|Cultural origins||Early 1990s, Scandinavia, Australia|
Unblack metal (or Christian black metal) is a religious philosophy within black metal whose artists are either directly against the Satanism prevalent in black metal, or promote Christianity in their lyrics and imagery.Unblack metal artists are controversial within the black metal subculture, because black metal's pioneers, especially those of the Second Wave, were anti-Christian. It is also suggested that Christianity contradicts black metal's dark nature and the individualistic and misanthropic ideals of many bands.
The exact beginning of the unblack metal movement is disputed. The Australian band Horde's 1994 album Hellig Usvart brought the concept and the term holy unblack metal (a word play on Darkthrone's slogan "unholy black metal" used on the albums A Blaze in the Northern Sky and Under a Funeral Moon )to media attention, while the Norwegian band Antestor was already formed in 1990 as a death/doom act and released its demo The Defeat of Satan in 1991, before they began shifting towards black metal on their 1994 album Martyrium .
Unblack metal is viewed as an ideological genre derived from black metal that focuses on Christian lyrical themes. Unblack metal incorporates black metal's fast tempos, shrieked vocals, highly distorted guitars, tremolo picking, double-kick drumming, repetition and often unconventional song structure. Garry Sharpe-Young's 2001 encyclopedia A-Z of Black Metal states that "[t]opping the lot are Christian 'Unblack' acts who for all intents and purposes look like, sound like and employ the imagery of Black Metal whilst hidden in the unpenetrable vocal growls and distortions are the proclamations of Jesus Christ".
Some unblack metal artists such as Horde write lyrics that explicitly attack Satanism.This remained a dominant theme throughout most of the 1990s. In the late 1990s, groups began to write more philosophical and ideological lyrics. These often include stories of conversion, salvation, struggles with faith, doubt and the darker side of living a Christian life. Unblack metal bands may justify their use of the black metal style with reasons ranging from genuine appreciation of the musical genre, to evangelization towards the largely anti-Christian black metal scene, i.e. "bringing light into darkness".
The 1970s occult boom influenced many early heavy metal bands lyricwise. In the early 1980s, several bands dealt such themes in a more extreme manner, including Venom, Mercyful Fate and Bathory. During the mid-1980s, heavy metal music divided into many subgenres, and black metal emerged as one of them, taking its name from a Venom album of the same title. In the 1980s, the term was imprecise with regards to musical attributes, simply referring to all metal bands with Satanic lyrical themes.Although Christian metal bands had existed since the late 1970s, a clear contrast with black metal occurred in 1984 with the doom metal band Trouble who released the Bible-based album Psalm 9 . Metal Blade Records marketed them as "white metal" as opposed to black metal. Singer Eric Wagner has explained that "back in the early 1980s, all the metal was kind of Satanic," and he has implied that Metal Blade (or the owner Brian Slagel) actually invented the term in the first place: "I think it was more like Metal Blade trying to be cute or something, with everything being called black metal, so why not call us white metal, which is a bunch of crap." While there were Christian extreme metal bands in the late 1980s and early 1990s, Christian black metal likely did not exist until 1994.
The Australian band Horde's debut album Hellig Usvart , recorded and released in 1994, is often credited for being the first unblack metal album, although the sole member "Anonymous" has stated that, "there were similar [unblack] bands prior to Horde, even in Norway," referring to Antestor who formed in 1990. Prior to 1993, they were a death-doom band called Crush Evil. Antestor's debut album Martyrium was also recorded in 1994 and marked a shift into unblack metal territory. However, due to issues with the band's record label at the time, the album was not officially released until 2000.Euronymous of Mayhem threatened to force Crush Evil to disband, but was murdered by Varg Vikernes in 1993.
