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A monster movie, monster film, creature feature or giant monster film is a film that focuses on one or more characters struggling to survive attacks by one or more antagonistic monsters, often abnormally large ones. The film may also fall under the horror, comedy, fantasy, or science fiction genres. Monster movies originated with adaptations of horror folklore and literature.
The most common aspect of a monster movie is the struggle between a human collective of protagonists against one or more monsters, who often serve as the antagonistic force. In Japanese cinema, giant monsters known as kaiju often take up this role.
The monster is often created by a folly of mankind – an experiment gone wrong, the effects of radiation or the destruction of habitat. Or the monster is from outer space, has been on Earth for a long time with no one ever seeing it, or released (or awakened) from a prison of some sort where it was being held.
The monster is usually a villain, but can be a metaphor of humankind's continuous destruction; giant monsters since the introduction of The Beast from 20,000 Fathoms (1953) have for a time been considered a symbol of atomic warfare, for instance. On the contrary, Godzilla began in this fashion yet as time moved on his reputation quickly grew into that of a cultural icon to the Japanese, as much as Superman is a cultural symbol to America, with a number of films presenting Godzilla as a sort of protagonist who helps protect humans from other, more malevolent monsters.
The attempts of the humans to destroy the monster would at first be the usage of an opposing military force – an attempt that would antagonize the monster even more and prove useless (a cliché associated with the genre). The Godzilla series utilized the concept of a superweapon built by Japanese scientists to suppress him or any of the monsters he fights.
Historically, monsters have been depicted using stop motion animation, puppets, or creature suits. In the modern day, many monster movies have used CGI monsters.
The first feature-length films to include what are regarded as monsters were often classed as horror or science fiction films. The 1915 German silent film The Golem , directed by Paul Wegener, is one of the earliest examples of film to include a creature. The German Expressionist Nosferatu in 1922, and the depiction of a dragon in Fritz Lang's Die Nibelungen in 1924, followed tradition. In the 1930s, American film studios began to produce more successful films of this type, usually based on Gothic tales such as Dracula and Frankenstein in 1931, both heavily influenced by German Expressionism, followed by The Mummy (1932) and The Invisible Man (1933). Classified as horror films, they included iconic monsters.
Special effects animator Willis O'Brien worked on the 1925 fantasy adventure The Lost World , based on the novel of the same name. The book and film featured dinosaurs, the basis for many future movies. He began work on a similar film known as Creation in 1931, but the project was never completed. [2] Two years later, O'Brien produced special effects for the 1933 RKO film King Kong , directed by Merian C. Cooper. Since then, King Kong has not only become one of the most famous examples of a monster movie, but also is considered a landmark film in the history of cinema. The monster King Kong became a cultural icon, being featured in many other films and media since then. [3]
King Kong went on to inspire many other films of its genre and aspiring animators. A notable example was Ray Harryhausen, [4] who would work with Willis O'Brien on Mighty Joe Young in 1949. Following the re-release of King Kong in 1952, Harryhausen would later work on The Beast from 20,000 Fathoms in 1953. The film was about a fictional dinosaur, a Rhedosaurus, that was awakened from frozen ice in the Arctic Circle by an atomic bomb test. It is considered to be the film which kick-started the 1950s wave of “creature features” and the concept of combining nuclear paranoia with the genre. [5] Such films at the time included Creature from the Black Lagoon (1954), Them! (1954), It Came from Beneath the Sea (1955), Tarantula! (1955), The Deadly Mantis (1957) and 20 Million Miles to Earth (1957). The Giant Behemoth (1959) was an unacknowledged remake of The Beast from 20,000 Fathoms.
During the 1950s, Japanese film studio Toho produce their first successful kaiju films. Their first successful kaiju film was Godzilla (1954), which adapted the nuclear concept from The Beast from 20,000 Fathoms from a Japanese perspective, rooted in real-life Japanese historical events, such as the atomic bombings of Hiroshima and Nagasaki in 1945 and the Daigo Fukuryū Maru incident in 1954. [6] [7] The film's success spawned the Godzilla franchise, the longest-running film franchise in history. The titular monster has become a cultural icon, and one of the most recognizable monsters in cinema history. It also inspired a wave of kaiju films, such as Rodan from this time.
