Jonah Hex: Revenge Gets Ugly EP | ||||
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Soundtrack album (EP)by | ||||
Released | June 29, 2010 | |||
Recorded | Late 2009 and early 2010 | |||
Genre | Sludge metal, progressive metal | |||
Length | 32:46 | |||
Label | Reprise | |||
Mastodon chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Beats Per Minute | 52/100 [2] |
Decibel | 9/10 [3] |
MetalSucks | ![]() ![]() ![]() ![]() ![]() |
Jonah Hex: Revenge Gets Ugly EP is the official score for the 2010 film Jonah Hex directed by Jimmy Hayward and starring Josh Brolin. It was composed by American heavy metal band Mastodon and film composer Marco Beltrami. It was released digitally on June 29, 2010, through Reprise Records.
Jonah Hex: Revenge Gets Ugly EP received some minor charting success, peaking at number 15 on Billboard's Top Soundtracks, and at number 22 on Billboard's Hard Rock Albums. [5]
Heavy metal band Mastodon worked on the film score to the DC comic adaption of Jonah Hex. [6] While writing the film script, director Jimmy Hayward ( Horton Hears a Who! , Finding Nemo , Toy Story ) was heavily inspired and influenced by the band's 2006 studio album, Blood Mountain . [7] Hayward personally called Mastodon and asked them to contribute their music to the soundtrack. The film was on a tight budget and most of the cast and crew had agreed to take pay cuts. Mastodon were no exception as they agreed to record the album for "basically nothing". [7]
Mastodon had just returned from a European tour with Metallica, and immediately flew out to Los Angeles, California, to begin work on the score. [7] The group was shown various clips of the film and asked to write music that matched the scenes emotionally. According to bassist Troy Sanders, they were given "100% creative control in this movie". [7] Writing the soundtrack to a film came naturally for Mastodon, as many of their albums are concept albums. Sanders commented that since the start of the band, "we've always written albums thinking the music was the score of a movie. Then we'll create the lyrics or story line on top of that, as if we're writing the dialogue to match the movie's cinematography". [7] In two weeks they created about an hour of instrumental music, with five full songs and "many smaller musical themes adapted throughout". [7] The soundtrack was then handed over to composer John Powell (Bourne series, Jumper , Hancock ) to add the music into the film.
After the soundtrack had been recorded, the Jonah Hex film endured lengthy reshoots and reediting sessions. Prior to signing onto Jonah Hex, Powell was already arranged to compose the soundtracks for Knight and Day and Fair Game . [8] Due to his previously arranged agreements, and filming for Jonah Hex still incomplete, Powell had to leave the project and was subsequently replaced with composer Marco Beltrami ( The Hurt Locker , 3:10 to Yuma , Scream series). The first soundtrack Mastodon recorded was written for scenes that were later scrapped during the reshoots, so Beltrami had the band write an entirely new score. [8] The new soundtrack was taken in a "more restrained, subtle" [8] musical direction—contrasting the original version which had been described as "pretty heavy" [6] with "vigorous shredding". [8]
While Mastodon had originally described the process of composing a soundtrack as "very pure, it was real creative and totally spur of the moment" and expected "nothing in return but satisfaction in being a part of something incredible", the band found it frustrating to have to rewrite a new score and start from scratch. According to guitarist Brent Hinds, who was disappointed about having to start over: "It was some of the best shit I've ever written in my life. Now I'm just trying to finish with as much patience as possible". [8] The band was also facing time constraints both from the approaching release date of the film and also being on a world tour at the time. Mastodon later announced they had about an hour's worth of newly recorded material for the score. [9]
Jonah Hex: Revenge Gets Ugly EP was digitally released as a six-song EP on June 29, 2010 through Reprise Records, two weeks after the Jonah Hex film's debut. The album features four new songs and two alternate versions. [10] [11]
All tracks are written by Mastodon and Marco Beltrami
No. | Title | Length |
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1. | "Death March" | 8:52 |
2. | "Clayton Boys" | 3:12 |
3. | "Indian Theme" | 4:10 |
4. | "Train Assault" | 4:13 |
5. | "Death March" (Alternate Version) | 9:07 |
6. | "Clayton Boys" (Alternate Version) | 3:12 |
Total length: | 32:46 |
Mastodon is an American heavy metal band from Atlanta, Georgia. Formed in 2000, the band's lineup of Troy Sanders (bass/vocals), Brent Hinds, Bill Kelliher and Brann Dailor (drums/vocals) has remained unchanged since 2001. Mastodon has released eight studio albums, as well as a number of other releases. The band's 2002 debut album, Remission, garnered significant critical acclaim for its unique sound. Mastodon's second full-length release, Leviathan, is a concept album based on the novel Moby-Dick by Herman Melville. Three magazines awarded the record "Album of the Year" in 2004: Revolver, Kerrang! and Terrorizer.