Hellig Usvart (Norwegian for Holy Unblack) caused great controversy in the black metal scene, and death threats were sent to Nuclear Blast Records headquarters demanding them to release the members' names. Later, it was discovered that the only actual member was the former Mortification/Paramaecium drummer Jayson Sherlock from Australia.The term "unblack metal" was derived from "holy unblack metal", which was a wordplay on Darkthrone's "unholy black metal" term. Media became interested in this controversy. On 6 June 1995, the Norwegian weekly newspaper Morgenbladet published an article about the phenomenon of unblack metal, describing Horde's album as "an abrupt satire of the Norwegian black metal movement". Antestor was also interviewed, with vocalist Kjetil Molnes stating "We identify ourselves as black metal as a music style, not black metal as an ideology or belief."
The Swedish band Admonish was formed around 1994 or 1995, and was the first unblack metal band in Sweden.They gained notoriety for calling their style "Christian black metal" on their website. This caused some debate in the metal underground and soon an anti-Admonish website was started. While the band did not officially release any material until 2005, the magazine Metal Hammer called Admonish "one of the leading Christian black metal bands" in a 1990s issue which focused on black metal.
After 1995, influenced by Horde, other unblack metal bands started releasing their first demos. The Indonesian group Kekal soon became associated with the movement.Eduardo Rivadavia of AllMusic wrote that "Kekal are one of the first heavy metal bands from Jakarta, Indonesia, to make international inroads, and they may just be the first to profess Christian beliefs while performing black metal." However, Kekal has resisted being labeled as Christian, insisting that as an institution they do not lean toward any religion or ideology.
Antestor's 1998 release The Return of the Black Death proved highly influential for the unblack metal movement. The album was released on the British Cacophonous Records, which has released records by such successful black metal groups as Cradle of Filth and Dimmu Borgir. According to Matt Morrow, it became the only unblack metal album besides Horde's Hellig Usvart to be released on a secular label in the 1990s,although Kekal released Beyond the Glimpse of Dreams on a secular label in the same year. The established British magazines Kerrang! and Terrorizer both gave The Return of the Black Death 4 points out of 5.
Vaakevandring's self-titled EP (recorded in 1998) was produced by Stian Aarstad, the keyboard player of Dimmu Borgir.The release achieved worldwide attention and later became recognized a "classic" in the unblack metal scene. In 1998, the metalcore group Underoath was founded, and played hardcore and metalcore mixed with black and death metal. The band subsequently moved away from this early black metal sound to a more mainstream post-hardcore style.
During the early 2000s, according to Screams of Abel magazine, there was an "international explosion of Christian black metal bands", and black metal "seemed to be the fastest growing genre in the Christian metal scene".In 2000, Lengsel's debut album Solace was critically acclaimed, Sanctifica released Spirit of Purity , Crimson Moonlight released its debut album The Covenant Progress , while Drottnar released its demos on an album titled Spiritual Battle , gaining them popularity among the Scandinavian underground. In 2001, Norwegian folk metal band Arvinger formed and released its debut album Helgards Fall in 2003.
Apart from Scandinavia, unblack metal has developed regional scenes in the United States, South America, and Central Europe. The Kansas City-based Frost Like Ashes is an American band.In the early 2000s, there emerged an unblack metal scene largely congregated around Illinois' EEE Recordings. This label consisted of groups who often hid their identity and focused on extremely raw, unpolished sound production and minimalist song structures. Notable EEE Recordings artists included Light Shall Prevail, Flaskavsae, Njiqahdda and Glaciial.
The South and Central American unblack scenes are known for their radical anti-Satanic attitude.Groups such as Exousia and Mexico's Deborah have performed internationally in Europe. Sorrowstorm was an acclaimed band from Panama, and in 2003 they were nominated for the hard music award at the Panamarock Grammys. Poems of Shadows (Brazil) is an example of a South American unblack metal band that has taken the anti-Satanic concept of Horde and the radical imagery of black metal to the extreme, blurring the distinction between the two often ideologically-opposed styles. The Brazilian group Cerimonial Sacred has also achieved some attention in the US and European scenes.
In Poland, the notable groups include Abdijah, Fire Throne, and Elgibbor. The latter was featured on a short Polish TV documentary that focused on unblack metal.The Netherlands has groups such as Dormant and Slechtvalk. Although the latter does not currently consider themselves as a "Christian band", their early material was openly Christian. Holy Blood, a folk/unblack group from Ukraine, has earned minor success.
