Author | John Lauritsen |
---|---|
Language | English |
Subjects | Percy Bysshe Shelley Frankenstein |
Publisher | Pagan Press |
Publication date | 2007 |
Publication place | United States |
Media type | Print (Paperback) |
Pages | 229 |
ISBN | 978-0-943742-14-4 (paperback) 978-0-943742-15-1 (library) |
The Man Who Wrote Frankenstein is a 2007 book written and published by John Lauritsen, which defends the unorthodox hypothesis that the poet Percy Bysshe Shelley, not his wife Mary Shelley, is the real author of Frankenstein; or, The Modern Prometheus (1818). The book also argues that the novel "has consistently been underrated and misinterpreted", and that its dominant theme is "male love."
Lauritsen argues that Percy Bysshe Shelley, not his wife Mary Shelley, is the real author of Frankenstein (1818), that the book "has consistently been underrated and misinterpreted", and that its dominant theme is "male love" or homoeroticism. Lauritsen criticizes feminists for constructing "a Mary Shelley myth, according to which she was a major literary figure, one whose genius had been overshadowed - not only by her husband, but also by the other male Romantics: Blake, Wordsworth, Coleridge, Byron, Keats." According to Lauritsen, Percy Bysshe Shelley did not want his authorship of Frankenstein; or, The Modern Prometheus to be known to the public, and for unknown reasons decided to attribute authorship to Mary Shelley, thus helping to begin a "hoax" that has persisted up to the present. Lauritsen maintains that revisions to Frankenstein made in 1823 and 1831 weakened the work, and that while it was ostensibly Mary Shelley who revised Frankenstein into its 1831 form, it may primarily have been revised by the political philosopher William Godwin. [1]
Lauritsen argues that handwriting alone cannot be used to determine the actual author of Frankenstein. The drafts and manuscripts are incomplete and in the final stages. Moreover, portions of the novel were dictated by Shelley as shown by several letters. [2]
The Man Who Wrote Frankenstein includes a favorable review of Shelley's Fiction (1998) by Phyllis Zimmerman, a book in which Zimmerman argues for Percy Bysshe Shelley's authorship of Frankenstein, and a short bibliography of books and articles about Percy Bysshe Shelley and Frankenstein. Lauritsen praises poet Edmund Blunden's Shelley: A Life Story (1946), calling it the best short biography about Percy Bysshe Shelley. [3]
The Man Who Wrote Frankenstein was first published in 2007 by Lauritsen's publishing company, Pagan Press. [4]
The Man Who Wrote Frankenstein received positive reviews from Jim Herrick in Gay Humanist Quarterly, [5] Hubert Kennedy in The Guide, [6] and the novelist Douglas Sadownick in The Gay & Lesbian Review Worldwide . [7] The book was also reviewed by Richard Labonte in the San Francisco Bay Times . [8]
Herrick commended Lauritsen for presenting a large amount of evidence, and found much of that evidence persuasive, including the difference in quality between Frankenstein and works such as Valperga and The Last Man, as well as that between the original and revised editions of Frankenstein itself, and Mary Shelley's lack of interest in the themes of Percy Bysshe Shelley's work. Herrick credited Lauritsen with carefully examining the "extra-textual evidence", and agreed with him that the fact that the original manuscript of Frankstein is in Mary Shelley's handwriting does not show that she composed the work. However, while he agreed with Lauritsen that Percy Bysshe Shelley had homoerotic feelings and deep friendships for men and that Frankenstein "contains potential homosexual relationships", he disagreed with Lauristen's view that Frankenstein was primarily written for gay men. [5]
