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Godzilla film series character
Mosura trailer - Mothra flying.png
First appearance Mothra (1961)
Created by
AliasTitanus Mosura
Queen of the Monsters
The Thing
SpeciesGiant moth
Gender Female

Mothra(モスラ,Mosura) is a fictional monster, or kaiju , that first appeared in the 1961 film Mothra , produced and distributed by Toho Studios. Mothra has appeared in several Toho tokusatsu films, most often as a recurring character in the Godzilla franchise. She is typically portrayed as a colossal sentient larva (caterpillar) or imago (moth), accompanied by two miniature female humanoids speaking on her behalf. Unlike other Toho monsters, Mothra is a largely heroic character, having been variously portrayed as a protector of her own island culture, [1] the Earth [2] and Japan. [3] Though identified as a kind of moth, the character's design incorporates elements more frequently associated with butterflies, and has caddisfly-like mandibles rather than a proboscis. The character is often depicted hatching offspring (in some cases, twins) when approaching death, a nod to the Saṃsāra doctrine of numerous Indian religions. [4]

<i>Kaiju</i> genre of tokusatsu (live-action film) entertainment

Kaiju refers to a Japanese genre of films which feature giant monsters. The term kaiju can also be used to describe the giant monsters themselves, which are usually depicted attacking major cities and engaging the military and other monsters, or other kaiju, in battle. The kaiju genre is a subgenre of tokusatsu entertainment, and can be considered synonymous with the term "Japanese monster movies". The term kaiju originated from the Chinese text Classic of Mountains and Seas.

<i>Mothra</i> (film) 1961 film directed by Ishirō Honda

Mothra is a 1961 kaiju film directed by Ishirō Honda and produced by Toho Studios, with special effects by Eiji Tsuburaya. It is the genre film debut of screenwriter Shinichi Sekizawa, whose approach to Toho's monster and fantasy films grew to prominence during the 1960s. The film stars Frankie Sakai, a popular comedian in Japan at the time, and Hiroshi Koizumi, in the first of many roles he would adopt in tokusatsu films. Jerry Ito also stars in the film, marking his only appearance in a Toho kaiju film.

Toho Japanese film production company

Toho Co., Ltd. is a Japanese film, theater production, and distribution company. It has its headquarters in Yūrakuchō, Chiyoda, Tokyo, Tokyo and is one of the core companies of the Hankyu Hanshin Toho Group. Outside Japan, it is best known as the producer and distributor of many kaiju and tokusatsu films, the Chouseishin tokusatsu superhero television franchise, the films of Akira Kurosawa, and the anime films of Studio Ghibli, TMS Entertainment and OLM, Inc.. Other famous directors, including Yasujirō Ozu, Kenji Mizoguchi, Masaki Kobayashi, and Mikio Naruse, also directed films for Toho.


Mothra is one of Toho’s most popular monsters and second only to Godzilla in its total number of film appearances. Polls taken during the early 1990s indicated that Mothra was particularly popular among women who were, at the time, the largest demographic among Japan's movie-going audience, a fact that prompted the filming of 1992's Godzilla vs. Mothra , which was the best-attended Toho film since King Kong vs. Godzilla . [5] IGN listed Mothra as #3 on their "Top 10 Japanese Movie Monsters" list, [6] while Complex listed the character as #7 on its "The 15 Most Badass Kaiju Monsters of All Time" list. [7]

Godzilla giant monster

Godzilla is a fictional monster, or kaiju, originating from a series of Japanese films of the same name. The character first appeared in Ishirō Honda's 1954 film Godzilla and became a worldwide pop culture icon, appearing in various media, including 32 films produced by Toho, three Hollywood films and numerous video games, novels, comic books and television shows. Godzilla has been dubbed the King of the Monsters, a phrase first used in Godzilla, King of the Monsters!, the Americanized version of the original film.

