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Joel Cohen (born 1942) is an American musician known for his work in the field of early music, particularly medieval, Renaissance, and early American repertoires. [1] He served as the director of the Boston Camerata from 1968 to 2008 and later became its Music Director Emeritus. In 1990, he founded the Camerata Mediterranea, a non-profit research institute incorporated in France in 2007.
Cohen graduated from Classical High School in Providence, Rhode Island in 1959 and earned a degree from Brown University in 1963.[ citation needed ] He pursued graduate studies at Harvard University, where he studied composition with Randall Thompson and musicology with Gustave Reese, Nino Pirrotta, John Ward, and Elliot Forbes. He was awarded a Danforth Fellowship, which allowed him to spend two years in Paris studying under Nadia Boulanger.[ citation needed ]
From 1968 to 2008, Cohen directed the Boston Camerata, a leading American early music ensemble. Under his leadership, the group produced numerous recordings and concert programs exploring medieval, Renaissance, Baroque, and early American music.[ citation needed ] His work with the Camerata contributed to a renewed interest in historical performance practice. After stepping down as director, he continued his association with the ensemble as Music Director Emeritus.
In 1990, Cohen founded the Camerata Mediterranea, an ensemble dedicated to exploring musical exchanges between Europe and the Middle East. The organization became a non-profit research institute in France in 2007.[ citation needed ]
Cohen has organized and created numerous concert programs and recordings. His research has focused on both early American musical traditions, including Shaker music, and medieval European repertoires, often collaborating with Middle Eastern musicians.[ citation needed ] He has worked extensively with his wife, French soprano Anne Azéma, who became Artistic Director of the Boston Camerata in 2008.
During the 1970s, Cohen produced musical radio programs for France Musique, a division of the French National Radio.[ citation needed ] He conceived the idea of an all-day musical celebration on the summer solstice, which inspired the creation of France's national Fête de la Musique, also known as "World Music Day."
Cohen initially focused on French Renaissance and English Renaissance music, later expanding into medieval and Baroque repertoires. His projects included the first early-instruments recording of Henry Purcell’s Dido and Aeneas (1980) and a recording of Jean Gilles’ Requiem (1990).[ citation needed ] Many of his projects have been commissioned by institutions such as the Isabella Stewart Gardner Museum in Boston.
Cohen’s interest in American vernacular music began with his childhood lessons on steel-string acoustic guitar and his work as a jazz bassist during his student years.[ citation needed ] He was introduced to Sacred Harp music by Randall Thompson and inspired by the field recordings of Alan Lomax. His projects with the Boston Camerata on early American music include The Roots of American Music (1976) and the later recordings New Britain (1986), The American Vocalist, Trav'ling Home, and Liberty Tree.[ citation needed ]
Cohen conducted research on Shaker music at the Sabbathday Lake Shaker Village in Maine. He collaborated with the Shaker community to record and perform their music, resulting in two albums, Simple Gifts and The Golden Harvest.[ citation needed ] In 2004, he worked with Finnish choreographer Tero Saarinen on Borrowed Light, a dance production featuring live Shaker music, which toured internationally.[ citation needed ]
Cohen’s work has explored musical exchanges between different cultures. His 1982 project The Sacred Bridge examined Jewish-Christian musical interactions during the Middle Ages. A 1997 collaboration with Moroccan musician Mohammed Briouel resulted in a recording of Cantigas de Santa Maria in Fez, Morocco, which won the Edison Prize in 2000.[ citation needed ] He has also worked with Turkish music ensemble Dünya and produced research on Mediterranean musical interactions.
Cohen has received multiple awards, including:
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Salamone Rossi or Salomone Rossi was an Italian Jewish violinist and composer. He was a transitional figure between the late Italian Renaissance period and early Baroque.
Anne Azéma is a French-born soprano, scholar, and stage director. She is currently artistic director of the Boston Camerata. She has been an important or leading singer of early music since 1993. She has created and directed programs for the Boston Camerata and is also noted as a music scholar. She is perhaps best known for performing music from the Middle Ages, lute songs from the Renaissance period, Baroque sacred music, Shaker song, and contemporary music theater. She is also a music educator and a researcher. She has performed in Japan, Germany, the US, Australia and elsewhere.
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David Greilsammer is a pianist and conductor.
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Joel Frederiksen is an American bass singer and lutenist based in Germany, and director of the early music Ensemble Phoenix Munich. He has released award-winning CDs with Harmonia Mundi France and SONY/Deutsche Harmonia Mundi. He studied for a master's degree in Early Music at Oakland University where he was the recipient of numerous awards including "Distinguished Musicianship", "Matilda Award" and the "Distinguished Alumni Achievement Award". From 1990 to 1999 while living in New York City he was a member of the Waverly Consort and the Boston Camerata.
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