Sidewalk Meeting | ||||
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Studio album by | ||||
Released | June 5, 2001 | |||
Recorded | October 23–24, 2000 | |||
Studio | Loho Studios, New York City | |||
Genre | Jazz | |||
Length | 52:47 | |||
Label | Arabesque AJ-156 | |||
Producer | Ted Nash | |||
Ted Nash chronology | ||||
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Sidewalk Meeting is an album by saxophonist Ted Nash which was recorded in 2000 and released on the Arabesque label the following year. [1] [2]
Review scores | |
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Source | Rating |
AllMusic | [3] |
The Penguin Guide to Jazz Recordings | [4] |
The AllMusic review by David R. Adler said "With Sidewalk Meeting, saxophonist Ted Nash premieres a new, highly unconventional group called Odeon. ... Odeon seamlessly integrates the different sides of Nash's musical personality (he's a member of both the maverick Jazz Composers Collective and the more conservative Lincoln Center Jazz Orchestra), and that's just the kind of bridge-building that modern jazz needs". [3] On All About Jazz, Mark Corotto observed "Nash, a member of the Lincoln Center Jazz Orchestra, arranged this unique blend of music and instrumentation. His bass clarinet winds around the plunger trombone of Wycliffe Gordon, Miri Ben-Ari’s violin and William Schimmel’s accordion throughout. They open with Debussy mined from New Orleans by way of an Argentinean tango (read swinging). Nash whets your appetite for the possibilities of this band, then delivers". [5] In JazzTimes, Aaron Steinberg wrote "On Sidewalk Meeting, Odeon demonstrates such a strong sound identity that when they cover Ellington’s “Amad” (from The Far East Suite), Monk’s “Bemsha Swing” and even Debussy’s “Premier Rhapsody,” they make it sound as if the material were written specifically for them". [6]
All compositions by Ted Nash except where noted
William Schimmel is one of the principal architects in the resurgence of the accordion, and the philosophy of "Musical Reality". He holds Bachelor of Music, Master of Science and Doctor of Musical Arts degrees in composition from the Juilliard School, along with a diploma from the Neupauer Conservatory of Music in performance/composition. He performs music in many genres, has commissioned and premiered hundreds of new works, has composed over 4000 works in every medium, has written a number of books and articles and has made numerous recordings and videos. He has composed over 4000 works in every medium including opera which have been performed by leading performers, ensembles and conductors including the Late Leopold Stokowski. His music has been featured in a number of films, most notably Scent of a Woman starring Al Pacino, where he appears in the famous Tango Scene with The Tango Project which he is a founding member and television shows.
Miri Ben-Ari is an Israeli-American violinist. She lives in New Jersey.
The Blanton–Webster Band is a compilation album that combines the master takes of all the recordings by Duke Ellington's Orchestra during the years of 1940 to 1942, involving bassist Jimmy Blanton and tenor saxophonist Ben Webster. The recordings were originally made for RCA Victor during what many critics regard as the Ellington orchestra's golden period. The three CDs contain many numbers which were to become classics, and the arrangements were frequently inventive and innovative.
Joe Temperley was a Scottish jazz saxophonist. He performed with various instruments, but was most associated with the baritone saxophone, soprano saxophone, and bass clarinet.
Professor Wycliffe A. Gordon is an American jazz trombonist, arranger, composer, band leader, and music educator at the collegiate-conservatory level. Gordon also sings and plays didgeridoo, trumpet, tuba, and piano. His nickname is "Pinecone".
Ted Nash is an American jazz saxophonist, flutist and composer. Born into a musical family, his uncle was saxophonist Ted Nash and his father is trombonist Dick Nash, both prominent jazz soloists and first call Hollywood studio musicians. Nash is a member of the Jazz at Lincoln Center Orchestra directed by Wynton Marsalis. He is one of the founders of the Jazz Composers Collective.
Never No Lament: The Blanton-Webster Band is a 2003 three-disc compilation combining the master takes of all the recordings by Duke Ellington's Orchestra during the years of 1940 to 1942 with an additional nine tracks, including five alternative takes and four new masters. While essentially an expanded re-release of 1990s The Blanton–Webster Band, the packaging, sound and updated notes make this, according to Allmusic, "truly worth either an initial investment or reinvestment". All About Jazz: New York noted that these performances, from what is often considered "the band in its prime", "not only set the standard for big bands and jazz orchestras, but created an ideal near insurmountable to improve upon". The Penguin Guide to Jazz selected this compilation as part of its suggested "Core Collection."
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Featuring Paul Gonsalves is an album by American jazz pianist, composer, and bandleader Duke Ellington. Without new material to work with, Ellington recorded the album with his orchestra and saxophonist Paul Gonsalves in 1962 during a four-hour recording session. It was not released until 1985 by Fantasy Records.
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Specific Gravity is a live album by multi-instrumentalists Joe McPhee and Joe Giardullo recorded in 1997 and first released on the Boxholder label.
The Big Sound is an album recorded by American jazz saxophonist Johnny Hodges featuring performances with members of the Duke Ellington Orchestra recorded in 1957 and released on the Verve label.
Duke's in Bed is an album recorded by American jazz saxophonist Johnny Hodges with members of the Duke Ellington Orchestra featuring performances recorded in 1956 and released on the Verve label.
Holliday with Mulligan is an album by American actress and singer Judy Holliday with jazz saxophonist and bandleader Gerry Mulligan featuring performances recorded in 1961 which were first released on the DRG label in 1980.
Octet 1995 is a live album by composer and saxophonist Anthony Braxton with an octet, recorded at the Knitting Factory in 1995 and released on his own Braxton House label.
Sextet (Istanbul) 1996 is a live album by composer and saxophonist Anthony Braxton with an sextet, recorded at the AkBank Jazz Festival in Turkey in 1995 and released on his own Braxton House label.
Tentet 1996 is a live album by composer and saxophonist Anthony Braxton with an ensemble, recorded at the Knitting Factory in 1996 and released on his own Braxton House label.
Split Second Timing is the debut album led by saxophonist Craig Handy which was recorded in 1991 and became the first release on the Arabesque label the following year.
Come Play with Me is an album by saxophonist Charles McPherson which was recorded in 1995 and released on the Arabesque label.
Rhyme & Reason is an album by saxophonist Ted Nash which was recorded in 1998 and released on the Arabesque label the following year.