Samla Mammas Manna

Last updated
Samla Mammas Manna
Also known asSMM
Origin Uppsala, Sweden
Genres Progressive rock, Rock in Opposition, avant-prog
Years active1969 (1969)–1980 (1980), 1990 (1990)–2008 (2008)
Labels Silence
Past members Lars Hollmer
Lars Krantz
Hasse Bruniusson
Coste Apetrea
Tatsuya Yoshida
Henrik Öberg "Bebben"
Eino Haapala
Vilgot Hansson
The sleeve to the record Maltid Maltid.jpg
The sleeve to the record Måltid

Samla Mammas Manna was a Swedish progressive rock band often characterized by virtuosic musicianship, circus references and silly humour, similar in many ways to the song-writing style of Frank Zappa. They were one of the founding members of the Rock in Opposition (RIO) movement in the late 1970s. In 1979 they were Fred Frith's backing band on his solo album, Gravity (1980). Musically, they bore a resemblance to the Canterbury scene.

Contents

The original line-up was Lars Hollmer (keyboards), Hasse Bruniusson (drums), Lars Krantz (bass) and Henrik Öberg (percussion). For Måltid, jazz fusion guitarist Coste Apetrea joined the group.

They were on the fringe of the Swedish political "progg" movement, although their lyrics were humorous and not explicitly political. [1] The title of the album Klossa Knapitatet is a play on the Swedish phrase krossa kapitalet, a common slogan in the 1970s that means "crush the capital", and also the title of a seminal progg song by Blå Tåget, called "Staten och Kapitalet (Den ena handen vet vad den andra gör)". Some more serious elements of the progg movement were not amused by this frivolous attitude.

They spent a significant part of the 70s touring in Sweden, but also in other European countries. [2]

The band underwent line-up and name changes over the years (they released albums as Zamla Mammaz Manna and von Zamla), reinventing their sound each time. In 1999, the band reformed under their original name for a one-off release entitled Kaka. [3] In 2002 they reunited again, this time with Japanese musician Tatsuya Yoshida on drums, for some performances and their final album Dear Mamma. The band played their first concerts in the US in August 2003, in Chicago at Schuba's, and at the annual Progday festival in North Carolina.

In 2005 the band opened the international progressive rock festival that took place in Moscow, Russia, InProg 2005.

Hollmer died in December 2008.

Musical Style

The musical style of Samla Mammas Manna has been described as a fusion of progressive rock and various national folk styles. [4] This being the result of complex rhythms using instruments not commonly used in the rock genre including the marimba, bouzouki, veena, and accordion. [5]

Having no direct political stand, being neither "a traditional Swedish folk group" nor, "a leftist folk-rock band" as stated by Andrew Jones in his book Plunderphonics, Pataphysics & Pop Mechanics: An Introduction to Musique Actuelle, they freely weaved in and out of the styles of both groups creating their own unique sound. [6]

Discography

The sleeve to the record Dear Mamma Dear Mamma.jpg
The sleeve to the record Dear Mamma

as Samla Mammas Manna

as Zamla Mammaz Manna

as von Zamla

See also

Related Research Articles

<span class="mw-page-title-main">Music of Sweden</span> Overview of musical traditions in Sweden

The Music of Sweden shares roots with its neighboring countries in Scandinavia, as well as Eastern Europe, including polka, schottische, waltz, polska and mazurka. The Swedish fiddle and nyckelharpa are among the most common Swedish folk instruments. The instrumental genre is the biggest one in Sweden. In the 1960s, Swedish youth sparked a roots revival in Swedish folk culture. Many joined Spelmanslag and performed on mainstream radio and TV. They focused on instrumental polska music, with vocals and influences from other traditional genres becoming more prominent since the 1990s. By 1970, the "dansband" culture also began.