<i>Godzilla vs. Mothra</i> 1992 film by Takao Okawara

Godzilla vs. Mothra is a 1992 Japanese kaiju film directed by Takao Okawara, written by Kazuki Ōmori, and produced by Shogo Tomiyama. Produced and distributed by Toho Studios, it is the 19th film in the Godzilla franchise, and is the fourth film in the franchise's Heisei period. The film features the fictional monster characters Godzilla, Mothra, and Battra, and stars Tetsuya Bessho, Satomi Kobayashi, Takehiro Murata, Megumi Odaka, Shiori Yonezawa, Makoto Otake, Akiji Kobayashi, Koichi Ueda, Shinya Owada, Keiko Imamura, Sayaka Osawa, Saburo Shinoda and Akira Takarada, with Kenpachiro Satsuma as Godzilla. The plot follows Battra and Mothra's attempts to stop Godzilla from attacking Yokohama.

<i>King Kong vs. Godzilla</i> 1962 film by Ishirō Honda

King Kong vs. Godzilla is a 1962 Japanese kaiju film directed by Ishirō Honda, with special effects by Eiji Tsuburaya. Produced and distributed by Toho, it is the third film in the Godzilla franchise, and the first of two Toho-produced films featuring King Kong. It is also the first time that both characters appeared on film in color and widescreen. The film stars Tadao Takashima, Kenji Sahara, Yū Fujiki, Ichirō Arishima, and Mie Hama, with Shoichi Hirose as King Kong and Haruo Nakajima as Godzilla. In the film, as Godzilla is reawakened by an American submarine, a pharmaceutical company captures King Kong for promotional uses, which culminates into a battle on Mount Fuji.



The name Mothra(モスラ) is the suffixation of "-ra" to the English word "moth"; since the Japanese language does not have dental fricatives, it is approximated "Mosura" in Japanese. The "ra" suffix follows the precedent set by Godzilla (Gojira), [8] which in turn is derived from kujira((クジラ), "whale"), which serves to indicate the character's enormous size.

The dental fricative or interdental fricative is a fricative consonant pronounced with the tip of the tongue against the teeth. There are several types :

Whale Marine mammals of the order Cetacea

Whales are a widely distributed and diverse group of fully aquatic placental marine mammals. They are an informal grouping within the infraorder Cetacea, usually excluding dolphins and porpoises. Whales, dolphins and porpoises belong to the order Cetartiodactyla, which consists of even-toed ungulates. Their closest living relatives are the hippopotamuses, having diverged about 40 million years ago. The two parvorders of whales, baleen whales (Mysticeti) and toothed whales (Odontoceti), are thought to have split apart around 34 million years ago. Whales consist of eight extant families: Balaenopteridae, Balaenidae, Cetotheriidae, Eschrichtiidae, Monodontidae, Physeteridae, Kogiidae, and Ziphiidae.

During its promotion of Mothra vs. Godzilla for the American market, American International Pictures entitled the movie Godzilla vs. the Thing, probably to avoid legal action from Columbia Pictures, which had released the original Mothra. [9]

<i>Mothra vs. Godzilla</i> 1964 film directed by Ishirō Honda

Mothra vs. Godzilla is a 1964 Japanese kaiju film directed by Ishirō Honda and starring Akira Takarada, Kenji Sahara and Hiroshi Koizumi. It is the fourth film in the Godzilla franchise, and features the fictional monster characters Godzilla and Mothra, with the former being portrayed by Haruo Nakajima.

American International Pictures film production company

American International Pictures (AIP) was an independent film production and distribution company formed on April 2, 1954 as American Releasing Corporation (ARC) by James H. Nicholson, former Sales Manager of Realart Pictures, and Samuel Z. Arkoff, an entertainment lawyer. It was dedicated to releasing low-budget films packaged as double features, primarily of interest to the teenagers of the 1950s, 1960s, and 1970s. Nicholson and Arkoff formed ARC in 1954; their first release was The Fast and the Furious in 1955.

Columbia Pictures Industries, Inc. is an American film studio and production company that is a member of the Sony Pictures Motion Picture Group, a division of Sony Entertainment's Sony Pictures subsidiary of the Japanese multinational conglomerate Sony Corporation.


Mothra was first conceived in the January 1961 serial The Luminous Fairies and Mothra by authors Shinichiro Nakamura, Takehiko Fukunaga and Yoshie Hotta, who had been commissioned by Toho to write the outline of a future film. [10] The character was further developed by Shinichi Sekizawa, whose experiences of starving in the South Pacific islands during World War II prompted him to envision a movie featuring an island where mysterious events occurred. [11]

In publishing and library and information science, the term serial is applied to materials "in any medium issued under the same title in a succession of discrete parts, usually numbered and appearing at regular or irregular intervals with no predetermined conclusion."

