This article possibly contains original research .(May 2022) |
Progressive metal | |
---|---|
Other names | Prog metal |
Stylistic origins | |
Cultural origins | Mid-1980s, North America, United Kingdom |
Subgenres | |
Djent | |
Fusion genres | |
Regional scenes | |
|
Progressive metal (often shortened to prog metal) is a broad fusion music genre melding heavy metal and progressive rock, combining the loud "aggression" [1] and amplified guitar-driven sound of the former with the more experimental, cerebral or quasi-classical compositions of the latter.
The music typically showcases the extreme technical proficiency of the performers and usually uses unorthodox harmonies as well as complex rhythms with frequent meter changes and intense syncopation. The rhythmic aspects are especially emphasized in the djent subgenre. [1]
Although the genre emerged towards the late-1980s, it was not until the 1990s that progressive metal achieved widespread success. [1] Watchtower, [2] Queensrÿche, Dream Theater, Tool, Symphony X, [3] Shadow Gallery, King's X, and Fates Warning are a few examples of progressive metal bands who achieved commercial success. Soon after the rise of the genre's popularity, other thrash and death metal bands started to incorporate elements of progressive music in their work.
Progressive metal, as a distinct musical style, was primarily advanced by members of the American heavy metal scene of the mid-1980s, particularly Queensrÿche, Savatage, Fates Warning, Watchtower and then later on, Dream Theater and Symphony X. It has since developed in a non-linear fashion, with countless groups demonstrating innovations in personal ways. [4] [5]
The origins of the genre date back to the very beginning of heavy metal/hard rock and progressive rock when some bands began to merge the two different approaches. 1960s pioneers King Crimson maintained their musical innovation while incorporating a harder approach, using dissonance and experimental tones, yet still maintaining a relationship to the power chords of hard rock, with the main example being "21st Century Schizoid Man". [6] Canadian trio Rush are widely recognized as bridging the gap between hard rock, English progressive rock, and pure heavy metal. Initially influenced by Led Zeppelin, they evolved to combine established progressive rock technique with blues-based power chords. Records such as 2112 (1976) showcased technical expertise and complex compositional skill while still utilizing a more direct and heavier approach than the well-established English progressive rock sound. [7]
1984 brought full-length debut albums from American bands Queensrÿche [8] from Washington state, and Fates Warning [9] from Connecticut. Both expanded their music to include more progressive elements ( The Warning, 1984; The Spectre Within, 1985) – some through sound experimentation and compositional refinement, others through extremely complex structures and atypical riffs – up to the two seminal works in 1986: Rage for Order and Awaken the Guardian . [10] [11] In the following years the two bands, while following different paths – more basic and simple the first, more articulate and complex the latter — explore and expand the technical refinement and sonic finesse of their music, continuing to lay the foundations of the genre with important works such as Operation: Mindcrime (1988) by Queensrÿche, [12] and Perfect Symmetry (1989) by Fates Warning. [13] Progressive metal also found a home in the growing U.S. thrash metal movement, influencing popular heavy metal bands like Megadeth, with its acclaimed album Rust in Peace (1990), together with Metallica and its famous album ...And Justice for All (1988). [14] Among the other pioneering thrash metal bands, one of the most important is Canada's Voivod, with their complex and experimental style, full of psychedelic dissonances ( Dimension Hatröss, 1988; Nothingface, 1989). [15] "Math-metal" pioneers Watchtower, from Texas, took the concept of time-changes to a new level, combining thrash metal, syncopation and prog in their albums Energetic Disassembly (1985) [16] and Control and Resistance (1989), giving rise to an extremely technical approach based on the rhythmic deconstruction typical in jazz fusion. [17] This same direction in prog metal would be later integrated into death metal by bands such as Atheist ( Unquestionable Presence, 1991), [18] which would become known as technical death metal or progressive death metal. Bands which also explored fusion-inspired prog metal include most notably Death and Cynic. [19]
