"On Frankenstein" is a review of the 1818 novel Frankenstein; or, The Modern Prometheus . The review is written by Percy Bysshe Shelley in 1817 but was not published until 1832.
"On Frankenstein" is a review of the 1818 novel Frankenstein; or, The Modern Prometheus . The review is written by Percy Bysshe Shelley in 1817 but was not published until 1832.
The review was written by Percy Bysshe Shelley in 1817 to help promote the novel and to counter expected negative reviews. It remained unpublished, however, until after the third edition of Frankenstein appeared in 1831. [1] Percy Bysshe Shelley's cousin Thomas Medwin submitted it to the British literary magazine The Athenaeum for the Saturday, November 10, 1832 issue on page 730. [2] It was part of the series "The Shelley Papers" which appeared in The Athenaeum starting in September, 1832.
In his biography Life of Shelley, Medwin had written that he sought to have the review published to demonstrate that, contrary to claims, Shelley did not write the novel and did not have any role in its creation: "I have heard it asserted that the idea [of Frankenstein] was [Percy Bysshe] Shelley's, and that he assisted much in the development of the plot." Notwithstanding Medwin's own claims, the drafts and proofs of the novel showed that this statement was accurate. Shelley had come up with the idea for the novel, as Mary herself acknowledged in the 1831 Introduction, and he had, at the very least, made substantial contributions to the writing of the novel.[ citation needed ] Mary had not, however, included the review in her compilations and publications of Shelley's prose works. John Lauritsen in The Man Who Wrote Frankenstein argued that Mary suppressed the review because she feared it would expose Shelley as the true author of the novel.
The review was republished in Thomas Medwin's Memoir of Percy Bysshe Shelley; and Original Poems and Papers by Percy Bysshe Shelley: Now First Collected in 1833. [3] The review also appeared in The Prose Works of Percy Bysshe Shelley edited by E. B. Murray in 1993. [4]
The review was republished in The Man Who Wrote Frankenstein in 2007 and The Original Frankenstein edited by Charles E. Robinson in 2008.
Shelley wrote that the dialogues between the Being and De Lacey were the most powerful and moving in the novel. He wrote that the central moral of the novel is intolerance, describing innocent victims of prejudice in society, "who are best qualified to be its benefactors and its ornaments." Shelley argued that the Being was a product of a xenophobic society: "Treat a person ill, and he will become wicked."
Shelley referred to the monster as the "Being" five times in his review. He also referred to the anonymous author using a masculine pronoun, "he".
The British Library analysis noted the direct connection to Shelley's poem "Mont Blanc" which was published in 1817 in History of a Six Weeks' Tour . Frankenstein develops the theme of "necessity" which Shelley wrote about in that poem. It is a philosophical idea of the novel. [5]
The review related Frankenstein to Percy Bysshe Shelley's own works:
"The environment is an aspect Shelley also emphasises in his preface to the 1818 edition. He examines the way the monster turns against the world as a direct result of his treatment. For Shelley this is an example of the philosophical idea he defined as necessity, 'an immense and uninterrupted chain of causes and effects', which is explored in 'Mont Blanc' and is 'the direct moral' of Frankenstein. He points out that the monster’s mind is formed by impressions, and thus a conflict is created between Frankenstein monster’s good intentions (moments at which he is 'affectionate and full of moral sensibility') and the reactions of those around him to his 'tremendous' (frightening) appearance." [6]
Shelley concluded that the novel was "one of the most original and complete productions of the age."
William Godwin was an English journalist, political philosopher and novelist. He is considered one of the first exponents of utilitarianism and the first modern proponent of anarchism. Godwin is most famous for two books that he published within the space of a year: An Enquiry Concerning Political Justice, an attack on political institutions, and Things as They Are; or, The Adventures of Caleb Williams, an early mystery novel which attacks aristocratic privilege. Based on the success of both, Godwin featured prominently in the radical circles of London in the 1790s. He wrote prolifically in the genres of novels, history and demography throughout his life.
Clara Mary Jane Clairmont, or Claire Clairmont as she was commonly known, was the stepsister of the writer Mary Shelley and the mother of Lord Byron's daughter Allegra. She is thought to be the subject of a poem by Percy Bysshe Shelley.
"The Vampyre" is a short work of prose fiction written in 1819 by John William Polidori taken from the story Lord Byron told as part of a contest among Polidori, Mary Shelley, Lord Byron, and Percy Shelley. The same contest produced the novel Frankenstein; or, The Modern Prometheus. "The Vampyre" is often viewed as the progenitor of the romantic vampire genre of fantasy fiction. The work is described by Christopher Frayling as "the first story successfully to fuse the disparate elements of vampirism into a coherent literary genre."
