Art music

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Beethoven's autographic sketch for his Piano Sonata No. 28, Movement IV, Geschwind, doch nicht zu sehr und mit Entschlossenheit (Allegro). He completed the piece in 1816. Beethoven opus 101 manuscript.jpg
Beethoven's autographic sketch for his Piano Sonata No. 28, Movement IV, Geschwind, doch nicht zu sehr und mit Entschlossenheit (Allegro). He completed the piece in 1816.

Art music (alternatively called classical music, cultivated music, serious music, and canonic music) [1] is music that implies advanced structural and theoretical considerations [2] or a written musical tradition. [3] The terms "serious" or "cultivated" are frequently used in relation to music in order to present a contrast with ordinary, everyday music (i.e. popular and folk music, also called "vernacular music"). [4] At the beginning of the 20th century art music was divided into "serious music" and "light music". [5]

Popular music is music with wide appeal that is typically distributed to large audiences through the music industry. These forms and styles can be enjoyed and performed by people with little or no musical training. It stands in contrast to both art music and traditional or "folk" music. Art music was historically disseminated through the performances of written music, although since the beginning of the recording industry, it is also disseminated through recordings. Traditional music forms such as early blues songs or hymns were passed along orally, or to smaller, local audiences.

Folk music Music of the people

Folk music includes traditional folk music and the genre that evolved from it during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles. The term originated in the 19th century, but folk music extends beyond that.

Vernacular music is ordinary, everyday music such as popular and folk music. It is defined partly in terms of its accessibility, standing in contrast to art music. Vernacular music may overlap with non-vernacular, particular in the context of musical commerce, and is often informed by the developments of non-vernacular traditions.

Contents

Definition

"Art music" is mostly used to refer to music descending from the tradition of Western classical music. Authors associated with the critical musicology movement and popular music studies, such as Philip Tagg, tend to reject the elitism associated with art music; he refers to it as one of an "axiomatic triangle consisting of 'folk', 'art' and 'popular' musics". [6] He explains that each of these three is distinguishable from the others according to certain criteria. [6] According to Bruno Nettl, "Western classical music" may also be synonymous with "art music", "canonic music", "cultivated music", "serious music", as well as the more flippantly used "real music" and "normal music". [1] Musician Catherine Schmidt-Jones defines art music as "a music which requires significantly more work by the listener to fully appreciate than is typical of popular music". In her view, "[t]his can include the more challenging types of jazz and rock music, as well as Classical". [7]

Classical music broad tradition of Western art music

Classical music is art music produced or rooted in the traditions of Western culture, including both liturgical (religious) and secular music. While a more precise term is also used to refer to the period from 1750 to 1820, this article is about the broad span of time from before the 6th century AD to the present day, which includes the Classical period and various other periods. The central norms of this tradition became codified between 1550 and 1900, which is known as the common-practice period.

New musicology is a wide body of musicology since the 1980s with a focus upon the cultural study, aesthetics, criticism, and hermeneutics of music. It began in part a reaction against the traditional positivist musicology of the early 20th century and postwar era. Many of the procedures of new musicology are considered standard, although the name more often refers to the historical turn rather than to any single set of ideas or principles. Indeed, although it was notably influenced by feminism, gender studies, queer theory, postcolonial studies, and critical theory, new musicology has primarily been characterized by a wide-ranging eclecticism.

Philip Tagg musicologist

Philip Tagg is a British musicologist, writer and educator. He is co-founder of the International Association for the Study of Popular Music (IASPM) and author of several influential books on popular music and music semiotics.

The term may also refer to:

Jazz is a music genre that originated in the African-American communities of New Orleans, United States. It originated in the late 19th and early 20th centuries, and developed from roots in blues and ragtime. Jazz is seen by many as "America's classical music". Since the 1920s Jazz Age, jazz has become recognized as a major form of musical expression. It then emerged in the form of independent traditional and popular musical styles, all linked by the common bonds of African-American and European-American musical parentage with a performance orientation. Jazz is characterized by swing and blue notes, call and response vocals, polyrhythms and improvisation. Jazz has roots in West African cultural and musical expression, and in African-American music traditions including blues and ragtime, as well as European military band music. Intellectuals around the world have hailed jazz as "one of America's original art forms".

The term "art music" refers primarily to classical traditions (including contemporary as well as historical classical music forms) that focus on formal styles, invite technical and detailed deconstruction [2] and criticism, and demand focused attention from the listener. In strict western practice, art music is considered primarily a written musical tradition, [3] preserved in some form of music notation, as opposed to being transmitted orally, by rote, or in recordings (like popular and traditional music). [3] [10]

Musical notation graphic writing of musical parameters

Music notation or musical notation is any system used to visually represent aurally perceived music played with instruments or sung by the human voice through the use of written, printed, or otherwise-produced symbols.

