Neo-prog | |
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Other names | Neo-progressive rock |
Stylistic origins | |
Cultural origins | Early 1980s in England, UK |
Other topics | |
New prog Post-progressive |
Neo-progressive rock (commonly abbreviated neo-prog) [2] is a subgenre of progressive rock developed in the UK in the early 1980s. The genre's most popular band, Marillion, achieved mainstream success in the decade. Several bands from the genre have continued to record and tour. [3] [4]
Neo-prog is characterised by deeply emotional content, often delivered via dramatic lyrics and a generous use of imagery and theatricality on-stage. The music is mostly the product of careful composition, relying less heavily on improvised jamming. The subgenre relies very much on clean, melodic and emotional electric guitar solos, combined with keyboards. The main musical influences on the neo-prog genre are bands from the first wave of progressive rock such as early Genesis, Camel, and to a lesser extent Van der Graaf Generator and Pink Floyd. [3] Funk, hard rock and punk rock were also influences on the genre. [1]
In the book, The Progressive Rock Files, author Jerry Lucky dedicates a chapter to neo-progressive rock with the title "A Neo Beginning!", stating this subgenre "surfaced in late 1981, bearing testimony to the lasting values of this musical form" of progressive rock, but distinguishing it from this main genre by saying, "Sure the sound was a bit different ... a little more bite, a little more eighties". Later in the same book, Jerry Lucky suggested this subgenre of progressive rock peaked in the mid-1980s: "As 1984 dawned all of the British neo-progressive rock bands release material." Famous neo-prog albums were Marillion's Fugazi , Pallas' The Sentinel , Pendragon's Fly High Fall Far, Twelfth Night's Art and Illusion , Solstice's Silent Dance, IQ's The Wake , and Quasar's Fire in the Sky. [5]
A predecessor to this genre was The Enid, who fused rock with classical but were more heavily influenced by Ralph Vaughan Williams than by more modern composers. [6] The change of approach can be heard in the shift toward shorter compositions and a keyboard-based sound in the 1980s Rush albums Signals, Grace Under Pressure, Power Windows and Hold Your Fire . [7] Neo-progressive bands emphasised individual solos instead of group improvisation, and they included more world-music elements. Lyrics became more personal and less esoteric. Concept albums were still created, but not as frequently and on a smaller scale. [7] Digital synthesizers took over many of the roles formerly filled by bulkier keyboards such as Mellotrons and organs, [8] and their modern sound tended to minimise the folk influences that had been typical of 1970s progressive rock. [9] Heavy metal bands such as Iron Maiden and Queensrÿche began to explore the mythological themes and extended concepts that had previously been the territory of progressive rock. [10]
Early neo-prog was marked by sophisticated lyrics and often dark themes. While the accessibility of neo-prog to the mainstream is debatable, the form did generally seem more radio-friendly, with shorter and less complex songs than earlier progressive rock. Nonetheless, neo-prog never achieved the heights of popular success that the first wave of progressive rock in the 1970s did, with only one band, Marillion, achieving arena status. [11] Marillion achieved major success across Europe in particular and produced eight top ten UK albums between 1983 and 1994, peaking in popularity with their album Misplaced Childhood in 1985, which topped the UK album chart and produced two top five hit singles in the UK. The album has been called "the cornerstone of the entire 'neo-prog' movement". [12] Following this peak, neo-prog declined in popularity as a genre, although several bands have continued to record and tour, with Marillion and their ex-singer Fish in particular both maintaining a large cult following. They would also spawn a Sci-Fi based trans-Atlantic Neo-Prog side project in Edison's Children in 2011 starring, Marillion's Pete Trewavas [13] and NYC's Major Motion Picture Special FX Technician [14] Eric Blackwood. [15] Their 1st album "In The Last Waking Moments..." marks the only time that all active members of Marillion (and Robin Boult, the lead guitarist of Fish) appeared on the same album that wasn't an official Marillion album. [16] [17] "In The Last Waking Moments...'" Extraterrestrial / Alien Abduction theme [17] garnered tremendous attention including the Top 40 FM Radio Hit "A Million Miles Away (I Wish I Had A Time Machine" [18] [19] [20] marking the first