Kennedy wrote that Lauritsen was "unafraid to go against accepted opinion and the entrenched literary establishment" and that his work was "intriguing and very readable", based on a careful review of the relevant evidence, and a welcome contribution to literature on the subject. He endorsed Lauritsen's argument that the quality of Frankenstein is inconsistent with that of works known to have been written by Mary Shelley, suggesting that the work was not by her, and also credited Lauritsen with refuting the argument that the fact that the surviving parts of the original manuscript of Frankenstein are in Mary Shelley's handwriting shows that the work must have been composed by her. He found Lauritsen's view that the novel's theme is "male love" persuasive, and predicted that it would appeal to gay men. However, he also predicted that while Lauritsen's thesis that Percy Bysshe Shelley is the real author of Frankenstein might be accepted by readers with no vested interest in the issue, it would be "vehemently rejected out of hand" by the "literary establishment". [6]
Sadownick wrote that Lauritsen confirmed his view that Frankenstein is a gay work in the same sense as Walt Whitman's Leaves of Grass (1855) and Oscar Wilde's "The Ballad of Reading Gaol" (1897), and offered a commendable psychological analysis, and a sensitive line-by-line reading, of the work. [7]
The Man Who Wrote Frankenstein was praised by the critic Camille Paglia, who wrote in Salon that "Lauritsen assembles an overwhelming case that Mary Shelley, as a badly educated teenager, could not possibly have written the soaring prose of 'Frankenstein' ... and that the so-called manuscript in her hand is simply one example of the clerical work she did for many writers as a copyist." Paglia compared Lauritsen's work to that of the critic Leslie Fiedler, concluding that The Man Who Wrote Frankenstein was, "a funny, wonderful, revelatory book that I hope will inspire ambitious graduate students and young faculty to strike blows for truth in our mired profession, paralyzed by convention and fear." [9]
The feminist Germaine Greer dismissed Lauritsen's thesis, writing in The Guardian that while he argues that Mary Shelley was not well educated enough to have written Frankenstein, his argument fails because "it is not a good, let alone a great novel and hardly merits the attention it has been given." [10] Lauritsen replied that Frankenstein "is a radical and disturbing work, containing some of the most beautiful prose in the English language ... a profound and moving masterpiece, fully worthy of its author, Percy Bysshe Shelley." [11] The English professor Charles E. Robinson also rejected Lauritsen's thesis, arguing that the testimony of authors such as Lord Byron, William Godwin, Claire Clairmont, Charles Clairmont, and Leigh Hunt, as well as the "nature of the manuscript evidence", showed that the work was "conceived and mainly written by Mary Shelley". [12]
John William Polidori was a British writer and physician. He is known for his associations with the Romantic movement and credited by some as the creator of the vampire genre of fantasy fiction. His most successful work was the short story "The Vampyre" (1819), the first published modern vampire story. Although the story was at first erroneously credited to Lord Byron, both Byron and Polidori affirmed that the author was Polidori.
The Last Man is an apocalyptic, dystopian science fiction novel by Mary Shelley, first published in 1826. The narrative concerns Europe in the late 21st century, ravaged by the rise of a bubonic plague pandemic that rapidly sweeps across the entire globe, ultimately resulting in the near-extinction of humanity. It also includes discussion of the British state as a republic, for which Shelley sat in meetings of the House of Commons to gain insight to the governmental system of the Romantic era. The novel includes many fictive allusions to her husband Percy Bysshe Shelley, who drowned in a shipwreck four years before the book's publication, as well as their close friend Lord Byron, who had died two years previously.
"The Vampyre" is a short work of prose fiction written in 1819 by John William Polidori, taken from the story told by Lord Byron as part of a contest among Polidori, Mary Shelley, Lord Byron, and Percy Shelley. The same contest produced the novel Frankenstein; or, The Modern Prometheus. "The Vampyre" is often viewed as the progenitor of the romantic vampire genre of fantasy fiction. The work is described by Christopher Frayling as "the first story successfully to fuse the disparate elements of vampirism into a coherent literary genre."