The major US bands that contribute to further delineating and developing the genre are Psychotic Waltz and Dream Theater. The former, with an approach halfway in between Watchtower and Fates Warning, produced A Social Grace (1990), melding their signature sound with the psychedelic Into the Everflow (1992), [20] while the latter explored the legacy of the bands that preceded them while advancing their personal style with When Dream and Day Unite (1989). Both albums focused on keyboards and band members' instrumental skills. As for Dream Theater, their efforts resulted in two fundamental albums, which helped institutionalize classic progressive metal — Images and Words (1992) and Awake (1994). [21]
Among European pioneers of the genre are Germany's Sieges Even, who, starting out of technical thrash stylistically significant to Watchtower, explored the more technical and angular side of progressive metal with The Art of Navigating by the Stars (2005). [22]
Among the bands of the late 1990s who brought innovation to the genre are the Dutch Ayreon (a project by Arjen Anthony Lucassen) and Swedes Pain of Salvation. Ayreon focused on theatrical and melodramatic rock operas Into the Electric Castle (1998) and The Human Equation (2004), performed by many different members of prominent metal bands. [23] [24] Pain of Salvation was always working towards a more or less unusual style, demonstrated by the eclecticism and anti-conformism found on One Hour by the Concrete Lake (1998), and BE (2004). [25] Forerunners of a more experimental and alternative approach include Thought Industry, as seen in their album Mods Carve the Pig: Assassins, Toads and God's Flesh (1993). [26]
Puerto Rican band Puya rose to prominence in the late '90s with their innovative fusion of jazz, salsa, and progressive metal, evident on their 1999 album Fundamental. [27]
Some of the first bands to pioneer the combination of progressive rock and extreme metal influences were Dan Swanö's Edge of Sanity, and Opeth,[ citation needed ] both bands hailing from Sweden. In particular, Edge of Sanity's Crimson (1996), a 40-minute concept album consisting of a single track, brought the band critical acclaim and was heralded as one of the first extreme-metal forays into a progressive rock-esque concept album,[ citation needed ] featuring death-metal vocals and heavily distorted guitars, with guest vocals and lead guitar from Opeth's Mikael Åkerfeldt. Dan Swanö produced Opeth's first release, Orchid (1995), which was unique for its combination of death metal vocals and instrumentation, melodic guitar harmonies, and acoustic passages, but it wasn't until their hallmark record Blackwater Park (2001) that they received critical acclaim. Steven Wilson, progressive rock icon and frontman of Porcupine Tree, was given a copy of Opeth's prior record Still Life (1999) from a friend, and, after listening, noted that the experimental music he had been after had drifted into extreme metal. Being mutual fans of each other's work, Steven ended up co-producing Blackwater Park along with Opeth's frontman Mikael Åkerfeldt, and would go on to co-produce Deliverance (2002) and Damnation (2003), together a would-be double album.[ citation needed ] Their next release, Ghost Reveries, became an "instant classic," followed by Watershed, their last "heavy" album, both of which have had significant influence on the progressive metal genre, [28] [29] along with other "extreme metal" bands like Meshuggah. This style of progressive metal is often referred to as "extreme progressive metal," or "extreme prog," for short. [30] Later bands who would play in this style are Ne Obliviscaris, Disillusion. [31] [32] Porcupine Tree would later be influenced by this style, and in particular from Opeth, while Opeth would subsequently switch to a more traditional progressive metal/rock band, devoid of extreme metal elements. [29]
Between the Buried and Me, who started as a more straightforward metalcore band, also began to incorporate both progressive metal and death metal into their music on their 2003 album The Silent Circus , a landmark album in the progressive metalcore genre. [33] They would later add avant-garde elements as well on releases such as The Great Misdirect (2009). [34] [35]
In the 2010s, due to the rapid growth of djent led by bands such as Periphery and After the Burial, [36] progressive metal saw an increased interest with a large number of newcomers to the genre. Some of the newer progressive metal bands that have gained popularity since the 2010s are Haken, Plini, Vola, and Caligula's Horse, among others. [37]
One of the hallmark musical qualities of progressive metal is eclecticism. In between the riffs, choruses, and solos typical of rock and metal songs, prog metal bands often include sections inspired by jazz, classical and Middle Eastern music, among others. Progressive metal is difficult to define specifically, since most bands labeled under the genre have considerably different musical influences when compared to each other. [38]
Similarly, bands such as Dream Theater, Planet X and Puya [39] have a jazz influence, with extended solo sections that often feature "trading solos".
