Dagmar Krause

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Dagmar Krause
DagmarKrause February2017 (crop & flip).jpg
Krause performing in Tokyo, February 2017
Background information
Born (1950-06-04) 4 June 1950 (age 73)
Hamburg, West Germany
Genres Avant-rock, experimental, cabaret, classical
Occupation(s)Musician
Instrument(s)Vocals, piano
Years active1968–present
Labels Hannibal, Island, Voiceprint

Dagmar Krause (born 4 June 1950) is a German singer, best known for her work with avant-rock groups including Slapp Happy, Henry Cow, and Art Bears. She is also noted for her coverage of songs by Bertolt Brecht, Kurt Weill and Hanns Eisler. Her unusual singing style makes her voice instantly recognisable and has defined the sound of many of the bands with whom she has worked.

Contents

Biography

Bands and projects

Dagmar Krause was born in Hamburg, West Germany on 4 June 1950. She began her professional career at the age of 14 as a singer in Hamburg clubs on the Reeperbahn. In 1968 she was invited to join the City Preachers  [ de ], a contemporary folk/protest group she once half-jokingly described as a German version of The Mamas & the Papas. She contributed vocals to their 1968 album Der Kürbis, das Transportproblem und die Traumtänzer (The Pumpkin, the Problem of Transport and the Dream-dancers), a spin-off from a German TV show. The City Preachers broke up in 1969, but their lead singer Inga Rumpf and Krause reunited in 1970 to record I.D. Company, the name of a studio project where each vocalist sung lead on and determined the direction of one side of the LP (Krause's side indicated her future direction with its avant-garde slant).

Hamburg had a thriving avant-garde scene that attracted numerous European musicians interested in pursuing aesthetic freedom and experimental music. It was here that Krause met, and later married, British experimental composer Anthony Moore. [1] In 1972, Moore, Krause and Moore's visiting American friend, singer-songwriter Peter Blegvad formed Slapp Happy, a self-described "naive rock" group which mixed simple pop structures with obfuscatory lyrics drawing equally from semiotic and symbolist traditions. Slapp Happy was the beginning of Krause's international musical career. They recorded two albums in Germany for Polydor with Faust as their backing band, Sort Of (1972) and what subsequently became known as Acnalbasac Noom (not released at the time). Then they moved to London where they recorded a new arrangement of Acnalbasac Noom for Virgin Records, released as Slapp Happy , also known as Casablanca Moon (1974). The original Acnalbasac Noom only saw the light of day in 1980 when it was released by Recommended Records.

In 1974, Slapp Happy merged with Virgin label-mates Henry Cow, a politically oriented avant-rock group, and they made two albums, Desperate Straights (1974) and In Praise of Learning (1975). But differences in approach caused Moore and Blegvad to withdraw Slapp Happy from the merger. Krause, however, elected to remain with Henry Cow, which led to the end of Slapp Happy.

Krause's singing added a new dimension to Henry Cow's repertoire and their tricky time signatures enhanced her vocal powers. Henry Cow toured Europe for two years, during which time they released a live album Concerts (1976) which included Krause singing duos with Robert Wyatt. But in May 1976 she was forced to withdraw from Henry Cow's hectic tour schedule due to ill health and returned to Hamburg. In October 1977, still unable to tour she left Henry Cow, but agreed to sing on their next studio album Hopes and Fears .

Hopes and Fears began in 1978 as a Henry Cow album but differences of opinion in the group about its content resulted in it being credited to Art Bears, a new band consisting of Krause, Chris Cutler and Fred Frith. Art Bears went on to make two more albums of songs, Winter Songs (1979) and The World as It Is Today (1981).

