"War" | |
---|---|
Song by Slapp Happy with Henry Cow | |
from the album In Praise of Learning | |
Released | 9 May 1975 |
Recorded | November 1974 |
Studio | The Manor, Oxfordshire, England |
Genre | Avant-rock |
Length | 2:23 |
Label | Virgin |
Composer(s) | Anthony Moore |
Lyricist(s) | Peter Blegvad |
Producer(s) | Slapp Happy, Henry Cow, Simon Heyworth |
"War" (originally entitled "War (Is Energy Enslaved)") is a 1975 song composed by Anthony Moore with lyrics by Peter Blegvad for the English avant-pop group Slapp Happy. It was recorded in November 1974 by Slapp Happy with Henry Cow for their collaborative album, Desperate Straights , but was only released in May 1975 on their second collaborative album, Henry Cow's In Praise of Learning .
Moore later rearranged "War" for his 1979 solo album, Flying Doesn't Help , crediting himself as Anthony More. [1] The song was also covered by the Fall on their 1994 album, Middle Class Revolt , [2] and Sol Invictus used Blegvad's lyrics for their version of "War" on their 2014 album, Once Upon A Time. [3] A jazz interpretation of "War" was recorded by the Michel Edelin Quintet with spoken texts by John Greaves and released on their 2019 album, Echoes of Henry Cow . [4]
After recording Slapp Happy's first album for Virgin Records, Slapp Happy (also known as Casablanca Moon) in early 1974, the band returned to the studio in May that year, and using session musicians, they recorded two new compositions Moore and Blegvad had written, "Europa" and "War (Is Energy Enslaved)". Virgin had requested a single that was "radio friendly", [5] but upon hearing the songs they rejected them, stating that they felt they were better suited for an album. [6] Blegvad and Moore set to work producing more music, but soon realised that the material they had written was beyond what they could handle on their own. [7] This led to Slapp Happy asking Henry Cow to be their backing band on their second album for Virgin. [8] After discussions between the two bands, they collaborated in November 1974 and recorded Desperate Straights as "Slapp Happy/Henry Cow". [9]
The songs "Europa" and "War (Is Energy Enslaved)" were re-recorded for Desperate Straights, but only "Europa" was used. "War", with its contracted title, was released on their second collaborative album, In Praise of Learning (1975). "War" was always planned for Desperate Straights, and the third track of the album, "A Worm Is at Work" includes the line "a pissy myth about birth of War", which refers to the song "War". When it became clear that "War" was not going to be included on Desperate Straights, a footnote was added to the "A Worm Is at Work" lyrics in the album's liner notes stating, "The reference is to 'War (Energy Enslaved)', a Moore/Blegvad composition still in the throes of release." [10]
"War", and the next track on In Praise of Learning, "Living in the Heart of the Beast", were later remixed by Fred Frith, Tim Hodgkinson and Martin Bisi, and were released by East Side Digital Records on the 1991 CD reissue of the album. The original mixes of "War" and "Living in the Heart of the Beast" were used on all subsequent reissues of this album. [11]
The original title of the song, "War (Is Energy Enslaved)" was taken from the line "For war is energy enslaved, but thy religion" in the poem, Vala, or The Four Zoas – Night the Ninth by William Blake. [12] Blegvad said the song's refrain, "violence completes the partial mind" is a quote from W. B. Yeats. [13]
In his 2019 book Henry Cow: The World Is a Problem , Benjamin Piekut described "War" as "a tightly controlled accompaniment" that Moore wrote for Blegvad's lyrics. [14] It has a fixed eighth-note pulse with "bars of uneven meters" and a "vocal melody that hovers around the fifth scale degree" which ends each alternate line with the tonic. The chorus ("Upon her spoon this motto ...") changes briefly to lines of 4
4. [14] Piekut said Blegvad's poetry in "War" consists of "tight rhyming couplets (AA)", which change to (ABAB) in the last four lines to emphasize the closing message. [15] His text is also full of imagery: war starts as a fetus, which becomes a "hateful baby banging its spoon against its plate", and then a woman "lead[ing] pilgrims on a destructive march in the name of peace and fame". [15]
Writing in Beyond and Before: Progressive Rock Since the 1960s, Paul Hegarty and Martin Halliwell suggest that war in the song is created by an unnamed goddess and becomes "a necessity" in "the struggle for existence against oppression". [16]
In a 1975 review of In Praise of Learning in New Musical Express , music critic Ian MacDonald described "War" as "a cauldron of boiling sound" that "heaves and thrashes like an octopus caught in a ship's propellor[ sic ]". [17] He said Krause skillfully negotiates the "ragged obstacle course of downbeat mythologising and exploding musique concrete". [17] In another 1975 review, Dave Laing wrote in Let It Rock that Krause's vocals on War have the same "brittle style" that American singer and songwriter Judy Collins used in "Pirate Jenny" and the Marat/Sade . [18]
A reviewer at AllMusic described the Moore and Blegvad song as "enormous [in] proportion and power" that would not have succeeded in the hands of the "relatively quiet trio [Slapp Happy]". [19] The Trouser Press Record Guide said Blegvad's lyrics on "War" are "mythologizing", and the music "worthy of Kurt Weill". [20]
Piekut called "War" a "little two-minute epic", and Krause the "star" of the show with her "clipped, almost sneering" delivery. [15] He said the non-stop barrage of rhyming couplets leave one breathless, making the two instrumental interludes a welcome relief. [14] Piekut wrote that Krause's performance on the song is worthy of Mother Courage. [21]
Henry Cow were an English experimental rock group, founded at the University of Cambridge in 1968 by multi-instrumentalists Fred Frith and Tim Hodgkinson. Henry Cow's personnel fluctuated over their decade together, but drummer Chris Cutler, bassist John Greaves, and bassoonist/oboist Lindsay Cooper were important long-term members alongside Frith and Hodgkinson.