There have been continual attempts throughout the history of popular music to make a claim for itself as art rather than as popular culture, and a number of music styles that were previously understood as "popular music" have since been categorized in the art or classical category. [11] According to the academic Tim Wall, the most significant example of the struggle between Tin Pan Alley, African-American, vernacular, and art discourses was in jazz. As early as the 1930s, artists attempted to cultivate ideas of "symphonic jazz", taking it away from its perceived vernacular and black American roots. Following these developments, histories of popular music tend to marginalize jazz, partly because the reformulation of jazz in the art discourse has been so successful that many (as of 2013) would not consider it a form of popular music. [11]

Tin Pan Alley group of New York City music publishers and songwriters who dominated the popular music of the United States in the late 19th century and early 20th century

Tin Pan Alley is the name given to the collection of New York City music publishers and songwriters who dominated the popular music of the United States in the late 19th century and early 20th century. The name originally referred to a specific place: West 28th Street between Fifth and Sixth Avenues in the Flower District of Manhattan; a plaque on the sidewalk on 28th Street between Broadway and Sixth commemorates it. In 2019 the New York City Landmarks Preservation Commission took up the question of preserving five buildings on the north side of the street as a Tin Pan Alley Historic District.

In the second half of the 20th century, there was a large-scale trend in American culture toward blurring the boundaries between art and pop music. [12] Beginning in 1966, the degree of social and artistic dialogue among rock musicians dramatically accelerated for bands who fused elements of composed music with the oral musical traditions of rock. [13] During the late 1960s and 1970s, progressive rock bands represented a form of crossover music that combined rock with high art musical forms either through quotation, allusion, or imitation. [12] Progressive music may be equated with explicit references to aspects of art music, sometimes resulting in the reification of rock as art music. [13]

Pop music is a genre of popular music that originated in its modern form in the United States and United Kingdom during the mid-1950s. The terms "popular music" and "pop music" are often used interchangeably, although the former describes all music that is popular and includes many diverse styles. "Pop" and "rock" were roughly synonymous terms until the late 1960s, when they became increasingly differentiated from each other.

Rock music is a broad genre of popular music that originated as "rock and roll" in the United States in the early 1950s, and developed into a range of different styles in the 1960s and later, particularly in the United States and the United Kingdom. It has its roots in 1940s and 1950s rock and roll, a style which drew heavily from the genres of blues, rhythm and blues, and from country music. Rock music also drew strongly from a number of other genres such as electric blues and folk, and incorporated influences from jazz, classical and other musical styles. Musically, rock has centered on the electric guitar, usually as part of a rock group with electric bass, drums, and one or more singers. Usually, rock is song-based music usually with a 4/4 time signature using a verse–chorus form, but the genre has become extremely diverse. Like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political.

Progressive rock is a broad genre of rock music that developed in the United Kingdom and United States throughout the mid- to late 1960s. Initially termed "progressive pop", the style was an outgrowth of psychedelic bands who abandoned standard pop traditions in favour of instrumentation and compositional techniques more frequently associated with jazz, folk, or classical music. Additional elements contributed to its "progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of "art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing.

While progressive rock is often cited for its merging of high culture and low culture, few artists incorporated literal classical themes in their work to any great degree, as author Kevin Holm-Hudson explains: "sometimes progressive rock fails to integrate classical sources ... [it] moves continuously between explicit and implicit references to genres and strategies derived not only from European art music, but other cultural domains (such as East Indian, Celtic, folk, and African) and hence involves a continuous aesthetic movement between formalism and eclecticism". [13]

See also

Related Research Articles

Progressive music type of music that emphasizes form and stylistic variety

Progressive music is music that attempts to expand existing stylistic boundaries associated with specific genres of music. The word comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in the context of distinct genres such as progressive country, progressive folk, progressive jazz, and progressive rock. Music that is deemed "progressive" usually synthesizes influences from various cultural domains, such as European art music, Celtic folk, West Indian, or African. It is rooted in the idea of a cultural alternative and may also be associated with auteur-stars and concept albums, considered traditional structures of the music industry.

Song Composition for voice(s)

A song is a musical composition intended to be sung by the human voice. This is often done at distinct and fixed pitches using patterns of sound and silence. Songs contain various forms, such as those including the repetition of sections. Through semantic widening, a broader sense of the word "song" may refer to instrumentals.

