Rise of the Guardians: Music From The Motion Picture | ||||
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Film score by | ||||
Released | November 13, 2012 | |||
Recorded | June–September 2012 | |||
Venue | London | |||
Studio |
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Genre | Film score | |||
Length | 67:47 | |||
Label | Varèse Sarabande | |||
Producer | Alexandre Desplat | |||
Alexandre Desplat chronology | ||||
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Rise of the Guardians: Music From The Motion Picture is the score album to the 2012 of the same name, composed by Alexandre Desplat. The film marked Desplat's maiden score for a computer-animated film as well as his DreamWorks' film, not to be scored by or have any involvement from either Hans Zimmer or his Remote Control Productions family of composers. [lower-alpha 1] The score was recorded at Abbey Road Studios and AIR Studios in London and features collaborations with London Symphony Orchestra (conducted by Desplat) and London Voices performing. In addition to Desplat's score, an original song "Still Dream" written by the film's screenwriter David Lindsay-Abaire and performed by soprano singer Renée Fleming, was featured in the film's end credits. Both Desplat's score and Fleming's original song was included in the film's score album, released by Varèse Sarabande on November 13, 2012 and received positive response praising Desplat's compositions.
"For me, Rise of the Guardians is actually a live action film. When you see it in 3D it actually takes you into a real world. The cinematography, the light, the way the actors play their roles... I thought I was watching a live action film; very quickly you forget its animation. Technically, of course with animation, there is more music, you need to fill the gaps. But for the most part it was very similar to a live action film."
— Desplat on the differences between scoring an animated film over live-action film.
Ramsey admired Desplat's work since Birth (2004), and wanted to work with him in his film. Desplat was then suggested by the creative head of DreamWorks Animation, Bill Damaschke after being considered for several of the projects. [1] The music of Rise of the Guardians is "actually rather complex", where "there are clear lines you can follow, and melodies you can hum along to, but the orchestration is rather sophisticated". He referenced Mysterious Island (1961) as an example in which "the music was accessible but extremely demanding", and John Williams scores for Star Wars and Indiana Jones franchises were "sophisticated, complex, dissonant", but watched by all age groups. [2] [3]
Desplat called that "there is so much in this film, so many influences, and so much beauty in the way the camera moves. It's really a mix of many things", adding that the film influences from fine art, video art, literature and music. He praised Ramsey's vision, recalling that he brought a book for Gerhard Richter for referencing the film, when Desplat was set to begin film's music. Though the characters were incorporated from folklore and fairy tales, he did not influence from folk music in the period, but created new music for the characters. For Alec Baldwin, who plays Nicholas St. North (Santa Claus), Desplat felt that his vocals were one of the strong aspects for the film, which resulted him using a Russian instrument while riding a sleigh, hence he became a "Russian Santa Claus". [3] Igor Stravinsky's "Firebird Suite" was integrated whenever North appears in the film. [3]
"The delicacy and the subtlety of what he does, and the uniqueness of his orchestrations and arrangements I thought would be perfect for the movie. It’s a big superhero epic, basically, but I was afraid that was all the music would be: another regurgitated rehash of that same old thing. What Alexandre brings is so much more unique, fine tuned and delicate. He also really embraced the fun of the movie. There are sequences in there that are almost Warner Bros cartoons. Alexandre is a really funny guy, with an impish sense of humour. He loved it, and jumped right into it."
— Ramsey on Desplat's involvement and his work in the film.
