This is the end of a list of students of music, organized by teacher.
Tomášek (1774–1850, also 'Tomaschek'), autodidact
Johann Georg Albrechtsberger was an Austrian composer, organist, and music theorist, and one of the teachers of Ludwig van Beethoven. He was also a friend of Haydn and Mozart.
Events in the year 1883 in music.
This is a list of music-related events in 1810.
Josef Lhévinne was a Russian pianist and piano teacher. Lhévinne wrote a short book in 1924 that is considered a classic: Basic Principles in Pianoforte Playing. Asked how to say his name, he told The Literary Digest it was lay-VEEN.
Carl Friedrich Zelter was a German composer, conductor and teacher of music. Working in his father's bricklaying business, Zelter attained mastership in that profession, and was a musical autodidact.
Johann Christian Innocenz Bonaventura Cannabich, was a German violinist, composer, and Kapellmeister of the Classical era. A composer of some 200 works, he continued the legacy of Johann Stamitz and helped turn the Mannheim orchestra into what Charles Burney described as "the most complete and best disciplined in Europe.". The orchestra was particularly noted for the carefully graduated crescendos and diminuendos characteristic of the Mannheim school. Together with Stamitz and the other composers of the Mannheim court, he helped develop the orchestral texture that paved the way for the orchestral treatment of the First Viennese School.
The year 1682 in music involved some significant events.
Charles Jones was a Canadian-born music educator and composer of contemporary classical music who lived and worked mainly in the United States.
Johann Nepomuk Fuchs was an Austrian composer, opera conductor, teacher and editor. His editorial work included an important role in the preparation of the first complete edition of Franz Schubert's works. He was an older brother of the composer Robert Fuchs.
The Belgian Prix de Rome is an award for young artists, created in 1832, following the example of the original French Prix de Rome. The Royal Academy of Fine Arts Antwerp organised the prize until 1920, when the national government took over. The first prize is also sometimes called the Grand Prix de Rome. There were distinct categories for painting, sculpture, architecture and music.
Louis Plaidy was a celebrated German piano pedagogue and compiler of books of technical music studies.
Citations
Biscardi studied electronic music with Bert Levy and composition with Les Thimmig while in Madison, and composition with Robert Morris, Krzysztof Penderecki and Toru Takemitsu at Yale.
After four years, he embarked upon a six-year study tour of Italy, where his teachers included Giuseppe Tartini.
Koechlin was already too old to enter Théodore Dubois' harmony class at the Paris Conservatoire, for which Lefebvre wrote him a letter of introduction, so he was admitted instead as an auditeur to the harmony class of Antoine Taudou that autumn.
Satie is stated to have entered the Paris Conservatoire in 1879 and to have been enrolled there for eight years, in the elementary piano class of Émile Descombes, the solfège class of Albert Lavignac, the piano class of Georges Mathias and the harmony class of Antoine Tardou.
Studied from 1876 at the National Training School of Music where his teachers were Franklin Taylor, Ebenezer Prout, Arthur Sullivan and John Stainer.
He went on to study at the RCM from 1968 to 1973, with Kendall Taylor, Maurice Cole and David Wilde.
Of others, Kendall Taylor's RCM pupil Ethel Sharpe played the d'Albert Concerto in 1895, ...
Fortunately the English pianist Kendall Taylor was in the country at the time and took Solomon under his wing.
Born to Jewish parents in Hannover, his career in Germany included studies under Max Reger, Robert Teichmüller, Richard Strauss, and Hans Pfitzner.
Théodore Dubois (1837-1924) was born in the French town of Rosnay. After an impressive career at the Paris Conservatory, where he studied with Ambroise Thomas, he won the coveted Prix de Rome.
... while at the same time taking private composition lessons with Ludwig Thuille.
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(help)He trained with Frank Spedding, Hans Gal and Michael Tippett...
...studied at the Royal College of Music under Gordon Jacob and Herbert Howells, and later privately with Michael Tippett.
Raymond Warren has a special interest in opera presumably inspired by Michael Tippett with whom he studied.
Ros Marba, Antoni: Spanish conductor. b. 2 April 1937, Barcelona. Education: Barcelona Conservatory, studied with Eduard Toldra.
Montsalvatge was born in Girona, in the north of Catalonia, and educated at Barcelona's municipal conservatory, where his teachers included Enrique Morera, Jaime Pahissa and Eduard Toldrà.