The Luminous Fairies and Mothra (発光妖精とモスラ) is a serialized novel written by Takehiko Fukunaga, Shinichiro Nakamura, and Yoshie Hotta. Originally serialized in Weekly Asahi and later collected in paperback form, the novel was the basis for the 1961 film Mothra and is the first appearance of the kaiju Mothra. Not much is known about what differences from the finished screenplay it may have had, except that the fairies were called Airenas and there were more than two.

Shinichi Sekizawa was a Japanese screenwriter. His very first screenplay was for the independently-produced film Fearful Attack of the Flying Saucers, which was also his sole directing credit. He went on to script several films by Ishirō Honda, including several classic Godzilla films. He also contributed material to the original Ultraman series and several Tōei Dōga films such as Jack and the Witch.

In her 1961 debut, Mothra's adult form consisted of a wire-operated mechanical puppet, while the larva was a suitmation puppet operated by six stuntmen crawling in single file. In Mothra vs. Godzilla three years later, the adult Mothra puppet was modified with radio-controlled legs, while the larvae were portrayed via a combination of motor-driven props and hand puppets. [12] The larval Mothra featured in Ghidorah, the Three-Headed Monster remained largely unchanged from its previous appearance, though the color of its eyes was changed from blue to red. [13] The adult Mothra prop featured in Mothra vs. Godzilla was reused in Ebirah, Horror of the Deep , though previous heavy use had dulled its colors, frayed the fur on the head and damaged the wings. [14]

During the early Heisei era of Godzilla films, which ignored the continuity established in pre-1984 movies, several attempts were made to develop a Mothra standalone feature. Akira Murao wrote a screenplay in 1980 entitled Mothra vs. Bagan, which revolved around a shape-shifting dragon called Bagan who sought to destroy humanity for its abuse of the Earth's resources, only to be defeated by Mothra, the god of peace. The screenplay was revised by Kazuki Ōmori after the release of Godzilla vs. Biollante , though the project was ultimately scrapped by Toho, under the assumption that Mothra was a character born purely out of Japanese culture and thus would have been difficult to market overseas, unlike the more internationally recognized Godzilla. [15] With the success of Godzilla vs. King Ghidorah , Toho sought to continue the series' newfound profitability by reintroducing familiar monsters rather than inventing new ones. Mothra was chosen as Godzilla's next antagonist on account of the character's popularity with women, who constituted the majority of cinemagoers at the time. Special effects head Koichi Kawakita co-wrote a screenplay entitled Godzilla vs. Gigamoth in 1991, which would have pitted Mothra against Godzilla and an irradiated Mothra doppelganger called Gigamoth, though this was rejected early on and replaced with the final plotline that was seen in the film Godzilla vs. Mothra . Kawakita's depiction of Mothra's adult form was given the ability to fire energy beams, which were rendered via optical effects, and the pollen dust emitted from its wings were given a sparkling effect not seen in prior movies. During the character's transformation from larva to adult, it was initially planned to have Mothra's unfolding wings rendered through CGI, though this was scrapped on account of it not looking "sensitive" enough. [16] Although the movie was a financial success, the Mothra props were criticized by several authors, who noted that the adult Mothra's brighter colors made it look like a "plush toy" and that its wings flapped less gracefully than in previous incarnations, as they were made of heavy cloth. The Mothra puppet's immobile chicken-like feet and the lack of undulation in the larva prop's movements were also commented on as being inferior to the effects seen in 1960s Mothra movies. [16] Criticism was also leveled at Mothra's altered origin story, which portrayed her as an extraterrestrial, thus dampening the character's motivation for protecting Earth. [5] The character's newfound popularity nevertheless prompted Toho to produce Rebirth of Mothra in 1996. [17]

For Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack , director Shūsuke Kaneko had originally planned on using Anguirus as one of Godzilla's antagonists, but was pressured by Toho chairman Isao Matsuoka to use the more recognizable and profitable Mothra, [18] as the previous film in the franchise, Godzilla x Megaguirus , which featured an original and unfamiliar antagonist, was a box office and critical failure. [19]

