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Kyle Eugene Gann is an American composer, professor of music, critic, analyst, and musicologist who has worked primarily in the New York City area. As a music critic for The Village Voice and other publications, he has supported progressive music, including such "downtown" movements as postminimalism and totalism.
David First is an American composer. His music most often deals with drones and interference beats, the latter aligning his music with that of Alvin Lucier. He usually plays computer or guitar and has led the World Casio Quartet, Joy Buzzers and The Notekillers which originally existed from 1977–81 and reformed in 2004. He is also a member of Matter Waves, which includes Kid Millions on drums and Bernard Gann on bass, and the music collective New Party Systems.
Ben Neill is an American composer, trumpeter, producer, and educator. He is the inventor of the "Mutantrumpet", a hybrid electro-acoustic instrument.
Downtown music is a subdivision of American music, closely related to experimental music, which developed in downtown Manhattan in the 1960s.
Minimal music is a form of art music or other compositional practice that employs limited or minimal musical materials. Prominent features of minimalist music include repetitive patterns or pulses, steady drones, consonant harmony, and reiteration of musical phrases or smaller units. It may include features such as phase shifting, resulting in what is termed phase music, or process techniques that follow strict rules, usually described as process music. The approach is marked by a non-narrative, non-teleological, and non-representational approach, and calls attention to the activity of listening by focusing on the internal processes of the music.
Totalism is a style of art music that arose in the 1980s and 1990s as a response to minimalism. It paralleled postminimalism but involved a younger generation of creators, born in the 1950s. This term, invented by writer and composer Kyle Gann, has not been adopted by contemporary musicology and generally still refers only to Gann's use of it in his writings.
Systems music is music with sound continua which evolve gradually, often over very long periods of time. Historically, the American minimalists Steve Reich, La Monte Young and Philip Glass are considered the principal proponents of this compositional approach. Works by this group of composers are often characterized by features such as stasis or repetitiveness.
The Rhythmicon—also known as the Polyrhythmophone—was an electro-mechanical musical instrument designed and built by Leon Theremin for composer Henry Cowell, intended to reveal connections between rhythms, pitches and the harmonic series. It used a series of perforated spinning disks, similar to a Nipkow disk, to interrupt the flow of light between bulbs and phototoreceptors aligned with the disk perforations. The interrupted signals created oscillations which were perceived as rhythms or tones depending on the speed of the disks. Although it generated both pitches and rhythms, it has often been described as the world's first drum machine.
Tirez Tirez was an American rock band led by composer/performer Mikel Rouse, the band's only constant member. The group was active from 1978 through 1988, and had a new wave/art rock sensibility that was strongly influenced by minimalism.
Rosa, A Horse Drama also called Rosa – The Death of a Composer is an opera in 12 scenes by Dutch composer, Louis Andriessen with a libretto by English film maker Peter Greenaway. The libretto was the sixth in Greenaway's Death of a Composer series which explores the deaths of ten 20th-century composers, two real, and the remaining eight fictional. It premiered at the Dutch National Opera on 2 November 1994 in a production co-directed by Greenaway and Saskia Boddeke. A recording of the opera was released on the Nonesuch label in 1998; Asko/Schönberg, conductor Reinbert de Leeuw..
Dennis Báthory-Kitsz is a Hungarian-American author and composer.
John McGuire is an American composer, pianist, organist, and music editor.
The term polytempo or polytempic is used to describe music in which two or more tempi occur simultaneously.
Randolph 'Randy' Coleman is an American composer and educator. He was the first chairman of the national council of the American Society of University Composers, now called The Society of Composers, Inc.
Judd Greenstein is an American composer of contemporary classical music, and an avid promoter of new music in New York City. He is also a co-director of New Amsterdam Records.
Brian Dennis was an English experimental music composer, and author born in Marple, Cheshire in May 1941 and died in June 1998.
Phase music is a form of music that uses phasing as a primary compositional process. It is an approach to musical composition that is often associated with minimal music, as it shares similar characteristics, but some commentators prefer to treat phase music as a separate category. Phasing is a compositional technique in which the same part is played on two musical instruments, in steady but not identical tempi. Thus, the two instruments gradually shift out of unison, creating first a slight echo as one instrument plays a little behind the other, then a doubling effect with each note heard twice, then a complex ringing effect, and eventually coming back through doubling and echo into unison.
The Time Curve Preludes is a minimalist composition for piano solo by William Duckworth written between 1977 and 1978. This piece is credited as the first postminimal piece of music, and is his most frequently heard work. The Time Curve Preludes were composed between 1977 and 1978 on a fellowship from the National Endowment for the Arts. They were premiered at Wesleyan University in 1979 by pianist Neely Bruce. Duckworth used elements of Minimalism, including repetition and accessible harmonies, yet also embraced more quickly changing structures; wide-ranging, complex melodies; and colorful dissonances.
Dennis Lee Johnson was a mathematician and minimal composer. He is the namesake of the Johnson homomorphism in the study of mapping class groups of surfaces.
References
- ↑ Kyle VanHemert (March 30, 2015). "The Most Epic Demo in Computer History is Now an Opera". Wired. Retrieved February 22, 2017.
- ↑ John Markoff (March 25, 2015). "The Musical 'The Demo' at Stanford Recreates the Dawn of the Digital Age". The New York Times. Retrieved February 22, 2017.
- ↑ Benjamin Sorensen (April 5, 2015). "World premiere of 'The Demo' is beautiful, but misses the mark". The Stanford Daily. Retrieved February 22, 2017.
- ↑ "Mikel Rouse :: Foundation for Contemporary Arts". www.foundationforcontemporaryarts.org. Retrieved 2018-04-05.
- ↑ "Discography -".
