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Rupert Gregson-Williams | |
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Born | Chichester, West Sussex, England |
Genres | Film and television scores, jazz, electronic, synth-pop, EDM, big beat, progressive rock, video game scores |
Occupation | Composer |
Instruments | Piano, keyboards, synthesizer, electric violin, cello |
Years active | 1998–present |
Rupert Gregson-Williams is a British composer, conductor, and record producer, best known for his film, video game, and television scores. His filmography includes Hotel Rwanda , for which he was awarded the European Film composer award, Hacksaw Ridge , Wonder Woman , Aquaman and its sequel, Over the Hedge , Bee Movie , Abominable , Back to the Outback , Made of Honor , The Holiday , The Legend of Tarzan , and numerous films by Happy Madison Productions, many of which star Adam Sandler. He composed music for the video game Battlefield 2: Modern Combat . His notable works in television include Veep , Catch-22 , and The Crown .
Educated at choir school, Lancing College, and St John's College, Cambridge, he is the younger brother of film composer Harry Gregson-Williams. [1] He is a member of Hans Zimmer's Remote Control Productions team of composers.
He has received a nomination for two Primetime Emmy Awards and is a recipient of a BMI Award and a European Film Award.
Year | Title | Director | Studio(s) | Notes |
---|---|---|---|---|
1998 | Urban Ghost Story | Geneviève Joliffe |
| — |
The Prince of Egypt | Brenda Chapman Steve Hickner Simon Wells | DreamWorks Animation DreamWorks Pictures | Conductor (Score composed by Hans Zimmer) | |
1999 | Virtual Sexuality | Nick Hurran | Columbia Pictures | — |
Shockers: Dance | Richard Clark | Blue Orange Productions | Television film |
Year | Title | Director | Studio(s) | Notes |
---|---|---|---|---|
2020 | Hubie Halloween | Steven Brill | Happy Madison Productions Netflix | — |
2021 | Fatherhood | Paul Weitz | Netflix Columbia Pictures | — |
Back to the Outback | Clare Knight Harry Cripps | Netflix Netflix Animation Weed Road Pictures Reel FX Animation Studios | — | |
2022 | Home Team | Charles Kinnane Daniel Kinnane | Happy Madison Productions Netflix | — |
2023 | Murder Mystery 2 | Jeremy Garelick | Happy Madison Productions Echo Films Netflix | — |
The Out-Laws | Tyler Spindel | Happy Madison Productions Netflix | — | |
Aquaman and the Lost Kingdom | James Wan | Warner Bros. Pictures DC Studios | — | |
2024 | The Union | Julian Farino | Closest to the Hole Productions Municipal Pictures Netflix | — |
Brothers | Max Barbakow | Amazon MGM Studios Legendary Pictures | — | |
Dear Santa | Bobby Farrelly | Paramount+ | — | |
2025 | Kinda Pregnant | Tyler Spindel | Happy Madison Productions Netflix | — |
Year | Programme | Notes |
---|---|---|
1988 | Crimestoppers | Theme |
1995 | Jake's Progress | Music assistant |
1999 | Extremely Dangerous | |
1999–2003 | At Home with the Braithwaites | |
2000 | Take a Girl Like You | |
2001 | Jack and the Beanstalk: The Real Story | |
2001 | The Wonderful World of Disney | |
2004 | William and Mary | |
2004 | Long Way Round | |
2005–2007 | The Last Detective | Co-composed with Alastair King |
2006 | Born Equal | |
2009 | The Prisoner | |
2012 | Veep | Co-composed with Christopher Willis |
2014 | Agatha Raisin: The Quiche of Death | |
2015 | Virtuso | |
2016–2017 | The Crown | Title music composed by Hans Zimmer Composed with Lorne Balfe |
2017 | The Alienist | Composed the first season |
2019 | Catch-22 | Co-composed with Harry Gregson-Williams |
2019 | Catherine the Great | |
2021 | Behind Her Eyes | |
2022 | The Gilded Age | Co-composed with Harry Gregson-Williams |
2024 | The Perfect Couple |
Year | Title | Studio | Notes |
---|---|---|---|
2005 | Battlefield 2: Modern Combat | Digital Illusions CE | Co-composed with Tobias Marberger |
Year | Work | Organization | Category | Result | Ref |
---|---|---|---|---|---|
2002 | Jack and the Beanstalk: The Real Story: Part 2 | Emmy Award | Outstanding Music Composition for a Miniseries, Movie or a Special (Dramatic Underscore) | Nominated | [2] |
2007 | Bee Movie | International Animated Film Association | Best Music in a Feature Production | Nominated | [3] |
2017 | The Crown: Hyde Park Corner | Emmy Award | Outstanding Music Composition for a Series (Original Dramatic Score) | Nominated | [4] |