time that Neo-Prog has had an FM hit since the Alan Parsons Project in the early 1990's returning Neo-Prog back to its former glory. [21] Giorgio A. Tsoukalos of Ancient Aliens fame brought more attention to the "alien based" concept album through social media [22] and most importantly the attention of the NASA Apollo 11 Neil Armstrong family including Neil's musical son Rick Armstrong who requested to. [23] become a permanent member of Edison's Children during the Marillion 2013 Weekend tour in Montreal which he was granted and has contributed to Edison's Children's next four Supernatural / Extraterrestrial / Apocalyptic-based double LPs. [23] This culminated in the 2019 concert celebration for the Astronaut Scholarship Fund's concert celebration for the 50th anniversary of the Apollo 11 Moon Landing, starring Neil Armstrong's son Rick Armstrong performing with his band Edison's Children [21] [24] and then joining the Alan Parsons Project later in the evening for a two band encore "mashup". [25] Along with Marillion, Fish and Edison's Children, alternative rock band Radiohead's ambitious work has been credited with inspiring a revival of interest in progressive rock. [26]
Progressive rock is a broad genre of rock music that primarily developed in the United Kingdom through the mid- to late 1960s, peaking in the early-to-mid 1970s. Initially termed "progressive pop", the style was an emergence of psychedelic bands who abandoned standard pop traditions in favour of instrumentation and compositional techniques more frequently associated with jazz, folk, or classical music. Additional elements contributed to its "progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of "art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing.
Marillion are a British neo prog band, formed in Aylesbury, Buckinghamshire, in 1979. They emerged from the post-punk music scene in Britain and existed as a bridge between the styles of punk rock and classic progressive rock, becoming the most commercially successful neo-prog band of the 1980s.
Transatlantic is a multinational progressive rock supergroup consisting of Neal Morse, Roine Stolt, Pete Trewavas and Mike Portnoy. They formed in 1999 as a side project to their full-time bands, but disbanded in 2002. They then reunited in 2009.
Ian F. Mosley is an English drummer. He is best known for his long-time membership of the neo-prog band Marillion, which he joined for their second album, Fugazi, released in 1984. He had previously been an in-demand session drummer. Mosley's abilities have been widely praised, including by former Genesis guitarist Steve Hackett, Meshuggah drummer Tomas Haake and critic John Franck of AllMusic. Modern Drummer has characterised him as a "drumming great".
Mark Colbert Kelly is an Irish keyboardist and a member of the neo-prog band Marillion.
Misplaced Childhood is the third studio album by the British neo-prog band Marillion, released in 1985. It is a concept album loosely based on the childhood of Marillion's lead singer, Fish, who was inspired by a brief incident that occurred while he was under the influence of LSD.
IQ are a British neo-prog band founded by Mike Holmes and Martin Orford in 1981 following the dissolution of their original band The Lens. Although the band have never enjoyed major commercial success and had several lineup changes, IQ have built up a loyal following over the years and are still active as of 2024, currently with the original recording line-up. In 2021/22, IQ performed a series of concerts in the UK and Europe celebrating their 40th anniversary.
Peter Trewavas is an English musician, best known as the bassist of the progressive rock band Marillion. He joined in 1982, replacing Diz Minnitt, while acting as a backing vocalist and occasional guitarist.
Mach One are a British neo-prog band, founded in 1980 by a group of students attending Burlington Danes High School in West London. After a series of studio demos, school gigs and lineup changes, the band attracted the attention of Keith Goodwin who represented them through 1983-85. During this time Mach One embarked on a series of live shows at pubs and clubs around London, and universities across England, while releasing two albums, Six of One and Lost for Words, that featured prominently in underground progressive rock fanzines and specialist progressive rock catalogues. However, in the more mainstream press they received mixed reviews for their second album, including a humorous 1-star review by Mary Anne Hobbs in Sounds, although their live show was given a positive write-up in the same paper a few weeks thereafter by journalist Gareth Thompson.
