Rock in Opposition or RIO was a movement representing a collective of progressive bands in the late 1970s united in their opposition to the music industry that refused to recognise their music. It was initiated by English avant-rock group Henry Cow in March 1978 when they invited four mainland European groups to come to London and perform in a festival called "Rock in Opposition".
Henry Cow spent most of their last five years touring mainland Europe. There they encountered many innovative groups who were virtually unknown outside their own countries. What Henry Cow had in common with these groups was that record companies were not interested in their music. Henry Cow's contract with Virgin Records was cancelled when Virgin realized the band were not profitable.
In early 1978, Nick Hobbs, Henry Cow's manager at the time, decided to expose some of these European groups to British audiences and invited them to tour the United Kingdom with Henry Cow under the banner "Rock in Opposition". [1] With the help of a £1000 grant from the British Arts Council, [2] [3] Hobbs organised a Rock in Opposition festival in London with the slogan: "The music the record companies don't want you to hear". The event took place on 12 March 1978 at the New London Theatre with the following groups performing: [1]
The tour of the UK never materialised, but the festival did generate "a lot of press around the world", and this prompted the five bands to discuss future plans. [4] While "Rock in Opposition" was never intended to be a formal organisation, they met at Sunrise Studio in Kirchberg, Switzerland in December 1978 to reconstitute the movement as a collective. [5] By this time Henry Cow no longer existed as a group, but as RIO's prime mover its former members still actively participated.
RIO's primary aim was to represent and promote its members. It was decided that membership should remain closed and small, although new members would be welcome provided they (i) adhered to "musical excellence" (as evaluated by the collective); (ii) worked actively "outside the music business"; and (iii) had a "social commitment to Rock". [4] Using these criteria, three new members were elected:
A second RIO festival, organised by Stormy Six, took place between 26 April and 1 May 1979 at al Teatro dell'Elfo in Milan, Italy where all seven groups performed, the original four (minus Henry Cow) plus the three new groups. During the festival, the RIO members met formally again to discuss the way forward. However, despite some constructive discussion, disagreements arose between the groups regarding RIO's role and matters were left unresolved. Two further RIO festivals took place in Sweden and Belgium, but no new meetings, and by the end of 1979, RIO as an organisation had "quietly slipped away". [4]
Towards the end of 1978, Chris Cutler from Henry Cow and Art Bears and one of the active participants in RIO, had established Recommended Records (RēR), an independent record label and distribution network for RIO and similar artists. When RIO folded as an organisation, RēR continued RIO's work by representing and promoting marginalised musicians and groups. RēR became a "virtual" RIO, and "... is part of the continuing legacy of RIO". [6]
RIO became a minor category or genre after it ceased being an organisation at the end of 1979. [4] While the term "RIO" was never used to refer to a particular style of music during the organisation's existence (the original RIO bands were quite diverse musically), it became used by listeners, musicians, and distributors as a means of classifying a particular subset of avant-garde artists. Avant-prog (short for avant-garde progressive rock) is a style that appeared in the late 1970s as the extension of two separate prog rock sub-styles: RIO and the Canterbury scene. [7]
A "reunion" festival took place at the Maison de la Musique de Cap Découverte in Carmaux, France in April 2007. The spirit of the original festival was preserved in that only artists of quality, innovation and the willingness to be "in opposition" to the commercial music industry performed. The festival was organised by French music promoter Michel Besset and Roger Trigaux of Present, [8] who received Chris Cutler's sanction to use the name "Rock in Opposition". [9] The line-up at this event included: Magma, Faust, the Peter Blegvad Trio (including Chris Cutler), Present, Zao, Mats/Morgan, Guapo, NeBeLNeST, Salle Gaveau and GMEA. [10]
A second edition of the France RIO event took place in September 2009 at the same venue as the first, and with the following line-up: Yolk, Aranis, The Muffins, Charles Hayward, Kōenji Hyakkei, Present, Magma, Univers Zero, Combat Astronomy, Electric Epic, Guapo and GMEA. [8] The third "reunion" festival also took place at the same venue in September 2010, and featured Art Bears Songbook (UK, USA), Gong (France, UK), Caspar Brötzmann Massaker (Germany), Sleepytime Gorilla Museum (USA), Rational Diet (Belarus), Jannick Top/Infernal Machina (France), Thierry Zaboitzeff (ex Art Zoyd) "Cross the Bridge" (France, Austria), Full Blast (Germany, Switzerland), Miriodor (Canada), Genevieve Foccroulle (Belgique) and Aquaserge (France). [11]