Kevin Coyne worked with her on the 1979 album Babble, with Virgin Records. At the stage presentation, Coyne suggested that the lovers' destructive relationship could have echoed The Moors Murderers. Negative publicity in The Sun and The Evening Standard resulted in short-notice cancellation of two performances at the Theatre Royal Stratford East by Newham Council. The show was put on at Oval House in Kennington for four nights. Reviewing the show for the NME , Paul Du Noyer wrote: [2]

Babble is a particularly thorough, painstaking exploration of the reality of one relationship, stripped of romance and artifice. The format employed is correspondingly stark. Against a stage-set of light-bulb, table and chairs Coyne and his partner Dagmar Krause stand at either side; the only accompaniment comes from Bob Ward and Brian Godding, playing electric and acoustic guitar in the gloom behind.

In 1983, Krause joined a new band News from Babel, featuring core members Krause, Chris Cutler, Lindsay Cooper and Zeena Parkins. They recorded two albums Work Resumed on the Tower (1984) and Letters Home (1985). After News from Babel, Krause was involved in a number of projects and collaborations. She performed on the Michael Nyman/Paul Richards art song, "The Kiss" with Omar Ebrahim on the Michael Nyman Band album The Kiss and Other Movements (1985). She also featured on Music for Other Occasions (1986) with Lindsay Cooper, Domestic Stories (1992) with Chris Cutler and Lutz Glandien, Each in Our Own Thoughts (1994) with Tim Hodgkinson, and A Scientific Dream and a French Kiss (1998) with Marie Goyette.

In 1984, Krause sang backing vocals on "Here & There" by The Stranglers. The song appeared on the b-side of their single, "Skin Deep". It was subsequently added to the 2001 remastered edition of the parent album, Aural Sculpture .

In 1991, Krause, Moore and Blegvad reunited to work on a "Camera" (Italian for "Room") a specially written television opera, made by the UK production company After Image and commissioned by Channel 4 Television. It was based on an original idea by Krause, with words by Blegvad and music by Moore. Krause played the lead character "Melusina" and the opera was broadcast two years later on Channel 4. Slapp Happy reformed briefly in 1997 to record Ça Va and they toured Japan in 2000.

In 2010, Krause joined Comicoperando, a tribute to the music of Robert Wyatt whose line-up has included Richard Sinclair, Annie Whitehead, Gilad Atzmon, Alex Maguire, Chris Cutler, John Edwards, Michel Delville, Karen Mantler and Cristiano Calcagnile. [3]

Krause, Moore and Blegvad reformed Slapp Happy again in November 2016 to perform with Faust at the Week-End festival in Cologne, Germany. [4] The two groups also played together on 10–11 February 2017 at Cafe Oto in London. [5] On 24 February 2017 Slapp Happy, without Faust, performed at Mt. Rainier Hall, Shibuya in Tokyo.

Krause contributed vocals to two albums by Matthew Edwards and the Unfortunates Folklore (2017) [6] and The Birmingham Poets (2019). [7]

Solo work

Krause's fascination with Weimar-era cabaret and her love for the work of playwright Bertolt Brecht and his musical collaborators Kurt Weill and Hanns Eisler produced some of her most satisfying work. In 1978 she starred in a London art-theatre production of the Brecht and Weill play Rise and Fall of the City of Mahagonny , and in 1985 she sang Brecht and Weill's "Surabaya Johnny" on the Hal Willner-produced Lost in the Stars: The Music of Kurt Weill . John Dougan wrote at AllMusic that Krause's "elegant alto was perfectly suited to the emotionally and politically charged music of Brecht and Weill". [8]

In 1986, Krause made two solo albums: Supply and Demand: Songs by Brecht/Weill and Eisler and Tank Battles: The Songs of Hanns Eisler . These albums were also sung in German and released as Angebot und Nachfrage and Panzerschlacht: Die Lieder von Hanns Eisler. Lyrically they continued the trend of earlier songs of social conscience Krause had performed, for example on Henry Cow's "Living in the Heart of the Beast". Supply and Demand and Tank Battles are seen by many as Krause's best work, [8] while the latter is considered to be one of the finest interpretations of Eisler's work. [9] She performed selections from these albums live at various venues, most notably the Edinburgh Festival, which was documented on Voiceprint Radio Sessions (1993).