Dagmar Krause is a German singer, best known for her work with avant-rock groups including Slapp Happy, Henry Cow, and Art Bears. She is also noted for her coverage of songs by Bertolt Brecht, Kurt Weill and Hanns Eisler. Her unusual singing style makes her voice instantly recognisable and has defined the sound of many of the bands with whom she has worked.
Slapp Happy was a German/English avant-pop group, formed in Germany in 1972. Their lineup consisted of Anthony Moore (keyboards), Peter Blegvad (guitar) and Dagmar Krause (vocals). The band members moved to England in 1974 where they merged with Henry Cow, but the merger ended soon afterwards and Slapp Happy split up. Slapp Happy's sound was characterised by Dagmar Krause's unique vocal style. From 1982 there have been brief reunions to create an opera called Camera, record the album Ça Va in 1998, and perform shows around the world.
Peter Blegvad is an American musician, singer-songwriter, writer, and cartoonist. He was a founding member of German/English avant-pop band Slapp Happy, which later merged briefly with Henry Cow, and has released many solo and collaborative albums. He is the son of Lenore and Erik Blegvad, who were respectively, a children's book author and illustrator.
Anthony Moore is a British experimental music composer, performer and producer. He was a founding member of the band Slapp Happy, worked with Henry Cow and has made a number of solo albums, including Flying Doesn't Help (1979) and World Service (1981).
Desperate Straights is a collaborative studio album by British avant-rock groups Slapp Happy and Henry Cow. It was recorded at Virgin Records' Manor Studio and Nova Sound Studios in November 1974, and released in February 1975. It was Slapp Happy's second album for Virgin, and they had invited Henry Cow to record with them.
In Praise of Learning is a studio album by British avant-rock group Henry Cow, recorded at Virgin Records' Manor studios in February and March 1975, and released in May 1975. On this album, Henry Cow had expanded to include members of Slapp Happy, who had merged with the group after the two had collaborated on Desperate Straights in 1974. The merger ended after recording In Praise of Learning when Peter Blegvad and Anthony Moore from Slapp Happy left the group.
Concerts is a live double album by English avant-rock group Henry Cow, recorded at concerts in London, Italy, the Netherlands and Norway between September 1974 and October 1975. Sides one and two of the LP record consist of composed material while sides three and four contain improvised pieces.
John Greaves is a British bass guitarist, pianist and composer who was a member of Henry Cow and has collaborated with Peter Blegvad. He was also a member of progressive rock band National Health and jazz-rock supergroup Soft Heap, and has recorded several solo albums, including Accident (1982), Parrot Fashions (1984), The Caretaker (2001) and Greaves Verlaine (2008).
Slapp Happy is a studio album by German/British avant-pop group Slapp Happy, recorded at Virgin Records' Manor Studio in 1974.
Acnalbasac Noom is a studio album by German-British avant-pop group Slapp Happy, recorded in Wümme, Bremen, Germany in 1973 with Faust as their backing band. It had a working title of Casablanca Moon but was never released at the time because it had been rejected by their record label, Polydor. Slapp Happy later re-recorded the album in 1974 for Virgin Records, who released it in 1974 as Slapp Happy. The original 1973 recording of Casablanca Moon, was released as Slapp Happy or Slapphappy by Recommended Records in 1980, and reissued as Acnalbasac Noom in 1982. The title Acnalbasac Noom appears in the lyrics of the song "Casablanca Moon", and is Casablanca Moon with the words written backwards.