Orphaned Land from Israel debuted as a melodic death-doom/melodic death metal band that fused middle eastern rhythms and melodies into their music with a progressive edge. The band knew they wanted to create a new subgenre of metal from the very beginning, a style they would dub "oriental metal," and were always viewed as progressive due to the nature of the middle eastern elements of their music, which is known for using time signatures that are uncommon in the west, expansive song structures, and microtones. As their career developed, they would later play in a more traditional progressive metal style, comparable to Opeth, Symphony X, and the like, while maintaining their "oriental" edge. [40] [41] [42] [43] Steven Wilson, who lived in Israel for some time playing in Blackfield, found Ophaned Land to be "something special" after listening to Mabool and, would end up producing and engineering The Never Ending Way of ORWarriOR. [44] [45]
In the late 2000s, bands such as Periphery, Tesseract, Animals as Leaders and Vildhjarta popularized the "djent" style of progressive metal in a sound originally developed by Meshuggah. It is characterized by high-attack, palm-muted, syncopated riffs (often incorporating polymeters), as well as use of extended-range guitars. [46] Extended-range guitars also feature in other forms of progressive metal; artists including Dream Theater, Devin Townsend, Dir En Grey, and Ne Obliviscaris have used seven-string guitars without being part of the djent movement, Dream Theater having been one of the earliest progressive metal bands to incorporate seven-stringed guitars into their music.[ citation needed ]
Proyecto Eskhata, a Spanish band, has received much press coverage in Spain for its fusion of progressive rock and rap metal, which journalists have described as "progressive rap metal". [47] [48] [49] [50]
Progressive doom is a fusion genre that combines elements of progressive metal and doom metal. [51] Bands include King Goat, [51] Below the Sun, [52] Sierra, [53] and Oceans of Slumber. [54]
Death metal is an extreme subgenre of heavy metal music. It typically employs heavily distorted and low-tuned guitars, played with techniques such as palm muting and tremolo picking; deep growling vocals; aggressive, powerful drumming, featuring double kick and blast beat techniques; minor keys or atonality; abrupt tempo, key, and time signature changes; and chromatic chord progressions. The lyrical themes of death metal may include slasher film-style violence, political conflict, religion, nature, philosophy, true crime and science fiction.
Heavy metal is a genre of rock music that developed in the late 1960s and early 1970s, largely in the United Kingdom and United States. With roots in blues rock, psychedelic rock and acid rock, heavy metal bands developed a thick, monumental sound characterized by distorted guitars, extended guitar solos, emphatic beats and loudness.
Opeth is a Swedish progressive metal band from Stockholm, formed in 1990. The band incorporates folk, blues, classical, and jazz elements into its usually lengthy compositions, as well as strong influences from death metal, especially in their early works. Songs may include acoustic guitar passages, Mellotrons, death growls, and strong dynamic shifts.
Thrash metal is an extreme subgenre of heavy metal music characterized by its overall aggression and fast tempo. The songs usually use fast percussive beats and low-register guitar riffs, overlaid with shredding-style lead guitar work.
Power metal is a subgenre of heavy metal combining characteristics of traditional heavy metal with speed metal, often within a symphonic context. Generally, power metal is characterized by a faster, lighter, and more uplifting sound, in contrast with the heaviness and dissonance prevalent in, for example, extreme metal. Power metal bands usually have anthemic songs with fantasy-based subject matter and strong choruses, thus creating a theatrical, dramatic and emotionally "powerful" sound.
Voivod is a Canadian heavy metal band from Jonquière Quebec. The original line-up consisted of vocalist Denis "Snake" Bélanger, guitarist Denis "Piggy" D'Amour, drummer Michel "Away" Langevin and bassist Jean-Yves "Blacky" Thériault. The band has had numerous members changes throughout its 42-year career, with Langevin as the only consistent member. Their current line-up includes Langevin, Bélanger, Daniel "Chewy" Mongrain (guitar) and Dominic "Rocky" Laroche (bass).
A number of heavy metal genres have developed since the emergence of heavy metal during the late 1960s and early 1970s. At times, heavy metal genres may overlap or are difficult to distinguish, but they can be identified by a number of traits. They may differ in terms of instrumentation, tempo, song structure, vocal style, lyrics, guitar playing style, drumming style, and so on.
Extreme metal is a loosely defined umbrella term for a number of related heavy metal music subgenres that have developed since the early 1980s. It has been defined as a "cluster of metal subgenres characterized by sonic, verbal, and visual transgression".
