Godzilla: Original Motion Picture Soundtrack | ||||
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Film score by | ||||
Released | May 13, 2014 | |||
Genre | Film score | |||
Length | 60:27 | |||
Label | WaterTower Music | |||
Producer | Peter Afterman (exec.), Paul Broucek (exec.), Gareth Edwards (exec.), Jason Linn (exec.), Dave Jordan (exec.), Dominique Lemonnier [1] | |||
Alexandre Desplat chronology | ||||
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MonsterVerse chronology | ||||
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Godzilla soundtrack chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | |
Movie Wave Net | |
Filmtracks |
Godzilla:Original Motion Picture Soundtrack is the soundtrack to the 2014 American monster film Godzilla ,which is a reboot of Toho's Godzilla franchise and also being the 30th film in that franchise. It is also the first film in Legendary's MonsterVerse and the second Godzilla film to be completely produced by a Hollywood studio. [a] The score was composed and conducted by Alexandre Desplat,being the first film composer to work on the MonsterVerse franchise. The film score was released digitally by WaterTower Music on May 13,2014, [5] [6] and a separate vinyl album was launched on June 17. [7]
Desplat had not composed previously for a monster film,having worked on movies such as The Curious Case of Benjamin Button (2008), The King's Speech (2010) and the final two Harry Potter films. He accepted the contract after being impressed with Edwards' film Monsters . He further describes the soundtrack for Godzilla as "non-stop fortissimo,with lots of brass,Japanese drums,and electric violin." [8] Desplat described that "discovering and sustaining an emotional center against a backdrop of burning buildings,dazzling explosions and monsters" as one of his biggest challenges and to sustain this,he kept the score "organic" utilizing the various colors of an orchestra to match the nuances of the film’s ensemble cast and "emphasize these characters’broken souls". [9] [10] [11]
All music is composed by Alexandre Desplat
No. | Title | Length |
---|---|---|
1. | "Godzilla!" | 2:09 |
2. | "Inside The Mines" | 2:25 |
3. | "The Power Plant" | 5:49 |
4. | "To Q Zone" | 2:56 |
5. | "Back to Janjira" | 6:00 |
6. | "Muto Hatch" | 3:14 |
7. | "In The Jungle" | 2:00 |
8. | "The Wave" | 3:04 |
9. | "Airport Attack" | 1:48 |
10. | "Missing Spore" | 3:58 |
11. | "Vegas Aftermath" | 3:23 |
12. | "Ford Rescued" | 1:23 |
13. | "Following Godzilla" | 2:02 |
14. | "Golden Gate Chaos" | 2:51 |
15. | "Let Them Fight" | 1:39 |
16. | "Entering The Nest" | 3:01 |
17. | "Two Against One" | 4:51 |
18. | "Last Shot" | 1:58 |
19. | "Godzilla's Victory" | 3:03 |
20. | "Back To The Ocean" | 3:40 |
Total length: | 60:27 |
# | Title | Performer(s) |
---|---|---|
1 | "Glad About That" | Linda Ballentine |
2 | "Breakfast in Bed" | Dusty Springfield |
3 | "The Weathered Man" | The Holy Bridge Orchestra |
4 | "See the Way" | LikeWize |
5 | "Ka Huila Wai" | Israel Kamakawiwoʻole |
6 | "My Heart Can Feel the Pain" | The Tonettes |
7 | "(You're the) Devil in Disguise" | Elvis Presley |
8 | "Requiem for Soprano, Mezzo-Soprano, 2 Mixed Choirs and Orchestra" by György Ligeti | Frankfurt Radio Symphony Orchestra, Bavarian Radio Chorus |
For the sequels in MonsterVerse, Godzilla: King of the Monsters (2019) and Godzilla vs. Kong (2021), Bear McCreary and Tom Holkenborg respectively composed the film scores for the counterparts. [13] [14] While McCreary used samples from Desplat's score in Godzilla, and had also incorporated Akira Ifukube's Godzilla themes, [15] [16] Holkenborg produced new themes for Godzilla vs. Kong, disregarding Ifukube's and Desplat's themes. [17]
Godzilla is a fictional monster, or kaiju, that debuted in the eponymous 1954 film, directed and co-written by Ishirō Honda. The character has since become an international pop culture icon, appearing in various media: 33 Japanese films produced by Toho Co., Ltd., five American films, and numerous video games, novels, comic books, and television shows. Godzilla has been dubbed the King of the Monsters, an epithet first used in Godzilla, King of the Monsters! (1956), the American localization of the 1954 film.
