Jane Austen was an English novelist known primarily for her six novels, which implicitly interpret, critique, and comment upon the English landed gentry at the end of the 18th century. Austen's plots often explore the dependence of women on marriage for the pursuit of favourable social standing and economic security. Her works are implicit critiques of the novels of sensibility of the second half of the 18th century and are part of the transition to 19th-century literary realism. Her use of social commentary, realism, wit, and irony have earned her acclaim amongst critics and scholars.
Maria Edgeworth was a prolific Anglo-Irish novelist of adults' and children's literature. She was one of the first realist writers in children's literature and a significant figure in the evolution of the novel in Europe. She held critical views on estate management, politics, and education, and corresponded with some of the leading literary and economic writers, including Sir Walter Scott and David Ricardo. During the first decade of the 19th century she was one of the most widely read novelists in Britain and Ireland. Her name today is most commonly associated with Castle Rackrent, her first novel, in which she adopted an Irish Catholic voice to narrate the dissipation and decline of a family from her own landed Anglo-Irish class.
Castle Rackrent is a short novel by Maria Edgeworth published in 1800. Unlike many of her other novels, which were heavily "edited" by her father, Richard Lovell Edgeworth, before their publication, the published version is close to her original intention.
Susan Edmonstone Ferrier was a Scottish novelist. Her novels, giving vivid accounts of Scottish life and presenting sharp views on women's education, remained popular throughout the 19th century.
Richard Lovell Edgeworth was an Anglo-Irish politician, writer and inventor. He had 22 children.
Karen Joy Fowler is an American author of science fiction, fantasy, and literary fiction. Her work often centers on the nineteenth century, the lives of women, and social alienation.
The Regency era in the United Kingdom is the period between 1811 and 1820, when King George III was deemed unfit to rule and his son, later George IV, was instated to be his proxy as prince regent. It was a decade of particular manners and fashions and overlaps with the Napoleonic period in Europe.
The sentimental novel or the novel of sensibility is an 18th- and 19th-century literary genre which presents and celebrates the concepts of sentiment, sentimentalism, and sensibility. Sentimentalism, which is to be distinguished from sensibility, was a fashion in both poetry and prose fiction beginning in the eighteenth century in reaction to the rationalism of the Augustan Age.
Leonora is a novel written by Maria Edgeworth and published in 1806.
The reception history of Jane Austen follows a path from modest fame to wild popularity. Jane Austen (1775–1817), the author of such works as Pride and Prejudice (1813) and Emma (1815), has become one of the best-known and most widely read novelists in the English language. Her novels are the subject of intense scholarly study and the centre of a diverse fan culture.
Eaton Stannard Barrett was an Irish poet and author of political satires. He also wrote a comic novel: The Heroine, or: Adventures of a Fair Romance Reader (1813).
Jane Austen lived her entire life as part of a family located socially and economically on the lower fringes of the English gentry. The Rev. George Austen and Cassandra Leigh, Jane Austen's parents, lived in Steventon, Hampshire, where Rev. Austen was the rector of the Anglican parish from 1765 until 1801. Jane Austen's immediate family was large and close-knit. She had six brothers—James, George, Charles, Francis, Henry, and Edward—and a beloved older sister, Cassandra. Austen's brother Edward was adopted by Thomas and Elizabeth Knight and eventually inherited their estates at Godmersham, Kent, and Chawton, Hampshire. In 1801, Rev. Austen retired from the ministry and moved his family to Bath, Somerset. He died in 1805 and for the next four years, Jane, Cassandra, and their mother lived first in rented quarters and then in Southampton where they shared a house with Frank Austen's family. During these unsettled years, they spent much time visiting various branches of the family. In 1809, Jane, Cassandra, and their mother moved permanently into a large "cottage" in Chawton village that was part of Edward's nearby estate. Austen lived at Chawton until she moved to Winchester for medical treatment shortly before her death in 1817.
Belinda is an 1801 novel by the Anglo-Irish writer Maria Edgeworth. It was first published in three volumes by Joseph Johnson of London. The novel was Edgeworth's second published, and was considered controversial in its day for its depiction of an interracial marriage. It was reprinted by Pandora Press in 1986.
Jane Austen's (1775–1817) distinctive literary style relies on a combination of parody, burlesque, irony, free indirect speech and a degree of realism. She uses parody and burlesque for comic effect and to critique the portrayal of women in 18th-century sentimental and Gothic novels. Austen extends her critique by highlighting social hypocrisy through irony; she often creates an ironic tone through free indirect speech in which the thoughts and words of the characters mix with the voice of the narrator. The degree to which critics believe Austen's characters have psychological depth informs their views regarding her realism. While some scholars argue that Austen falls into a tradition of realism because of her finely executed portrayal of individual characters and her emphasis on "the everyday", others contend that her characters lack a depth of feeling compared with earlier works, and that this, combined with Austen's polemical tone, places her outside the realist tradition.
Frances Margaretta Jacson was an English novelist. Her work shows a strong moral purpose and insight into relationships and marriages.
William Edgeworth (1794?–1829) was an Anglo-Irish civil engineer.
Henrietta Beaufort (1778–1865), earlier Harriet Beaufort, was a botanist born of Anglo-French parents in Ireland. Her Dialogues on Botany for the Use of Young Persons was published in 1819 and aimed to teach plant biology to young readers. Unlike most books on botanicals, Beaufort's did not contain any illustrations. This was because Beaufort believed it was important for people to study nature by experiencing it in real life rather than viewing it in representations.
Honora Edgeworth was an eighteenth-century English writer, mainly known for her associations with literary figures of the day particularly Anna Seward and the Lunar Society, and for her work on children's education. Sneyd was born in Bath in 1751, and following the death of her mother in 1756 was raised by Canon Thomas Seward and his wife Elizabeth in Lichfield, Staffordshire until she returned to her father's house in 1771. There, she formed a close friendship with their daughter, Anna Seward. Having had a romantic engagement to John André and having declined the hand of Thomas Day, she married Richard Edgeworth as his second wife in 1773, living on the family estate in Ireland till 1776. There she helped raise his children from his first marriage, including Maria Edgeworth, and two children of her own. Returning to England she fell ill with tuberculosis, which was incurable, dying at Weston in Staffordshire in 1780. She is the subject of a number of Anna Seward's poems, and with her husband developed concepts of childhood education, resulting in a series of books, such as Practical Education, based on her observations of the Edgeworth children. She is known for her stand on women's rights through her vigorous rejection of the proposal by Day, in which she outlined her views on equality in marriage.
Frances Anne Edgeworth (1769–1865), known as Fanny, was an Irish botanical artist and memoirist. She was the stepmother and confidant of the author Maria Edgeworth.
Mothers of the Novel: 100 Good Women Writers Before Jane Austen (1986), by Dale Spender, is a foundational study for the reclamation project central to feminist literary studies in English in the late 1980s and 1990s.