Art rock is a subgenre of rock music that generally reflects a challenging or avant-garde approach to rock, or which makes use of modernist, experimental, or unconventional elements. Art rock aspires to elevate rock from entertainment to an artistic statement, opting for a more experimental and conceptual outlook on music. Influences may be drawn from genres such as experimental rock, avant-garde music, classical music, and jazz.

Music history, sometimes called historical musicology, is a highly diverse subfield of the broader discipline of musicology that studies music from a historical point of view. In theory, "music history" could refer to the study of the history of any type or genre of music. In practice, these research topics are often categorized as part of ethnomusicology or cultural studies, whether or not they are ethnographically based. The terms "music history" and "historical musicology" usually refer to the history of the notated music of Western elites, sometimes called "art music".

The music of the United States reflects the country's pluri-ethnic population through a diverse array of styles. It is a mixture of music influenced by West African, Irish, Scottish and mainland European cultures among others. The country's most internationally renowned genres are jazz, blues, country, bluegrass, rock, rhythm and blues, soul, ragtime, hip hop, doo wop, pop, techno, house, folk music, disco, boogaloo, reggaeton, and salsa. American music is heard around the world. Since the beginning of the 20th century, some forms of American popular music have gained a near-global audience.

Indian classical music Classical music from the Indian subcontinent

Indian classical music is the classical music of the Indian subcontinent. It has two major traditions: the North Indian classical music tradition is called Hindustani, while the South Indian expression is called Carnatic. These traditions were not distinct till about the 16th century. There on, during the turmoils of Islamic rule period of the Indian subcontinent, the traditions separated and evolved into distinct forms. Hindustani music emphasizes improvisation and exploring all aspects of a raga, while Carnatic performances tend to be short and composition-based. However, the two systems continue to have more common features than differences.

Music of the United Kingdom overview of music traditions of the UK

Throughout its history, the United Kingdom has been a major producer and source of musical creation, drawing its artistic basis from the history of the United Kingdom, from church music, Western culture and the ancient and traditional folk music and instrumentation of England, Scotland, Northern Ireland and Wales.

Hungary has made many contributions to the fields of folk, popular and classical music. Hungarian folk music is a prominent part of the national identity and continues to play a major part in Hungarian music. It is also strong in the Szabolcs-Szatmár area and in the southwest part of Transdanubia. The Busójárás carnival in Mohács is a major Hungarian folk music event, formerly featuring the long-established and well-regarded Bogyiszló orchestra.

Avant-garde music is music that is considered to be at the forefront of experimentation or innovation in its field, with the term "avant-garde" implying a critique of existing aesthetic conventions, rejection of the status quo in favor of unique or original elements, and the idea of deliberately challenging or alienating audiences.

Indigenous music of Canada encompasses a wide variety of musical genres created by Canada's Indigenous people. Before European settlers came to what is now Canada, the region was occupied by a large number of First Nations, including the West Coast Salish and Haida, the centrally located Iroquois, Blackfoot and Huron, the Dene to the North, and the Innu and Mi'kmaq in the East and the Cree in the North. Each of the indigenous communities had their own unique musical traditions. Chanting – singing is widely popular and most use a variety of musical instruments.

Aesthetics of music branch of philosophy that deals with the nature of art, beauty and taste in music

Aesthetics of music is a branch of philosophy that deals with the nature of art, beauty and taste in music, and with the creation or appreciation of beauty in music. In the pre-modern tradition, the aesthetics of music or musical aesthetics explored the mathematical and cosmological dimensions of rhythmic and harmonic organization. In the eighteenth century, focus shifted to the experience of hearing music, and thus to questions about its beauty and human enjoyment of music. The origin of this philosophic shift is sometimes attributed to Baumgarten in the 18th century, followed by Kant. Through their writing, the ancient term aesthetics, meaning sensory perception, received its present-day connotation. In recent decades philosophers have tended to emphasize issues besides beauty and enjoyment. For example, music's capacity to express emotion has been a central issue.

High culture form of culture, opposite of popular and mass cultures, that includes cultural achievements that are accepted especially valuable by opinion-elites

High culture encompasses the cultural objects of aesthetic value, which a society collectively esteem as exemplary art. It may also include intellectual works considered to be of supreme philosophical, historical, or literary value, as well as the education which cultivates such aesthetic and intellectual pursuits. In popular usage, the term high culture identifies the culture of an upper class or of a status class ; and also identifies a society’s common repository of broad-range knowledge and tradition that transcends the social-class system of the society. Sociologically, the term high culture is contrasted with the term low culture, the forms of popular culture characteristic of the less-educated social classes, such as the barbarians, the Philistines, and hoi polloi.