King Kong vs. Godzilla is a 1962 Japanese kaiju film directed by Ishirō Honda, with special effects by Eiji Tsuburaya. Produced and distributed by Toho Co., Ltd, it is the third film in both the Godzilla and King Kong franchises, as well as the first Toho-produced film featuring King Kong. It is also the first time that each character appeared on film in color and widescreen. The film stars Shoichi Hirose as King Kong and Haruo Nakajima as Godzilla with Shoichi Hirose, Tadao Takashima, Kenji Sahara, Yū Fujiki, Ichirō Arishima, and Mie Hama playing other prominent roles. In the film, Godzilla is reawakened by an American submarine and a pharmaceutical company captures King Kong for promotional uses, culminating in a battle on Mount Fuji.
Destroy All Monsters is a 1968 Japanese epic kaiju film directed by Ishirō Honda, with special effects directed by Sadamasa Arikawa and supervised by Eiji Tsuburaya. The film, which was produced and distributed by Toho Co., Ltd, is the ninth film in the Godzilla franchise, and features eleven monster characters, including Godzilla, Mothra, Rodan, King Ghidorah, Anguirus, and Minilla. The film stars Akira Kubo, Jun Tazaki, Yukiko Kobayashi and Yoshio Tsuchiya.
Godzilla vs. Biollante is a 1989 Japanese kaiju film directed and written by Kazuki Ōmori, with special effects by Kōichi Kawakita. Distributed by Toho and produced under their subsidiary Toho Pictures, it is the 17th film in the Godzilla franchise, the second film in the franchise's Heisei period, and a sequel to 1984's The Return of Godzilla. The film stars Kunihiko Mitamura, Yoshiko Tanaka, Masanobu Takashima, Megumi Odaka, Toru Minegishi, Yasuko Sawaguchi, Toshiyuki Nagashima, Yoshiko Kuga, Ryunosuke Kaneda and Kōji Takahashi. This was Odaka's first appearance in the Godzilla franchise as Miki Saegusa, and would reprise the role in every film for the remainder of the Heisei series.
Godzilla vs. King Ghidorah is a 1991 Japanese kaiju film written and directed by Kazuki Ōmori and produced by Shōgo Tomiyama. Distributed by Toho and produced under their subsidiary Toho Pictures, it is the 18th film in the Godzilla franchise, and is the third film in the franchise's Heisei period. The film features the fictional monster characters Godzilla and King Ghidorah, and stars Kōsuke Toyohara, Anna Nakagawa, Megumi Odaka, Katsuhiko Sasaki, Akiji Kobayashi, Yoshio Tsuchiya, and Robert Scott Field. The plot revolves around time-travelers from the future who convince Japan to travel back in time to prevent Godzilla's mutation, only to reveal their true motives by unleashing King Ghidorah onto the nation.
Godzilla is a 1954 Japanese epic kaiju film directed and co-written by Ishirō Honda, with special effects by Eiji Tsuburaya. Produced and distributed by Toho Co., Ltd., it is the first film in the Godzilla franchise. The film stars Akira Takarada, Momoko Kōchi, Akihiko Hirata, and Takashi Shimura, with Haruo Nakajima and Katsumi Tezuka as Godzilla. In the film, Japan's authorities deal with the sudden appearance of a giant monster, whose attacks trigger fears of nuclear holocaust in post-war Japan.
The Return of Godzilla is a 1984 Japanese kaiju film directed by Koji Hashimoto, with special effects by Teruyoshi Nakano. Distributed by Toho and produced under their subsidiary Toho Pictures, it is the 16th film in the Godzilla franchise, the last film produced in the Shōwa era, and the first film in the Heisei series. In Japan, the film was followed by Godzilla vs. Biollante in 1989.