For 2003's Godzilla: Tokyo S.O.S. , special effects director Eiichi Asada sought to model Mothra directly on her appearance in the original 1961 film and to keep optical effects to a minimum. As with Godzilla, Mothra and King Ghidorah, the adult Mothra was given mobile legs, though they were made to constantly move, as it was felt that the prop stopped looking realistic once they became immobile. Creature designer Shinichi Wakasa had initially wanted Mothra's wings to have the angular design seen in Rebirth of Mothra II , though the prop was ultimately given the wing shape seen in the 1960s movies. [20]

Mothra's fairies

Godzilla film series character
Mosura trailer - shobijin.png
First appearance Mothra (1961)
Last appearance Godzilla: Final Wars (2004)
Created by
Portrayed byEmi Itō and Yumi Itō [1] [21] [22]
Yuko Okada and Yoko Okada [23]
Keiko Imamura and Sayaka Osawa [2]
Megumi Kobayashi [24] [25] [26] and Sayaka Yamaguchi [24] [25] /Misato Tate [26]
Masami Nagasawa and Chihiro Otsuka [27] [28]
Zhang Ziyi [29] [30]

Mothra is usually accompanied by tiny twin female fairies, which Shinichi Sekizawa termed Shobijin(小美人), meaning "little beauties". The original draft for Mothra called for four fairies, though Sekizawa reduced the number to two, as twins were comparatively rare in Japan, thus adding to the characters' mystique. Toho also sought to reinforce its links with Columbia Pictures, by featuring the singing duo the Peanuts, who had been popularized in America by Columbia Records. [11] Yūji Koseki composed the song Mosura no uta ("Song of Mothra") for the fairies to sing when summoning Mothra. [9] The song was originally sung in Bahasa Indonesia, but there is also a later version, set to the same tune, sung in Japanese:

Mothra's Song
Bahasa IndonesiaTranslationJapaneseTranslation
Mosura ya MosuraMothra oh MothraMosura ya MosuraMothra oh Mothra
Dengan kesaktian indukmuwith the power of your ancestorTasukete yo to yobebaif we were to call for help
Restuilah doa hamba hamba mu yang rendah bangunlah dangrant the prayer of your followers, arise andToki o koete, umi o koete, nami no yō niover time, over sea, like a wave
tunjukkanlahshowYatte kuruyou'd come,
kesaktianmuyour power!Mamorigami!our guardian angel!

The Peanuts were given an additional song in Ghidorah, the Three-Headed Monster entitled "Cry for Happiness", composed by Hiroshi Miyagawa. [31] The Peanuts did not reprise their role in Ebirah, Horror of the Deep and were replaced by the singing duo Pair Bambi. [32]

In Godzilla vs. Mothra , the fairies are renamed the Cosmos(コスモス,Kosumosu) and are played by Keiko Imamura and Sayaka Osawa. This casting move was criticized by Godzilla historian Steve Ryfle, who lamented the fact that the two actresses were not identical and that their singing voices were "paper thin." [16] According to Takao Okawara, the Cosmos scenes were among the hardest scenes he had ever filmed, as the actresses had to synchronize their movements without looking at each other. [5]

In the Rebirth of Mothra trilogy, Mothra Leo's fairies are called the Elias(エリアス,Eriasu) which consist of Moll, Lora, and their estranged sister Belvera. Moll and Lora contrast with prior adaptations because they possess separate personalities and rarely act in unison. Megumi Kobayashi was cast as Moll for all three films, Sayaka Yamaguchi as Lora for the first two films, Misato Tate as Lora for the third film and Aki Hano as Belvera for all three films.

Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack does not feature Mothra's fairies, but they are given a nod in the form of a pair of twin girls wearing white clothes during the scene where Mothra flies over Tokyo. They are played by sisters Ai and Aki Maeda.

In the anime trilogy direct by Gen Urobuchi, the fairies are human-sized sisters named Maina and Miana. Their people are the Houtua(フツア,Futsua), descendants of humans that evolved through Mothra's influence with both telepathy and an immunity to the assimilative properties of nanometal.