<span class="mw-page-title-main">Roine Stolt</span> Swedish musician (born 1956)

Roine Stolt is a Swedish guitarist, vocalist and composer. A major figure in Sweden's rock history, Stolt led two of his country's most successful progressive rock bands: Kaipa in the 1970s and The Flower Kings in the 1990s onward.

<span class="mw-page-title-main">Progg</span> Swedish musical movement

Progg was a left-wing and anti-commercial musical movement in Sweden that began in the late 1960s and became more widespread in the 1970s. Not to be confused with the English expressions "progressive music" or "prog rock," progg is a contraction of the Swedish word for musical progressivism, progressiv musik. While there were progg bands playing progressive rock, the progg movement encompassed many different musical genres.

Lars Gustav Gabriel Hollmer was a Swedish accordionist, keyboardist and composer, whose work drew on music ranging from Nordic folk tunes to progressive rock. He has been a member and/or founder of over half a dozen groups, most of whose work has been recorded at The Chickenhouse, his well outfitted home studio in his hometown of Uppsala. His work with the band Samla Mammas Manna, in the late 1960s and early 1970s and up to 2002, when the re-formed group played at the two-day ProgDay festival in North Carolina, was and is considered progressive rock. However, he is most centrally an empathetic and generous collaborator: whether as a member of Accordion Tribe, while working with the experimental guitarist Fred Frith, or while spending several months with Japanese jazz players, he seems to find a style that brings his partners to the fore while remaining identifiably himself. Though his work is little known in the United States, he won a Swedish Grammis award in 1999 for his record Andetag. He has also composed extensively for Swedish film, as well as for theatre and dance productions. Consistent elements of his music throughout his career included use of irregular time signatures, a daring sense of improvisation, and used complex polyrhythms.

<span class="mw-page-title-main">Tage Åsén</span> Swedish graphic artist and painter

Tage Åsén is a Swedish graphic artist and painter.

<i>Gravity</i> (Fred Frith album) 1980 studio album by Fred Frith

Gravity is a 1980 solo album by English guitarist, composer and improviser Fred Frith from Henry Cow and Art Bears. It was Frith's second solo album and his first since the demise of Henry Cow in 1978. It was originally released in the United States on LP record on The Residents's Ralph record label and was the first of three solo albums Frith made for the label.

<i>Speechless</i> (Fred Frith album) 1981 studio album by Fred Frith

Speechless is a 1981 solo album by English guitarist, composer and improviser Fred Frith of the group Henry Cow. It was Frith's third solo album, and was originally released in the United States on LP record on The Residents' Ralph record label. It was the second of three solo albums Frith made for the label.

<i>Cheap at Half the Price</i> 1983 studio album by Fred Frith

Cheap at Half the Price is a 1983 solo album by English guitarist, composer and improviser Fred Frith. It was Frith's fifth solo album, and was originally released in the United States on LP record on the Residents' Ralph record label. It was the third of three solo albums Frith made for the label.

Silence, is a Swedish record company located outside Koppom, Värmland in Sweden.

<span class="mw-page-title-main">Etron Fou Leloublan</span> French avant-garde rock band

Etron Fou Leloublan, also known as EFL, were a French avant-garde rock band founded in 1973 by actor and saxophonist Chris Chanet. They recorded five studio albums between 1976 and 1985, and released a live album, En Public Aux Etats-Unis d'Amérique recorded during a tour of the United States in 1979. Etron Fou Leloublan were best known as one of the five original Rock in Opposition (RIO) bands that performed at the first RIO festival in London in March 1978.

Plunderphonics is a music genre in which tracks are constructed by sampling recognizable musical works. The term was coined by composer John Oswald in 1985 in his essay "Plunderphonics, or Audio Piracy as a Compositional Prerogative", and eventually explicitly defined in the liner notes of his Grayfolded album. Plunderphonics is a form of sound collage. Oswald has described it as a referential and self-conscious practice which interrogates notions of originality and identity.