While recording the film's music, Ramsey used to whistle few themes while scoring the album, as "he grew up in a household with a lot of music" and added that Desplat asked him to play an instrument, which he agreed. He then played guitar for some of the scores, which he felt as a "huge compliment and really interesting", adding that "when I’m scoring a film, I can always tell if the director likes and understands music, because of the scenes themselves and the way they’re edited. The flow and the pacing makes it easier for me to score, if the film has a musical feel to it. I just though that was interesting: there is an organic kind of feel to it that I guess a lot of comes from music." [1] [4]
The score was recorded in London at the AIR Studios and Abbey Road Studios, within three months beginning from June to September 2012, when the film was under post-production. The London Symphony Orchestra and London Voices performed the orchestra and choir, respectively for the film's score, with Desplat conducting. [5] In addition to Desplat's score, an original song "Still Dream" written by David Lindsay-Abaire and performed by soprano Renée Fleming was featured in the film's end credits. [6]
Review scores | |
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Source | Rating |
AllMusic | [7] |
James Southall of Movie Wave wrote "Desplat had worked in the fantasy genre before this score, of course – The Golden Compass (2007) was a wonderful piece of work, full of the rich depths of the wonderful source novel in a way that the film itself sadly wasn’t, and it’s a great shame that the composer never got the chance to complete that trilogy he had clearly planned out so carefully. Rise of the Guardians is a much lighter work than that but still a satisfying one – it has a terrific collection of themes – and it confirms the composer’s credentials in this genre." [8] Filmtracks.com wrote "Had the various phrases of "Still Dream" been condensed into an easier form and better integrated with the great potential of Jack's theme, Rise of the Guardians could have been a five-star score. But the elusiveness of these themes and that of Pitch, as well as the countering transparency of the overly-heroic Guardians identity and a very, very dry mix, leave a slight sense of dissatisfaction with the whole. One thing is certain, though: you can't question Desplat's chops in the children's genre from here forward." [9]
The Joy of Movies wrote "Desplat’s score has a childlike sense of wonder and innocence throughout. It has quite a gentle sound at times with many quick, light notes, which contrast with the occasional darker sounds of Pitch, and the quieter emotional tracks for Jack’s backstory. In some ways, for better or for worse, it is a very classic sounding score for an animated film." [10] James Christopher Monger of Allmusic wrote "the soundtrack for Dreamworks Animation's Rise of the Guardians is as spirited and surprising as it is refreshingly old-fashioned. Desplat must have tucked away some extra magic after completing the scores for the final two Harry Potter films, because his work here is steeped in Hogwarts-inspired whimsy." [11] Reviewing the song "Still Dream", Monger called it as "a sweet and sentimental ballad performed by soprano Renée Fleming, sets the tone, suggesting a classic old-world Disney approach to the fable, but Desplat never lets things dissolve into treacle, providing a muscular main theme that, along with the main melody from "Still Dream" weaves itself throughout the film with a quaint yet confident majesty." [11]
No. | Title | Writer(s) | Performer(s) | Length |
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1. | "Still Dream" | David Lindsay-Abaire | Renée Fleming | 3:12 |
2. | "Calling The Guardians" | 2:06 | ||
3. | "Alone In The World" | 2:04 | ||
4. | "Fanfare Of The Elves" | 0:53 | ||
5. | "Wind Take Me Home!" | 1:28 | ||
6. | "Dreamsand" | 2:03 | ||
7. | "Pitch On The Globe" | 0:57 | ||
8. | "The Moon" | 1:32 | ||
9. | "Snowballs" | 1:31 | ||
10. | "Busy Workshop" | 1:33 | ||
11. | "Sleigh Launch" | 1:45 | ||
12. | "Nightmares Attack" | 7:17 | ||
13. | "Tooth Collection" | 2:22 | ||
14. | "Jamie's Bedroom" | 2:31 | ||
15. | "Jack & Sandman" | 4:18 | ||
16. | "Memorial" | 1:21 | ||
17. | "Guardians Regroup" | 0:58 | ||
18. | "Easter" | 3:39 | ||
19. | "Jack Betrays" | 3:20 | ||
20. | "Kids Stop Believing" | 2:35 | ||
21. | "Jack's Memories" | 2:24 | ||
22. | "Pitch At North Pole" | 2:00 | ||
23. | "Jamie Believes" | 3:01 | ||
24. | "Jack's Center" | 4:52 | ||
25. | "Sandman Returns" | 2:36 | ||
26. | "Dreamsand Miracles" | 2:18 | ||
27. | "Oath Of The Guardians" | 3:11 | ||
Total length: | 67:47 |
Chart (2012) | Peak position |
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UK Soundtrack Albums (OCC) [12] | 34 |
US Billboard 200 [13] | 108 |
US Soundtrack Albums (Billboard) [14] | 20 |
Award | Date of ceremony | Category | Recipient(s) | Result | Ref. |
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Annie Awards | February 2, 2013 | Outstanding Achievement for Music in a Feature Production | Alexandre Desplat | Nominated | [15] |
BMI Film & TV Awards | May 15, 2013 | BMI Film Music Awards | Alexandre Desplat [lower-alpha 2] | Won | [16] |
International Film Music Critics Association Awards | January 11, 2013 | Film Composer of the Year | Alexandre Desplat | Nominated | [17] [18] |
Best Original Score for an Animated Film | Alexandre Desplat | Won | |||
World Soundtrack Awards | October 19, 2013 | Soundtrack Composer of the Year | Alexandre Desplat [lower-alpha 3] | Nominated | [19] [20] |
Credits adapted from CD liner notes. [21] [22]
Alexandre Michel Gérard Desplat is a French film composer and conductor. He has received numerous accolades throughout his career spanning over four decades, including, two Academy Awards, three British Academy Film Awards, three César Awards, two Golden Globe Awards, and two Grammy Awards. Desplat was made an Officer of the Ordre national du Mérite and a Commander of the Ordre des Arts et des Lettres both in 2016.
