Jon Howard Appleton is an American composer and teacher who was a pioneer in electro-acoustic music. His earliest compositions in the medium, e.g. "Chef d'Oeuvre" and "Newark Airport Rock" (1967) attracted attention because they established a new tradition some have called programmatic electronic music. In 1970 he won Guggenheim, Fulbright and American-Scandinavian Foundation fellowships. When he was twenty-eight years old he joined the faculty of Dartmouth College where he established one of the first electronic music studios in the United States. He remained there intermittently for forty-two years. In the mid-1970s he left Dartmouth to briefly become the head of Elektronmusikstudion (EMS) (sv) in Stockholm, Sweden. In the late 1970s, together with Sydney Alonso and Cameron Jones he helped develop the first commercial digital synthesizer called the Synclavier. For a decade he toured around the United States and Europe performing the compositions he composed for this instrument. In the early 1990s he helped found the Theremin Center for Electronic Music at the Moscow Conservatory of Music. He has also taught at Keio University (Mita) in Tokyo, Japan, CCRMA at Stanford University and the University of California Santa Cruz. In his later years he has devoted most of his time to the composition of instrumental and choral music in a quasi-Romantic vein which has largely been performed only in France, Russia and Japan.
Christian G. Wolff is an American composer of experimental classical music.
Benjamin Burwell Johnston Jr. was an American contemporary music composer using just intonation. He was called "one of the foremost composers of microtonal music" by Philip Bush and "one of the best non-famous composers this country has to offer" by John Rockwell.
James Tenney was an American composer and music theorist. He made significant early musical contributions to plunderphonics, sound synthesis, algorithmic composition, process music, spectral music, microtonal music, and tuning systems including extended just intonation. His theoretical writings variously concern musical form, texture, timbre, consonance and dissonance, and harmonic perception.
Pachelbel's Canon is an accompanied canon by the German Baroque composer Johann Pachelbel in his Canon and Gigue for 3 violins and basso continuo. It is sometimes called Canon and Gigue in D or Canon in D. Neither the date nor the circumstances of its composition are known, and the oldest surviving manuscript copy of the piece dates from the 19th century.
Peter Garland is a composer, writer and publisher of Soundings Press.
Frog Peak Music is a composer's collective that produces and distributes experimental works, and functions as a home for its artists. It was co-founded in 1984 by Jody Diamond and Larry Polansky.
In music, a canon is a contrapuntal (counterpoint-based) compositional technique that employs a melody with one or more imitations of the melody played after a given duration. The initial melody is called the leader, while the imitative melody, which is played in a different voice, is called the follower. The follower must imitate the leader, either as an exact replication of its rhythms and intervals or some transformation thereof. Repeating canons in which all voices are musically identical are called rounds—"Row, Row, Row Your Boat" and "Frère Jacques" are popular examples.
In music, a prolation canon is a type of canon, a musical composition wherein the main melody is accompanied by one or more imitations of that melody in other voices. Not only do the voices sing or play the same melody, they do so at different speeds. Accompanying voices may enter either simultaneously or successively. If voices extend the rhythmic values of the leader, a procedure known as augmentation, the resulting canon can be called an augmentation canon or canon by augmentation or sloth canon. Conversely, if they reduce the note values in diminution, it can be called a diminution canon or canon by diminution.
For Ann (rising) is a piece of electronic music created by James Tenney in 1969.
Chief Olufela Obafunmilayo "Fela" Sowande MBE was a Nigerian musician and composer. Considered the father of modern Nigerian art music, Sowande is perhaps the most internationally known African composer of works in the European "classical" idiom.
Alice Anne LeBaron is a United States composer and harpist.
Jody Diamond is an American composer, performer, writer, publisher, editor, and educator. She specializes in traditional and new music for Indonesian gamelan and is active internationally as a scholar, performer, and publisher.
Sarah Cahill is an American pianist based in the Bay Area. She has also worked as a writer on music and as a radio show host.
The Music From "The Connection" is an album of music composed by jazz pianist Freddie Redd for Jack Gelber's 1959 play The Connection. This first recording of the music was released on the Blue Note label in 1960. It features performances by Redd, Jackie McLean, Michael Mattos, and Larry Ritchie.
Robert Carl is an American composer who currently resides in Hartford, Connecticut, where he is chair of the composition program at the Hartt School, University of Hartford.
Charles Malcolm Dodge is an American composer best known for his electronic music, specifically his computer music. He is a former student of Darius Milhaud and Gunther Schuller.
Johanna Magdalena Beyer was a German-American composer and pianist.
Dean Rosenthal is an American composer of instrumental and electronic music, sound installations, and field recordings. His pieces have included field recordings, text scores, digital pastiche, and instrumental works focussed on natural observations of properties in mathematics such as perfect tilings, combinations, graph theory, and permutations. He has conducted and performed internationally since 1996. He is the composer of the ongoing international community experimental music work Stones/Water/Time/Breath that is celebrated annually by Fête de la Musique in multiple cities across North America and Europe. He also serves as co-editor of The Open Space Web Magazine and is a contributing editor to The Open Space Magazine. He has worked closely with Guggenheim Fellow David Parker's dance company The Bang Group on several works, including their collaboration Turing Tests. Most recently, he was commissioned by the Oral History of American Music at Yale to compose a new work on the life of Vivian Perlis.
Kui Dong is a Chinese-American composer, musician, and teacher. She is known for her music which has often incorporated traditional Chinese music into contemporary contexts, and is currently Professor of Music at Dartmouth College. She has released two albums on the Other Minds record label: Hands Like Waves Unfold (2008) and Since When Has the Bright Moon Existed? (2011).