...also under Tomášek at Prague.
Alcaraz, Jordi... ...Org student of Montserrat Torrent, Helmut Rilling, Fernando Germani, J. Reinberger, Flor Peeters;
Mr. Antonini began his musical career as a teen-ager when he won a scholarship to the Royal Conservatory of Music in Milan. During his last year, he was an organist-pianist with La Scala Orchestra under Arturo Toscanini.
He had studied briefly with Daniel Gottlob Türk in Halle but was essentially self-taught.
At the Royal College of Music she gained distinction for her Master's degree as a scholar under Mark-Anthony Turnage.
Principle Teachers: Kenneth Hesketh, 2010–2011; Mark-Anthony Turnage, 2011–2012.
She remained on the staff until 1975, the best-known of her own students being Boris Tishchenko.
In 1922, she received a scholarship from the Royal College of Music in England where she had the opportunity to study with Ralph Vaughan Williams.
Calverley would go on to receive a scholarship and study composition with George Dyson and Ralph Vaughan Williams.
Won an organ scholarship to Mercers' School, and, at the age of 14, a Sir John Goss scholarship to the Royal College of Music, where he studied composition with Ralph Vaughan Williams.
Thomson, César (b. Liège), March 17, 1857–d. Lugano, Switzerland, Aug. 21, 1931), Belgian violinist; studied with his father and at Liège Conservatory in the class of J. Dupuis, winning a gold medal at eleven. He was also pupil also of Léonard, Vieuxtemps, Wieniawski and Massart.
They met at the Royal College of Music where Kevin was studying piano/composition with Peter Wallfisch and Joseph Horowitz...
He later studied at the Vienna Music Academy, and at the RCM from 1987 to 1989 with Peter Wallfisch.
...He entered Trinity College, Cambridge, in October 1836; ...and took lessons in counterpoint from T.A. Walmisley.
Novello was trained and worked within the Catholic embassy chapels, studying organ with Samuel Webbe at the Portuguese Chapel...
Hans Swarowsky is Viennese, although he was born in Budapest. He studied musical theory with Arnold Schoenberg and Anton Webern and conducting with Richard Strauss...
In 1831 Ernst Friedrich Eduard Richter went to Leipzig to study with Christian Theodor Weinlig,...
Her father decided to take her to a young teacher named Rowsby Woof, who had been a pupil of Hans Wesley at the Royal Academy of Music.
Five years later she won an open scholarship to the Royal Academy of Music, studying with Cuthbert Whitemore;
...and studied under Parratt; his composition teachers were Charles Wood and Walford Davies...
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(help)...in January, 1905, went to the Royal College of Music, studying under Parratt, Bridge, Stanford, Charles Wood, and Marmaduke Barton,...
ALWYN, William (1905-1985). Composer, flautist, painter and writer. Entered the RAM at the age of fifteen, studied flute with Daniel Wood and composition with John B. McEwen.
His principal study would be Flute under Daniel S. Wood (brother of the composer Haydn Wood), with Piano as his second subject under Edward Morton and subsequently, Leo Livins.
He studied with Hugh Wood, Jonathan Harvey, and Richard Orton and taught at Huddersfield University and at the Darmstadt.
Tony Noakes, architect, composer, ... found time to study harmony with Hugh Wood and composition with Jeremy Dale-Roberts at Morley College.
At RAM, she studied violin with Hans Wesseley and Rowsby Woof, and counterpoint with J B McEwen.
William H. Sherwood 1854-1911...Among his many teachers were Kullak, Weitzmann, Wüerst, Deppe, Richter, Karl Doppler, Scotson Clark...
Anna Yesipova, concert pianist and professor of St Petersburg Conservatoire, where Yudina was her pupil for just over a year.
From the age of twelve he studied at the Chicago Music College with Leon Sametini, a student of Ševčík and Ysaÿe...
A graduate of the Gnesin Academy of Music (Moscow), Victor Derevianko studied under Heinrich Neuhaus and Maria Yudina, with whom he also recorded works for two pianos by Bartók and Stravinsky.
In Berlin he sought out Carl Friedrich Zelter, who had been recommended as one of the great theorists of the day. Zelter responded cordially and agreed to accept Marx as a pupil, but after only a few lessons Marx withdrew because he found Zelter's methods unpalatable.
Sources