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Charles Malcolm Dodge (born June 5, 1942 in Ames, Iowa) is an American composer best known for his electronic music, specifically his computer music. [1] He is a former student of Darius Milhaud and Gunther Schuller.
Dodge received his undergraduate education (BA) at the University of Iowa in 1964, where he studied composition with Richard Hervig; he earned his MA (1966) and doctorate (DMA) (1970) at Columbia University where he studied with Jack Beeson, Chou Wen-chung, Otto Luening, and Vladimir Ussachevsky. [2] He also studied computer music with Godfrey Winham at Princeton University in 1969-70 [3] . While at Columbia, Dodge was very active at the Columbia-Princeton Electronic Music Center.[ citation needed ] Dodge was one of the leading innovators in the emerging field of computer music composition (as opposed to analog electronic composition, the norm in the field through the 1970s). [4]
From 1970 to 1977 he taught at Columbia and subsequently founded the Brooklyn College Center for Computer Music (BC-CCM) (1977) at Brooklyn College of the City University of New York where he was Professor of Music. [3] He also taught at the City University Graduate Center. During Dodge’s years as Professor of Composition and Director of the BC-CCM, Dodge not only had the BC-CCM designated as an official Center within Brooklyn College in 1978 but more importantly brought it to a world-class standing in the field of computer music.
In the early 1990s Dodge left Brooklyn College for Dartmouth College. In May 2009 he retired from the position of Visiting Professor at Dartmouth College, a post he held for 18 years. In addition to his work as a composer, Dodge is noted for co-authoring the highly praised book Computer Music: Synthesis, Composition, and Performance, ISBN 0-02-864682-7 [5]
Best known in recent years as the owner, with his wife Katharine, of the Putney Mountain Winery in Putney, Vermont. The company has experienced growth every year since its founding in 1998.[ citation needed ]
Dodge created many works in the field of computer music, including Earth’s Magnetic Field (1970), which mapped magnetic field data to musical sounds, Speech Songs, [6] a 1974 work that used analysis and resynthesis of human voices, The Waves (voice and computer music), Profile, and Any Resemblance is Purely Coincidental (1978), which combines live piano performance with a digitally-manipulated recording of Enrico Caruso singing the aria "Vesti la giubba."
Columbia-Princeton Electronic Music Center 1961-1973, New World Records, 1998.
Computer Music, Nonesuch/Elektra 71245, 1970
Synthesized Voices, CRI SD 348, 1976. [6]
Electro Acoustic Music 1, Neuma, 1990.
Any Resemblance is Purely Coincidental, New Albion, 1994.
The Composer in the Computer Age III, CDCM Series Volume 18, Centaur, 2006?.
Electronic music broadly is a group of music genres that employ electronic musical instruments, circuitry-based music technology and software, or general-purpose electronics in its creation. It includes both music made using electronic and electromechanical means. Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer. Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups, power amplifiers and loudspeakers. Such electromechanical devices include the telharmonium, Hammond organ, electric piano and electric guitar.
Jon Howard Appleton was an American composer, an educator and a pioneer in electro-acoustic music. His earliest compositions in the medium, e.g. "Chef d'Oeuvre" and "Newark Airport Rock" (1967) attracted attention because they established a new tradition some have called programmatic electronic music. In 1970, he won Guggenheim, Fulbright and American-Scandinavian Foundation fellowships. When he was twenty-eight years old, he joined the faculty of Dartmouth College where he established one of the first electronic music studios in the United States. He remained there intermittently for forty-two years. In the mid-1970s, he left Dartmouth to briefly become the head of Elektronmusikstudion (EMS) (sv) in Stockholm, Sweden. In the late 1970s, together with Sydney Alonso and Cameron Jones, he helped develop the first commercial digital synthesizer called the Synclavier. For a decade he toured around the United States and Europe performing the compositions he composed for this instrument. In the early 1990s, he helped found the Theremin Center for Electronic Music at the Moscow Conservatory of Music. He also taught at Keio University (Mita) in Tokyo, Japan, CCRMA at Stanford University and the University of California Santa Cruz. In his later years, he devoted most of his time to the composition of instrumental and choral music in a quasi-Romantic vein which has largely been performed only in France, Russia and Japan.
Milton Byron Babbitt was an American composer, music theorist, mathematician, and teacher. He was a Pulitzer Prize and MacArthur Fellowship recipient, recognized for his serial and electronic music.
