Jérôme Paul Bonaventure Alday (c.1763 – 1835) was a French violinist, composer and music publisher who spent most of his active career in Dublin, Ireland. He was the only composer in early 19th-century Ireland known to have written symphonies.
Alday was born in Perpignan [1] as a member of a musical family that included his father (whose first name is unknown), his elder brother François (c.1761 – after 1835) and the latter's sons Francisque and Ferdinand, all of whom became composers resident in Lyon. In musical reference works, there is considerable confusion regarding the ascription of compositions to either of these four musicians as their names mostly appear as "Alday" only. [2]
Paul Alday studied with Giovanni Battista Viotti in Paris, where he participated as a violinist in the Concerts spirituels between 1783 and 1790. [3] He also published four of his own violin concertos in Paris during these years. He next reappears in Oxford in 1793 when he married the French harpist Adélaïde Rosalie Delatouche. In this city he published three of his string quartets. By 1804, he had moved to Edinburgh. [4]
Still in the same year he is recorded as having performed in Cork and Dublin and then settled in the latter city for the rest of his life. He appeared both as a soloist in violin concertos and as leader of orchestras including the Anacreontic Society (1819–1828), [5] of which he was secretary (1824–1830), and The Sons of Handel. [6] In 1810, Alday took over the music shop of Francis Rhames, moving it to 10 Dame Street in 1815, which he continued until his death in Dublin in 1835. Here, he sold sheet music and musical instruments and also published music under his name.
Alday made a name for himself as a violinist, composer, and successful business man in Irish musical life of the early 19th century. His two Grand Symphonies, one in C major and one in D major, both written around 1819 and performed by the Anacreontic Society in February 1820, are today regarded as the only symphonies written in Ireland in the first half of the 19th century. The Andante movement of the Second Symphony was described as "a production of the first-rate order ... (which) must always be a desideratum to the selection of every lover of instrumental music". [7]
John Field was an Irish pianist, composer and teacher widely credited as the creator of the nocturne. While other composers were writing in a similar style at this time, Field was the first to use the term 'Nocturne' specifically to apply to a character piece featuring a cantabile melody over an arpeggiated accompaniment.
Louis Spohr, baptized Ludewig Spohr, later often in the modern German form of the name Ludwig was a German composer, violinist and conductor.
Henri François Joseph Vieuxtemps was a Belgian composer and violinist. He occupies an important place in the history of the violin as a prominent exponent of the Franco-Belgian violin school during the mid-19th century. He is also known for playing what is now known as the Vieuxtemps Guarneri del Gesù, a violin of superior workmanship.
Franz Adolf Berwald was a Swedish Romantic composer and violinist. He made his living as an orthopedist and later as the manager of a saw mill and glass factory, and became more appreciated as a composer after his death than he had been in his lifetime.
Giovanni Battista Viotti was an Italian violinist whose virtuosity was famed and whose work as a composer featured a prominent violin and an appealing lyrical tunefulness. He was also a director of French and Italian opera companies in Paris and London. He personally knew Joseph Haydn and Ludwig van Beethoven.
Franz Xaver Wolfgang Mozart, also known as Wolfgang Amadeus Mozart, Jr., was the youngest child of six born to Wolfgang Amadeus Mozart and his wife Constanze and the younger of his parents' two surviving children. He was a composer, pianist, conductor, and teacher of the late classical period whose musical style was of an early Romanticism, heavily influenced by his father's mature style. He knew Franz Schubert and Robert Schumann, both of whom held him in high esteem.
Ferdinand Ries was a German composer. Ries was a friend, pupil and secretary of Ludwig van Beethoven. He composed eight symphonies, a violin concerto, nine piano concertos, three operas, and numerous other works, including 26 string quartets. In 1838 he published a collection of reminiscences of his teacher Beethoven, co-written with Beethoven's friend, Franz Wegeler. Ries' symphonies, some chamber works—most of them with piano—his violin concerto and his piano concertos have been recorded, exhibiting a style which, given his connection to Beethoven, lies between the Classical and early Romantic styles.
Bernhard Molique was a German violinist and composer.
Philip Cipriani Hambly Potter was an English musician. He was a composer, pianist, conductor and teacher. After an early career as a performer and composer, he was a teacher in the Royal Academy of Music in London and was its principal from 1832 to 1859.
Karol Kazimierz Kurpiński was a Polish composer, conductor and pedagogue. He was a representative of late classicism and a member of the Warsaw Society of Friends of Learning. He is also known for having composed the music to the 1831 patriotic song La Varsovienne with lyrics by Casimir Delavigne. He was also a mentor and an influence on young Chopin.
Tommaso Giordani was an Italian composer active in England and particularly in Ireland.
Feliks Janiewicz, in English often Felix Yaniewicz was a Polish composer and violinist in exile.
Philip Cogan was an Irish composer, pianist, and conductor.
John William Glover was an Irish composer, conductor, organist, violinist, and teacher.
Thomas Simpson Cooke was an Irish composer, conductor, singer, theatre musician and music director – an influential figure in early 19th-century opera in London.
Thomas Christopher Kelly was an Irish composer, teacher and conductor.
Peter K. Moran [P. K. Moran] was an Irish pianist, composer, and music publisher – probably the earliest classical composer from Ireland to emigrate to the United States.