Zastrozzi: A Romance is a Gothic novel by Percy Bysshe Shelley first published in 1810 in London by George Wilkie and John Robinson anonymously, with only the initials of the author's name, as "by P.B.S.". The first of Shelley's two early Gothic novellas, the other being St. Irvyne, outlines his atheistic worldview through the villain Zastrozzi and touches upon his earliest thoughts on irresponsible self-indulgence and violent revenge. An 1810 reviewer wrote that the main character "Zastrozzi is one of the most savage and improbable demons that ever issued from a diseased brain".
Proserpine is a verse drama written for children by the English Romantic writers Mary Shelley and her husband Percy Bysshe Shelley. Mary wrote the blank verse drama and Percy contributed two lyric poems. Composed in 1820 while the Shelleys were living in Italy, it is often considered a partner to the Shelleys' play Midas. Proserpine was first published in the London periodical The Winter's Wreath in 1832. Whether the drama was ever intended to be staged is a point of debate among scholars.
This is a bibliography of works by Mary Shelley, the British novelist, short story writer, dramatist, essayist, biographer, and travel writer, best known for her Gothic novel Frankenstein: or, The Modern Prometheus (1818). She also edited and promoted the works of her husband, the Romantic poet and philosopher Percy Bysshe Shelley. Until the 1970s, Mary Shelley was known mainly for her efforts to publish Percy Shelley's works and for Frankenstein. Recent scholarship has yielded a more comprehensive view of Mary Shelley’s achievements, however. Scholars have shown increasing interest in her literary output, particularly in her novels, which include the historical novels Valperga (1823) and Perkin Warbeck (1830), the apocalyptic novel The Last Man (1826), and her final two novels, Lodore (1835) and Falkner (1837). Studies of her lesser-known works such as the travel book Rambles in Germany and Italy (1844) and the biographical articles for Dionysius Lardner's Cabinet Cyclopaedia (1829–46) support the growing view that Mary Shelley remained a political radical throughout her life. Mary Shelley's works often argue that cooperation and sympathy, particularly as practised by women in the family, were the ways to reform civil society. This view was a direct challenge to the individualistic Romantic ethos promoted by Percy Shelley and Enlightenment political theories.
Frankenstein; or, The Modern Prometheus is an 1818 novel written by English author Mary Shelley. Frankenstein tells the story of Victor Frankenstein, a young scientist who creates a sapient creature in an unorthodox scientific experiment. Shelley started writing the story when she was 18, and the first edition was published anonymously in London on 1 January 1818, when she was 20. Her name first appeared in the second edition, which was published in Paris in 1821.
History of a Six Weeks' Tour through a part of France, Switzerland, Germany, and Holland; with Letters Descriptive of a Sail Round the Lake of Geneva and of the Glaciers of Chamouni is a travel narrative by the English Romantic authors Mary Shelley and Percy Bysshe Shelley. Published anonymously in 1817, it describes two trips taken by Mary, Percy, and Mary's stepsister, Claire Clairmont: one across Europe in 1814, and one to Lake Geneva in 1816. Divided into three sections, the text consists of a journal, four letters, and Percy Shelley's poem "Mont Blanc". Apart from the poem, preface, and two letters, the text was primarily written and organised by Mary Shelley. In 1840 she revised the journal and the letters, republishing them in a collection of Percy Shelley's writings.
Percy Bysshe Shelley was a British writer who is considered one of the major English Romantic poets. A radical in his poetry as well as in his political and social views, Shelley did not achieve fame during his lifetime, but recognition of his achievements in poetry grew steadily following his death, and he became an important influence on subsequent generations of poets, including Robert Browning, Algernon Charles Swinburne, Thomas Hardy, and W. B. Yeats. American literary critic Harold Bloom describes him as "a superb craftsman, a lyric poet without rival, and surely one of the most advanced sceptical intellects ever to write a poem."
