Marco Beltrami | |
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Background information | |
Born | Long Island, New York, U.S. | October 7, 1966
Genres | Film score, post-rock |
Occupation(s) | Composer, conductor |
Years active | 1994–present |
Marco Beltrami (born October 7, 1966) is an American composer of film and television scores. He has worked in a number of genres, including horror ( Scream , Mimic, The Faculty, Resident Evil, The Woman in Black, Carrie, A Quiet Place , and The Nun II ), action ( Terminator 3: Rise of the Machines, Live Free or Die Hard, World War Z ), science fiction (I, Robot, Snowpiercer ), Western ( 3:10 to Yuma, Jonah Hex, The Homesman ), and superhero ( Hellboy, The Wolverine, Logan , Venom: Let There Be Carnage ).
A long-time collaborator of Wes Craven, Beltrami scored seven of the director's films including the original four Craven-directed films in the Scream franchise (1996–2011). He has also worked with such directors as James Mangold, Guillermo del Toro, Tommy Lee Jones, Alex Proyas, Ole Bornedal, Kathryn Bigelow, Bong Joon-ho, Dan Gilroy, and John Krasinski. He has been nominated for two Academy Awards for 3:10 to Yuma (2007) and The Hurt Locker (2008), and a Golden Globe Award for A Quiet Place (2018). He won a Satellite Award for Soul Surfer (2011) and an Emmy Award for Free Solo (2018).
Beltrami was born on Long Island, New York, of Italian and Greek descent. [1] He attended Ward Melville High School, and afterwards, graduated from Brown University and studied at the Yale School of Music, and then moved west to the USC Thornton School of Music in Los Angeles, where he studied under composer Jerry Goldsmith. [2]
A few classical commissions and USC student films aside, Beltrami scored his first feature in 1994, the thriller Death Match for director Joe Coppolletta, and reached a higher level of public acclaim in 1996 when he wrote the score for Wes Craven's smash hit shocker Scream . Since then, Beltrami has become firmly entrenched as a composer of choice for the horror/thriller and action genre, with the Scream sequels and hit films such as Mimic (1997), The Faculty (1998), Angel Eyes (2001), Joy Ride (2001), Resident Evil (2002), which he co-composed with Marilyn Manson, Blade II (2002), Hellboy (2004), I, Robot (2004), and Red Eye (2005) featuring prominently in his resume. Apart from horror/thriller and action, he also scores certain independent films such as The Dangerous Lives of Altar Boys and Tommy Lee Jones' The Three Burials of Melquiades Estrada . He was nominated for an Emmy Award for his score for the film David and Lisa in 1998, indicating a desire to spread his musical wings beyond the bounds of his genre pigeonholing.
He has composed the recent entries in the Die Hard saga, Live Free or Die Hard and A Good Day to Die Hard , taking over from Michael Kamen from whom Beltrami used some of the original themes from the previous three films due to Kamen's death in 2003. Beltrami earned an Academy Award nomination for his work on James Mangold's acclaimed 2007 western remake, 3:10 to Yuma . Despite having met a mixed critical response, he was also nominated, alongside Buck Sanders, for the 2010 Academy Award for Best Original Score for his score to The Hurt Locker . [3] In 2011, he was met with critical praise and won a Satellite Award for Best Original Score for his score to the drama film Soul Surfer . [4] Beltrami composed the soundtrack for Pierce Brosnan's 2014 spy film November Man . [5] He co-composed the score for the 2015 Fantastic Four film with Philip Glass. [6]
Beltrami's signature style is based around highly percussive texture. He often employs both traditional percussive instruments such as bass drums, as well as violins and brass instruments, forming layers of hits and stabs.
Beltrami has worked repeatedly with such directors as Wes Craven, James Mangold, Guillermo del Toro, Tommy Lee Jones, Alex Proyas, Len Wiseman, John Moore, Jean-François Richet, Jonathan Levine, and John Krasinski. [7] He has also worked with other musicians, including Marilyn Manson (for Resident Evil ).