Godzilla, King of the Monsters! (1956), a re-edited Americanized version of Godzilla for the North American market, notably inspired Steven Spielberg when he was a youth. He described Godzilla as "the most masterful of all the dinosaur movies" because "it made you believe it was really happening." [8]
A parallel development during this era was the rise of the Z movie, films made outside the organized motion picture industry with ultra-low budgets. Grade-Z monster movies such as Plan 9 from Outer Space (1959) and The Creeping Terror (1964) are often listed among the worst films ever made because of their inept acting and amateurish special effects.
After 1960, American monster movies were less popular, yet were still produced. However, Japanese kaiju films were popular during this decade. In 1962, King Kong vs. Godzilla was a kaiju film produced by Toho featuring both Godzilla and King Kong. In 1965, Japanese studio Kadokawa Pictures started their own kaiju franchise to rival that of Godzilla, in the form of Gamera .
Ray Harryhausen continued to work on a number of films such as The Valley of Gwangi (1969), while Toho continued production of Godzilla and other kaiju films like Mothra (1961).
The Monster Times film magazine was founded in 1972. In 1973, The Monster Times conducted a poll to determine the most popular screen monster. Godzilla was voted the most popular movie monster, beating Count Dracula, King Kong, the Wolf Man, the Mummy, the Creature from the Black Lagoon, and Frankenstein's monster. [9]
In 1975, Steven Spielberg directed Jaws , which while labeled as a "thriller", features a large, animatronic great white shark. Jaws was an aquatic monster movie influenced by earlier monster films such as King Kong and Godzilla. [10] Jaws is one of the few monster movies based on a real incident: the New Jersey shark-attacks of 1916 (from which Peter Benchley got the idea for the story). Director John Guillermin remade King Kong in 1976. The xenomorph alien had its first appearance in the 1979 science-fiction/horror film Alien , directed by Ridley Scott. That was the same year when magazine Fangoria started being published, in response to the popularity of this genre.
Since the mid-1970s, with Mel Brooks' Young Frankenstein , and into the 1980s, monster movies like Larry Cohen's Q, the Winged Serpent (1982), Tom Holland's Fright Night (1985), George Romero's Creepshow (1982) and Ron Underwood's Tremors (1990) used comedy as a scaring device. Just before the technological revolution that made possible to create digital special effects thanks to CGI, the last generation of SFX artists impressed many with the quality and realism of their creations: Rick Baker, Stan Winston and Rob Bottin are among the most remarkable names in the industry.
1993 saw the release of Jurassic Park , based on the 1990 novel of the same name by Michael Crichton and directed by Steven Spielberg, which set a new benchmark in the genre with innovative use of CGI and tried-and-tested animatronics to recreate dinosaurs. The film was also influenced by Godzilla. [8] Jurassic Park was an enormous critical and commercial success and at one point held the title of the highest-grossing film of all time.
The success of Jurassic Park and its five sequels, The Lost World: Jurassic Park (1997), Jurassic Park III (2001), Jurassic World (2015), Jurassic World: Fallen Kingdom (2018) and Jurassic World Dominion (2022), made sure that dinosaurs like Tyrannosaurus rex and the Velociraptor established themselves in the public psyche. The movies also helped generate renewed interest in paleontology. While the films showed allegedly authentic dinosaurs which had been recreated by genetic engineering and could be understood as science fiction, advanced contemporary animation technology made it also possible to revive medieval legends about dragons. The successful feature film Dragonheart (1996) showed a friendly dragon voiced by Sean Connery.