Singing style

As a vocalist, Krause has been described by some as an acquired taste. Her singing style is highly original and idiosyncratic. Her "husky, vibrato-laden alto" voice can range from a sweet melodious croon to the love-it-or-hate-it Armageddon style typified on albums like Henry Cow's In Praise of Learning . [8] [10] Part of the intrigue of Krause's singing are her German-inflected vocals, "... but whether she sings in German or English (which she often does on the same record), she retains her impeccable phrasing and ability to inject the most oft-heard lyric with almost palpable emotion." [8]

In a review of The 40th Anniversary Henry Cow Box Set (2009), critic John Kelman at All About Jazz , wrote that "the kinds of intervallic leaps and harmonic sophistication required of a singer [in Henry Cow] make Krause an undervalued and underrated singer in this history of modern music." [11]

Discography

This is a selection of albums Krause has performed on, showing the year they were recorded.

Bands and projects

With The City Preachers [12]
With I.D. Company
With Slapp Happy
With Slapp Happy/Henry Cow
With Henry Cow
With Art Bears
With Kevin Coyne
With Commuters
With News from Babel
With Michael Nyman Band
With Duck and Cover
With Lindsay Cooper
With Anthony Moore and Peter Blegvad
With Chris Cutler and Lutz Glandien
With Tim Hodgkinson
With Marie Goyette
With The Orckestra

Solo

Other contributions

Related Research Articles

<span class="mw-page-title-main">Art Bears</span> English avant-rock group

Art Bears were an English avant-rock group formed during the disassembly of Henry Cow in 1978 by three of its members, Chris Cutler, Fred Frith and Dagmar Krause. The group released three studio albums between 1978 and 1981, and toured Europe in 1979.

<span class="mw-page-title-main">Henry Cow</span> English avant-rock group

Henry Cow were an English experimental rock group, founded at the University of Cambridge in 1968 by multi-instrumentalists Fred Frith and Tim Hodgkinson. Henry Cow's personnel fluctuated over their decade together, but drummer Chris Cutler, bassist John Greaves, and bassoonist/oboist Lindsay Cooper were important long-term members alongside Frith and Hodgkinson.

<span class="mw-page-title-main">Chris Cutler</span> English percussionist, composer, lyricist and music theorist

Chris Cutler is an English percussionist, composer, lyricist and music theorist. Best known for his work with English avant-rock group Henry Cow, Cutler was also a member and drummer of other bands, including Art Bears, News from Babel, Pere Ubu and (briefly) Gong/Mothergong. He has collaborated with many musicians and groups, including Fred Frith, Lindsay Cooper, Zeena Parkins, Peter Blegvad, Telectu and The Residents, and has appeared on over 100 recordings. Cutler's career spans over four decades and he still performs actively throughout the world.

<span class="mw-page-title-main">Slapp Happy</span> German/English avant-pop group

Slapp Happy was a German/English avant-pop group, formed in Germany in 1972. Their lineup consisted of Anthony Moore (keyboards), Peter Blegvad (guitar) and Dagmar Krause (vocals). The band members moved to England in 1974 where they merged with Henry Cow, but the merger ended soon afterwards and Slapp Happy split up. Slapp Happy's sound was characterised by Dagmar Krause's unique vocal style. From 1982 there have been brief reunions to create an opera called Camera, record the album Ça Va in 1998, and perform shows around the world.

<span class="mw-page-title-main">Peter Blegvad</span> American singer-songwriter

Peter Blegvad is an American musician, singer-songwriter, writer, and cartoonist. He was a founding member of German/English avant-pop band Slapp Happy, which later merged briefly with Henry Cow, and has released many solo and collaborative albums. He is the son of Lenore and Erik Blegvad, who were respectively, a children's book author and illustrator.

<span class="mw-page-title-main">Anthony Moore</span> British musician

Anthony Moore is a British experimental music composer, performer and producer. He was a founding member of the band Slapp Happy, worked with Henry Cow and has made a number of solo albums, including Flying Doesn't Help (1979) and World Service (1981).