This is a timeline of artists, albums, and events in progressive rock and its subgenres. This article contains the timeline for the period 1960–1969.
Experimental rock, also called avant-rock, is a subgenre of rock music that pushes the boundaries of common composition and performance technique or which experiments with the basic elements of the genre. Artists aim to liberate and innovate, with some of the genre's distinguishing characteristics being improvisational performances, avant-garde influences, odd instrumentation, opaque lyrics, unorthodox structures and rhythms, and an underlying rejection of commercial aspirations.
Edison's Children is a science fiction-oriented progressive rock trio known for writing "epic Concept albums" with supernatural, apocalyptic and extra-terrestrial themes. It features Rick Armstrong, Pete Trewavas and Eric Blackwood. Their CDs include visual accompaniments in the form of 20 page "lyrics and images" insert booklets by photographer Wendy Darling Blackwood.
Eric Blackwood is an American singer-songwriter, guitarist and musician with the progressive rock band Edison's Children starring Marillion's Pete Trewavas and the Son of Astronaut Neil Armstrong, Rick Armstrong as well as an IATSE certified special effects and property technician of over 100 major motion pictures and television noted author & baseball stadium photographer & historian and has been an honorary member of the Marillion touring crew since 2005.
Prog is a British magazine dedicated to progressive rock music, published by Future. The magazine, which is edited by Jerry Ewing, was launched in March 2009 as a spin-off from Classic Rock and covers both past and present artists. Other current staff are Natasha Scharf, Russell Fairbrother, Julian Marszalek, and Dave Everley.
Post-progressive is a type of rock music distinguished from vintage progressive rock styles, specifically 1970s prog. Post-progressive draws upon newer developments in popular music and the avant-garde since the mid-1970s. It especially draws from ethnic music and minimalism, elements which were new to rock music. It is different from neo-prog in that the latter pastiches 1970s prog, while "post-progressive" identifies progressive rock music that stems from sources other than prog.
Proto-prog is the earliest work associated with the first wave of progressive rock music, known then as "progressive pop". Such musicians were influenced by modern classical and other genres usually outside of traditional rock influences. They often employed longer and more complicated compositions, interconnected songs as medley, and studio composition. Some of the artists that were essential to the development of progressive rock, rather than just anticipating the movement, include the Beatles, the Beach Boys, the Doors, The Mothers of Invention, the Pretty Things, the Zombies, the Byrds, the Grateful Dead and Pink Floyd.
Henry Rogers is an English drummer, session artist, producer, sound developer and 2 time winner of the Classic Rock Society's award for "Drummer of the Year". He is best known for performing drums on 6 different Marillion "spinoff releases" including: 3 albums by Pete Trewavas' Edison's Children which stars Apollo 11 Astronaut Neil Armstrong's son, Rick Armstrong & On-Set Hollywood Special FX Artist Eric Blackwood and 3 albums by Marillion's Mark Kelly including 2 with DeeExpus starring Andy Ditchfield and most recently "Mark Kelly's Marathon" in 2020. Henry Rogers has been featured in 5 releases with the British progressive rock band Touchstone and in 2018 joined Mostly Autumn.
Ulysses is a German progressive rock band from the early 1990s with an international line-up. They were part of a colourful scene of new bands, labels and magazines that emerged in Germany at that time. Musically, they were less influenced by the German "Krautrock" phenomenon but initially oriented strongly towards the second generation of British progressive rock bands. Hegarty & Halliwell would have classified them as part of third wave of progressive rock bands, who can also be described as a second generation of neo-progressive bands. So one might not wonder that most reviewers heard similarities to Marillion, Galahad and Änglagård in their music which is characterised by a strong emphasis on melodies and the integration of folkloristic elements, abrupt changes of moods and partly complex and ever changing arrangements often moving towards a climax.