In Praise of Learning | ||||
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Studio album by Henry Cow with Slapp Happy | ||||
Released | 9 May 1975 | |||
Recorded | February–March 1975 | |||
Studio | The Manor, Oxfordshire, England | |||
Genre | Avant-rock | |||
Length | 37:28 | |||
Label | Virgin (UK) | |||
Producer | Henry Cow, Slapp Happy and Phil Becque | |||
Henry Cow chronology | ||||
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Slapp Happy chronology | ||||
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In Praise of Learning is a studio album by British avant-rock group Henry Cow,recorded at Virgin Records' Manor studios in February and March 1975,and released in May 1975. On this album,Henry Cow had expanded to include members of Slapp Happy,who had merged with the group after the two had collaborated on Desperate Straights in 1974. The merger ended after recording In Praise of Learning when Peter Blegvad and Anthony Moore from Slapp Happy left the group.
In Praise of Learning was Henry Cow's most overtly political album. [1] Printed on the back of the album cover is filmmaker John Grierson's quote "Art is not a mirror –it is a hammer",and the Tim Hodgkinson 16-minute composition "Living in the Heart of the Beast" made explicit the band's left-wing political leanings,with Dagmar Krause's powerful voice adding a new dimension to their music. [2] The Moore/Blegvad song "War" was first recorded as "War (Is Energy Enslaved)" [lower-alpha 1] by Slapp Happy with session musicians in May 1974,but was not released. [5] It was re-recorded during the making of the first Slapp Happy/Henry Cow collaborative album, Desperate Straights ,but was held back for release on In Praise of Learning. [6] Moore later rearranged the song for his 1979 solo album, Flying Doesn't Help . "War" was also covered by The Fall on their 1994 album, Middle Class Revolt .
"Living in the Heart of the Beast" began as an unfinished instrumental that Hodgkinson presented to the group,which was cut up and performed live in 1974 with improvisational sections added. [7] One such performance,Halsteren,was recorded in Halsteren in September 1974,and appears in Volume 2:1974–5 of The 40th Anniversary Henry Cow Box Set (2009). After the merger with Slapp Happy,Hodgkinson commissioned Blegvad to write lyrics for the piece for Krause to sing. But after several attempts,Blegvad admitted that he was "out of [his] depth",and Hodgkinson wrote the lyrics himself. [7] [8]
Chris Cutler's lyrics on "Beautiful as the Moon –Terrible as an Army with Banners" were the first song texts he had written, [9] and the song was the first writing collaboration between Cutler and Fred Frith that later grew into Art Bears. The song also became the longest lasting "building block" the band used in subsequent live performances. [7]
The album's title was taken from "In Praise of Learning",a poem by Bertolt Brecht, [2] [10] which is one of several "In Praise of ..." poems he wrote. [lower-alpha 2]
The title of the track "Beautiful as the Moon –Terrible as an Army with Banners" comes from a line in the Bible's Song of Solomon:"Who is she that looketh forth as the morning,fair as the moon,clear as the sun,and terrible as an army with banners?" [12] [13] Writing in Beyond and Before:Progressive Rock Since the 1960s,Paul Hegarty and Martin Halliwell posit that the track titles "Beginning:The Long March" and "Morning Star" refer to Mao Zedong's Long March and the British communist party newspaper, Morning Star respectively. [14]
The album cover art work was by artist Ray Smith and was the third of three of his "paint socks" to feature on Henry Cow's albums, the first being on Legend (1973).
Smith was not credited on the original LP release of the album. He was not happy with the text on the cover and asked that it be omitted, as was done on Legend's cover. But his request was denied. When he asked to be credited under a pseudonym, that was also denied and his name was left off the credits. [15] He was later credited on the CD releases of the album.