Traditional monster movies re-emerged to a wider audience during the late 1990s. An American remake of Godzilla was made in 1998. The Godzilla featured in that film was considerably different from the original and many Godzilla fans disliked it, but it was a box office success. In 2002, a French monster film Brotherhood of the Wolf (2001) became the second-highest-grossing French-language film in the United States in the last two decades. [11] In 2004, Godzilla was temporarily retired following Godzilla: Final Wars . Director Peter Jackson, inspired by the original King Kong and Ray Harryhausen films, [4] remade King Kong in 2005, which was both a critical and commercial success. In 2006, a South Korean monster film, The Host , involved more political overtones than most of its genre. [12]
The 2008 monster movie, Cloverfield , a story in the vein of classic monster movies, focuses entirely on the perspective and reactions of the human cast and is regarded by some as a look at terrorism and the September 11 attacks metaphorically. [13] The following year The Water Horse: Legend of the Deep (2007) was released, in which the legendary Loch Ness Monster is portrayed as a playful creature menaced by overly aggressive humans. The British Independent Film Award-winning film Monsters , in a manner similar to Cloverfield, presented the story of a monster epidemic from the perspective of the humans affected by it. Although not entirely focused on monsters, blockbusters such as The Avengers and Prometheus included scenes that featured monsters posing threats to the protagonists.
In 2013, Warner Bros. and Legendary Pictures released the Guillermo del Toro film Pacific Rim . Though the film was heavily inspired by the kaiju and Mecha anime genres, del Toro wished to create something original with the film rather than to reference previous work. The film was a moderate success in the United States but a box office hit overseas. It received generally positive reviews with significant praise for the film's special effects. A sequel, Pacific Rim Uprising , was released in 2018.
In 2014, Warner Bros. and Legendary Pictures released Godzilla , a reboot of the Godzilla franchise directed by Gareth Edwards. Legendary originally intended to produce a trilogy with Edwards attached to direct all films. [14] Shortly afterwards, Legendary announced a shared cinematic universe between Godzilla and King Kong, titled MonsterVerse. [15] Two years later in 2016, Toho rebooted the Godzilla franchise with Shin Godzilla . [16] Kong: Skull Island was released in March 2017, a reboot of the King Kong franchise and second film in Legendary's MonsterVerse. The third film in the MonsterVerse, Godzilla: King of the Monsters was released on May 31, 2019. Michael Dougherty directed the film and featured Rodan, Mothra, and King Ghidorah. [17] The fourth film in the MonsterVerse, Godzilla vs. Kong , directed by Adam Wingard, [18] was released on March 31, 2021. [19]
Godzilla is a fictional monster, or kaiju, that debuted in the eponymous 1954 film, directed and co-written by Ishirō Honda. The character has since become an international pop culture icon, appearing in various media: 33 Japanese films produced by Toho Co., Ltd., five American films, and numerous video games, novels, comic books, and television shows. Godzilla has been dubbed the King of the Monsters, an epithet first used in Godzilla, King of the Monsters! (1956), the American localization of the 1954 film.
King Kong vs. Godzilla is a 1962 Japanese kaiju film directed by Ishirō Honda, with special effects by Eiji Tsuburaya. Produced and distributed by Toho Co., Ltd, it is the third film in both the Godzilla and King Kong franchises, as well as the first Toho-produced film featuring King Kong. It is also the first time that each character appeared on film in color and widescreen. The film stars Shoichi Hirose as King Kong and Haruo Nakajima as Godzilla with Shoichi Hirose, Tadao Takashima, Kenji Sahara, Yū Fujiki, Ichirō Arishima, and Mie Hama playing other prominent roles. In the film, Godzilla is reawakened by an American submarine and a pharmaceutical company captures King Kong for promotional uses, culminating in a battle on Mount Fuji.
Ebirah, Horror of the Deep is a 1966 Japanese kaiju film directed by Jun Fukuda and produced and distributed by Toho Co., Ltd. The film stars Akira Takarada, Kumi Mizuno, Akihiko Hirata and Eisei Amamoto, and features the fictional monster characters Godzilla, Mothra, and Ebirah. It is the seventh film in the Godzilla franchise, and features special effects by Sadamasa Arikawa, under the supervision of Eiji Tsuburaya. In the film, Godzilla and Ebirah are portrayed by Haruo Nakajima and Hiroshi Sekita, respectively.
