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Hugo Alvar Henrik Aalto was a Finnish architect and designer. His work includes architecture, furniture, textiles and glassware, as well as sculptures and paintings. He never regarded himself as an artist, seeing painting and sculpture as "branches of the tree whose trunk is architecture." Aalto's early career ran in parallel with the rapid economic growth and industrialization of Finland during the first half of the 20th century. Many of his clients were industrialists, among them the Ahlström-Gullichsen family, who became his patrons. The span of his career, from the 1920s to the 1970s, is reflected in the styles of his work, ranging from Nordic Classicism of the early work, to a rational International Style Modernism during the 1930s to a more organic modernist style from the 1940s onwards.
In visual arts, music and other media, minimalism was an art movement that began in post–World War II in Western art, and it is most strongly associated with American visual arts in the 1960s and early 1970s.
In the arts and literature, the term avant-garde identifies an experimental genre or work of art, and the artist who created it, which usually is aesthetically innovative, whilst initially being ideologically unacceptable to the artistic establishment of the time. The military metaphor of an advance guard identifies the artists and writers whose innovations in style, form, and subject-matter challenge the artistic and aesthetic validity of the established forms of art and the literary traditions of their time; thus, the artists who created the anti-novel and Surrealism were ahead of their times.
Modern art includes artistic work produced during the period extending roughly from the 1860s to the 1970s, and denotes the styles and philosophies of the art produced during that era. The term is usually associated with art in which the traditions of the past have been thrown aside in a spirit of experimentation. Modern artists experimented with new ways of seeing and with fresh ideas about the nature of materials and functions of art. A tendency away from the narrative, which was characteristic of the traditional arts, toward abstraction is characteristic of much modern art. More recent artistic production is often called contemporary art, which includes what is termed postmodern art.
Postmodern art is a body of art movements that sought to contradict some aspects of modernism or some aspects that emerged or developed in its aftermath. In general, movements such as intermedia, installation art, conceptual art and multimedia, particularly involving video are described as postmodern.
An art movement is a tendency or style in art with a specific art philosophy or goal, followed by a group of artists during a specific period of time, or, at least, with the heyday of the movement defined within a number of years. Art movements were especially important in modern art, when each consecutive movement was considered a new avant-garde movement. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of perspective and an attempt to reproduce an illusion of visible reality. By the end of the 19th century many artists felt a need to create a new style which would encompass the fundamental changes taking place in technology, science and philosophy.
Postminimalism is an art term coined by Robert Pincus-Witten in 1971 and used in various artistic fields for work which is influenced by, or attempts to develop and go beyond, the aesthetic of minimalism. The expression is used specifically in relation to music and the visual arts, but can refer to any field using minimalism as a critical reference point. In music, postminimalism refers to music following minimal music.
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Juhani Uolevi Pallasmaa is a Finnish architect and former professor of architecture and dean at the Helsinki University of Technology. Among the many academic and civic positions he has held are those of Director of the Museum of Finnish Architecture 1978–1983, and head of the Institute of Industrial Arts, Helsinki. He established his own architect's office – Arkkitehtitoimisto Juhani Pallasmaa KY – in 1983 in Helsinki. From 2001 to 2003, he was Raymond E. Maritz Visiting Professor of Architecture at Washington University in St. Louis, and in 2013 he received an honorary doctorate from that university. In 2010–2011, Pallasmaa served as Plym Distinguished Professor at the University of Illinois Urbana-Champaign, and in 2012-2013 he was scholar in residence at Frank Lloyd Wright's Taliesin. Pallasmaa has also lectured widely in Europe, North and South America, Africa and Asia.
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In the visual arts, late modernism encompasses the overall production of most recent art made between the aftermath of World War II and the early years of the 21st century. The terminology often points to similarities between late modernism and postmodernism, although there are differences. The predominant term for art produced since the 1950s is contemporary art. Not all art labelled as contemporary art is modernist or post-modern, and the broader term encompasses both artists who continue to work in modern and late modernist traditions, as well as artists who reject modernism for post-modernism or other reasons. Arthur Danto argues explicitly in After the End of Art that contemporaneity was the broader term, and that postmodern objects represent a subsector of the contemporary movement which replaced modernity and modernism, while other notable critics: Hilton Kramer, Robert C. Morgan, Kirk Varnedoe, Jean-François Lyotard and others have argued that postmodern objects are at best relative to modernist works.
