Hellas is a verse drama by Percy Bysshe Shelley, written in 1821 and published in 1822 by Charles and James Ollier in London. Shelley wrote it while living in Pisa, with a view to raising money for the Greek War of Independence. It was to be Shelley's last published poem during his lifetime. [1]
The dedication of the drama was: To Ηis Εxcellency Prince Alexander Mavrocordato late secretary for foreign affairs to the Hospodar of Wallachia the drama of Hellas is inscribed as an imperfect token of the admiration, sympathy, and friendship of the author. Pisa, November 1, 1821.
The Greek politician Alexandros Mavrokordatos met Shelley during his stay in Pisa from 1818 to 1821.
The drama is written from the point of view of the Ottoman Sultan, and was inspired by Aeschylus' Persae .
The drama focuses on the Sultan, Mahmud, who controls the Turkish attacks on Greece. His sleep is restless and his mind worried by a recurring nightmare. He seeks help from the Wandering Jew, Ahasuerus, whom he believes has magic powers and can interpret his dream. During their conversation, Mahmud sinks more and more into despair as he, in spite of reports of Turkish victories, realizes that he has lost the war.
Alternating between the three dialogue parts is a chorus of enslaved Greek women, who furnish the drama with hope and aspirations for freedom's victory. Their participation is not directly connected to the insurrection of Greece, but rather expresses a universalized view of the futility of war.
The action is seen from the Turkish point of view, which makes it possible for Shelley to focus both on Turkish defeat, via Mahmud, and Greek victory, through the chorus. [2]
The last chorus from the drama contains the much-quoted stanzas:
Aeschylus was an ancient Greek tragedian often described as the father of tragedy. Academic knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them. Formerly, characters interacted only with the chorus.
Euripides was a tragedian of classical Athens. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. Some ancient scholars attributed ninety-five plays to him, but the Suda says it was ninety-two at most. Of these, eighteen or nineteen have survived more or less complete. There are many fragments of most of his other plays. More of his plays have survived intact than those of Aeschylus and Sophocles together, partly because his popularity grew as theirs declined—he became, in the Hellenistic Age, a cornerstone of ancient literary education, along with Homer, Demosthenes, and Menander.
In Greek mythology, Prometheus is one of the Titans and a god of fire. Prometheus is best known for defying the Olympian gods by stealing fire from them and giving it to humanity in the form of technology, knowledge, and more generally, civilization.
Sophocles was an ancient Greek tragedian, known as one of three from whom at least one play has survived in full. His first plays were written later than, or contemporary with, those of Aeschylus; and earlier than, or contemporary with, those of Euripides. Sophocles wrote over 120 plays, but only seven have survived in a complete form: Ajax, Antigone, Women of Trachis, Oedipus Rex, Electra, Philoctetes, and Oedipus at Colonus. For almost fifty years, Sophocles was the most celebrated playwright in the dramatic competitions of the city-state of Athens which took place during the religious festivals of the Lenaea and the Dionysia. He competed in thirty competitions, won twenty-four, and was never judged lower than second place. Aeschylus won thirteen competitions, and was sometimes defeated by Sophocles; Euripides won four.
Tragedy is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain [that] awakens pleasure,” for the audience. While many cultures have developed forms that provoke this paradoxical response, the term tragedy often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it.
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A Greek chorus in the context of ancient Greek tragedy, comedy, satyr plays, is a homogeneous group of performers, who comment with a collective voice on the action of the scene they appear in. The chorus consisted of between 12 and 50 players, who variously danced, sang or spoke their lines in unison, and sometimes wore masks.
Mahmud II was the sultan of the Ottoman Empire from 1808 until his death in 1839. Often described as "Peter the Great of Turkey", Mahmud instituted extensive administrative, military, and fiscal reforms which culminated in the Decree of Tanzimat ("reorganization") that was carried out by his successors. His disbandment of the conservative Janissary corps removed a major obstacle to his and his successors' reforms in the Empire. Mahmud's reign was also marked by further Ottoman military defeat and loss of territory as a result of nationalist uprisings and European intervention.