Hegarty and Halliwel suggest that Smith's red sock is "an antidote" to the "extravagant" album cover art work of commercial progressive rock bands. [14]
The album was remixed in 1985 for a vinyl reissue on the band's own Broadcast label. This remix was used in the 1991 East Side Digital Records CD issue, with one extra track, "Lovers of Gold" (an alternate version of "Beginning: The Long March" by Chris Cutler). [16]
In 2000 Recommended Records and East Side Digital issued a remastered version of In Praise of Learning on CD with the original 1975 mix and without the bonus track. The "Lovers of Gold" bonus track would later reappear on the Cow Cabinet of Curiosities disc in The 40th Anniversary Henry Cow Box Set (2009).
Review scores | |
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Source | Rating |
AllMusic | [17] |
Christgau's Record Guide | B [18] |
A review at AllMusic called In Praise of Learning, the result of Henry Cow and Slapp Happy's brief merger, "stunning" and "bracing", and said "No one has ever, before or since, sounded like this incarnation of Henry Cow". [17] The reviewer described the Moore/Blegvad composition "War" as "enormous [in] proportion and power" that would not have succeeded in the hands of the "relatively quiet trio". [17] Music journalist Robert Christgau described the album's lyrics as "literary if not pompous in print", but said Krause's "abrasively arty, Weill-derived" singing "manage[s] to find a context for [the] words". [18] Christgau complimented Frith's atonal piano, but felt that the musique concrète on side two of the LP is "less than winning". [18]
In another review of the album in Let It Rock , Dave Laing said that Krause's vocals have the same "brittle style" that American singer and songwriter Judy Collins used in "Pirate Jenny" and the Marat/Sade . [2] He was impressed with Hodgkinson's "Living in the Heart of the Beast", its "long controlled lyric" and its "determined fermenting movement to its climax". Laing noted, however, that the political themes of the album are damped a little by Blegvad and Moore's "War", which he felt is "musically limp and politically liberal", and by the presence of the two "experimental" instrumentals. [2] But Laing concluded that it is still "an unexpectedly fine album, pointing a way forward for both avant-garde and 'committed' music in Britain". [2]
Reviewing the album in Melody Maker , Steve Lake called In Praise of Learning "the album of the year". [19] He said it is "revolutionary" in the sense that it is both "innovatory" and promoting "a revolution in government". With quotes from Mao Zedong, "no punches [are] pulled ... all the cards are on the table", although Lake did feel that Henry Cow tend to be "over-scholarly" at times. [19] He described the music on the album as "nothing less than staggering", and called "Living in the Heart of the Beast" the LP's "tour-de-force". [19] Lake said the 15-minute song is "threatening and propulsive", and culminates in an "almost majestic theme". Finally, Lake described the instrumental "Beginning: The Long March" as "the finest use made by any rock band of electronics and free form." [19]
Music critic Ian MacDonald wrote in New Musical Express that In Praise of Learning "manages to be simultaneously the group's most extreme and most accessible album so far". He called it "a demonstrative, theatrical, and didactic record" that blends ideology with art. [6] MacDonald described "War" as "downbeat mythologising and exploding musique concrete" that "heaves and thrashes like an octopus caught in a ship's propellor[ sic ]". "Beautiful as the Moon – Terrible as an Army with Banners" starts off well, but is let down later by pretentious lyrics. "Living in the Heart of the Beast" also begins well, but despite "a remarkable instrumental interlude", it "sinks awkwardly to earth beneath the would-be climactic exhortations of the finale". [6] MacDonald said "In Praise of Learning is, like all efforts by compulsive perfectionists, imperfect – but aimed high". He praised the group for their "risk-taking" and added that "we should be thankful for the ... commitment that leads a group like Henry Cow to pursue so single-mindedly the limits of the feasible in our music". [6]
No. | Title | Writer(s) | Length |
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1. | "War" | Anthony Moore, Peter Blegvad | 2:25 |
2. | "Living in the Heart of the Beast" | Tim Hodgkinson | 15:30 |
No. | Title | Writer(s) | Length |
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3. | "Beginning: The Long March" | Henry Cow, Slapp Happy | 6:26 |
4. | "Beautiful as the Moon – Terrible as an Army with Banners" | Fred Frith, Chris Cutler | 7:02 |
5. | "Morning Star" | Henry Cow, Slapp Happy | 6:05 |
No. | Title | Writer(s) | Length |
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6. | "Lovers of Gold" | Henry Cow, Slapp Happy, Cutler | 6:28 |
Henry Cow were an English experimental rock group, founded at the University of Cambridge in 1968 by multi-instrumentalists Fred Frith and Tim Hodgkinson. Henry Cow's personnel fluctuated over their decade together, but drummer Chris Cutler, bassist John Greaves, and bassoonist/oboist Lindsay Cooper were important long-term members alongside Frith and Hodgkinson.