<i>Desperate Straights</i> 1975 studio album by Slapp Happy with Henry Cow

Desperate Straights is a collaborative studio album by British avant-rock groups Slapp Happy and Henry Cow. It was recorded at Virgin Records' Manor Studio and Nova Sound Studios in November 1974, and released in February 1975. It was Slapp Happy's second album for Virgin, and they had invited Henry Cow to record with them.

<i>In Praise of Learning</i> 1975 studio album by Henry Cow with Slapp Happy

In Praise of Learning is a studio album by British avant-rock group Henry Cow, recorded at Virgin Records' Manor studios in February and March 1975, and released in May 1975. On this album, Henry Cow had expanded to include members of Slapp Happy, who had merged with the group after the two had collaborated on Desperate Straights in 1974. The merger ended after recording In Praise of Learning when Peter Blegvad and Anthony Moore from Slapp Happy left the group.

<span class="mw-page-title-main">Lindsay Cooper</span> English musician (1951–2013)

Lindsay Cooper was an English bassoon and oboe player and composer. Best known for her work with the band Henry Cow, she was also a member of Comus, National Health, News from Babel and David Thomas and the Pedestrians. She collaborated with a number of musicians, including Chris Cutler and Sally Potter, and co-founded the Feminist Improvising Group. She wrote scores for film and TV and a song cycle Oh Moscow which was performed live around the world in 1987. She also recorded a number of solo albums, including Rags (1980), The Gold Diggers (1983), and Music For Other Occasions (1986).

<i>Slapp Happy</i> (album) 1974 studio album by Slapp Happy

Slapp Happy is a studio album by German/British avant-pop group Slapp Happy, recorded at Virgin Records' Manor Studio in 1974.

<i>Acnalbasac Noom</i> 1980 studio album by Slapp Happy

Acnalbasac Noom is a studio album by German-British avant-pop group Slapp Happy, recorded in Wümme, Bremen, Germany in 1973 with Faust as their backing band. It had a working title of Casablanca Moon but was never released at the time because it had been rejected by their record label, Polydor. Slapp Happy later re-recorded the album in 1974 for Virgin Records, who released it in 1974 as Slapp Happy. The original 1973 recording of Casablanca Moon, was released as Slapp Happy or Slapphappy by Recommended Records in 1980, and reissued as Acnalbasac Noom in 1982. The title Acnalbasac Noom appears in the lyrics of the song "Casablanca Moon", and is Casablanca Moon with the words written backwards.

<i>Ça Va</i> 1998 studio album by Slapp Happy

Ça Va is a studio album by German/British avant-pop trio Slapp Happy, featuring Anthony Moore, Peter Blegvad and Dagmar Krause. It was recorded in London in 1997 and released by V2 Records in April 1998. The Japanese release of the album included a bonus track, "Hello Dagi". It was Slapp Happy's first album in 23 years.

<i>Sort Of</i> 1972 studio album by Slapp Happy

Sort Of is the debut studio album by the avant-rock band Slapp Happy. It was recorded in Wümme, Bremen, Germany in May and June 1972 with Faust as their backing band, and released on LP by Polydor Records in 1972. In 1980 Recommended Records released a limited edition of Sort Of on LP, and the album was reissued on CD by Blueprint Records in 1999 with one bonus track.

<i>Live in Japan</i> (Slapp Happy album) 2001 live album by Slapp Happy

Live in Japan is a 2001 live album by German-British avant-pop group Slapp Happy, recorded in Tokyo, Sapporo and Kyoto, Japan in May 2000. They performed without any backing musicians and played all the instruments themselves. Material for this album was drawn from four of their studio albums, Sort Of, Slapp Happy/Acnalbasac Noom, Desperate Straights and Ça Va.