In Godzilla: King of the Monsters , it's revealed that Monarch researcher Ilene Chen (played by Zhang Ziyi) has an identical twin sister named Ling, who is present at Mothra's hatching. The Chens are part of a family which appears to consist almost entirely of pairs of identical twin sisters, two of whom are shown visiting Infant Island (Mothra's traditional home). [29] The film's director and co-screenwriter, Michael Dougherty, confirmed the twins to be an updated version of the fairies, explaining, "It was important to me to find ways to modernize the ideas that [Mothra] has followers. Modernize the priestesses. [There] are still certain realms of believability to keep in take. You have to ease people into the more fantastical aspects." [30] He noted that the twins were a "perfect example" on humans and monsters cooperating and forming a "symbiotic relationship with each other", saying, “The twins are an example of a very successful, long I wanted to make sure that we found some way to incorporate them, even if it was a little bit of an Easter egg.” [29] Dougherty, who is half-Vietnamese, felt the need to retain the twins' Asian ethnicity. [33]

Character biography

Shōwa (1961–1968)

In the Showa continuity, Mothra is depicted as a mystical being that is worshiped by a primitive human culture native to Infant Island. Mothra has her hatching from an egg after her priestesses are abducted by a Rolisican capitalist hoping to exploit them as media celebrities. The larval Mothra swims to Tokyo and cocoons herself around the Tokyo Tower. Upon reaching her adult form, Mothra flies to Rolisica's capital and causes widespread destruction until her priestesses are returned to her. [1]

In Mothra vs. Godzilla , a Mothra egg appears on the coast of Japan, and is exploited as a tourist attraction. Mothra's priestesses attempt to negotiate the return of the egg to Infant Island, but are rebuffed. Godzilla attacks Japan, forcing humanity to beseech an embittered Mothra to intervene. Mothra dies fighting Godzilla, but the latter is defeated when two larvae emerge from the egg and encase Godzilla in a cocoon. [21]

In Ghidorah, the Three-Headed Monster , it is revealed that only one of the larvae survived. The remaining larva attempts to convince Godzilla and Rodan to join forces with her in order to fight King Ghidorah, but the two monsters reject her proposal. Mothra is nearly killed attempting to fight Ghidorah alone, but is saved through the intervention of Godzilla and Rodan. [22]

The larva ultimately gains adulthood in Ebirah, Horror of the Deep , where she saves a group of slaves taken from Infant Island from a terrorist base on Letchi Island undergoing a self-destruct sequence. [23]

Another larva appears in Destroy All Monsters , living alongside other monsters in Monsterland. Along with the other monsters, Mothra is briefly enslaved by the Kilaaks, who force her to attack Beijing and later join Godzilla in the destruction of Tokyo. The Kilaaks' mind control is ultimately broken and Mothra joins the other monsters in the final battle against King Ghidorah. [34]

Heisei (1992–1998)

Godzilla vs. Mothra (1992) and Godzilla vs. SpaceGodzilla (1994)

1992's Godzilla vs. Mothra portrays Mothra as a guardian of the Earth who presided over an advanced civilization over 12,000 years ago. When the civilization created a device designed to control the Earth's climate, the Earth responded by creating the Black Mothra, Battra - which Mothra defeated, but not before the civilization was wiped out. Mothra's egg is later discovered in 1993 on Infant Island by the Marutomo real estate agency, which seeks to exploit it and Mothra's priestesses for profit. The egg hatches during a fight between Godzilla and a resurrected Battra, and the larva later attacks Tokyo in order to save its priestesses. Mothra forms a cocoon around the National Diet Building, attains its adult form, then briefly fights Battra before joining forces with him in order to fight Godzilla. Battra dies in the attempt and Mothra pledges to fulfill Battra's role in preventing a meteorite from devastating the Earth in 1999. [2]

In Godzilla vs. SpaceGodzilla , Mothra becomes aware of SpaceGodzilla's advance towards Earth and sends her priestesses to warn Earth of his arrival. [35]

Rebirth of Mothra trilogy (1996–1998)

