Sinta Wullur | |
|---|---|
| Born | 16 November 1958 |
| Nationality |  Indonesia  Netherlands |
| Alma mater | Conservatorium van Amsterdam Royal Conservatory of The Hague |
| Occupations | |
| Notable work | Sita's Liberation (opera) |
| Musical career | |
| Genres | classical music |
| Instrument(s) | |
| Years active | c. 1980th – present |
Sinta Wullur (born 16 November 1958) is an Indonesian-Dutch gamelan musician, pianist, singer, and classical composer.
Sinta Wullur was born in Bandung, Indonesia, and emigrated to the Netherlands in 1968. Wullur studied music at the Sweelinck Conservatory with Willem Brons and received a degree in piano. She also studied composition with Ton de Leeuw at the same conservatory, and continued her studies in 1988 at the Royal Conservatory of The Hague with the composers Theo Loevendie and Louis Andriessen. She studied electronic music with Gilius van Bergeijk and Jan Boerman, and gamelan and singing with several teachers in Bali and Java. She received her degree in composition in 1991.
Wullur founded several gamelan groups in the Netherlands, including Tirta and Irama, and since 1992 has worked with the gamelan ensemble Widosari as a Javanese singer. She uses chromatically tuned gamelan instruments in her compositions and with her own gamelan ensemble Multifoon. [1] Wullur has issued recordings on CD, including most recently Gong and Strings. [2]
Wullur integrates Eastern and Western music in her compositions. Selected works include:
Gamelan is the traditional ensemble music of the Javanese, Sundanese, and Balinese peoples of Indonesia, made up predominantly of percussive instruments. The most common instruments used are metallophones played by mallets and a set of hand-played drums called kendang, which register the beat. The kemanak and gangsa are commonly used gamelan instruments in Bali. Other instruments include xylophones, bamboo flutes, a bowed instrument called a rebab, a zither-like instrument siter and vocalists named sindhen (female) or gerong (male).
As it is a country with many different tribes and ethnic groups, the music of Indonesia itself is also very diverse, coming in hundreds of different forms and styles. Every region has its own culture and art, and as a result traditional music from area to area also uniquely differs from one another. For example, each traditional music are often accompanied by their very own dance and theatre. Contemporary music scene have also been heavily shaped by various foreign influences, such as America, Britain, Japan, Korea, and India.
Evan Ziporyn is an American composer of post-minimalist music with a cross-cultural orientation, drawing equally from classical music, avant-garde, various world music traditions, and jazz. Ziporyn has composed for a wide range of ensembles, including symphony orchestras, wind ensembles, many types of chamber groups, and solo works, sometimes involving electronics. Balinese gamelan, for which he has composed numerous works, has compositions. He is known for his solo performances on clarinet and bass clarinet; additionally, Ziporyn plays gender wayang and other Balinese instruments, saxophones, piano & keyboards, EWI, and Shona mbira.
John Stanley Body was a New Zealand composer, ethnomusicologist, photographer, teacher, and arts producer. As a composer, his work comprised concert music, music theatre, electronic music, music for film and dance, and audio-visual gallery installations. A deep and long-standing interest in the music of non-Western cultures – particularly South-East Asian – influenced much of his composing work, particularly his technique of transcribing field recordings. As an organiser of musical events and projects, Body had a significant impact on the promotion of Asian music in New Zealand, as well as the promotion of New Zealand music within the country and abroad.
American gamelan could refer to both instruments and music; the term has been used to refer to gamelan-style instruments built by Americans, as well as to music written by American composers to be played on gamelan instruments. American gamelan music usually has some relationship to the gamelan traditions of Indonesia, as found primarily on the islands of Java and Bali in a variety of styles. Many American compositions can be played on Indonesian or American-made instruments. Indonesian gamelan can be made of a variety of materials, including bronze, iron, or bamboo. American gamelan builders used all sorts of materials including aluminum, tin cans, car hubcaps, steel, antique milk-strainers, etc. American gamelan may also describe the original music of American ensembles working with traditional instruments.