St. Irvyne; or, The Rosicrucian: A Romance is a Gothic horror novel written by Percy Bysshe Shelley in 1810 and published by John Joseph Stockdale in December of that year, dated 1811, in London anonymously as "by a Gentleman of the University of Oxford" while the author was an undergraduate. The main character is Wolfstein, a solitary wanderer, who encounters Ginotti, an alchemist of the Rosicrucian or Rose Cross Order who seeks to impart the secret of immortality. The book was reprinted in 1822 by Stockdale and in 1840 in The Romancist and the Novelist's Library: The Best Works of the Best Authors, Vol. III, edited by William Hazlitt. The novella was a follow-up to Shelley's first prose work, Zastrozzi, published earlier in 1810. St. Irvyne was republished in 1986 by Oxford University Press as part of the World's Classics series along with Zastrozzi and in 2002 by Broadview Press.
Thomas Medwin was an early 19th-century English writer, poet and translator. He is known chiefly for his biography of his cousin, Percy Bysshe Shelley, and for published recollections of his friend, Lord Byron.
Mary Wollstonecraft Shelley was an English novelist who is best known for writing the Gothic novel Frankenstein; or, The Modern Prometheus (1818), which is considered an early example of science fiction. She also edited and promoted the works of her husband, the Romantic poet and philosopher Percy Bysshe Shelley. Her father was the political philosopher William Godwin and her mother was the philosopher and women's rights advocate Mary Wollstonecraft.
Original Poetry by Victor and Cazire was a poetry collection written by Percy Bysshe Shelley and his sister Elizabeth which was printed by Charles and William Phillips in Worthing and published by John Joseph Stockdale in September 1810. The work was Shelley's first published volume of poetry. Shelley wrote the poems in collaboration with his sister Elizabeth. The poems were written before Shelley entered the University of Oxford.
Posthumous Fragments of Margaret Nicholson was a collection of poetry published in November, 1810 by Percy Bysshe Shelley and his friend Thomas Jefferson Hogg while they were students at Oxford University. The pamphlet was subtitled: "Being Poems found amongst the Papers of that Noted Female who attempted the Life of the King in 1786. Edited by John Fitzvictor." The pamphlet was published by John Munday and Henry Slatter in Oxford and consisted of fictional fragments that were in the nature of a hoax and prank or burlesque.
"The Cloud" is a major 1820 poem written by Percy Bysshe Shelley. "The Cloud" was written during late 1819 or early 1820, and submitted for publication on 12 July 1820. The work was published in the 1820 collection Prometheus Unbound, A Lyrical Drama, in Four Acts, With Other Poems by Charles and James Ollier in London in August 1820. The work was proof-read by John Gisborne. There were multiple drafts of the poem. The poem consists of six stanzas in anapestic or antidactylus meter, a foot with two unaccented syllables followed by an accented syllable.
"Mutability" is a poem by Percy Bysshe Shelley which appeared in the 1816 collection Alastor, or The Spirit of Solitude: And Other Poems. Half of the poem is quoted in his wife Mary Shelley's novel Frankenstein; or, The Modern Prometheus (1818) although his authorship is not acknowledged, while the 1816 poem by Leigh Hunt is acknowledged with the name of the author given. Only Percy Bysshe Shelley is not acknowledged as an author. There is also a prose version or further elaboration of the same themes of the poem in Frankenstein that immediately precedes the quotation of the poem.
A Vindication of Natural Diet is an 1813 book by Percy Bysshe Shelley on vegetarianism and animal rights. It was first written as part of the notes to Queen Mab, which was privately printed in 1813. Later in the same year the essay was separately published as a pamphlet.
The Man Who Wrote Frankenstein is a 2007 book written and published by John Lauritsen, which defends the unorthodox hypothesis that the poet Percy Bysshe Shelley, not his wife Mary Shelley, is the real author of Frankenstein; or, The Modern Prometheus (1818). The book also argues that the novel "has consistently been underrated and misinterpreted", and that its dominant theme is "male love."
Wolfstein; or, The Mysterious Bandit is an 1822 chapbook based on Percy Bysshe Shelley’s 1811 Gothic horror novel St. Irvyne; or, The Rosicrucian.
Since the initial publication of Mary Wollstonecraft Shelley's novel Frankenstein; or, The Modern Prometheus in 1818, there has existed uncertainty about the extent to which Mary Shelley's husband, Percy Bysshe Shelley, contributed to the text. While the novel was conceived and mainly written by Mary, Percy is known to have provided input in editing and publishing the manuscript. Some critics have alleged that Percy had a greater role—even the majority role—in the creation of the novel, though mainstream scholars have generally dismissed these claims as exaggerated or unsubstantiated. Based on a transcription of the original manuscript, it is currently believed that Percy contributed between 4,000 and 5,000 words to the 72,000 word novel.
