"A Dirge" is a poetic dirge composed by Percy Bysshe Shelley. [1] It was published posthumously in 1824 by his wife, Mary Shelley, in the collection Posthumous Poems. [2] [3] The text has been set to music by Frank Bridge, Charles Ives, Ottorino Resphigi, Roy Ewing Agnew, and Benjamin Britten.
The rhyme scheme of the eight lines is ABAB CCCB. The triplet of vain/strain/main in the second half of the poem adds to the sense of the piling up of emotions. It also has the effect of slowing down the poem.
The dominant themes of the poem are isolation, loneliness, and death. It is a scene of desolation and despair. The wind moans in a grief that cannot be expressed in words; the rain storm billows in vain; the trees are barren and their branches strain under the unceasing onslaught. A gloom pervades the world.
A dirge is a song meant to invoke and express the emotions of grief and mourning that are typical of a funeral. Images of nature are used to symbolize the grief he feels, such as the moaning and wild wind, the sullen clouds, the sad storm, the bare woods, the deep caves, and the dreary main. He imbues his natural surroundings with anthropomorphic characteristics and qualities to express his grief. The nouns are modified by adjectives that give them human attributes and traits to express his own emotions of dreariness and sadness. He concludes that the whole world is “wrong” and is grieving.
Shelley wrote the poem after the deaths of his friend John Keats and his son William who were buried in a cemetery in Rome. The untimely death of Keats reopened the floodgates of emotion for Shelley, inevitably leading him to reexperience the sadness and pain he felt for the death of his infant son.
In the second line, “Grief too sad for song,” Shelley argued that the grief was ineffable, inexpressible in words. There is no solace. The entire world is “wrong.”
The last line, “Wail, for the world’s wrong!”, provides a sense of hope and consolation.
Rough wind, that moanest loud
Grief too sad for song;
Wild wind, when sullen cloud
Knells all the night long;
Sad storm whose tears are vain,
Bare woods, whose branches strain,
Deep caves and dreary main,—
Wail, for the world's wrong!
An ode is a type of lyric poetry. Odes are elaborately structured poems praising or glorifying an event or individual, describing nature intellectually as well as emotionally. A classic ode is structured in three major parts: the strophe, the antistrophe, and the epode. Different forms such as the homostrophic ode and the irregular ode also enter.
This article contains information about the literary events and publications of 1819.
"Ode to the West Wind" is an ode, written by Percy Bysshe Shelley in 1819 in Cascine wood near Florence, Italy. It was originally published in 1820 by Charles Ollier in London as part of the collection Prometheus Unbound, A Lyrical Drama in Four Acts, With Other Poems. Perhaps more than anything else, Shelley wanted his message of reform and revolution spread, and the wind becomes the trope for spreading the word of change through the poet-prophet figure. Some also believe that the poem was written in response to the loss of his son, William in 1819. The ensuing pain influenced Shelley. The poem allegorises the role of the poet as the voice of change and revolution. At the time of composing this poem, Shelley without doubt had the Peterloo Massacre of August 1819 in mind. His other poems written at the same time—"The Masque of Anarchy", Prometheus Unbound, and "England in 1819"—take up these same themes of political change, revolution, and role of the poet.
"Love's Philosophy" is a poem by Percy Bysshe Shelley published in 1819.
"To a Skylark" is a poem completed by Percy Bysshe Shelley in late June 1820 and published accompanying his lyrical drama Prometheus Unbound by Charles and James Ollier in London.
Adonais: An Elegy on the Death of John Keats, Author of Endymion, Hyperion, etc. is a pastoral elegy written by Percy Bysshe Shelley for John Keats in 1821, and widely regarded as one of Shelley's best and best-known works. The poem, which is in 495 lines in 55 Spenserian stanzas, was composed in the spring of 1821 immediately after 11 April, when Shelley heard of Keats' death. It is a pastoral elegy, in the English tradition of John Milton's Lycidas. Shelley had studied and translated classical elegies. The title of the poem is modelled on ancient works, such as Achilleis, an epic poem by the 1st-century AD Roman poet Statius, and refers to the untimely death of the Greek Adonis, a god of fertility. Some critics suggest that Shelley used Virgil's tenth Eclogue, in praise of Cornelius Gallus, as a model.
"Hymn to Intellectual Beauty" is a poem written by Percy Bysshe Shelley in 1816 and published in 1817.
Nationality words link to articles with information on the nation's poetry or literature.
Zastrozzi: A Romance is a Gothic novel by Percy Bysshe Shelley first published in 1810 in London by George Wilkie and John Robinson anonymously, with only the initials of the author's name, as "by P.B.S.". The first of Shelley's two early Gothic novellas, the other being St. Irvyne, outlines his atheistic worldview through the villain Zastrozzi and touches upon his earliest thoughts on irresponsible self-indulgence and violent revenge. An 1810 reviewer wrote that the main character "Zastrozzi is one of the most savage and improbable demons that ever issued from a diseased brain".