Charles Peter Wuorinen was an American composer of contemporary classical music based in New York City. He also performed as a pianist and conductor. Wuorinen composed more than 270 works: orchestral music, chamber music, solo instrumental and vocal works, and operas, such as Brokeback Mountain. His work was termed serialist but he came to disparage that idea as meaningless. Time's Encomium, his only purely electronic piece, received the Pulitzer Prize. Wuorinen taught at several institutions, including Columbia University, Rutgers University and the Manhattan School of Music.
Joan Linda La Barbara is an American vocalist and composer known for her explorations of non-conventional or "extended" vocal techniques. Considered to be a vocal virtuoso in the field of contemporary music, she is credited with advancing a new vocabulary of vocal sounds including trills, whispers, cries, sighs, inhaled tones, and multiphonics.
Benjamin Aaron Boretz is an American composer and music theorist.
The Computer Music Center (CMC) at Columbia University is the oldest center for electronic and computer music research in the United States. It was founded in the 1950s as the Columbia-Princeton Electronic Music Center.
The RCA Mark II Sound Synthesizer was the first programmable electronic synthesizer and the flagship piece of equipment at the Columbia-Princeton Electronic Music Center. Designed by Herbert Belar and Harry Olson at RCA, with contributions by Vladimir Ussachevsky and Peter Mauzey, it was installed at Columbia University in 1957. Consisting of a room-sized array of interconnected sound synthesis components, the Mark II gave the user more flexibility and had twice the number of tone oscillators as its predecessor, the Mark I. The synthesizer was funded by a large grant from the Rockefeller Foundation.
Mario Davidovsky was an Argentine-American composer. Born in Argentina, he emigrated in 1960 to the United States, where he lived for the remainder of his life. He is best known for his series of compositions called Synchronisms, which in live performance incorporate both acoustic instruments and electroacoustic sounds played from a tape.
Amnon Wolman an Israeli-American musician. He holds a doctorate degree in music composition. His catalogue of compositions includes works involving computer generated and processed sounds, symphonic works, vocal and chamber pieces for different ensembles, film music, and music for theater and dance. His recently premiered pieces include "Picnic Site" used for a choreography by Trisha Brown and Steve Paxton for the Lyon Biannale; "End Divided Road" for Flute and electronics for Mario Carolli at the TRAIETTORIE Festival in Parma, Italy; "Cruising Prohibited when Lights Flashing" for the Gay Gotham Chorus at the Greenwich House, New York; and "and her mind moves upon silence", for harpsichord and electronic sounds, for Vivienne Spiteri in Toronto, Ontario, Canada.
Halim Abdul Messieh El-Dabh was an Egyptian-American composer, musician, ethnomusicologist, and educator, who had a career spanning six decades. He is particularly known as an early pioneer of electronic music. In 1944 he composed one of the earliest known works of tape music, or musique concrète. From the late 1950s to early 1960s he produced influential work at the Columbia-Princeton Electronic Music Center.
Vladimir Alexeevich Ussachevsky was a composer, particularly known for his work in electronic music.
İlhan Kemaleddin Mimaroğlu was a Turkish American musician and electronic music composer.
Donnacha Dennehy is an Irish composer and leader of the Crash Ensemble specializing in contemporary classical music. According to musicologist Bob Gilmore, Dennehy's "high profile of his compositions internationally, together with his work as artistic director of Dublin’s Crash Ensemble, has distinguished him as one of the best-known voices of his generation of Irish composers".
George Brunner is an American composer and performer born in Philadelphia. He has founded the International Electroacoustic Music Festival at Brooklyn College in 1995 where he has produced renowned composers such as Pauline Oliveros and Noah Creshevsky. He is also the founder of the Brooklyn College Electroacoustic Music Ensemble. Currently, he is the Director of the Music Technology Program for the Conservatory of Music at Brooklyn College and on the faculty of the Brooklyn College Center for Computer Music (BC-CCM).
Douglas Geers is an American composer, and the founder of the Spark Festival.
The Brooklyn College Center for Computer Music (BC-CCM) located at Brooklyn College of the City University of New York (CUNY) was one of the first computer music centers at a public university in the United States. The BC-CCM is a community of artists and researchers that began in the 1970s.
Judy Klein is an American composer, music educator. She is the founder of the Computer Music Studio at New York University and served as its director in 1980's. Her music is primarily acousmatic, and includes works for the electronic medium, sound installations, music for theatre and collaborations with visual artists.
Time's Encomium is an electronic, four channel, musical composition by Charles Wuorinen for synthesized and processed synthesized sound. Released on Nonesuch Records in 1969, the composition was commissioned by Teresa Sterne for the label.
Jacob Mauney Cooper is an American composer living in Philadelphia, Pennsylvania.
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