Gamelan Son of Lion (GSOL) is a new-music American gamelan ensemble based in New York City. The group was founded in 1976 by Barbara Benary, Philip Corner, and Daniel Goode. It is a composers' collective as well as repertory ensemble. Current composers in the group in addition to the co-founders are: David Demnitz, Laura Liben, Jody Kruskal, Lisa Karrer, Marnen Laibow-Koser, Jody Diamond, and David Simons.
Jody Diamond is an American composer, performer, writer, publisher, editor, and educator. She specializes in traditional and new music for Indonesian gamelan and is active internationally as a scholar, performer, and publisher.
Antonius Wilhelmus Adrianus de Leeuw was a Dutch composer. He occasionally experimented with microtonality.
Colotomy is an Indonesian description of the rhythmic and metric patterns of gamelan music. It refers to the use of specific instruments to mark off nested time intervals, or the process of dividing rhythmic time into such nested cycles. In the gamelan, this is usually done by gongs of various size: the kempyang, ketuk, kempul, kenong, gong suwukan, and gong ageng. The fast-playing instruments, kempyang and ketuk, keep a regular beat. The larger gongs group together these hits into larger groupings, playing once per each grouping. The largest gong, the gong ageng, represents the largest time cycle and generally indicates that that section will be repeated, or the piece will move on to a new section.
A gatra is a unit of melody in Indonesian Javanese gamelan music, analogous to a measure in Western music. It is often considered the smallest unit of a gamelan composition.
Gilius van Bergeijk is a Dutch composer.
Gamelan, although Indonesia is its origin place, is found outside of that country. There are forms of gamelan that have developed outside Indonesia, such as American gamelan and Malay Gamelan in Malaysia.
(Joseph) Vincent McDermott was a classically trained American composer and ethnomusicologist. His works show particular influence from the musics of South and Southeast Asia, particularly the gamelan music of Java. He was among the second generation of American composers to create and promote new compositions for gamelan.
Andys Skordis is a Cypriot composer. Andys has been awarded with the Buma Toonzetters Prize 2012, earning the title of the best Dutch Contemporary composition for that year. He has received other awards and honors from Cyprus, The Netherlands, Indonesia, Korea, Iceland and U.S.A. At the moment he lives in Amsterdam.
Hanna Kulenty is a Polish composer of contemporary classical music. Since 1992, she has worked and lived both in Warsaw (Poland) and in Arnhem (Netherlands).
Trisutji Djuliati Kamal was an Indonesian composer. She was born in Jakarta and grew up in the Sultanate of Langkat in Binjai, Sumatra. She studied piano and composition with Henk Badings at the Amsterdam Conservatory, and continued her studies at the Ecole Normale de Musique in Paris and the Santa Cecilia Conservatory in Rome. After completing her studies, Kamal returned to Indonesia in 1967 and began working as a musician and composer. In 1994 she founded the Trisutji Kamal Ensemble, which performs with two pianos, Indonesian traditional vocals, instrument and dance. She died aged 84.
Helen Bowater is a New Zealand composer. She was born in Wellington into a musical family, and studied piano and violin with Gwyneth Brown. In 1982 she graduated with a Bachelor of Music degree in music history and ethnomusicology from Victoria University of Wellington. She continued her studies in electroacoustic music with Ross Harris and in composition with Jack Body.
Gending Sriwijaya is the name of the traditional performance whether it is a song, music, as well as dance that originated from Palembang, South Sumatra, Indonesia. Both of the song and the dance was created to describes the splendor, cultural refinement, glory and the grandeur of Srivijaya empire that once succeed on unifying the western parts of Indonesian archipelago and Malay world generally.
Gamelan orchestral instruments were introduced to New Zealand from Java in 1974. There are several gamelan ensembles in New Zealand and gamelan has influenced many New Zealand composers such as Jack Body and Gareth Farr.
Paul Gutama Soegijo was an Indonesian composer and musician, active in Berlin. Born in Yogyakarta on the island of Java, Soegijo studied composition with Boris Blacher at Berlin's Hochschule für Musik. He began his compositional career in the experimental Neue Musik style but later transitioned to using elements of Indonesian music in his works, particularly the gamelan percussion instruments. He visited Indonesia between 1977 and 1985 to study the gamelan instruments, and in his later works he often combined Western influences with the gamelan traditions that he learned.
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