It was reported in October 2002 on Beltrami's official website that he had worked on orchestral arrangements for "Thyme", "The General", and "Elvis Presley and the Monster of Soul" (also known as "Leave Me Alone") from the then-unreleased Guns N' Roses album Chinese Democracy . [8] While none of those tracks appear on the final track listing of the album, they were confirmed as being recorded during the sessions with a chance of release in the future. However, he was credited officially for providing arrangements on "Street of Dreams", "Madagascar", "There Was a Time", "This I Love", and "Prostitute". "Chinese Democracy" is also the name of a track on Beltrami's score for 3:10 to Yuma. In 2023 he was credited on the final single release of "The General". [9]
Year | Title | Notes |
---|---|---|
1995 | Land's End | 13 episodes |
1996 | Inhumanoid | Television film |
1997 | Stranger in My Home | |
Dellaventura | 1 episode | |
1998 | David and Lisa | Television film |
1999 | Dybt vand | |
Tuesdays with Morrie | ||
2000 | Goodbye Casanova | Television film; composed with Gianluca Piersanti |
2002 | Glory Days | 9 episodes |
2000–04 | The Practice | 85 episodes |
2009–11 | V | 22 episodes |
2011 | The Sunset Limited | Television film |
2014 | 1864 | Miniseries |
2014–17 | Turn: Washington's Spies | 40 episodes |
2015–16 | Lucifer | Theme music and 13 episodes |
2017–18 | Six | 18 episodes |
2019 | The Twilight Zone | 10 episodes |
Bubble Guppies | featuring Bleeding Fingers Music from the episode "Dragons 'N' Roses!" | |
2021 | Nine Perfect Strangers | Miniseries |
2022–23 | Pantheon | 16 episodes |
2023 | MotoGP | Title Music [10] |
2024 | Apples Never Fall | Miniseries |
Year | Title | Notes |
---|---|---|
2017 | Fortnite | Theme and additional music |
Year | Title | Director | Role | Notes |
---|---|---|---|---|
2022 | Scream | Matt Bettinelli-Olpin Tyler Gillett | Partygoer | Vocal cameo [11] |
Award | Wins | Nominations |
---|---|---|
0 | 2 | |
0 | 1 | |
0 | 1 | |
1 | 2 |
Year | Category | Work | Result |
---|---|---|---|
2008 | Best Original Score | 3:10 to Yuma | Nominated |
2010 | Best Original Score | The Hurt Locker | Nominated |
Year | Category | Work | Result |
---|---|---|---|
2019 | Best Original Score | A Quiet Place | Nominated |
Year | Category | Work | Result |
---|---|---|---|
1999 | Outstanding Music Composition for a Miniseries or a Movie (Dramatic Underscore) | David and Lisa | Nominated |
2019 | Outstanding Music Composition for a Documentary Series or Special (Original Dramatic Score) | Free Solo | Won |
AACTA Award for Best Original Music Score
César Award for Best Original Music
Fangoria Chainsaw Award for Best Score
Fright Meter Award for Best Score
Grand Bell Award for Best Music
Hollywood Music in Media Award for Best Original Score
Satellite Award for Best Original Score
Critics' Choice Movie Award for Best Score
Denver Film Critics Society Award for Best Original Score
Film Critics Circle of Australia Award for Best Music
Hawaii Film Critics Society Award for Best Original Score
Houston Film Critics Society Award for Best Original Score
Jerrald King Goldsmith was an American composer, with a career in film and television scoring that spanned nearly 50 years and over 200 productions, between 1954 and 2003. He was considered one of film music's most innovative and influential composers. He was nominated for eighteen Academy Awards, six Grammy Awards, five Primetime Emmy Awards, nine Golden Globe Awards, and four British Academy Film Awards.
