John Francis Mauceri is an American conductor, producer, educator and writer. Since making his professional conducting debut almost half a century ago, he has appeared with most of the world's great orchestras, guest-conducted at the premiere opera houses, produced and musically supervised Tony and Olivier Award-winning Broadway musicals, and served as university faculty and administrator. Through his varied career, he has taken the lead in the preservation and performance of many genres of music and supervised and conducted important premieres by composers as diverse as Debussy, Stockhausen, Korngold, Hindemith, Bernstein, Sibelius, Ives, Elfman and Shore. He is also a leading performer of music banned by the Third Reich and especially music of Hollywood's émigré composers.
Robert Nathaniel Mann was a violinist, composer, conductor, and founding member of the Juilliard String Quartet, as well as a faculty member at the Manhattan School of Music. Mann, the first violinist at Juilliard, served on the school's string quartet for over fifty years until his retirement in 1997.
John Serry Sr. was an American concert accordionist, arranger, composer, organist, and educator. He performed on the CBS Radio and Television networks and contributed to Voice of America's cultural diplomacy initiatives during the Golden Age of Radio. He also concertized on the accordion as a member of several orchestras and jazz ensembles for nearly forty years between the 1930s and 1960s.
Eric Ewazen is an American composer and teacher.
Timothy Cobb is the American current principal double bassist with the New York Philharmonic. He previously taught at the Peabody Institute of Music, and joined the Manhattan School of Music faculty in 1992. Cobb also currently teaches at SUNY Purchase, Lynn University, Rutgers University: Mason Gross School of the Arts, YOA Orchestra of the Americas, and Mannes School of Music Preparatory Division. He is the current chair of the double-bass department at the Juilliard School, where he has been on faculty since 2002.
William Overton Smith was an American clarinetist and composer. He worked extensively in modern classical music, third stream and jazz, and was perhaps best known for having played with pianist Dave Brubeck intermittently from the 1940s to the early 2000s. Smith frequently recorded jazz under the name Bill Smith, but his classical compositions are credited under the name William O. Smith.
Eric Salzman was an American composer, scholar, author, impresario, music critic, and record producer. He is known for advancing the concept of "New Music Theater" as an independent art form differing in scope, both economically and aesthetically, from grand opera and contemporary popular musicals. He co-founded the American Music Theater Festival and was, at the time of his death in 2017, Composer-in-Residence at the Center for Contemporary Opera.
Orlando DiGirolamo was an American jazz accordionist, pianist, composer, and teacher. He is sometimes credited as "Lanny DiJay" on jazz recordings. DiGirolamo collaborated frequently with legendary jazz producer Teo Macero, and played on Macero's first commercial release, Explorations, also featuring Charles Mingus. He was described by Metronome magazine as an "extraordinary accordionist of the modern persuasion."
Dalit Hadass Warshaw is a New York-based composer, pianist, thereminist. Previously on the composition and music theory faculty of Boston Conservatory, she currently serves on the composition faculty at Juilliard and CUNY-Brooklyn College. Her works have been performed by dozens of orchestral ensembles, including the New York Philharmonic and Israel Philharmonic Orchestras, the Boston Symphony, the Cleveland Orchestra, the Houston Symphony, the Y Chamber Orchestra, the Colorado Symphony and the Albany Symphony Orchestra. In April 2006, her piece After the Victory for orchestra and chorus, was premiered by the Grand Rapids Symphony and the North American Choral Company. Her first recording, entitled "Invocations" was released by Albany Records in 2011. Her first piano concerto, Conjuring Tristan, was commissioned by the Grand Rapids Symphony in 2014. The work was inspired by Richard Wagner's Tristan und Isolde, as well as by Thomas Mann's novella Tristan. The piece received its world premiere in January 2015, with Warshaw as the soloist.
Pietro Deiro was one of the most influential accordionists of the first half of the 20th century.