Terror of Mechagodzilla is a 1975 Japanese kaiju film directed by Ishirō Honda, written by Yukiko Takayama, and produced by Tomoyuki Tanaka and Henry G. Saperstein, with special effects by Teruyoshi Nakano. Distributed by Toho and produced under their effects subsidiary Toho–Eizo, it is the 15th film in the Godzilla franchise, serving as a direct sequel to the 1974 film Godzilla vs. Mechagodzilla and the penultimate entry of the Showa Era of the franchise, followed nine years later with The Return of Godzilla. It was the final film directed by series creator Ishirō Honda before his death.
Godzilla vs. King Ghidorah is a 1991 Japanese kaiju film written and directed by Kazuki Ōmori and produced by Shōgo Tomiyama. Distributed by Toho and produced under their subsidiary Toho Pictures, it is the 18th film in the Godzilla franchise, and is the third film in the franchise's Heisei period. The film features the fictional monster characters Godzilla and King Ghidorah, and stars Kōsuke Toyohara, Anna Nakagawa, Megumi Odaka, Katsuhiko Sasaki, Akiji Kobayashi, Yoshio Tsuchiya, and Robert Scott Field. The plot revolves around time-travelers from the future who convince Japan to travel back in time to prevent Godzilla's mutation, only to reveal their true motives by unleashing King Ghidorah onto the nation.
Kaiju is a Japanese term that is commonly associated with media involving giant monsters. The kaiju film genre is credited to tokusatsu director Eiji Tsuburaya and filmmaker Ishirō Honda, who popularized it by creating the Godzilla franchise and its spin-offs. The term can also refer to the monsters themselves, which are usually depicted attacking major cities and battling either the military or other creatures.
Gamera is a fictional monster, or kaiju, originating from a series of Japanese films. Debuting in the 1965 film Gamera, the Giant Monster, the character and the first film were intended to compete with the success of Toho's Godzilla film series. Since then, Gamera has become a Japanese icon in his own right, appearing in a total of 12 films produced by Daiei Film and later by Tokuma Shoten and Kadokawa Daiei Studio respectively, and various other media such as novelizations, manga, video games, and so on.
Mothra is a fictional monster or kaiju, that first appeared in the 1961 film Mothra, produced and distributed by Toho Studios. Mothra has appeared in several Toho tokusatsu films, often as a recurring monster in the Godzilla franchise. She is typically portrayed as a colossal sentient larva (caterpillar) or imago, accompanied by two miniature fairies speaking on her behalf. Unlike several other Toho monsters, Mothra is a largely heroic character, having been variously portrayed as a protector of her own island culture, the Earth and Japan. Mothra's design is influenced by silkworms, their imagos, and those of giant silk moths in the family Saturniidae. The character is often depicted hatching offspring when approaching death, a nod to the Saṃsāra doctrine of numerous Indian religions.
King Ghidorah is a fictional monster, or alien, or kaiju, which first appeared in Ishirō Honda's 1964 film Ghidorah, the Three-Headed Monster. The creature was initially created by Tomoyuki Tanaka, Eiji Tsuburaya, and Shinichi Sekizawa as an homage to the eight-headed mythological Japanese dragon Yamata no Orochi. Although the name of the character is officially trademarked by Toho as "King Ghidorah", the character was originally referred to as Ghidorah, Ghidrah, or Monster Zero in some English markets.
Tokusatsu is a Japanese term for live-action films or television programs that make heavy use of practical special effects. Credited to special effects director Eiji Tsuburaya, tokusatsu mainly refers to science fiction, war, fantasy, or horror media featuring such technology but is also occasionally dubbed a genre itself. Its contemporary use originated in the Japanese mass media around 1958 to explain special effects in an easy-to-understand manner and was popularized during the "first monster boom" (1966-1968). Prior to the monster boom, it was known in Japan as Tokushu gijutsu or shortened Tokugi.