The fourth edition of the France RIO also took place in September 2011, with a line-up of: Arno, Univers Zero + Present + Aranis ("Once Upon a Time in Belgium"), Alamaailman Vasarat, Vialka, Yugen, Gargantua, Panzerballett, Jack Dupon, Grumpf Quartet, Sax Ruins vs. Ruins Alone vs. Ono Ryoko, and Dispositivoperilanciobliquodiunasferetta. [12] The 2011 event was covered in the 2012 documentary film Romantic Warriors II: A Progressive Music Saga About Rock in Opposition by Adele Schmidt and José Zegarra Holder. [13]
Two RIO festivals took place in 2014, the seventh French event in Carmaux in September, and a Japanese edition of the festival in Tokyo in November. [14] [15] The line-up for the Japanese event was: Aranis (Belgium), The Artaud Beats (UK), Happy Family (Japan), Koenji Hyakkei (Japan), Mats/Morgan Band (Sweden), Picchio dal Pozzo (Italy), Richard Pinhas (France), Present (Belgium), Le Silo (Japan), SOLA / Lars Holmer's Global Home Project (Sweden/Japan). [15] Cutler, who features in The Artaud Beats, said of RIO Japan: "[RIO] is changed of course; back then it was a musician-led exercise in self-sufficiency fighting for new musical forms and independence from the institutions; now it is recast as a celebration of those times and those bands, and of the music they inspired. [...] Which, I suppose, is the way it should be. RIO ceased to be ours long ago; now it's yours. Take care with it." [16]
The 10th Rock in Opposition festival took place in Carmaux, France on 15, 16, 17 September 2017, and featured Aranis (Belgium), Cheer-Accident (US), faUSt (Germany), Le Silo (Japan), Miriodor (Canada), Trans-aeolian Transmission (France), Gong (France), Acid Mothers Temple (Japan), a.P.A.t.T. (England), In Love With (France), Guapo (England) and Slapp Happy (Germany/England). [17]
Art Bears were an English avant-rock group formed during the disassembly of Henry Cow in 1978 by three of its members, Chris Cutler, Fred Frith and Dagmar Krause. The group released three studio albums between 1978 and 1981, and toured Europe in 1979.
Henry Cow were an English experimental rock group, founded at the University of Cambridge in 1968 by multi-instrumentalists Fred Frith and Tim Hodgkinson. Henry Cow's personnel fluctuated over their decade together, but drummer Chris Cutler, bassist John Greaves, and bassoonist/oboist Lindsay Cooper were important long-term members alongside Frith and Hodgkinson.
Chris Cutler is an English percussionist, composer, lyricist and music theorist. Best known for his work with English avant-rock group Henry Cow, Cutler was also a member and drummer of other bands, including Art Bears, News from Babel, Pere Ubu and (briefly) Gong/Mothergong. He has collaborated with many musicians and groups, including Fred Frith, Lindsay Cooper, Zeena Parkins, Peter Blegvad, Telectu and The Residents, and has appeared on over 100 recordings. Cutler's career spans over four decades and he still performs actively throughout the world.
Slapp Happy was a German/English avant-pop group, formed in Germany in 1972. Their lineup consisted of Anthony Moore (keyboards), Peter Blegvad (guitar) and Dagmar Krause (vocals). The band members moved to England in 1974 where they merged with Henry Cow, but the merger ended soon afterwards and Slapp Happy split up. Slapp Happy's sound was characterised by Dagmar Krause's unique vocal style. From 1982 there have been brief reunions to create an opera called Camera, record the album Ça Va in 1998, and perform shows around the world.
Univers Zero are an instrumental Belgian band formed in 1974 by drummer Daniel Denis. The band is known for its dark style of progressive rock, heavily influenced by 20th-century chamber music.
The Henry Cow Legend is the debut album of British avant-rock group Henry Cow. It was recorded at Virgin Records' Manor studios over three weeks in May and June 1973, mixed in July 1973, and released in September 1973.
In Praise of Learning is a studio album by British avant-rock group Henry Cow, recorded at Virgin Records' Manor studios in February and March 1975, and released in May 1975. On this album, Henry Cow had expanded to include members of Slapp Happy, who had merged with the group after the two had collaborated on Desperate Straights in 1974. The merger ended after recording In Praise of Learning when Peter Blegvad and Anthony Moore from Slapp Happy left the group.
Present is a Belgian progressive rock group formed by guitarist Roger Trigaux in 1979.