Zastrozzi: A Romance is a Gothic novel by Percy Bysshe Shelley first published in 1810 in London by George Wilkie and John Robinson anonymously, with only the initials of the author's name, as "by P.B.S.". The first of Shelley's two early Gothic novellas, the other being St. Irvyne, outlines his atheistic worldview through the villain Zastrozzi and touches upon his earliest thoughts on irresponsible self-indulgence and violent revenge. An 1810 reviewer wrote that the main character "Zastrozzi is one of the most savage and improbable demons that ever issued from a diseased brain".
Proserpine is a verse drama written for children by the English Romantic writers Mary Shelley and her husband Percy Bysshe Shelley. Mary wrote the blank verse drama and Percy contributed two lyric poems. Composed in 1820 while the Shelleys were living in Italy, it is often considered a partner to the Shelleys' play Midas. Proserpine was first published in the London periodical The Winter's Wreath in 1832. Whether the drama was ever intended to be staged is a point of debate among scholars.
"Maurice, or the Fisher's Cot" is a children's story by the Romantic writer Mary Shelley. Written in 1820 for Laurette Tighe, a daughter of her friends Margaret King and George William Tighe, Mary Shelley tried to have it published by her father, William Godwin, but he refused. The text was lost until 1997, when a manuscript copy was discovered in Italy.
Frankenstein; or, The Modern Prometheus is an 1818 novel written by English author Mary Shelley. Frankenstein tells the story of Victor Frankenstein, a young scientist who creates a sapient creature in an unorthodox scientific experiment. Shelley started writing the story when she was 18, and the first edition was published anonymously in London on 1 January 1818, when she was 20. Her name first appeared in the second edition, which was published in Paris in 1821.
History of a Six Weeks' Tour through a part of France, Switzerland, Germany, and Holland; with Letters Descriptive of a Sail Round the Lake of Geneva and of the Glaciers of Chamouni is a travel narrative by the English Romantic authors Mary Shelley and Percy Bysshe Shelley. Published anonymously in 1817, it describes two trips taken by Mary, Percy, and Mary's stepsister, Claire Clairmont: one across Europe in 1814, and one to Lake Geneva in 1816. Divided into three sections, the text consists of a journal, four letters, and Percy Shelley's poem "Mont Blanc". Apart from the poem, preface, and two letters, the text was primarily written and organised by Mary Shelley. In 1840 she revised the journal and the letters, republishing them in a collection of Percy Shelley's writings.
Percy Bysshe Shelley was an English writer who is considered as one of the major English Romantic poets. A radical in his poetry as well as in his political and social views, Shelley did not achieve fame during his lifetime, but recognition of his achievements in poetry grew steadily following his death, and he became an important influence on subsequent generations of poets, including Robert Browning, Algernon Charles Swinburne, Thomas Hardy, and W. B. Yeats. American literary critic Harold Bloom describes him as "a superb craftsman, a lyric poet without rival, and surely one of the most advanced sceptical intellects ever to write a poem."
St. Irvyne; or, The Rosicrucian: A Romance is a Gothic horror novel written by Percy Bysshe Shelley in 1810 and published by John Joseph Stockdale in December of that year, dated 1811, in London anonymously as "by a Gentleman of the University of Oxford" while the author was an undergraduate. The main character is Wolfstein, a solitary wanderer, who encounters Ginotti, an alchemist of the Rosicrucian or Rose Cross Order who seeks to impart the secret of immortality. The book was reprinted in 1822 by Stockdale and in 1840 in The Romancist and the Novelist's Library: The Best Works of the Best Authors, Vol. III, edited by William Hazlitt. The novella was a follow-up to Shelley's first prose work, Zastrozzi, published earlier in 1810. St. Irvyne was republished in 1986 by Oxford University Press as part of the World's Classics series along with Zastrozzi and in 2002 by Broadview Press.