3:10 to Yuma is a 2007 American western action drama film directed by James Mangold and produced by Cathy Konrad, starring Russell Crowe and Christian Bale in the lead roles, with supporting performances by Peter Fonda, Gretchen Mol, Ben Foster, Dallas Roberts, Alan Tudyk, Vinessa Shaw, and Logan Lerman. Bale plays a rancher impoverished by drought who takes on the dangerous but lucrative job of taking a notorious outlaw (Crowe) to justice.
Scream is an American murder mystery and slasher franchise that includes six films, a television series, merchandise, and games. The first four films were directed by Wes Craven. The series was created by Kevin Williamson, who wrote the first two films and the fourth, and will return to direct the seventh film. Ehren Kruger wrote the third. The fifth and sixth installments were directed by Matt Bettinelli-Olpin and Tyler Gillett, with Guy Busick and James Vanderbilt serving as writers and Williamson returning as executive producer. Dimension Films produced the first four films. Spyglass Media Group took over the rights from the fifth film on with Paramount Pictures distributing. The film series has grossed over US$910 million at the global box office.
Live Free or Die Hard: Original Motion Picture Soundtrack is the film score soundtrack to the 2007 film Live Free or Die Hard, the fourth instalment in the Die Hard film series. The film score is composed by Marco Beltrami who incorporates the compositions by Michael Kamen for the predecessors. The soundtrack was released under the Varèse Sarabande label on July 2, 2007.
Up (Original Motion Picture Soundtrack) is the film score to the 2009 Disney-Pixar film of the same name composed by Michael Giacchino. This is his third feature film for Pixar after The Incredibles and Ratatouille. Giacchino wrote a character theme-based score that the filmmakers felt enhanced the story of the film. Up received positive reviews from music critics and won major awards. Despite being well regarded, Up was not released as a compact disc (CD) until 2011, when it became available via Intrada Records.
The Last Airbender is the soundtrack album of the fantasy adventure film The Last Airbender, directed by M. Night Shyamalan. The score was composed by James Newton Howard. It was released on June 29, 2010, by Lakeshore Records.
Ford v Ferrari is a 2019 American biographical sports drama film directed by James Mangold and written by Jez Butterworth, John-Henry Butterworth, and Jason Keller. It stars Matt Damon and Christian Bale, with Jon Bernthal, Caitríona Balfe, Tracy Letts, Josh Lucas, Noah Jupe, Remo Girone, and Ray McKinnon in supporting roles. The plot follows a determined team of American and English engineers and designers, led by automotive designer Carroll Shelby and his English driver, Ken Miles, who are hired by Henry Ford II and Lee Iacocca to build a race car to defeat the perennially dominant Italian racing team Scuderia Ferrari at the 1966 24 Hours of Le Mans race in France.
Logan: Original Motion Picture Soundtrack is the score album to the 2017 film of the same name, featuring the Marvel Comics character Wolverine. It is the tenth installment in the X-Men film series and the third and final installment in the Wolverine trilogy following X-Men Origins: Wolverine (2009) and The Wolverine (2013). The film is directed by James Mangold, and featured musical score composed by Marco Beltrami, having previously worked together in the predecessor.
The Wolverine (Original Motion Picture Soundtrack) is the soundtrack album to the 2013 superhero film of the same name, directed by James Mangold. Featuring the Marvel Comics character Wolverine, the film is the sixth installment in the X-Men film series, the second installment in the trilogy of Wolverine films after X-Men Origins: Wolverine (2009), and a spin-off/sequel to X-Men: The Last Stand (2006). The film's musical score is composed by Marco Beltrami, who previously scored Mangold's 3:10 to Yuma (2007).
Snowpiercer: Original Motion Picture Soundtrack is the album consisting of the original score composed by Marco Beltrami, for the Bong Joon-ho directorial Snowpiercer (2013). The album was published by CJ E&M Music, and released in South Korea on 21 August 2013, followed by an international release on 9 September. The soundtrack for the North American release, was distributed by Varèse Sarabande, and saw an official release on 11 June 2014.