Godzilla vs. Gigan, is a 1972 Japanese kaiju film directed by Jun Fukuda, written by Shinichi Sekizawa, and produced by Tomoyuki Tanaka, with special effects by Teruyoshi Nakano. Distributed by Toho and produced under their effects-based subsidiary Toho-Eizo, it is the 12th film in the Godzilla franchise, and features the fictional monster characters Godzilla, Gigan, Anguirus, and King Ghidorah. The film stars Hiroshi Ishikawa, Yuriko Hishimi, Tomoko Umeda, and Minoru Takashima, alongside Haruo Nakajima as Godzilla, Kenpachiro Satsuma as Gigan, Koetsu Omiya as Anguirus, and Kanta Ina as Ghidorah. It is the last film in which Godzilla was portrayed by Nakajima after playing the character since the original 1954 film; he subsequently retired from suit acting.
Ghidorah, the Three-Headed Monster is a 1964 Japanese kaiju film directed by Ishirō Honda, with special effects by Eiji Tsuburaya. Produced and distributed by Toho Co., Ltd., it is the fifth film in the Godzilla franchise, and was the second Godzilla film produced that year, after Mothra vs. Godzilla. The film stars Yosuke Natsuki, Hiroshi Koizumi, Akiko Wakabayashi, with Haruo Nakajima as Godzilla, Masanori Shinohara as Rodan, and Shoichi Hirose as King Ghidorah. In the film, an extraterrestrial from Venus, possessing the body of a princess, warns humanity of the pending destruction by the alien-dragon Ghidorah, with Godzilla, Rodan, and Mothra being their last hope for survival.
Mothra vs. Godzilla is a 1964 Japanese kaiju film directed by Ishirō Honda, with special effects by Eiji Tsuburaya. Produced and distributed by Toho Co., Ltd., it is the fourth film in the Godzilla franchise. The film stars Akira Takarada, Yuriko Hoshi, Hiroshi Koizumi, Kenji Sahara, and Emi and Yumi Itō, with Haruo Nakajima and Katsumi Tezuka as Godzilla. In the film, humans beseech the aid of the divine moth Mothra to stop Godzilla from destroying Japan.
Godzilla vs. Destoroyah is a 1995 Japanese kaiju film directed by Takao Okawara, with special effects by Kōichi Kawakita. Distributed by Toho and produced under their subsidiary Toho Pictures, it is the 22nd installment in the Godzilla franchise, and is the seventh and final film in the franchise's Heisei period. The film features the fictional monster characters Godzilla, Godzilla Junior and Destoroyah, and stars Takuro Tatsumi, Yōko Ishino, Yasufumi Hayashi, Sayaka Osawa, Megumi Odaka, Masahiro Takashima, Momoko Kōchi and Akira Nakao, with Kenpachiro Satsuma as Godzilla, Hurricane Ryu as Godzilla Junior, and Ryo Hariya as Destoroyah.
Godzilla, King of the Monsters! is a 1956 kaiju film directed by Terry O. Morse and Ishirō Honda, with special effects by Eiji Tsuburaya. It is a heavily re-edited American localization, or "Americanization", of the 1954 Japanese film Godzilla. The film was a Japanese-American co-production, with the original footage produced by Toho Co., Ltd., and the new footage produced by Jewell Enterprises. The film stars Raymond Burr, Takashi Shimura, Momoko Kōchi, Akira Takarada, and Akihiko Hirata, with Haruo Nakajima and Katsumi Tezuka as Godzilla. In the film, an American reporter covers a giant reptilian monster's attack on Japan.
Godzilla is a Japanese monster, or kaiju, franchise centering on the titular character, a prehistoric reptilian monster awakened and empowered by nuclear radiation. The films series are recognized by the Guinness World Records as the "longest continuously running film series", having been in ongoing production since 1954, with several hiatuses of varying lengths. There are 38 Godzilla films: 33 Japanese films produced and distributed by Toho Co., Ltd., and five American films; one by TriStar Pictures and four films by Legendary Pictures.
"Godzilla " is a musical theme written by Akira Ifukube for the 1954 film Godzilla. Originally intended to be associated with the Japanese Self Defense Forces featured in the film, it became the thematic leitmotif for the monster character Godzilla and the entire franchise. Despite the track being titled as "Main Title" on the Godzilla soundtrack, fans and Toho executives know the track as the Main Godzilla Theme or the Godzilla song. The theme first appeared on the original Godzilla film and in later sequels was replaced by a new theme titled the Godzilla March. The Godzilla was re-used for the first time in Terror of Mechagodzilla, the final Godzilla film featuring the Showa era's continuity within the franchise.