Nightwatch is a 1997 American horror thriller film directed by Ole Bornedal and starring Ewan McGregor, Patricia Arquette, Josh Brolin and Nick Nolte. It was written by Bornedal and Steven Soderbergh. It is a remake of the 1994 Danish film of the same name, which was also directed by Bornedal.
Marco Beltrami is an American composer of film and television scores. He has worked in a number of genres, including horror, action, science fiction, Western, and superhero.
William Brent Hinds is an American musician best known as the lead guitarist of the Atlanta, Georgia heavy metal band Mastodon, in which he shares guitar duties with Bill Kelliher and vocal duties with Troy Sanders and Brann Dailor.
James Hayward is a Canadian film director, screenwriter and animator. He has written screenplays for Columbia, 20th Century Fox, and Warner Brothers.
Jonah Hex is a 2010 American Western superhero film based on the DC Comics character of the same name. Directed by Jimmy Hayward from a screenplay by Neveldine/Taylor, the film stars Josh Brolin in the title role, John Malkovich, Megan Fox, Michael Fassbender, Will Arnett, Michael Shannon and Wes Bentley.
Mad Max: Fury Road is a soundtrack album for the 2015 film, Mad Max: Fury Road, composed by Tom Holkenborg a.k.a. Junkie XL. It was released on 12 May 2015 through WaterTower Music.
Ford v Ferrari is a 2019 sports action drama film directed by James Mangold and distributed by 20th Century Fox. Two soundtrack albums for the film were released by Hollywood Records on November 15, 2019.
Logan: Original Motion Picture Soundtrack is the score album to the 2017 film of the same name, featuring the Marvel Comics character Wolverine. It is the tenth installment in the X-Men film series and the third and final installment in the Wolverine trilogy following X-Men Origins: Wolverine (2009) and The Wolverine (2013). The film is directed by James Mangold, and featured musical score composed by Marco Beltrami, having previously worked together in the predecessor.
The Wolverine (Original Motion Picture Soundtrack) is the soundtrack album to the 2013 superhero film of the same name, directed by James Mangold. Featuring the Marvel Comics character Wolverine, the film is the sixth installment in the X-Men film series, the second installment in the trilogy of Wolverine films after X-Men Origins: Wolverine (2009), and a spin-off/sequel to X-Men: The Last Stand (2006). The film's musical score is composed by Marco Beltrami, who previously scored Mangold's 3:10 to Yuma (2007).
Fantastic Four (Original Motion Picture Soundtrack) is the soundtrack album to the 2015 film Fantastic Four. Directed by Josh Trank, the film is based on the Marvel Comics superhero team of the same name, and is a reboot of the Fantastic Four film franchise. The musical score is composed by Marco Beltrami and Philip Glass, and the album was released in digital and physical formats on August 7, 2015 by Sony Classical Records, coinciding the film's release. It was also released in two-disc vinyl sets on August 10. Apart from featuring Beltrami and Glass' score, it also featured an original song "Another Body" performed by El-P and a single "Fantastic" performed by RM and Mandy Ventrice. The latter was only used for promotional purposes for the South Korean theatrical release, and is not featured in the film or the soundtrack.
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The Giver (Original Motion Picture Soundtrack) is the score album composed by Marco Beltrami for the 2014 film of the same name directed by Phillip Noyce. The album was released on August 12, 2014 by Sony Music and features 20 tracks from the score. It was preceded by a mix of songs from the film released into a separate 10-song soundtrack titled The Giver (Music Collection), on August 5, by Interscope Records, led by OneRepublic's original song "Ordinary Human" written for the film.
The Hurt Locker (Original Motion Picture Soundtrack) is the soundtrack to the 2008 film of the same name. The film's original score is composed by Marco Beltrami and Buck Sanders, consisted of 12 cues from the film released as an album on June 23, 2009, by Lakeshore Records. The score received critical acclaim and won a nomination for Best Original Score at the 82nd Academy Awards. It marked Beltrami's second Academy Award-nomination after the critically acclaimed score for 3:10 to Yuma (2007).
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