Rise of the Guardians is a 2012 American animated fantasy action-adventure film produced by DreamWorks Animation and distributed by Paramount Pictures. The film was directed by Peter Ramsey from a screenplay by David Lindsay-Abaire, based on the book series The Guardians of Childhood and the short film The Man in the Moon by William Joyce. It stars the voices of Chris Pine, Alec Baldwin, Jude Law, Isla Fisher, and Hugh Jackman. The film tells a story about Guardians Santa Claus, the Tooth Fairy, the Easter Bunny, and the Sandman, who enlist Jack Frost to stop the evil Pitch Black from engulfing the world in darkness in a fight of dreams.
Harry Potter and the Deathly Hallows - Part 1 is a motion picture soundtrack to the 2010 film of the same name, composed and conducted by Alexandre Desplat. The soundtrack was nominated for the 2010 IFMCA Award for Best Original Score for a Fantasy Film and the 2010 Satellite Award for Best Original Score.
Harry Potter and the Deathly Hallows - Part 2 is a motion picture soundtrack to the 2011 film of the same name composed and conducted by Alexandre Desplat. The soundtrack was nominated for a Grammy Award, Satellite Award, Houston Film Critics Society Award, Denver Film Critics Society Award, and an IFMCA Award for Best Original Score for a Fantasy Film. The soundtrack won the San Diego Film Critics Society Award for Best Score.
Rogue One: A Star Wars Story is the soundtrack album to the 2016 film Rogue One directed by Gareth Edwards, which is the first instalment in the Star Wars anthology series. Originally, Alexandre Desplat was hired for the film score but was replaced by Michael Giacchino during the film's post-production. Giacchino scored the film within a span of the month, despite the tight schedule, and had incorporated John Williams' themes from previous Star Wars films into the score, having minor elements, while most of the themes were newly composed. The soundtrack was released by Walt Disney Records on December 16, 2016, coinciding with the film's theatrical release.
The Grand Budapest Hotel: Original Soundtrack is the soundtrack album composed by Alexandre Desplat for the 2014 film The Grand Budapest Hotel directed by Wes Anderson. The 32-track album was released on March 4, 2014, through ABKCO Records, produced by Anderson along with music supervisor Randall Poster. Unlike their previous ventures, the soundtrack to this film did not feature contemporary pop hits due to the classical roots of the film's music.
Godzilla: Original Motion Picture Soundtrack is the soundtrack to the 2014 American monster film Godzilla, which is a reboot of Toho's Godzilla franchise and also being the 30th film in that franchise. It is also the first film in Legendary's MonsterVerse and the second Godzilla film to be completely produced by a Hollywood studio. The score was composed and conducted by Alexandre Desplat, being the first film composer to work on the MonsterVerse franchise. The film score was released digitally by WaterTower Music on May 13, 2014, and a separate vinyl album was launched on June 17.
Argo (Original Motion Picture Soundtrack) is a score album composed by Alexandre Desplat to the Academy Award-winning historical drama thriller film Argo. The film was directed by Ben Affleck, from a screenplay written by Chris Terrio, which was adapted from U.S. Central Intelligence Agency operative Antonio J. Mendez's eponymous novel released in 1999, his memoir The Master of Disguise, and the Wired article by Joshuah Bearman, "The Great Escape: How the CIA Used a Fake Sci-Fi Flick to Rescue Americans from Tehran" (2007); Affleck also starred in the lead role as Mendez. The score album was released on October 9, 2012 by WaterTower Music, three days ahead of the film's release.
Moonrise Kingdom (Original Soundtrack) is the accompanying soundtrack album for the identically named 2012 coming-of-age comedy-drama film released on May 15, 2012 through ABKCO Records. The soundtrack album featured original compositions from Alexandre Desplat and supplemented existing music by Benjamin Britten, as well as classical songs from Hank Williams, Leonard Bernstein, Frank Schubert and Françoise Hardy. Both Anderson and Randall Poster compiled the film's soundtrack.
The Shape of Water (Original Motion Picture Soundtrack) is the soundtrack album to the Academy Award-winning film of the same name. It featured 26 tracks — most of the tracks were from the original score composed by Alexandre Desplat and some tracks are incorporated songs, being originated from the 1940s and 1960s as the film is set during the Cold War period. The film, directed by Guillermo del Toro, who also co-wrote the script with Vanessa Taylor, stars Sally Hawkins, Michael Shannon, Richard Jenkins, Doug Jones, Michael Stuhlbarg, and Octavia Spencer.