Prometheus Bound is an ancient Greek tragedy traditionally attributed to Aeschylus and thought to have been composed sometime between 479 BC and the terminus ante quem of 424 BC. The tragedy is based on the myth of Prometheus, a Titan who defies Zeus, and protects and gives fire to mankind, for which he is subjected to the wrath of Zeus and punished.
The Persians is an ancient Greek tragedy written during the Classical period of Ancient Greece by the Greek tragedian Aeschylus. It is the second and only surviving part of a now otherwise lost trilogy that won the first prize at the dramatic competitions in Athens' City Dionysia festival in 472 BC, with Pericles serving as choregos.
A theatrical culture flourished in ancient Greece from 700 BC. At its centre was the city-state of Athens, which became a significant cultural, political, and religious place during this period, and theatre was institutionalised there as part of a festival called the Dionysia, which honoured the god Dionysus. Tragedy, comedy, and the satyr play were the three dramatic genres to emerge there. Athens exported the festival to its numerous colonies. Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements.
Greek tragedy is one of the three principal theatrical genres from Ancient Greece and Greek inhabited Anatolia, along with comedy and the satyr play. It reached its most significant form in Athens in the 5th century BC, the works of which are sometimes called Attic tragedy.
Pratinas was one of the early tragic poets who flourished at Athens at the beginning of the fifth century BCE, and whose combined efforts were thought by critics to have brought the art to its perfection.
The Theatre of Dionysus is an ancient Greek theatre in Athens. It is built on the south slope of the Acropolis hill, originally part of the sanctuary of Dionysus Eleuthereus. The first orchestra terrace was constructed on the site around the mid- to late-sixth century BC, where it hosted the City Dionysia. The theatre reached its fullest extent in the fourth century BC under the epistates of Lycurgus when it would have had a capacity of up to 25,000, and was in continuous use down to the Roman period. The theatre then fell into decay in the Byzantine era and was not identified, excavated and restored to its current condition until the nineteenth century.
The Suppliants, also called The Suppliant Maidens, The Suppliant Women, or Supplices is a play by Aeschylus. It was probably first performed "only a few years previous to the Oresteia, which was brought out 458 BC." It seems to be the first play in a tetralogy, sometimes referred to as the Danaid Tetralogy, which probably included the lost plays The Egyptians, and The Daughters of Danaus, and the satyr play Amymone. It was long thought to be the earliest surviving play by Aeschylus due to the relatively anachronistic function of the chorus as the protagonist of the drama. However, evidence discovered in the mid-twentieth century shows it one of Aeschylus' last plays, definitely written after The Persians and possibly after Seven Against Thebes. One reason The Suppliants was thought to be an early play was "its preponderance of choral lyric,. .. a succession of choral odes that are among the densest, most opulent, most purely lovely things in all Greek poetry."
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Peter Meineck is Professor of Classics in the Modern World at New York University. He is also the founder and humanities program director of Aquila Theatre and has held appointments at Princeton University and University of South Carolina.
Percy Bysshe Shelley was a British writer who is considered one of the major English Romantic poets. A radical in his poetry as well as in his political and social views, Shelley did not achieve fame during his lifetime, but recognition of his achievements in poetry grew steadily following his death, and he became an important influence on subsequent generations of poets, including Robert Browning, Algernon Charles Swinburne, Thomas Hardy, and W. B. Yeats. American literary critic Harold Bloom describes him as "a superb craftsman, a lyric poet without rival, and surely one of the most advanced sceptical intellects ever to write a poem."
Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. It is the oldest form of drama, though live theatre has now been joined by modern recorded forms. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. Places, normally buildings, where performances regularly take place are also called "theatres", as derived from the Ancient Greek θέατρον, itself from θεάομαι.
Thomas Medwin was an early 19th-century English writer, poet and translator. He is known chiefly for his biography of his cousin, Percy Bysshe Shelley, and for published recollections of his friend, Lord Byron.
The full text of Hellas at Wikisource