The Giver (Original Motion Picture Soundtrack) is the score album composed by Marco Beltrami for the 2014 film of the same name directed by Phillip Noyce. The album was released on August 12, 2014 by Sony Music and features 20 tracks from the score. It was preceded by a mix of songs from the film released into a separate 10-song soundtrack titled The Giver (Music Collection), on August 5, by Interscope Records, led by OneRepublic's original song "Ordinary Human" written for the film.
The Scream slasher franchise has generated several soundtrack albums. American composer Marco Beltrami composed the film scores for the first four films in the series, while Brian Tyler has composed the film series since.
The Hurt Locker (Original Motion Picture Soundtrack) is the soundtrack to the 2008 film of the same name. The film's original score is composed by Marco Beltrami and Buck Sanders, consisted of 12 cues from the film released as an album on June 23, 2009, by Lakeshore Records. The score received critical acclaim and won a nomination for Best Original Score at the 82nd Academy Awards. It marked Beltrami's second Academy Award-nomination after the critically acclaimed score for 3:10 to Yuma (2007).
Soul Surfer (Music From The Motion Picture) is the soundtrack to the 2011 film Soul Surfer, released on April 5, 2011 by Rhino Records. The album featured numerous songs performed by artists James “Bla” Pahinui, Michael Franti & Spearhead, Britt Nicole, Brian Setzer and Two Door Cinema Club.
The music to the 1996 slasher film Scream directed by Wes Craven featured two albums released in order to promote the film. An original soundtrack to the film featuring several songs as heard in the film, released on December 17, 1996, by TVT Records. Marco Beltrami's score for the film was released along with Scream 2, in a double-disc album in July 1998. The soundtrack and score received acclaim from critics.
The music to the 1997 slasher film Scream 2, the second instalment in the Scream franchise and a sequel to Scream (1996) featured an original soundtrack album consists of 15 songs by various artists from the R&B, rap and rock genres; excluding two only 13 of them appear in the film. Released as Scream 2: Music from the Dimension Motion Picture by Capitol Records on November 18, 1997, the soundtrack achieved commercial success, charting at number 50 on the Billboard 200 charts, and spent there for over ten weeks. It was certified gold by the Recording Industry Association of America, signifying that the album achieved sales in excess of 500,000 units.
The music to the 2000 slasher film Scream 3, featured two albums to promote the film. The first one, consisted of an original soundtrack, released as Scream 3: The Album by Wind-up Records on January 25, 2000. It features 18 songs consisted largely of the metal genre by artists such as System of a Down, Slipknot, Powerman 5000, Full Devil Jacket, Godsmack, Sevendust, Incubus, Static-X and Coal Chamber, some of which are represented in the film. It was commercially successful, peaking at number 32 on the Billboard 200 charts, and also certified gold by the Recording Industry Association of America, signifying that the album achieved sales in excess of 500,000 units. The album was released on iTunes on February 1, 2012.
Scream 4: Original Motion Picture Soundtrack and Scream 4: Original Motion Picture Score are the soundtracks to the 2011 slasher film Scream 4, the fourth instalment in the Scream franchise and the sequel to Scream 3. The former is an original soundtrack consisting 12 songs performed by various artists mainly of the rock genre, such as Ida Maria, The Sounds and The Novocaines, and released on April 12, 2011, by Lakeshore Records, but was not successful as the previous instalment's soundtracks. The latter, is a score soundtrack consisting the original score composed by veteran franchise composer Marco Beltrami, released under the Varèse Sarabande label on April 19, 2011.
The Omen (Original Motion Picture Soundtrack) is the soundtrack to the 2006 film The Omen, a remake of the 1976 film of the same name directed by John Moore. The film score was composed by Marco Beltrami, who reuses themes from the original film's score composed by Jerry Goldsmith. A score album featuring 20 tracks was released through Varèse Sarabande label on June 6, 2006, the same day as the film's release.
I, Robot is the film score soundtrack to the 2004 film I, Robot, directed by Alex Proyas starring Will Smith. The musical score is composed by Marco Beltrami and released under the Varèse Sarabande label on July 20, 2004.