Geoff Leigh is an English jazz and progressive rock musician, playing primarily soprano saxophone and flute. He was a member of the English avant-rock group Henry Cow and founded several bands himself, including Red Balune, Random Bob, Black Sheep, Mirage, and Ex-Wise Heads.
Stormy Six were an Italian progressive and folk rock band founded in Milan in 1966. They performed and recorded until 1983, mostly as a sextet but occasionally as a quartet, a quintet and a septet. Although their line-up changed considerably over the years, founding member Franco Fabbri remained with the group for its entire duration. In May 1993 they performed at a re-union concert in Milan, which was recorded and released on a CD, Un Concerto (1995).
Etron Fou Leloublan, also known as EFL, were a French avant-garde rock band founded in 1973 by actor and saxophonist Chris Chanet. They recorded five studio albums between 1976 and 1985, and released a live album, En Public Aux Etats-Unis d'Amérique recorded during a tour of the United States in 1979. Etron Fou Leloublan were best known as one of the five original Rock in Opposition (RIO) bands that performed at the first RIO festival in London in March 1978.
43 Songs is a three-CD box set by French avant-rock band Etron Fou Leloublan (EFL). It contains all tracks from the band's five studio albums, Batelages (1977), Les Trois Fous Perdégagnent (1978), Les Poumons Gonflés (1982), Les Sillons de la Terre (1984) and Face Aux Éléments Déchaînés (1985). It was released in 1991. Some of the tracks were mastered from particularly noisy vinyl sources and there is no booklet included.
"Living in the Heart of the Beast" is a 1975 song written by Tim Hodgkinson for the English avant-rock group Henry Cow. It was recorded in 1975 by Henry Cow with Slapp Happy, who had recently merged with Henry Cow after the two groups had recorded a collaborative album, Desperate Straights the previous year. The song was released on In Praise of Learning in May 1975 by Virgin Records. The song's title is a quote from the nineteenth-century Cuban poet and liberation fighter José Martí. "Living in the Heart of the Beast" was the first of two "epic" compositions Hodgkinson wrote for Henry Cow, the second being "Erk Gah" (1976), later known as "Hold to the Zero Burn, Imagine".
The Orckestra were a 12-piece English avant-garde jazz and avant-rock ensemble formed in March 1977 with the merger of avant-rock group Henry Cow, the Mike Westbrook Brass Band and folk singer Frankie Armstrong. They gave two performances in London in March and June 1977, and then embarked on two tours of Europe between September 1977 and May 1978, where they performed in Italy, France and Sweden.
Romantic Warriors II: A Progressive Music Saga About Rock in Opposition is a 2012 feature-length documentary film about the Rock in Opposition movement of the late 1970s, the music genre it spawned, and the influence it has on experimental groups across the world. The film was written and directed by Adele Schmidt and José Zegarra Holder, and was released in the United States by Zeitgeist Media. It premiered in Washington, D.C., on September 28, 2012. The film was generally well received by critics, with a reviewer at AllMusic saying that it "covers all the points an aficionado could possibly want".
Aranis are a Flemish acoustic avant-rock, experimental and neo-classical chamber music group led by composer and contrabass player Joris Vanvinckenroye. Their music has been described as a blend of "chamber classical and rock", "Chamber Music Rock", and "Belgian chamber rock" with elements of East and Southern European folk music. Aranis have recorded six albums, and have performed live at a number of European venues, including the Rock in Opposition festivals in Carmaux, France. They made their American concert debut at NEARfest Apocalypse at Zoellner Arts Center, Bethlehem, Pennsylvania in June 2012.
Henry Cow: The World Is a Problem is a 2019 book by American academic Benjamin Piekut. It is a biography and analysis of the English experimental rock group Henry Cow and their turbulent existence between 1968 and 1978. The book is Piekut's second and was published in September 2019 in the United States by Duke University Press in both hard- and soft-cover.
"Ruins" is a 1974 instrumental composed by Fred Frith for the English avant-rock group Henry Cow. It was recorded in February and March 1974 by Henry Cow, and released on their May 1974 album, Unrest by Virgin Records.
"Beautiful as the Moon – Terrible as an Army with Banners" is a 1975 song composed by Fred Frith with lyrics by Chris Cutler for the English avant-rock group Henry Cow. It was recorded in February and March 1975 by Henry Cow and Slapp Happy, and released in May 1975 on their collaborative album, In Praise of Learning by Virgin Records.
"Nine Funerals of the Citizen King" is a 1973 song written by Tim Hodgkinson for the English avant-rock group Henry Cow. It was recorded in May and June 1973 by Henry Cow, and released in September 1973 on their debut album, Legend by Virgin Records.
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