The Monsterverse is an American multimedia franchise and shared universe featuring Godzilla, King Kong, and other characters owned and created by Toho Co., Ltd. The franchise consists of five films and two television series that have been produced by Legendary Pictures, with Warner Bros. Pictures distributing the films and the series being released for streaming on Netflix and Apple TV+.
Godzilla: King of the Monsters is a 2019 American monster film directed and co-written by Michael Dougherty. Produced by Legendary Pictures and distributed by Warner Bros. Pictures, it is a sequel to Godzilla (2014) and the third film in the Monsterverse. It is also the 35th film in the Godzilla franchise, and the third Godzilla film to be completely produced by a Hollywood studio. The film stars Kyle Chandler, Vera Farmiga, Millie Bobby Brown, Bradley Whitford, Sally Hawkins, Charles Dance, Thomas Middleditch, Aisha Hinds, O'Shea Jackson Jr., David Strathairn, Ken Watanabe, and Zhang Ziyi. In the film, eco-terrorists release King Ghidorah, who awakens other monsters known as "Titans" across the world, forcing Godzilla and Mothra to surface and engage Ghidorah and Rodan in a decisive battle.
Godzilla vs. Kong is the soundtrack to the 2021 American monster film Godzilla vs. Kong. A sequel to Kong: Skull Island (2017) and Godzilla: King of the Monsters (2019), it is the fourth film in Legendary's MonsterVerse, the 36th film in the Godzilla franchise, the 12th film in the King Kong franchise, and the fourth Godzilla film to be completely produced by a Hollywood studio. Directed by Adam Wingard, the film features musical score written and composed by Tom Holkenborg, the fourth film composer to work on the MonsterVerse franchise. He was announced as a part of the film in June 2020, before a planned meeting with Wingard, two years, expressing his interest on working on the score due to his personal love for the Godzilla film series during his teen years. The recording of the score took place for nearly two years, and was bundled into a soundtrack album, released by WaterTower Music in digital and physical formats on March 31, 2021, coinciding with the film's United States theatrical release.
Godzilla: King of the Monsters is the soundtrack to the 2019 American monster film Godzilla: King of the Monsters. A sequel to Godzilla (2014), it is the 35th film in the Godzilla franchise, the third film in Legendary's MonsterVerse, and the third Godzilla film to be completely produced by a Hollywood studio. Directed and co-written by Michael Dougherty, the film's musical score is composed by Bear McCreary, the third film composer to work on the MonsterVerse franchise. His involvement in the film was confirmed in July 2018, and recording of the musical score began later that year in Hong Kong. Several themes from Akira Ifukube's musical score for Godzilla (1954), were incorporated and sampled in the score. The album and score influenced a mix of electronic, trance and orchestral music with Japanese music for few of the themes. The soundtrack was released by WaterTower Music on May 24, 2019, a week before the film's theatrical release date. A limited edition triple LP soundtrack was released by Waxwork Records on July 5.
Kong: Skull Island is the soundtrack to the 2017 American monster film Kong: Skull Island. A reboot of the King Kong franchise and while also serving as its 11th film, it is the second film in Legendary's MonsterVerse. The musical score composed by Henry Jackman, featured 24 tracks which was digitally released on March 3, 2017, through WaterTower Music. It was bundled into a double LP format published by Waxwork Records and was released on January 19, 2018. In 2022, Reservoir Media acquired the rights to the catalog of Jackman's film scores, with Kong: Skull Island also being included in this catalog.
Godzilla x Kong: The New Empire is the soundtrack to the 2024 American monster film Godzilla x Kong: The New Empire. A sequel to Godzilla vs. Kong (2021), it is the fifth film in Legendary's MonsterVerse, the 38th film in the Godzilla franchise, the 13th film in the King Kong franchise, and the fifth Godzilla film to be completely produced by a Hollywood studio. Directed by Adam Wingard, the film features musical score written and composed by Tom Holkenborg and Antonio Di Iorio.