Hopes and Fears is the debut album by the English avant-rock group Art Bears. It comprises tracks by Henry Cow, Art Bears's predecessor, recorded at Sunrise Studios, Kirchberg in Switzerland in January 1978, and tracks by Art Bears, recorded at Kaleidophon Studios in London in March 1978.
Henry Cow Box is a seven-CD limited edition box set by English avant-rock group Henry Cow. It was released in December 2006 by Recommended Records and comprises the six original albums Henry Cow released between 1973 and 1979, including those recorded with Slapp Happy. A bonus 3" CD-single was given to advance subscribers of the box set which contains previously unreleased material taken from live performances in Europe by the Orckestra, a merger of Henry Cow, the Mike Westbrook Brass Band and folk singer Frankie Armstrong in 1977. The two bonus CD Orckestra tracks were later reissued on the 2019 Henry Cow Box Redux: The Complete Henry Cow bonus CD, Ex Box – Collected Fragments 1971–1978.
The 40th Anniversary Henry Cow Box Set is a nine-CD plus one-DVD limited edition box set by English avant-rock group Henry Cow, and was released by RēR Megacorp in January 2009. It consists of almost 10 hours of previously unreleased recordings made between 1972 and 1978 from concerts, radio broadcasts, one-off projects, events and the studio. Included are new compositions, over four hours of free improvisation, and live performances of some of Henry Cow's original LP repertoire.
"Erk Gah" is a song written by Tim Hodgkinson for the English avant-rock group Henry Cow. "Erk Gah" was performed live by the band between 1976 and 1978, but was never recorded in the studio. Three live performances of "Erk Gah" were later released in volumes 6, 8 and 10 of The 40th Anniversary Henry Cow Box Set in January 2009; Volume 6 was released in advance of the box set in September 2008. In 1993, 15 years after Henry Cow split up, Hodgkinson recorded the composition under the title "Hold to the Zero Burn, Imagine" and released it on his second solo album, Each in Our Own Thoughts (1994).
"Living in the Heart of the Beast" is a 1975 song written by Tim Hodgkinson for the English avant-rock group Henry Cow. It was recorded in 1975 by Henry Cow with Slapp Happy, who had recently merged with Henry Cow after the two groups had recorded a collaborative album, Desperate Straights the previous year. The song was released on In Praise of Learning in May 1975 by Virgin Records. The song's title is a quote from the nineteenth-century Cuban poet and liberation fighter José Martí. "Living in the Heart of the Beast" was the first of two "epic" compositions Hodgkinson wrote for Henry Cow, the second being "Erk Gah" (1976), later known as "Hold to the Zero Burn, Imagine".
Kew. Rhone. is a concept album by British bass guitarist and composer John Greaves, and American singer-songwriter and guitarist Peter Blegvad. It is a song cycle composed by Greaves with lyrics by Blegvad, and was performed by Greaves and Blegvad with vocalist Lisa Herman and others. The album was recorded in Woodstock, New York in October 1976, and was released in the UK in March 1977 by Virgin Records, credited on the front cover to "John Greaves, Peter Blegvad and Lisa Herman", but on the record label as "John Greaves and Peter Blegvad". It was issued in the US in 1978 by Europa Records.
"Beautiful as the Moon – Terrible as an Army with Banners" is a 1975 song composed by Fred Frith with lyrics by Chris Cutler for the English avant-rock group Henry Cow. It was recorded in February and March 1975 by Henry Cow and Slapp Happy, and released in May 1975 on their collaborative album, In Praise of Learning by Virgin Records.
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The Henry Cow Box Redux: The Complete Henry Cow is a seventeen-CD plus one-DVD box set by English avant-rock group Henry Cow; it was released by RēR Megacorp in November 2019. The box set comprises the previously released 2006 Henry Cow Box and the 2009 40th Anniversary Henry Cow Box Set, totalling over sixteen hours. A bonus CD: Ex Box – Collected Fragments 1971–1978 was given to advance subscribers of the 2019 Box Redux, and contains newly recovered and previously unreleased recordings, plus the contents of the 2006 box set bonus CD-single: "Unreleased Orckestra Extract". The 2019 Box Redux plus the Ex Box bonus CD contains all the officially released studio and live recordings of Henry Cow, excluding "Bellycan" as released on the 1991 East Side Digital version of Legend, and the complete version of "The Glove" from the 1991 East Side Digital version of Unrest.