Percy Bysshe Shelley was one of the major English Romantic poets. A radical in his poetry as well as in his political and social views, Shelley did not achieve fame during his lifetime, but recognition of his achievements in poetry grew steadily following his death and he became an important influence on subsequent generations of poets including Robert Browning, Algernon Charles Swinburne, Thomas Hardy, and W. B. Yeats. American literary critic Harold Bloom describes him as "a superb craftsman, a lyric poet without rival, and surely one of the most advanced sceptical intellects ever to write a poem."
St. Irvyne; or, The Rosicrucian: A Romance is a Gothic horror novel written by Percy Bysshe Shelley in 1810 and published by John Joseph Stockdale in December of that year, dated 1811, in London anonymously as "by a Gentleman of the University of Oxford" while the author was an undergraduate. The main character is Wolfstein, a solitary wanderer, who encounters Ginotti, an alchemist of the Rosicrucian or Rose Cross Order who seeks to impart the secret of immortality. The book was reprinted in 1822 by Stockdale and in 1840 in The Romancist and the Novelist's Library: The Best Works of the Best Authors, Vol. III, edited by William Hazlitt. The novella was a follow-up to Shelley's first prose work, Zastrozzi, published earlier in 1810. St. Irvyne was republished in 1986 by Oxford University Press as part of the World's Classics series along with Zastrozzi and in 2002 by Broadview Press.
The pastoral elegy is a poem about both death and idyllic rural life. Often, the pastoral elegy features shepherds. The genre is actually a subgroup of pastoral poetry, as the elegy takes the pastoral elements and relates them to expressing grief at a loss. This form of poetry has several key features, including the invocation of the Muse, expression of the shepherd's, or poet's, grief, praise of the deceased, a tirade against death, a detailing of the effects of this specific death upon nature, and eventually, the poet's simultaneous acceptance of death's inevitability and hope for immortality. Additional features sometimes found within pastoral elegies include a procession of mourners, satirical digressions about different topics stemming from the death, and symbolism through flowers, refrains, and rhetorical questions. The pastoral elegy is typically incredibly moving and in its most classic form, it concerns itself with simple, country figures. In ordinary pastoral poems, the shepherd is the poem's main character. In pastoral elegies, the deceased is often recast as a shepherd, despite what his role may have been in life. Further, after being recast as a shepherd, the deceased is often surrounded by classical mythology figures, such as nymphs, fauns, etc. Pastoral elegy is one of the forms of poems in Elizabethan poetry.
The Witch of Atlas is a major poetic work of the English romantic poet Percy Bysshe Shelley written in 1820 and published posthumously in 1824 in the Posthumous Poems collection. The poem was written in 78 ottava rima stanzas during the period when Prometheus Unbound and The Cloud were written and reflects similar themes. The theme of the poem is a quest for the perfect union.
A dirge is a somber song expressing mourning or grief.
"One Word Is Too Often Profaned" is a poem by Percy Bysshe Shelley, written in 1822 and published in 1824.
Original Poetry by Victor and Cazire was a poetry collection written by Percy Bysshe Shelley and his sister Elizabeth which was printed by Charles and William Phillips in Worthing and published by John Joseph Stockdale in September 1810. The work was Shelley's first published volume of poetry. Shelley wrote the poems in collaboration with his sister Elizabeth. The poems were written before Shelley entered the University of Oxford.
Posthumous Fragments of Margaret Nicholson was a collection of poetry published in November, 1810 by Percy Bysshe Shelley and his friend Thomas Jefferson Hogg while they were students at Oxford University. The pamphlet was subtitled: "Being Poems found amongst the Papers of that Noted Female who attempted the Life of the King in 1786. Edited by John Fitzvictor." The pamphlet was published by John Munday and Henry Slatter in Oxford and consisted of fictional fragments that were in the nature of a hoax and prank or burlesque.
The Triumph of Life was the last major work by Percy Bysshe Shelley before his death in 1822. The work was left unfinished. Shelley wrote the poem at Casa Magni in Lerici, Italy in the early summer of 1822. He modelled the poem, written in terza rima, on Petrarch's Trionfi and Dante's Divine Comedy.
"The Cloud" is a major 1820 poem written by Percy Bysshe Shelley. "The Cloud" was written during late 1819 or early 1820, and submitted for publication on 12 July 1820. The work was published in the 1820 collection Prometheus Unbound, A Lyrical Drama, in Four Acts, With Other Poems by Charles and James Ollier in London in August 1820. The work was proof-read by John Gisborne. There were multiple drafts of the poem. The poem consists of six stanzas in anapestic or antidactylus meter, a foot with two unaccented syllables followed by an accented syllable.
"Poetical Essay on the Existing State of Things" is an essay by Percy Bysshe Shelley published in 1811. The work was lost since its first appearance until a copy was found in 2006 and made available by the Bodleian Library in 2015. The anti-war and anti-imperialist work was intended to raise money for the radical Irish journalist Peter Finnerty, who had been imprisoned for libeling the Anglo-Irish politician Robert Stewart, Viscount Castlereagh, whom he accused of mistreating United Irish prisoners. The work is a precursor to The Masque of Anarchy and "England in 1819".