<i>Henry Cow Box</i> 2006 box set by Henry Cow

Henry Cow Box is a seven-CD limited edition box set by English avant-rock group Henry Cow. It was released in December 2006 by Recommended Records and comprises the six original albums Henry Cow released between 1973 and 1979, including those recorded with Slapp Happy. A bonus 3" CD-single was given to advance subscribers of the box set which contains previously unreleased material taken from live performances in Europe by the Orckestra, a merger of Henry Cow, the Mike Westbrook Brass Band and folk singer Frankie Armstrong in 1977. The two bonus CD Orckestra tracks were later reissued on the 2019 Henry Cow Box Redux: The Complete Henry Cow bonus CD, Ex Box – Collected Fragments 1971–1978.

<span class="mw-page-title-main">Duck and Cover (German band)</span> Multinational avant-rock group

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<span class="mw-page-title-main">Uwe Nettelbeck</span> German record producer, journalist and film critic (1940–2007)

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<i>The 40th Anniversary Henry Cow Box Set</i> 2009 box set by Henry Cow

The 40th Anniversary Henry Cow Box Set is a nine-CD plus one-DVD limited edition box set by English avant-rock group Henry Cow, and was released by RēR Megacorp in January 2009. It consists of almost 10 hours of previously unreleased recordings made between 1972 and 1978 from concerts, radio broadcasts, one-off projects, events and the studio. Included are new compositions, over four hours of free improvisation, and live performances of some of Henry Cow's original LP repertoire.

"Living in the Heart of the Beast" is a 1975 song written by Tim Hodgkinson for the English avant-rock group Henry Cow. It was recorded in 1975 by Henry Cow with Slapp Happy, who had recently merged with Henry Cow after the two groups had recorded a collaborative album, Desperate Straights the previous year. The song was released on In Praise of Learning in May 1975 by Virgin Records. The song's title is a quote from the nineteenth-century Cuban poet and liberation fighter José Martí. "Living in the Heart of the Beast" was the first of two "epic" compositions Hodgkinson wrote for Henry Cow, the second being "Erk Gah" (1976), later known as "Hold to the Zero Burn, Imagine".

"War" (originally entitled "War (Is Energy Enslaved)") is a 1975 song composed by Anthony Moore with lyrics by Peter Blegvad for the English avant-pop group Slapp Happy. It was recorded in November 1974 by Slapp Happy with Henry Cow for their collaborative album, Desperate Straights, but was only released in May 1975 on their second collaborative album, Henry Cow's In Praise of Learning.

References

Footnotes

  1. Cutler 2009, vol. 1–5, p. 21,40.
  2. "Babble On ..", Paul du Noyer, New Musical Express , 8 September 1979, p42.
  3. "Comicoperando: The Music of Robert Wyatt". ExB. Archived from the original on 22 July 2011. Retrieved 13 May 2011.
  4. "Watch Slapp Happy perform with Faust at WEEK-END last November". The Wire . Retrieved 17 May 2017.
  5. "Slapp Happy with Faust – Two Day Residency". Cafe Oto . Retrieved 17 May 2017.
  6. "MATTHEW EDWARDS & THE UNFORTUNATES | IT". internationaltimes.it. Retrieved 4 December 2023.
  7. Toland, Michael (5 June 2019). "Matthew Edwards & the Unfortunates - The Birmingham Poets (December Square)". The Big Takeover. Retrieved 4 December 2023.
  8. 1 2 3 4 Dougan, John. "Dagmar Krause biography". Allmusic.com. Retrieved 23 November 2019.
  9. Clarke, Donald. "Krause, Dagmar". MusicWeb Encyclopaedia of Popular Music. Archived from the original on 17 February 2005. Retrieved 22 February 2008.
  10. "Dagmar Krause". Archived from the original on 26 October 2009. Retrieved 30 December 2010.
  11. Kelman, John (12 January 2009). "Henry Cow: The 40th Anniversary Henry Cow Box Set". All About Jazz . Archived from the original on 30 July 2017. Retrieved 7 January 2018.
  12. "Die City Preachers" (in German). Archived from the original on 25 July 2010. Retrieved 20 August 2010.