Salamone Rossi or Salomone Rossi was an Italian Jewish violinist and composer. He was a transitional figure between the late Italian Renaissance period and early Baroque.
Lowell Mason was an American music director and banker who was a leading figure in 19th-century American church music. Lowell composed over 1,600 hymn tunes, many of which are often sung today. His best-known work includes an arrangement of "Joy to the World" and the tune Bethany, which sets the hymn text Nearer, My God, to Thee. Mason also set music to Mary Had A Little Lamb. He is largely credited with introducing music into American public schools, and is considered the first important U.S. music educator. He has also been criticized for helping to largely eliminate the robust tradition of participatory sacred music that flourished in North America before his time.
Karl Ristenpart was a German conductor.
Erato Records is a record label founded in 1953 as Erato Disques S.A. by Philippe Loury to promote French classical music. Loury was head of éditions musicales Costallat. His first releases in France were licensed from the Haydn Society of Boston, and he made Erato's first recording in January 1953: Marc-Antoine Charpentier's Te Deum with Les Jeunesses Muslcales.
The Roman de Fauvel is a 14th-century French allegorical verse romance of satirical bent, generally attributed to Gervais du Bus, a clerk at the French royal chancery. The original narrative of 3,280 octosyllabics is divided into two books, dated to 1310 and 1314 respectively, during the reigns of Philip IV and Louis X. In 1316–7 Chaillou de Pesstain produced a greatly expanded version.
The Boston Youth Symphony Orchestras (BYSO) is a youth orchestra based in Boston, Massachusetts under the artistic leadership of music director, Federico Cortese. Since 1958, BYSO has served thousands of young musicians from throughout New England with three full symphonic orchestras, two young string training orchestras, six chamber orchestras, a preparatory wind ensemble, a chamber music program and a nationally recognized instrument training program for underrepresented youth from inner-city communities called the Intensive Community Program (ICP). The 2017-2018 season marks the celebration of BYSO's 60th Anniversary. Each year, BYSO auditions approximately 850 students from throughout New England, ages 5–18, and accepts nearly 500 young musicians.
Anne Azéma is a French-born soprano, scholar, and stage director. She is currently artistic director of the Boston Camerata. She has been an important or leading singer of early music since 1993. She has created and directed programs for the Boston Camerata and is also noted as a music scholar. She is perhaps best known for performing music from the Middle Ages, lute songs from the Renaissance period, Baroque sacred music, Shaker song, and contemporary music theater. She is also a music educator and a researcher. She has performed in Japan, Germany, the US, Australia and elsewhere.
The Song of the Sibyl is a liturgical drama and a Gregorian chant, the lyrics of which comprise a prophecy describing the Apocalypse, which has been performed in churches on Majorca and Alghero, and some Catalan churches, in the Catalan language on Christmas Eve nearly uninterruptedly since medieval times. It was declared a Masterpiece of the Oral and Intangible Heritage of Humanity by UNESCO on 16 November 2010.
Françoise Atlan is a French singer and ethnomusicologist, born in a Sephardic Jewish family in Narbonne, France on 27 July 1964. Her father was a lawyer and native of Béjaïa, Algeria, and her mother was a pianist and a lyrical singer.
The Play of Daniel, or Ludus Danielis, is either of two medieval Latin liturgical dramas based on the biblical Book of Daniel, one of which is accompanied by monophonic music.
The Harvard University Choir, more commonly referred to as the University Choir or simply UChoir, is Harvard University's oldest choir. It has provided choral music for the Harvard Memorial Church and its predecessor church for over 180 years, and is Harvard's only professional choir. Each year, a select group of choristers also make up the Harvard Choral Fellows, who sing at the church's daily Morning Prayers service in Appleton Chapel.
Camerata Mediterranea is a French and American nonprofit organization and an international, intercultural institute of musical exchanges. Camerata Mediterranea devotes itself to research, dialogue, and pedagogy involving the diverse musical civilizations of the Mediterranean basin, encompassing Christian, Jewish, and Muslim traditions. It aims to revive the value of forgotten interactions and intends to reestablish a dialogue, at once artistic, intellectual and human, among civilizations.
Robert Mealy is a performer and teacher of baroque violin. He holds a joint position at the Yale School of Music and the Department of Music of Yale University, where he directs the Yale Collegium Musicum and teaches classes in musical rhetoric and historically-informed performance. He has recorded over 50 CDs of early music, ranging from Hildegard of Bingen with Sequentia, to Renaissance consorts with the Boston Camerata, to Rameau operas with Les Arts Florissants. At home in New York, he is a frequent leader and soloist with the New York Collegium, Early Music New York, the Clarion Music Society, and the ARTEK early music ensemble.
Shira Kammen is a multi-instrumentalist and vocalist.
The Boston Camerata is an early music ensemble based in Boston, Massachusetts. It was founded in 1954 by Narcissa Williamson, at the Museum of Fine Arts, Boston, as an adjunct to that museum's musical instrument collection.
Antonio de Salazar (c.1650–1715) was a Novohispano composer.
Guillaume Bouzignac was a French composer.
David Greilsammer is a pianist and conductor.
A camerata is a small chamber orchestra or choir, with up to 40 to 60 musicians.
Hanacpachap cussicuinin is a processional hymn to the Virgin Mary in the Quechua language but in a largely European sacred music style. Composed by an Inca student of Juan Pérez de Bocanegra between 1620 and 1631, a Franciscan priest, published in 1631 in the Viceroyalty of Peru making it the earliest work of vocal polyphony printed in the New World.
