St. Irvyne; or, The Rosicrucian: A Romance is a Gothic horror novel written by Percy Bysshe Shelley in 1810 and published by John Joseph Stockdale in December of that year, dated 1811, in London anonymously as "by a Gentleman of the University of Oxford" while the author was an undergraduate. [1] [2] The main character is Wolfstein, a solitary wanderer, who encounters Ginotti, an alchemist of the Rosicrucian or Rose Cross Order who seeks to impart the secret of immortality. The book was reprinted in 1822 by Stockdale and in 1840 in The Romancist and the Novelist's Library: The Best Works of the Best Authors, Vol. III, edited by William Hazlitt. The novella was a follow-up to Shelley's first prose work, Zastrozzi , published earlier in 1810. St. Irvyne was republished in 1986 by Oxford University Press as part of the World's Classics series along with Zastrozzi and in 2002 by Broadview Press.
Nicole Berry translated the novel in a French edition in 1999. A Spanish edition entitled St. Irvyne o el Rosacruz, translated by Gregorio Cantera Chamorro, was published by Celeste in Madrid in 2002 with an introduction and notes by Roberto Cueto. The book was translated into Swedish by KG Johansson in 2013 in an edition by Vertigo. [3] [4] A translation in Persian or Iranian was published in 2023 by Qoqnus by Mehrdad Vosuqi. [5]
The epigraph for chapter three is from Paradise Lost (1667) by John Milton, Book II, 681-683:
"Whence and what art thou, execrable shape,
That dar'st, though grim and terrible, advance
Thy miscreated Front athwart my way."
The novel opens amidst a raging thunderstorm. Wolfstein is a wanderer in the Swiss Alps who seeks cover from the storm. He is a disillusioned outcast from society who seeks to kill himself. A group of monks carrying a body for burial in a torch-light procession runs into him and saves his life. Bandits attack them and take Wolfstein to an underground hideout. He meets Megalena, whom the bandits have abducted after killing her father in an ambush. After Steindolph, one of the bandits, recites a ballad about the reanimation of the corpse of a nun named Rosa, Wolfstein manages to poison the leader of the bandits, Cavigni, in a second attempt. He is able to escape with Megalena. Ginotti, a member of the bandits, befriends Wolfstein.
Wolfstein and Megalena flee to Genoa where they live together. Olympia, a woman of the town, seduces Wolfstein. Megalena, enraged by the relationship, demands that Wolfstein kill Olympia. Armed with a dagger, Wolfstein is unable to kill her. Olympia kills herself.
Ginotti follows Wolfstein. Ginotti is a member of the Rosicrucian, or Rose Cross, Order. He is an alchemist who seeks the secret of immortality. [6] He tells Wolfstein that he will give him the secret to immortality if he will renounce his faith and join the sect.
Eloise de St. Irvyne is the sister of Wolfstein who lives in Geneva, Switzerland. Ginotti, under his new identity of Frederic Nempere, travels to Geneva and seeks to seduce her.
Ginotti reveals his experiments in his lifelong quest to find the secret of eternal life: "From my earliest youth, before it was quenched by complete satiation, curiosity, and a desire of unveiling the latent mysteries of nature, was the passion by which all the other emotions of my mind were intellectually organized. ... Natural philosophy at last became the peculiar science to which I directed my eager enquiries." He has studied science and the laws of nature to ascertain the mysteries of life and of being: "I thought of death---... I cannot die.---'Will not this nature---will not the matter of which it is composed---exist to all eternity? Ah! I know it will; and, by the exertions of the energies with which nature has gifted me, well I know it shall.'" Ginotti tells Wolfstein that he will reveal the "secret of immortal life" to him if he will take certain prescribed ingredients and "mix them according to the directions which this book will communicate to you" and meet him in the abbey at St. Irvyne.
In the final scene, which takes place at the abbey of St. Irvyne in France, Wolfstein finds the corpse of Megalena in the vaults. An emaciated Ginotti confronts Wolfstein. Wolfstein is asked if he will deny his Creator. Wolfstein refuses to renounce his faith. Lightning strikes the vaults as thunder and a sulphurous windstorm blast the abbey. Both men are struck dead. This is the penalty they pay for "the delusion of the passions", for tampering with forces that they neither can control nor understand in seeking "endless life".