Dagmar Krause is a German singer, best known for her work with avant-rock groups including Slapp Happy, Henry Cow, and Art Bears. She is also noted for her coverage of songs by Bertolt Brecht, Kurt Weill and Hanns Eisler. Her unusual singing style makes her voice instantly recognisable and has defined the sound of many of the bands with whom she has worked.
Slapp Happy was a German/English avant-pop group, formed in Germany in 1972. Their lineup consisted of Anthony Moore (keyboards), Peter Blegvad (guitar) and Dagmar Krause (vocals). The band members moved to England in 1974 where they merged with Henry Cow, but the merger ended soon afterwards and Slapp Happy split up. Slapp Happy's sound was characterised by Dagmar Krause's unique vocal style. From 1982 there have been brief reunions to create an opera called Camera, record the album Ça Va in 1998, and perform shows around the world.
Peter Blegvad is an American musician, singer-songwriter, writer, and cartoonist. He was a founding member of German/English avant-pop band Slapp Happy, which later merged briefly with Henry Cow, and has released many solo and collaborative albums. He is the son of Lenore and Erik Blegvad, who were respectively, a children's book author and illustrator.
Anthony Moore is a British experimental music composer, performer and producer. He was a founding member of the band Slapp Happy, worked with Henry Cow and has made a number of solo albums, including Flying Doesn't Help (1979) and World Service (1981).
The Henry Cow Legend is the debut album of British avant-rock group Henry Cow. It was recorded at Virgin Records' Manor studios over three weeks in May and June 1973, mixed in July 1973, and released in September 1973.
Desperate Straights is a collaborative studio album by British avant-rock groups Slapp Happy and Henry Cow. It was recorded at Virgin Records' Manor Studio and Nova Sound Studios in November 1974, and released in February 1975. It was Slapp Happy's second album for Virgin, and they had invited Henry Cow to record with them.
Concerts is a live double album by English avant-rock group Henry Cow, recorded at concerts in London, Italy, the Netherlands and Norway between September 1974 and October 1975. Sides one and two of the LP record consist of composed material while sides three and four contain improvised pieces.
Slapp Happy is a studio album by German/British avant-pop group Slapp Happy, recorded at Virgin Records' Manor Studio in 1974.
Hopes and Fears is the debut album by the English avant-rock group Art Bears. It comprises tracks by Henry Cow, Art Bears's predecessor, recorded at Sunrise Studios, Kirchberg in Switzerland in January 1978, and tracks by Art Bears, recorded at Kaleidophon Studios in London in March 1978.
Henry Cow Box is a seven-CD limited edition box set by English avant-rock group Henry Cow. It was released in December 2006 by Recommended Records and comprises the six original albums Henry Cow released between 1973 and 1979, including those recorded with Slapp Happy. A bonus 3" CD-single was given to advance subscribers of the box set which contains previously unreleased material taken from live performances in Europe by the Orckestra, a merger of Henry Cow, the Mike Westbrook Brass Band and folk singer Frankie Armstrong in 1977. The two bonus CD Orckestra tracks were later reissued on the 2019 Henry Cow Box Redux: The Complete Henry Cow bonus CD, Ex Box – Collected Fragments 1971–1978.
The 40th Anniversary Henry Cow Box Set is a nine-CD plus one-DVD limited edition box set by English avant-rock group Henry Cow, and was released by RēR Megacorp in January 2009. It consists of almost 10 hours of previously unreleased recordings made between 1972 and 1978 from concerts, radio broadcasts, one-off projects, events and the studio. Included are new compositions, over four hours of free improvisation, and live performances of some of Henry Cow's original LP repertoire.