Rebirth of Mothra is separate from the Heisei continuity and portrays Mothra as the last remaining member of a species of giant moths who guard the Elias' civilization. This civilization was destroyed millions of years ago by the dragon Desghidorah, whom Mothra defeated. Mothra lays an egg in modern times, but is too weak to fight Desghidorah once it returns. The egg hatches and the new Mothra, named Mothra Leo, goes to protect his mother, but sadly Mothra is killed by Desghidorah while Leo is still too weak to injure the dragon. Leo manages to kill Desghidorah after maturing. [24]

Leo returns in Rebirth of Mothra II , where he acquires a new and more powerful form in order to fight the pollution monster Dagahra. [25]

In the final chapter of the trilogy, Rebirth of Mothra III , Leo is forced to return to the Cretaceous Period in order to retroactively kill the space dragon King Ghidorah. [26]

Millennium (2001–2004)

In Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack , Mothra is portrayed as having been one of the three guardians of Yamato, originating 1,000 years before the events of the film. Initially an antagonist, Mothra was imprisoned in Lake Ikeda, only to be reawakened in 2001 to halt Godzilla's destruction of Tokyo. She is defeated, but transfers her spirit to King Ghidorah. [3]

Godzilla: Tokyo S.O.S. has the Mothra from the original 1961 film send her priestesses to demand that Japan dismantle the anti-Godzilla weapon Kiryu or face destruction, as she considers the cyborg to be against the natural order, having been created using the bones of the first Godzilla. When the second Godzilla lands, Mothra attempts to fight the monster alongside Kiryu, but is killed in the process. Two larvae hatch on Infant Island and reach Tokyo in order to fight Godzilla, whom they encase in a cocoon, which is then transported into the ocean by Kiryu. [27]

Godzilla: Final Wars , which ignores the continuity of the previous film, establishes that Mothra protected the Earth 10,000 years ago from the cyborg Gigan. In the distant future, Gigan returns, under the control of the Xiliens, and is confronted by Mothra. In the ensuing battle, Mothra catches fire, but manages to kill Gigan by ramming into it and exploding. [28] However, in a mid-credits scene, Mothra is shown to be alive after all and flying back to Infant Island to be reunited with the Shobijin.

Anime trilogy (2018)

Mothra never made a physical appearance, mentioned in Godzilla: City on the Edge of Battle to have been killed by Godzilla years prior with her egg protected by the Houtua people. An astral projection of Mothra's unborn child in adult form appears in Godzilla: The Planet Eater .

MonsterVerse (2019–)

In 2014, Legendary Pictures announced that they had acquired the rights to Rodan, Mothra and King Ghidorah from Toho to use in their MonsterVerse. [36]

In the post-credits scene at the end of the 2017 film Kong: Skull Island , Mothra appears in a series of cave paintings depicting other monsters that are known to exist that are shown in the footage to James Conrad and Mason Weaver, along with Godzilla, Rodan and King Ghidorah. [37]

A casting call confirmed that Rodan, Mothra, and King Ghidorah will all be featured in Godzilla: King of the Monsters . [38] Viral marketing for the movie has shown that Mothra has retained her status as a creature who is deified as an angelic-like goddess, referred to as the Queen of the Monsters. Monarch Sciences, the film's promotional website, identifies the Yunnan rainforest as Mothra's location (however, Infant Island was referenced within the film, and the name "Mosura" is said to be derived from a small Indonesian island) and also states in its adult form to be capable of emitting beta-wave bioluminescence that can be projected through the intricate patterns on its wings and weaponized into destructive and blinding ‘god rays’. [39] [40] Promotional material also revealed narrower wings, a wider wingspan (at 803 feet or 244.75 meters, it is second only to her original 250-meter wingspan), long praying mantis-like forearms and legs as opposed to bird-like limbs and a body design more reminiscent of real-life moths, with a smaller body and head. The markings on her wings are said to mark her as the "Queen of the Monsters" and that they apparently link Mothra to Godzilla; the King of the Monsters, since her wings' eye spots are modeled after Godzilla's eyes. Within the film, she is shown to have a symbiotic relationship with Godzilla, and temporarily paralyzes Rodan with a hidden abdominal stinger. These changes make Mothra the most heavily redesigned monster in the series.

