Dinko Fabris | |
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Discipline | Lute music and Italian music,especially that of Naples |
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Dinko Fabris is an Italian musicologist. He specializes in lute music,the music of Naples,and Italian music in general,having written books on Italian composers such as Andrea Falconieri,Andrea Gabrieli,Francesco Provenzale and Francesco Cavalli. [1] He holds teaching posts at the Conservatory of Bari and the University of Basilicata,and was president of the International Musicological Society from 2012 to 2017.
Dinko Fabris attended the Conservatorio di Verona to study lute,followed by study at the University of Bologna for Italian literature and musicology. He received a PhD from the Royal Holloway,University of London. A visiting professor at the University of Paris,University of Melbourne and University of Ljubljana,Fabris has received fellowships from the University of Melbourne and the Warburg Institute. He teaches at the Conservatory of Bari,and since 2001 at the University of Basilicata as well. [1]
Fabris has advised on numerous scholarly music editions,such as the Opere di Francesco Cavalli and the New Gesualdo Edition. He is a music consultant for the Pontifical Council for Culture and was president of the International Musicological Society from 2012 to 2017. [2]
Fabris' speciality is on lute music and the music of Naples. [1] He has also published books on a variety of Italian composers,including Andrea Falconieri,Andrea Gabrieli,Francesco Provenzale and Francesco Cavalli. Other publications include a survey on the music of Ferrera and Henry Purcell,as well as over 80 articles. [1] His better known works include Music in Seventeenth-Century Naples (2007) and a 2016 book on Handel's Partenope . [2]
Gaetano Greco was an Italian Baroque composer. He was the younger brother of Rocco Greco. Both brothers were trained at, and later taught at the Poveri di Gesu` Cristo conservatory in Naples. Gaetano Greco's teachers included Giovanni Salvatore and Gennaro Ursino, and possibly Francesco Provenzale. It is also possible that he studied with Alessandro Scarlatti. Leonardo Vinci, Giuseppe Porsile, Nicola Porpora, and Domenico Scarlatti were among his pupils. His successor at the conservatory was Francesco Durante.
Francesco Provenzale was an Italian Baroque composer and teacher. He is considered the founder of the Neapolitan school of opera. Notably Provenzale was the teacher of famed castrato 'il cavaliere Nicolo Grimaldi '.
This is a list of music conservatories in Naples, Italy.
Fabrizio Dentice was an Italian composer and virtuoso lute and viol player.
Cataldo Vito Amodei was an Italian composer of the mid-Baroque period who spent his career in Naples. His cantatas were important predecessors to the active cantata production of 18th-century Naples, and he stands with the elder Francesco Provenzale and younger Alessandro Scarlatti as among the principal Italian cantata composers. Other surviving works include a book of motets dedicated to Leopold I, Holy Roman Emperor; a serenata; two pastorales; two psalms; and four oratorios, which were important contributions to their genre.
Artemisia is an opera in three acts and a prologue by the Italian composer Francesco Cavalli from a libretto written by Nicolò Minato. It was first performed at the Teatro San Giovanni e San Paolo, Venice on 10 January 1657 and revived in Naples in 1658, Palermo in 1659, Milan in 1663 and Genoa in 1665.
Cristofaro or Cristoforo Caresana was an Italian Baroque composer, organist and tenor. He was an early representative of the Neapolitan operatic school.
Cappella Neapolitana is an early music ensemble based in Naples and dedicated to the recovery of Neapolitan musical heritage, primarily from the baroque era.
Giovanni Maria Sabino was an Italian composer, organist and teacher.
Antonio Nola was a Neapolitan composer of whom little biographical information or music survives. He is to be distinguished from the better known Giovanni Domenico da Nola born 130 years earlier.
Pietro Antonio Giramo was an Italian baroque composer. His surviving works consist of two works in collections 1619, 1620, the Arie for several voices and a reprint of two cantatas; Il pazzo con la pazza ristampata and Uno ospedale per gl’infermi d’amore.
The Chapel Royal of Naples was the sacred musical establishment of the Spanish court in Naples which began with the Aragonese Court of Naples, and continued under the Habsburgs the Bourbons, and Joseph Napoleon.
Erasmo Bartoli Filippino, or Erasmo di Bartolo, called padre Raimo (1606–1656), was an Italian priest, composer, and teacher at the conservatories in Naples.
Giuseppe Cavallo was an Italian composer and priest. He was maestro di canto at the conservatory and assistant to his teacher Francesco Provenzale. His oratorio Il Giuditio universale was recorded by Antonio Florio.
Francesco Sabino was an Italian composer. He was a nephew of brothers Giovan Maria Sabino and Donato Antonio Sabino.
Donato Antonio «Antonino» Sabino was an Italian composer and priest. He was brother of Giovan Maria Sabino, another composer-priest, and uncle of Francesco Sabino.
Bonaventura Cerronio was an Italian composer. Little is known of his life.
Michelangelo Faggioli (1666–1733) was an Italian lawyer and celebrated amateur composer of humorous cantatas in Neapolitan dialect. A founder of a new genre of Neapolitan comedy, he was the composer of the opera buffa La Cilla in 1706.
Orazio Giaccio was an Italian composer. His canzonetta Laberinto amoroso was published in Naples by Gargano and Nucci in 1618.
Ghirlanda sacra scielta da diversi eccellentissimi compositori de varii motetti à voce sola is a compilation of 44 single-voice motets in the new style assembled by Leonardo Simonetti. Simonetti was a chorister in the Cappella Marciana, and placed his master Claudio Monteverdi at the head of the collection with four pieces, following it with other composers from the area of Venice and Veneto. A second printing followed in 1636.