The King's Speech (Original Motion Picture Soundtrack) is the soundtrack to the Academy Award-winning film The King's Speech, released by Decca Records on 22 November 2010. Alexandre Desplat composed the film's original music. The score consisted of minimalistic sounds created with piano and strings, and a limited orchestra with oboe and harp being used. It was recorded using old microphones from the EMI archives, used by the royal family, in order to create a vintage and dated sound. The minimalistic use of the music is used to describe Colin Firth's character, the future King George VI.
Nightmare Alley: Original Motion Picture Soundtrack is the soundtrack album to the 2021 film of the same name directed by Guillermo del Toro. The film's music was initially set to be composed by Alexandre Desplat, but was replaced by Nathan Johnson, after Desplat exited the film due to scheduling conflicts. Johnson completed the film's score within six weeks, where the score was recorded at the Newman Scoring Stage in 20th Century Studios and was released by Hollywood Records digitally on December 17, 2021 and a physical release on December 31, 2021.
The Curious Case Of Benjamin Button (Music from the Motion Picture) is the soundtrack album to the 2008 film of the same name, released by Concord Music Group on December 16, 2008. It was released in physical forms as a two-disc album, with one disc containing the film's original score composed by Alexandre Desplat, and the other consists few classical songs as well as dialogues featured in the film. The David Fincher-directed film, written by Eric Roth and Robin Swicord is loosely based on the 1922 short story of the same name by F. Scott Fitzgerald, and stars Brad Pitt as the titular character, alongside Cate Blanchett, Taraji P. Henson, Mahershala Ali, Julia Ormond, Jason Flemyng, Elias Koteas, and Tilda Swinton.
Philomena (Original Motion Picture Soundtrack) is the score album composed by Alexandre Desplat to the 2013 film of the same name directed by Stephen Frears, released on 25 October 2013 through Decca Records. The score received positive response from critics, and led him a nomination for Academy Award for Best Original Score and Satellite Award for Best Original Score.
The Imitation Game (Original Motion Picture Soundtrack) is the score album to the 2014 film of the same name. The film is scored by Alexandre Desplat who replaced the original composer Clint Mansell before the film's production commenced. The London Symphony Orchestra performed the original score that featured various instruments such as keyboards, clarinets, strings, arpeggio and bombe. The album was released on November 7, 2014 by Sony Music Entertainment. The album received critical acclaim and was nominated for several awards, including the Academy Award for Best Original Score but lost to The Grand Budapest Hotel, also composed by Desplat.
My Week with Marilyn: Music from the Motion Picture is the soundtrack to the 2011 drama film My Week with Marilyn released on 8 November 2011 by Sony Classical Records. The album mostly featured the cues from the original score composed by Conrad Pope, except for "Marilyn's Theme" by Alexandre Desplat. Desplat co-wrote most of the themes with Pope, while also featured excerpts from the music of 1950s and 1960s, few of them being digitally re-mastered for the film. Chinese pianist Lang Lang performed few tracks along with Williams who sang "I Found a Dream", "That Old Black Magic" and a medley of "When Love Goes Wrong, Nothing Goes Right" and "Heat Wave".
The Ides of March (Original Motion Picture Soundtrack) is the score album to the 2011 film The Ides of March directed by George Clooney. The film score is composed by Alexandre Desplat, who would later collaborate with Clooney on his other directorial ventures, The Monuments Men (2014), Suburbicon (2017) and The Midnight Sky (2020). The score was released by Varèse Sarabande on September 27, 2011.
The Monuments Men (Original Motion Picture Soundtrack) is the soundtrack to the 2014 film The Monuments Men directed by George Clooney. The film's musical score is composed by Alexandre Desplat and consists of a huge symphonic orchestral score, recorded within a short span of time. It was released through Sony Classical Records on February 4, 2014 to critical acclaim.
Fantastic Mr. Fox is the soundtrack to the 2009 film Fantastic Mr. Fox directed by Wes Anderson. The film's soundtrack featured a selection of songs from The Beach Boys, The Bobby Fuller Four, Burl Ives, Georges Delerue, The Rolling Stones, and other artists. An original score composed by Alexandre Desplat accompanied the remainder of the album. ABKCO Records released the soundtrack on November 10, 2009, three days ahead of the film. Desplat was nominated for the Academy Award for Best Original Score and BAFTA Award for Best Original Music for his work in the film.
The Golden Compass (Original Motion Picture Soundtrack) is the soundtrack to the 2007 film The Golden Compass directed by Chris Weitz. It features musical score composed by Alexandre Desplat and an original song "Lyra" written and performed by Kate Bush. The soundtrack was released through New Line Records on December 11, 2007.