"Erk Gah" is a song written by Tim Hodgkinson for the English avant-rock group Henry Cow. "Erk Gah" was performed live by the band between 1976 and 1978, but was never recorded in the studio. Three live performances of "Erk Gah" were later released in volumes 6, 8 and 10 of The 40th Anniversary Henry Cow Box Set in January 2009; Volume 6 was released in advance of the box set in September 2008. In 1993, 15 years after Henry Cow split up, Hodgkinson recorded the composition under the title "Hold to the Zero Burn, Imagine" and released it on his second solo album, Each in Our Own Thoughts (1994).
"Living in the Heart of the Beast" is a 1975 song written by Tim Hodgkinson for the English avant-rock group Henry Cow. It was recorded in 1975 by Henry Cow with Slapp Happy, who had recently merged with Henry Cow after the two groups had recorded a collaborative album, Desperate Straights the previous year. The song was released on In Praise of Learning in May 1975 by Virgin Records. The song's title is a quote from the nineteenth-century Cuban poet and liberation fighter José Martí. "Living in the Heart of the Beast" was the first of two "epic" compositions Hodgkinson wrote for Henry Cow, the second being "Erk Gah" (1976), later known as "Hold to the Zero Burn, Imagine".
Kew. Rhone. is a concept album by British bass guitarist and composer John Greaves, and American singer-songwriter and guitarist Peter Blegvad. It is a song cycle composed by Greaves with lyrics by Blegvad, and was performed by Greaves and Blegvad with vocalist Lisa Herman and others. The album was recorded in Woodstock, New York in October 1976, and was released in the UK in March 1977 by Virgin Records, credited on the front cover to "John Greaves, Peter Blegvad and Lisa Herman", but on the record label as "John Greaves and Peter Blegvad". It was issued in the US in 1978 by Europa Records.
The Virgin Years – Souvenir Box is a three-CD limited-edition box set by English avant-rock group Henry Cow. It was released in 1991 by Recommended Records and East Side Digital Records, and contains three albums Henry Cow made for Virgin Records between 1973 and 1975: Legend, Unrest and In Praise of Learning. Included in the box set is a 24-page souvenir booklet and a Henry Cow fold-out family tree.
"War" (originally entitled "War (Is Energy Enslaved)") is a 1975 song composed by Anthony Moore with lyrics by Peter Blegvad for the English avant-pop group Slapp Happy. It was recorded in November 1974 by Slapp Happy with Henry Cow for their collaborative album, Desperate Straights, but was only released in May 1975 on their second collaborative album, Henry Cow's In Praise of Learning.
"Beautiful as the Moon – Terrible as an Army with Banners" is a 1975 song composed by Fred Frith with lyrics by Chris Cutler for the English avant-rock group Henry Cow. It was recorded in February and March 1975 by Henry Cow and Slapp Happy, and released in May 1975 on their collaborative album, In Praise of Learning by Virgin Records.
"Nine Funerals of the Citizen King" is a 1973 song written by Tim Hodgkinson for the English avant-rock group Henry Cow. It was recorded in May and June 1973 by Henry Cow, and released in September 1973 on their debut album, Legend by Virgin Records.
The Henry Cow Box Redux: The Complete Henry Cow is a seventeen-CD plus one-DVD box set by English avant-rock group Henry Cow; it was released by RēR Megacorp in November 2019. The box set comprises the previously released 2006 Henry Cow Box and the 2009 40th Anniversary Henry Cow Box Set, totalling over sixteen hours. A bonus CD: Ex Box – Collected Fragments 1971–1978 was given to advance subscribers of the 2019 Box Redux, and contains newly recovered and previously unreleased recordings, plus the contents of the 2006 box set bonus CD-single: "Unreleased Orckestra Extract". The 2019 Box Redux plus the Ex Box bonus CD contains all the officially released studio and live recordings of Henry Cow, excluding "Bellycan" as released on the 1991 East Side Digital version of Legend, and the complete version of "The Glove" from the 1991 East Side Digital version of Unrest.