Godzilla vs. Mechagodzilla II, is a 1993 Japanese kaiju film directed by Takao Okawara, with special effects by Kōichi Kawakita. Distributed by Toho and produced under their subsidiary Toho Pictures, it is the 20th film in the Godzilla franchise, as well as the fifth film to be released during the franchise's Heisei era. The film features the fictional monster character Godzilla, along with Baby Godzilla, Rodan and the mecha character Mechagodzilla. Despite its English title, the film is not a sequel to the 1974 film Godzilla vs. Mechagodzilla.
The Beast from 20,000 Fathoms is a 1953 American independent monster film directed by Eugène Lourié, with stop motion animation by Ray Harryhausen. It is partly based on Ray Bradbury's 1951 short story of the same name, which was later reprinted as "The Fog Horn". In the film, the Rhedosaurus, a giant dinosaur is released from its frozen state in the Arctic by an atomic bomb test. Paul Christian stars as Thomas Nesbitt, the foremost surviving witness of the creature before it causes havoc while traveling toward New York. Paula Raymond, Cecil Kellaway, and Kenneth Tobey are featured in supporting roles.
Godzilla is a Japanese monster, or kaiju, that has been featured in films, television series, novels, comic books, video games, and other merchandise. The films series are centered on the fictional kaiju Godzilla, a prehistoric reptilian monster awakened and powered by nuclear radiation. The films series are recognized by the Guinness World Records as the "longest continuously running film series", having been in ongoing production since 1954, with several hiatuses of varying lengths. There are 38 Godzilla films: 33 Japanese films produced and distributed by Toho Co., Ltd., and five American films; one by TriStar Pictures and four films by Legendary Pictures.
The Rhedosaurus is a fictional dinosaur that debuted in the 1953 monster film The Beast from 20,000 Fathoms, directed and co-written by Eugène Lourié. The Rhedosaurus is depicted as a giant, destructive, prehistoric reptile that is immune to most modern artillery in its major on-screen appearance, and would later appear in the 1977 science fiction film Planet of Dinosaurs.
As an enduring and iconic symbol of post-World War II cinematic history, the fictional giant monster Godzilla has been referenced and parodied numerous times in popular culture. Godzilla and other atomic monsters have appeared in a variety of mediums, including cartoons, film, literature, television, and video games.
Godzilla is a 2014 American monster film directed by Gareth Edwards. Produced by Legendary Pictures and distributed by Warner Bros. Pictures, it is a reboot of Toho's Godzilla franchise, and the first film in Legendary's Monsterverse franchise. It is the 30th film in the Godzilla franchise, and the second Godzilla film to be completely produced by a Hollywood studio. The film stars Aaron Taylor-Johnson, Ken Watanabe, Elizabeth Olsen, Juliette Binoche, Sally Hawkins, David Strathairn, and Bryan Cranston. In the film, an American soldier attempts to return to his family while caught in the crossfire of an ancient rivalry between Godzilla and two parasitic monsters known as MUTOs.
The MUTOs are fictional monsters, or kaiju, in Legendary Pictures' MonsterVerse media franchise. The characters first appeared as the antagonists in Godzilla (2014), directed by Gareth Edwards. While the term "MUTO" is mainly used to label the two parasitic monsters, it is intended to flag unidentified creatures. Edwards likened the term to UFO for monsters. Edwards noted that it took over a year to create a design intended to be new and different and credited a majority of the design to Matt Allsopp; inspiration was drawn from past American monster films.
King Kong is an American monster media franchise that consists of thirteen films, as well as television, novels, comic books, video games, attractions, and other merchandise. The franchise is centered on King Kong, a giant ape living on a primordial island inhabited by prehistoric creatures. The original film King Kong was co-directed by Merian C. Cooper and Ernest B. Schoedsack and was released on March 2, 1933; it was a box office success, despite opening during the Great Depression. The film's stop motion effects by Willis H. O'Brien revolutionized special effects, leaving a lasting impact on the film industry worldwide.
Godzilla is a fictional monster, or kaiju, and one of the protagonists in Legendary Pictures' Monsterverse media franchise and based on Toho Co., Ltd.'s character of the same name.
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