The novel, originally intended as a much longer "triple decker" novel, circulated as part of the "circulating libraries" which were popular at that time. [7] This was a source of revenue for the publisher of the novel. Shelley ended the novella abruptly, deciding not to develop or integrate the two strands. The result was a much shorter work.
Critics attacked the novel, which received generally negative reviews. The conservative British periodical The Anti-Jacobin Review and Magazine, in a January 1812 review, castigated "the writer, who can outrage nature and common sense in almost every page of his book". The reviewer sought to deter readers from "the perusal of unprofitable and vicious productions."
French author Maurice Sarfati adapted the novel as Wolfstein et Mégaléna, ou La Vengeance du Rosiccrucien, or Wolfstein and Megalena, the Vengeance of the Rosicrucian, in 1980. [8]
The novel was popular enough, however, to be made into two chapbooks in 1822 and 1850. The first chapbook version was entitled Wolfstein; or, The Mysterious Bandit and was published and printed by John Bailey at 116, Chancery Lane in London in 1822 after the original novel was republished that year. [7] [9] [10] [11] The chapbook version was a condensed version of the novella in 28 pages meant for popular consumption, serving the same function as a paperback would. The chapbook sold for sixpence.
The story is described on the title page as "A Terrific Romance" with an epigraph by Ossian: "A tale of horror, of murder, and of deeds done in darkness." Added to Wolfstein was the story The Bronze Statue, A Pathetic Tale by another author, Anna Jane Vardill. [7] "The Bronze Statue" had appeared for the first time in print as part of the "Annals of Public Justice" in The European Magazine of May, 1820, signed "V", i.e., Anna Jane Vardill.
Another more condensed twelve page chapbook was published in 1850 by Thomas Redriffe in London entitled Wolfstein, The Murderer; or, The Secrets of a Robber's Cave : A Terrific Romance. To which is Added, The Two Serpents, an Oriental Apologue. The Ossian epigraph appeared on the title page: "A tale of horror, of murder, and of deeds done in darkness." Printed for Thomas Redriffe, Piccadilly. The price was "Two-Pence". [12] [13]
John William Polidori was a British writer and physician. He is known for his associations with the Romantic movement and credited by some as the creator of the vampire genre of fantasy fiction. His most successful work was the short story "The Vampyre" (1819), the first published modern vampire story. Although the story was at first erroneously credited to Lord Byron, both Byron and Polidori affirmed that the author was Polidori.
This article contains information about the literary events and publications of 1818.
This article contains information about the literary events and publications of 1817.
This article contains information about the literary events and publications of 1816.
This article contains information about the literary events and publications of 1811.
This article contains information about the literary events and publications of 1810.
"The Vampyre" is a short work of prose fiction written in 1819 by John William Polidori, taken from the story told by Lord Byron as part of a contest among Polidori, Mary Shelley, Lord Byron, and Percy Shelley. The same contest produced the novel Frankenstein; or, The Modern Prometheus. "The Vampyre" is often viewed as the progenitor of the romantic vampire genre of fantasy fiction. The work is described by Christopher Frayling as "the first story successfully to fuse the disparate elements of vampirism into a coherent literary genre."
Mathilda, or Matilda, is the second long work of fiction of Mary Shelley, written between August 1819 and February 1820 and first published posthumously in 1959. It deals with the common Romantic themes of incest and suicide.
The Villa Diodati is a mansion in the village of Cologny near Lake Geneva in Switzerland, notable because Lord Byron rented it and stayed there with Dr. John Polidori in the summer of 1816. Mary Shelley, Percy Bysshe Shelley, and Mary’s stepsister Claire Clairmont, who had rented a house nearby, were frequent visitors. Because of poor weather, in June 1816 the group famously spent three days together inside the house creating stories to tell each other, two of which were developed into landmark works of the Gothic horror genre: Frankenstein by Mary Shelley and The Vampyre, the first modern vampire story, by Polidori.