Charles Magnante was an American piano-accordionist, arranger, composer, author and educator. His artistry helped raise the image of the accordion from an instrument considered suitable only for folk music to an instrument accepted in many music genres.
The accordion is in a wide variety of musical genres, mainly in traditional and popular music. In some regions, such as in Europe and North America, it has become mainly restricted to traditional, folk and ethnic music. Nonetheless, the button accordion (melodeon) and the piano accordion are widely taught and played in Ireland, and have remained a steady fixture within Irish traditional music, both in Ireland and abroad, particularly in the United States and Great Britain. Numerous virtuoso Irish accordion players have recorded many albums over the past century or so; the earliest Irish music records were made in the 1920s, in New York City, by fiddler and Sligo immigrant Michael Coleman, widely considered to have paved the way for other traditional musicians to record themselves. Accordions are also played within the music of Scotland, as well as other Celtic styles, such as the musical traditions of Northumberland, Galicia, Cornwall and Brittany.
John Serry Jr. is an American jazz pianist and composer, as well as a composer of contemporary classical music works that feature percussion, on which he also doubles. He is a son of the accordionist and composer John Serry. His debut solo album was 'Exhibition', for which he received a Grammy Nomination for his composition, 'Sabotage'.
Robert Beaser is an American composer.
Marina Piccinini is an Italian American virtuoso flautist. She is noted for her performances of compositions by Mozart and Bach, and has performed with many of the world's top orchestras and conductors.
Joseph Gramley is an American multi-percussionist, teacher and composer, and a founding member of the Silk Road Ensemble. As a solo performer he each year commissions and premieres new works from such emerging composers as Kojiro Umezaki and Justin Messina. His first solo recording, American Deconstruction, featuring performances of five milestone works in multi-percussion's modern repertoire, appeared in 2000 and was reissued in 2006. His second CD, Global Percussion, was released in 2005.
Nicholas Ariondo is an American accordionist, composer, pianist..."Ariondo's skills as a composer and arranger contribute enormously to the effectiveness of his performances" Keyboard Magazine/Titus Levi ...Throughout his career, the artistry of Nick Ariondo has created a large repertoire of original compositions & arrangements showcasing the accordion's dynamic range and artistic capabilities. His videos are a global presentation of diverse music styles and influences from traditional folk and ethnic to current modern classical forms. He is known for his work with various singers, such as Paul McCartney and Placido Domingo. A double Grammy Award winner with the Los Angeles Opera Orchestra, he became the first American to be awarded Italy's Ancona Prize for his "Kalamatiano for Viola & Free-bass Accordion", a contemporary composition utilizing Greek dance music as displayed in this video. Ariondo received over twenty awards from the American Society of Composers, Authors and Publishers (ASCAP) for his compositions and arrangements. Willard Palmer, historian, pianist, accordionist, composer, and editor for Alfred Music Publishing, nominated Ariondo for inclusion into the International Who's Who in Music.
Charles Cozens is involved in the music industry in Canada as an arranger for solo artists; a composer writing in multiple genres for diverse organizations including chamber ensembles, musical theatre, and television; a conductor and producer of crossover orchestral shows; a performer on piano and accordion in jazz, classical, and pop styles; and as a recording artist and producer.
Robert Davine was an internationally recognized concert accordionist and Professor of Accordion and Music Theory at the University of Denver's Lamont School of Music. As the chairman of the Department of Accordion for three decades, he is credited with establishing one of the few collegiate academic programs in advanced accordion studies offered in the United States during the 1950s. His concert performances of 20th century classical music with leading orchestras and chamber ensembles helped to demonstrate the accordion's suitability as an orchestral instrument on the modern concert hall stage.
Carl Schimmel is an American composer of contemporary classical music. He has been awarded the Joseph H. Bearns Prize from Columbia University, a Guggenheim Fellowship, a commission from the Fromm Music Foundation of Harvard University, a fellowship from the American Academy of Arts and Letters, and other honors. An album of his compositions, Roadshow, was released in 2017.