Mothra first appears in her larval state and is calmed by Dr. Emma Russell using the ORCA bio-sonar. She remains docile until eco-terrorists led by Colonel Alan Jonah capture Russell and her daughter Madison. Mothra retreats under a waterfall and cocoons herself, later emerging from her cocoon and flying off. During the fight in Boston, Mothra defeats Rodan and is disintegrated by King Ghidorah while protecting a fallen Godzilla. Her power is transferred to Godzilla as a result via her ashes, preventing him from suffering a nuclear meltdown and allowing him to defeat Ghidorah by achieving his burning form. During the credits, a news program speculates about the existence of a second Mothra egg, which the director later confirmed. [41]




Video games


See also

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Godzilla vs. Mechagodzilla II, is a 1993 Japanese kaiju film directed by Takao Okawara, written by Wataru Mimura, and produced by Shōgo Tomiyama. Produced and distributed by Toho Studios, it is the 20th film in the Godzilla franchise, as well as the fifth film to be released during the franchise's Heisei period. The film features the fictional monster character Godzilla, along with Baby Godzilla and the mecha character Mechagodzilla. Despite its Japanese and English titles, the film is not a sequel to the 1974 film Godzilla vs. Mechagodzilla.

Gigan fictional character

Gigan is a kaiju from Toho's Godzilla and Zone Fighter franchises who first appeared in Godzilla vs. Gigan. Gigan is a cyborg space monster sporting a buzzsaw weapon in its frontal abdominal region and large metallic hooks for hands. Gigan is considered one of Godzilla's most brutal and violent opponents, and the first kaiju in the Toho sci-fi series to make him bleed. listed Gigan as #4 on their "Top 10 Godzilla Villains" list, while Complex listed the character as #2 on its "The 15 Most Badass Kaiju Monsters of All Time" list.


Mechagodzilla is a fictional mecha character that first appeared in Jun Fukuda's 1974 kaiju film Godzilla vs. Mechagodzilla, the 14th film in Toho's Godzilla franchise. In its debut appearance, Mechagodzilla is depicted as an extraterrestrial villain that confronts Godzilla. In subsequent iterations, Mechagodzilla is usually depicted as a man-made weapon designed to defend Japan from Godzilla. In all incarnations, the character is portrayed as a robotic doppelgänger with a vast array of weaponry, and along with King Ghidorah, is commonly considered to be an archenemy of Godzilla.

Minilla fictional dinosaur

Minilla is a kaiju who first appeared in Toho's 1967 film Son of Godzilla. It is not the offspring of Godzilla, and is sometimes referenced as Minya in the American dubbed versions.

Godzilla Island was a television show spinoff of the Godzilla franchise. It premiered on October 6, 1997, and ran for a total of 256 three-minute episodes, finishing on September 30, 1998.

<i>Godzilla</i> (franchise) multi-media franchise featuring the monster Godzilla

The Godzillafranchise is a Japanese kaiju media franchise created and owned by Toho, featuring the fictional giant monster character Godzilla. It is recognized by Guinness World Records to be the longest continuously running movie franchise, having been in ongoing production from 1954 to the present day, with several hiatuses of varying lengths. The film franchise consists of 35 films, 32 produced by Toho and three Hollywood films.

Miki Saegusa fictional character

Miki Saegusa, played by Megumi Odaka, is a recurring fictional character from the Heisei (1984-1995) series of Godzilla films. She is a psychic who uses her powers to communicate with and, in some instances, control the mutant dinosaur Godzilla, and is credited for being the most frequently recurring human character in any kaiju series.

Godzilla is a novel series written by author Marc Cerasini based on the film series' characters. Each novel has its own unique plot and storyline, with Toho's kaiju featured as the stars.

Shoichi Hirose was a Japanese actor. Sometimes credited as Solomon Hirose, he is probably best known for playing Godzilla's archenemy King Ghidorah and for being the actor inside the King Kong suit in King Kong vs. Godzilla, along with several "tough guy" roles.

<i>Kaijū-ō Godzilla</i> 1993 video game

Kaijū-ō Godzilla is a 1993 action adventure game by Bandai for the Game Boy. It was released exclusively in Japan. The game is notable for featuring nearly every monster in the Godzilla franchise up until the time of its release.


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