Zastrozzi: A Romance is a Gothic novel by Percy Bysshe Shelley first published in 1810 in London by George Wilkie and John Robinson anonymously, with only the initials of the author's name, as "by P.B.S.". The first of Shelley's two early Gothic novellas, the other being St. Irvyne, outlines his atheistic worldview through the villain Zastrozzi and touches upon his earliest thoughts on irresponsible self-indulgence and violent revenge. An 1810 reviewer wrote that the main character "Zastrozzi is one of the most savage and improbable demons that ever issued from a diseased brain".
Frankenstein; or, The Modern Prometheus is an 1818 novel written by English author Mary Shelley. Frankenstein tells the story of Victor Frankenstein, a young scientist who creates a sapient creature in an unorthodox scientific experiment. Shelley started writing the story when she was 18, and the first edition was published anonymously in London on 1 January 1818, when she was 20. Her name first appeared in the second edition, which was published in Paris in 1821.
Wolfstein may refer to
Percy Bysshe Shelley was an English writer who is considered as one of the major English Romantic poets. A radical in his poetry as well as in his political and social views, Shelley did not achieve fame during his lifetime, but recognition of his achievements in poetry grew steadily following his death, and he became an important influence on subsequent generations of poets, including Robert Browning, Algernon Charles Swinburne, Thomas Hardy, and W. B. Yeats. American literary critic Harold Bloom describes him as "a superb craftsman, a lyric poet without rival, and surely one of the most advanced sceptical intellects ever to write a poem."
Mary Wollstonecraft Shelley was an English novelist who wrote the Gothic novel Frankenstein; or, The Modern Prometheus (1818), which is considered an early example of science fiction. She also edited and promoted the works of her husband, the Romantic poet and philosopher Percy Bysshe Shelley. Her father was the political philosopher William Godwin and her mother was the philosopher and women's rights advocate Mary Wollstonecraft.
Original Poetry by Victor and Cazire was a poetry collection written by Percy Bysshe Shelley and his sister Elizabeth which was printed by Charles and William Phillips in Worthing and published by John Joseph Stockdale in September 1810. The work was Shelley's first published volume of poetry. Shelley wrote the poems in collaboration with his sister Elizabeth. The poems were written before Shelley entered the University of Oxford.
Wolfstein; or, The Mysterious Bandit is an 1822 chapbook based on Percy Bysshe Shelley’s 1811 Gothic horror novel St. Irvyne; or, The Rosicrucian.
Since the initial publication of Mary Wollstonecraft Shelley's novel Frankenstein; or, The Modern Prometheus in 1818, there has existed uncertainty about the extent to which Mary Shelley's husband, Percy Bysshe Shelley, contributed to the text. Whilst the novel was conceived and mainly written by Mary, Percy is known to have provided input in editing and publishing the manuscript. Some critics have alleged that Percy had a greater role—even the majority role—in the creation of the novel, though mainstream scholars have generally dismissed these claims as exaggerated or unsubstantiated. Based on a transcription of the original manuscript, it is currently believed that Percy contributed between 4,000 and 5,000 words to the 72,000 word novel.
Wolfstein, The Murderer; or, The Secrets of a Robber's Cave is an 1850 chapbook based on Percy Bysshe Shelley’s 1811 Gothic horror novel St. Irvyne; or, The Rosicrucian.
"On Frankenstein" is a review of the 1818 novel Frankenstein; or, The Modern Prometheus. The review is written by Percy Bysshe Shelley in 1817 but was not published until 1832.
The eighteenth-century Gothic novel is a genre of Gothic fiction published between 1764 and roughly 1820, which had the greatest period of popularity in the 1790s. These works originated the term "Gothic" to refer to stories which evoked the sentimental and supernatural qualities of medieval romance with the new genre of the novel. After 1820, the eighteenth-century Gothic novel receded in popularity, largely overtaken by the related genre of historical fiction as pioneered by Walter Scott. The eighteenth-century Gothic was also followed by new genres of Gothic fiction like the Victorian penny dreadful.