"Fragment of Novel" is an unfinished 1819 vampire horror story written by Lord Byron. The story, also known as "A Fragment" and "The Burial: A Fragment", was one of the first in English to feature a vampire theme. The main character was Augustus Darvell. John William Polidori based his novella The Vampyre (1819), originally attributed in print to Lord Byron, on the Byron fragment. The vampire in the Polidori story, Lord Ruthven, was modelled on Byron himself. The story was the result of the meeting that Byron had in the summer of 1816 with Percy Bysshe Shelley where a "ghost writing" contest was proposed. This contest was also what led to the creation of Frankenstein according to Percy Bysshe Shelley's 1818 Preface to the novel. The story is important in the development and evolution of the vampire story in English literature as one of the first to feature the modern vampire as able to function in society in disguise. The short story first appeared under the title "A Fragment" in the 1819 collection Mazeppa: A Poem, published by John Murray in London.
Mary Wollstonecraft Shelley was an English novelist who wrote the Gothic novel Frankenstein; or, The Modern Prometheus (1818), which is considered an early example of science fiction. She also edited and promoted the works of her husband, the Romantic poet and philosopher Percy Bysshe Shelley. Her father was the political philosopher William Godwin and her mother was the philosopher and women's rights advocate Mary Wollstonecraft.
Original Poetry by Victor and Cazire was a poetry collection written by Percy Bysshe Shelley and his sister Elizabeth which was printed by Charles and William Phillips in Worthing and published by John Joseph Stockdale in September 1810. The work was Shelley's first published volume of poetry. Shelley wrote the poems in collaboration with his sister Elizabeth. The poems were written before Shelley entered the University of Oxford.
A Philosophical View of Reform is a major prose work by Percy Bysshe Shelley written in 1819-20 and first published in 1920 by Oxford University Press. The political essay is Shelley's longest prose work.
"The Cloud" is a major 1820 poem written by Percy Bysshe Shelley. "The Cloud" was written during late 1819 or early 1820, and submitted for publication on 12 July 1820. The work was published in the 1820 collection Prometheus Unbound, A Lyrical Drama, in Four Acts, With Other Poems by Charles and James Ollier in London in August 1820. The work was proof-read by John Gisborne. There were multiple drafts of the poem. The poem consists of six stanzas in anapestic or antidactylus meter, a foot with two unaccented syllables followed by an accented syllable.
"Mutability" is a poem by Percy Bysshe Shelley which appeared in the 1816 collection Alastor, or The Spirit of Solitude: And Other Poems. Half of the poem is quoted in his wife Mary Shelley's novel Frankenstein; or, The Modern Prometheus (1818) although his authorship is not acknowledged, while the 1816 poem by Leigh Hunt is acknowledged with the name of the author given. Only Percy Bysshe Shelley is not acknowledged as an author. There is also a prose version or further elaboration of the same themes of the poem in Frankenstein that immediately precedes the quotation of the poem.
Against Our Will: Men, Women and Rape is a 1975 book about rape by Susan Brownmiller, in which the author argues that rape is "a conscious process of intimidation by which all men keep all women in a state of fear."
A Vindication of Natural Diet is an 1813 book by Percy Bysshe Shelley on vegetarianism and animal rights. It was first written as part of the notes to Queen Mab, which was privately printed in 1813. Later in the same year the essay was separately published as a pamphlet.
Since the initial publication of Mary Wollstonecraft Shelley's novel Frankenstein; or, The Modern Prometheus in 1818, there has existed uncertainty about the extent to which Mary Shelley's husband, Percy Bysshe Shelley, contributed to the text. Whilst the novel was conceived and mainly written by Mary, Percy is known to have provided input in editing and publishing the manuscript. Some critics have alleged that Percy had a greater role—even the majority role—in the creation of the novel, though mainstream scholars have generally dismissed these claims as exaggerated or unsubstantiated. Based on a transcription of the original manuscript, it is currently believed that Percy contributed between 4,000 and 5,000 words to the 72,000 word novel.
"On Frankenstein" is a review of the 1818 novel Frankenstein; or, The Modern Prometheus. The review is written by Percy Bysshe Shelley in 1817 but was not published until 1832.