Þursaflokkurinn, often written in a simplified way ("Thursaflokkurinn"), were an Icelandic progressive rock group that was mainly active in the late 1970s and early 1980s. Similar to the Dutch band Focus, Þursaflokkurinn combined rock music with influences of classical music and jazz, enhancing their sound by adding elements of Scandinavian folk music and sometimes eccentric vocals resembling the Rock in Opposition work of, for instance, the Swedish band Samla Mammas Manna.

<i>En Avant</i> (album) 1983 studio album by Ferdinand Richard

Ferdinand En Avant, Huit Chansons en Huit Langues, often referred to as En Avant, is the second solo album by French avant-rock bass guitarist and composer, Ferdinand Richard. It was recorded in 1983 at Sunrise Studios in Kirchberg, Switzerland, and was released on LP record by the Recommended Records affiliated Swiss independent record label, RecRec Music the same year.

This is a timeline of artists, albums, and events in progressive rock and its subgenres. This article contains the timeline for the period 1960–1969.

This is a timeline of artists, albums, and events in progressive rock and its subgenres. This article contains the timeline for the period 1970–1979.

<span class="mw-page-title-main">Warrick Sony</span> Musical artist

Warrick Swinney, more commonly known as Warrick Sony, is a South African composer, producer, musician and sound designer. He is the founder and sole permanent member of the Kalahari Surfers. They made politically radical satirical music in 1980s South Africa, and released it through the London-based Recommended Records. During this time the Surfers toured Europe with English session musicians.

<i>Sleep Armed</i> 1988 studio album by Kalahari Surfers

Sleep Armed was, in 1988, the third full-length album by the Kalahari Surfers, the recording identity of South African musician Warrick Sony. It has been called "the best snapshot we have of South Africa at the time, right down to the jacket photo of rich surfers on Umhlanga Roxx, a posh White beach in Durban".

Dave Willey is an American experimental musician and composer, best known as the co-founder and member of the Boulder, Colorado-based avant-rock group Hamster Theatre. He is also a member of Thinking Plague and 3 Mice. He has released two solo albums and has performed with Hamster Theatre and Thinking Plague in the United States and Europe.

<i>Helter Skelter</i> (Fred Frith and François-Michel Pesenti album) 1992 studio album by Fred Frith and François-Michel Pesenti

Helter Skelter is a 1992 rock opera by Fred Frith and François-Michel Pesenti. It was their first collaborative album and was recorded in Marseille, France, in February 1992. The music was composed by Frith, with libretto by Pesenti, and was conducted by Frith and Jean-Marc Montera. Frith and Pesenti do not perform on this album.

<i>Angels on the Edge of Time</i> 2015 live album by Lindsay Cooper, Fred Frith, Gianni Gebbia and Lars Hollmer

Angels on the Edge of Time is a 2015 collaborative live album of musical improvisations by Lindsay Cooper, Fred Frith, Gianni Gebbia and Lars Hollmer. It was recorded on 30 May 1992 at the AngelicA Festival Internazionale di Musica in Bologna, Italy, and released by I Dischi di Angelica in January 2015. This is the only album released by the quartet.

References

  1. Gren, Bert (15 April 1994). "Nu Samlas Mammas Manna – bandet uppstår i lyckliga stunder". Göteborgs-Posten .
  2. Bergström, Karolina (13 August 2016). "Technogubben klär sig i proggkostym". Upsala Nya Tidning (in Swedish). pp. 4–5.
  3. Backman, Dan (21 May 1999). "Samla Mammas Manna". Svenska Dagbladet (in Swedish).
  4. Macan, Edward (1997). Rocking the Classics: English Progressive Rock and the Counterculture. Oxford University Press. ISBN   9780195098877.
  5. Askounes, Michael. "Samla Mammas Manna - Kaka". All About Jazz. Retrieved 21 April 2023.
  6. Jones, Andrew (1995). Plunderphonics, Pataphysics & Pop Mechanics: An Introduction to Musique Actuelle (1st ed.). SAF Publishing Ltd. ISBN   978-0946719150.