Thomas Seward and his wife Elizabeth in Lichfield, Staffordshire until she returned to her father's house in 1771. There, she formed a close friendship with their daughter, Anna Seward. Having had a romantic engagement to John André and having declined the hand of Thomas Day, she married Richard Edgeworth as his second wife in 1773, living on the family estate in Ireland till 1776. There she helped raise his children from his first marriage, including Maria Edgeworth, and two children of her own. Returning to England she fell ill with tuberculosis, which was incurable, dying at Weston in Staffordshire in 1780. She is the subject of a number of Anna Seward's poems, and with her husband developed concepts of childhood education, resulting in a series of books, such as Practical Education, based on her observations of the Edgeworth children. She is known for her stand on women's rights through her vigorous rejection of the proposal by Day, in which she outlined her views on equality in marriage.
Captain Rock was a mythical Irish folk hero, and the name used for the agrarian rebel group he represented in the south-west of Ireland from 1821 to 1824.
Elizabeth Preston, Countess of Desmond and 2nd Baroness Dingwall was the only daughter of Thomas Butler, 10th Earl of Ormond, called Black Tom, a lone Protestant in his Catholic Old English family. Her marriage and inheritance were manipulated by James I to keep Black Tom's inheritance out of the hands of his Catholic successor, Walter of the beads and bring them into the hands of his Scottish favourite Richard Preston, Lord Dingwall.
Kathryn Kirkpatrick is a poet, scholar, and English professor at Appalachian State University. Her works of poetry focus on the natural world and the ways humans interact with nature, and the ethical treatment of animals. As an academic, she also specializes in Irish literature and culture, which is a common theme in her published works. She has received several awards for her poetry collections.
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