Musical improvisation spontaneous musical composition technique

Musical improvisation is the creative activity of immediate musical composition, which combines performance with communication of emotions and instrumental technique as well as spontaneous response to other musicians. Sometimes musical ideas in improvisation are spontaneous, but may be based on chord changes in classical music and many other kinds of music. One definition is a "performance given extempore without planning or preparation." Another definition is to "play or sing (music) extemporaneously, by inventing variations on a melody or creating new melodies, rhythms and harmonies." Encyclopædia Britannica defines it as "the extemporaneous composition or free performance of a musical passage, usually in a manner conforming to certain stylistic norms but unfettered by the prescriptive features of a specific musical text. Improvisation is often done within a pre-existing harmonic framework or chord progression. Improvisation is a major part of some types of 20th-century music, such as blues, jazz, and jazz fusion, in which instrumental performers improvise solos, melody lines and accompaniment parts.

Folk jazz is music that pairs traditional folk music with elements of jazz, usually featuring richly texturized songs. The origins of folk jazz can be traced back to the fifties, when artists like Jimmy Giuffre and Tony Scott pursued distinct approaches to folk music production, initially, as a vehicle for soloist expression.

In music, a standard is a musical composition of established popularity, considered part of the "standard repertoire" of one or several genres. Even though the standard repertoire of a given genre consists of a dynamic and partly subjective set of songs, these can be identified by having been performed or recorded by a variety of musical acts, often with different arrangements. In addition, standards are extensively quoted by other works and commonly serve as the basis for musical improvisation. Standards may "cross over" from one genre's repertoire to another's; for example, many jazz standards have entered the pop repertoire, and many blues standards have entered the rock repertoire.

A music genre is a conventional category that identifies some pieces of music as belonging to a shared tradition or set of conventions. It is to be distinguished from musical form and musical style, although in practice these terms are sometimes used interchangeably. Academics have argued that categorizing music by genre is inaccurate and outdated.

Post-progressive is a type of rock music distinguished from vintage progressive rock styles, specifically 1970s prog. Post-progressive draws upon newer developments in popular music and the avant-garde since the mid-1970s. It especially draws from ethnic musics and minimalism, elements which were new to rock music. It is different from neo-progressive rock in that neo-prog pastiches 1970s prog, while "post-progressive" identifies progressive rock music that stems from sources other than prog.

References

  1. 1 2 Bruno Nettl (1995). Heartland Excursions: Ethnomusicological Reflections on Schools of Music. University of Illinois Press. p. 3. ISBN   978-0-252-06468-5.
  2. 1 2 Jacques Siron, "Musique Savante (Serious music)", Dictionnaire des mots de la musique (Paris: Outre Mesure): 242. ISBN   2-907891-22-7
  3. 1 2 3 Denis Arnold, "Art Music, Art Song", in The New Oxford Companion to Music, Volume 1: A–J (Oxford and New York: Oxford University Press, 1983): 111. ISBN   0-19-311316-3
  4. Jochen Eisentraut (2013). The Accessibility of Music: Participation, Reception, and Contact. Cambridge University Press. p. 196. ISBN   978-1-107-02483-0.
  5. Michal Smoira Cohn (2010). The Mission and Message of Music: Building Blocks to the Aesthetics of Music in our Time. Cambridge Scholars Publishing. pp. 93–94. ISBN   978-1-4438-1883-4.
  6. Catherine Schmidt-Jones, "What Kind of Music Is That?", from the website Connexions, last edited by Catherine Schmidt-Jones on 10 January 2007 8:58 am US/Central, retrieved on 12 December 2008.
  7. Theodor W. Adorno, "On Popular Music", in Studies in Philosophy and Social Science, 17–48 (New York: Institute of Social Research, 1941): IX.[ full citation needed ]
  8. Quinta Rambert. "Making new: an improvisation R&D". Rambert. Retrieved 18 March 2017. Western art music is actually quite unusual in its emphasis on notation.[ unreliable source? ]
  9. Philip Tagg, "Analysing Popular Music: Theory, Method and Practice", Popular Music 2 (1982): 37–67, here 41–42.
  10. 1 2 Tim Wall (2013). Studying Popular Music Culture. SAGE Publications. pp. 42–43. ISBN   978-1-4462-9101-6.
  11. 1 2 Jacqueline Edmondson, ed. (2013). Music in American Life: An Encyclopedia of the Songs, Styles, Stars, and Stories that Shaped our Culture. ABC-CLIO. pp. 317, 1233. ISBN   978-0-313-39348-8.
  12. 1 2 3 Kevin Holm-Hudson, ed. (2013). Progressive Rock Reconsidered. Routledge. pp. 85–87. ISBN   978-1-135-71022-4.

Further reading