Fates Warning is an American progressive metal band, formed in Hartford, Connecticut, in 1982 by vocalist John Arch, guitarists Jim Matheos and Victor Arduini, bassist Joe DiBiase, and drummer Steve Zimmerman. There have been numerous lineup changes over the course of their 42-year career, and Matheos is the only constant member. As of 2020, the band consists of Matheos, vocalist Ray Alder, bassist Joey Vera, drummer Bobby Jarzombek and guitarist Michael Abdow. Fates Warning also had a revolving cast of drummers and guitarists by the time Jarzombek and Abdow joined the band in 2007 and 2020 respectively.
Damnation is the seventh studio album by Swedish progressive metal band Opeth. It was released on 22 April 2003, five months after Deliverance, which was recorded at the same time. Damnation is the last Opeth album to date to be produced by Steven Wilson although he did mix two future albums, Heritage and Pale Communion. Mikael Åkerfeldt dedicated both Damnation and Deliverance to his grandmother, who died in a car accident during the time the albums were being recorded.
Watchtower is an American progressive metal band based in Austin, Texas, active from 1982 to 1993 and they have reunited occasionally since 1999. The band has released two studio albums―Energetic Disassembly (1985) and Control and Resistance (1989)―as well as one compilation album, four digital singles, one EP and three demo cassettes, and has been featured on numerous compilation albums. They are also notable for featuring vocalist Jason McMaster, who left Watchtower after the release of Energetic Disassembly to form Dangerous Toys, and was replaced by Alan Tecchio, who appeared on Control and Resistance and the band's 2016 EP Concepts of Math: Book One. After leaving the band once again in 2010, McMaster returned to Watchtower for the second time in 2023.
Blackened death metal is an extreme subgenre of heavy metal that fuses elements of black metal and death metal.
This is an introductory page to timelines of artists, albums, and events in progressive rock and its subgenres. While this page shows the formation of significant bands in the genre, the detailed timeline is presented in separate articles for each decade.
Metal: A Headbanger's Journey is a 2005 documentary film directed by Sam Dunn with Scot McFadyen and Jessica Wise. The film follows 31-year-old Dunn, a Canadian anthropologist, who has been a heavy metal fan since the age of 12. Dunn sets out across the world to uncover the various opinions on heavy metal music, including its origins, culture, controversy, and the reasons it is loved by so many people. The film made its debut at the 2005 Toronto International Film Festival, and was released as a two-disc special edition DVD in the US on 19 September 2006.
Terrorizer was an extreme music magazine published by Dark Arts Ltd. in the United Kingdom. It was released every four weeks with thirteen issues a year and featured a "Fear Candy" covermount CD, a twice yearly "Fear Candy Unsigned" CD, and a double-sided poster.
Brazilian thrash metal is a musical movement that originated in the 1980s. Though not as large or well known as the North American or European thrash metal movements, it bridged the gap of the mid-1980s and the death metal scene later in the decade and the first-wave of black metal. This genre is both raw and intense, drawing in global audiences and holding a legacy that inspires bands outside of the country. Brazilian thrash metal grew from a blend of thrash, progressive, and death metal influences around the world, expressing resistance, opposition, and rage. In a country experiencing political and social hardships, Brazilian metal became a way to express frustrations of young individuals longing for change in the system. The lack of resources led bands to self-release their music, rather than turning to a label. This style of thrash metal includes fast-paced rhythms and vocals that encapsulate the feelings of Brazil's people. Although some bands, like Sepultura and Nervosa have become mainstream, the scene remains an underground icon.
The Blueprint Dives is the fourth studio release by the Norwegian Christian metal band Extol. Recorded at the end of 2004 at Top Room Studios and produced by Børge Finstad and Extol, Blueprint was released on 21 February 2005 on Century Media. The album met with a widely positive reception and received a Spellemannprisen nomination. On this album, Ole Børud and Christer Espevoll left Extol, and the band was joined by the members of the rock band Ganglión, Tor Magne S. Glidje and Ole Halvard Sveen.
Extol is the fifth full-length studio album by the Norwegian Christian progressive death metal band Extol, released in 2013. It was described by music critics as a mixture of death and progressive metal, with some melodic elements. Reviews of the album were very positive, and the album managed to chart on the Billboard Top Christian Albums chart.