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20th-century Western painting begins with the heritage of late-19th-century painters Vincent van Gogh, Paul Cézanne, Paul Gauguin, Georges Seurat, Henri de Toulouse-Lautrec, and others who were essential for the development of modern art. At the beginning of the 20th century, Henri Matisse and several other young artists including the pre-cubist Georges Braque, André Derain, Raoul Dufy and Maurice de Vlaminck, revolutionized the Paris art world with "wild", multi-colored, expressive landscapes and figure paintings that the critics called Fauvism. Matisse's second version of The Dance signified a key point in his career and in the development of modern painting. It reflected Matisse's incipient fascination with primitive art: the intense warm color of the figures against the cool blue-green background and the rhythmical succession of the dancing nudes convey the feelings of emotional liberation and hedonism.
Georg Hilding Ekelund was a Finnish architect, from 1950 to 1958 a professor of housing design at Helsinki University of Technology and from 1931 to 1934 editor-in-chief of the Finnish architects' journal Arkkitehti. His career as an architect spans the change in styles in Finland from the Nordic Classicism of the 1920s to the Modernism of the 1970s.
Minimalism describes movements in various forms of art and design, especially Visual art and music, where the work is set out to expose the essence, essentials or identity of a subject through eliminating all non-essential forms, features or concepts. As a specific movement in the arts it is identified with developments in post–World War II Western Art, most strongly with American visual arts in the 1960s and early 1970s. Minimalism is often interpreted as a reaction to abstract expressionism and a bridge to postminimal art practices. Prominent artists associated with this movement include Ad Reinhardt, Nassos Daphnis, Tony Smith, Donald Judd, John McCracken, Agnes Martin, Dan Flavin, Robert Morris, Larry Bell, Anne Truitt, Yves Klein and Frank Stella. Artists themselves have sometimes reacted against the label due to the negative implication of the work being simplistic.
Modern sculpture is generally considered to have begun with the work of Auguste Rodin, who is seen as the progenitor of modern sculpture. While Rodin did not set out to rebel against the past, he created a new way of building his works. He "dissolved the hard outline of contemporary Neo-Greek academicism, and thereby created a vital synthesis of opacity and transparency, volume and void". Along with a few other artists in the late 19th century who experimented with new artistic visions in sculpture like Edgar Degas and Paul Gauguin, Rodin invented a radical new approach in the creation of sculpture. Modern sculpture, along with all modern art, "arose as part of Western society's attempt to come to terms with the urban, industrial and secular society that emerged during the nineteenth century".
References
- ↑ John Albert Walker, Glossary of Art, Architecture, and Design Since 1945, Third edition, New York, G. K. Hall, 1992; p. 443.
- ↑ 27 Unforgettable Minimal Logo Designs - Looka
- ↑ Fred S. Kleiner and Christin J. Mamiya, Gardner's Art Through the Ages: The Western Perspective, Twelfth edition, Thomson / Wadsworth, 2005; Vol. 2, p. 844.
- ↑ Casey Nelson Blake, "An Atmosphere of Effrontery," in: The Power of Culture: Critical Essays in American History, Richard Wightman Fox and T. J. Jackson Lears, eds., Chicago, University of Chicago Press, 1993; p. 259 n. 17.
- ↑ Cadence: The American Review of Jazz and Blues, Vol. 14 (1988), p. 65.
- ↑ Brooke Hodge, ed., Not Architecture But Evidence That It Exists, Princeton, NJ, Princeton University Press, 1999; p. 121.
- ↑ Juhani Pallasmaa, Architecture in Miniature, Museum of Finnish Architecture, 1991; p. 1.