While black and unblack metal bands rarely achieve mainstream success in the music world, some bands, including Antestor, Drottnar and Crimson Moonlight, have traveled internationally to perform at Cornerstone Festival in Illinois, one of the largest Christian musical festivals in the world.
In 2006, Admonish achieved wider notice when twins Emil (guitar) and Jonas Karlsson (bass) both appeared on the MTV Europe show Pimp My Ride International . On that show, in which their car was modified, the twins advertised their band and Admonish's music was played.Horde also played its first live show ever at Nordic Fest in Oslo, Norway in November 2006. Sherlock was disguised with a hood during the show as he performed both drums and vocals.
In 2007, the Norwegian band Frosthardr appeared on the documentary feature film Murder Music: A History of Black Metal (2007). They were interviewed for a minute and represented the Christian point of view in black metal music, with vocalist Daniel Ravn Fufjord saying: "It is difficult to find musicians that are interested in this kind of music and share our point of view."
A documentary specifically exploring unblack metal titled Light in Darkness - Nemesis Divina was filmed in 2008, shown at music and film festivals the same year, and officially released on YouTube in May 2010. The documentary focuses on unblack metal musicians' point of view and experiences as well as some academic analysis on the matter.
Certain critics, such as Jussi Lahtonen of the Finnish indie rock magazine Sue, have argued that separating Christian from non-Christian black metal artists "feels rather pointless".However, early groups such as Horde and Antestor refused to call their music "black metal" because they felt that the style was strongly associated with Satanism. Horde called its music "holy unblack metal", and Antestor preferred to call their music "sorrow metal" instead. Stefan Rydehed, director of the metal documentary Light in Darkness – Nemesis Divina says about the unblack metal musicians based on his interviews: "The Christian black metal musicians see themselves as a part of the black metal community but they have a hard time to be accepted. Not only from other black metal musicians but also the society and ordinary Christians."
Many current unblack metal bands feel that black metal has changed from an ideological movement to a purely musical genre, and that is why they refer to their music as black metal.The Swedish group Crimson Moonlight's vocalist Simon Rosén, for example, says in an interview with WhiteMetal.it site: "First of all, we don't want to call our music unblack metal or white metal, we play black metal." In an interview with Ultimate Metal, Rosén further explains this view:
We believe that all kinds of music are now neutral. I mean, a music genre cannot be "evil" itself. It all depends on the purpose: why you're doing it and what the lyrics are about. I will use an illustration to explain: a knife in the hands of a murderer can kill life, but a knife in the hands of a doctor can save life. Now is the knife evil itself? No, it depends on how you use it. The power is in our hands to decide what we want to use music for. I know that many black metal fans react badly when we use the words "black metal" to describe our music, and we are sorry if we make people upset for that. But for us, black metal is a musical genre. Listen to Veil of Remembrance and tell me what kind of music it is.
In contrast, Jayson Sherlock of Horde posted on Facebook that he did not understand how Christians can play black metal music, saying, "For the life of me, I will never understand why Christians think they can play Black Metal. I really don't think they understand what true Black Metal is."
On the other side, many in the black metal scene see "Christian black metal" as an oxymoron. On the British black metal documentary Murder Music: A History of Black Metal (2007), all interviewed musicians stated - when asked about the matter - that black metal cannot be Christian.The term "Christian black metal" drew mocking replies from the black metal musicians, for example Martin Walkyier of the English metal band Sabbat commented: "'Christian black metal?' What do they do? Do they build churches? Do they repair them? (laughs)" Jonathan Selzer, editor of the British metal magazine Terrorizer discussed his experiences and thoughts in the documentary:
We had a debate in our letter pages that went on for six weeks. It was about whether or not you can play Christian black metal. It all started with a review [of a Christian black metal album], and the editor just didn't know what to make of it. Redemption is one the most antithetical themes to black metal there is. Black metal is about your humanity, not about giving your humanity over to a god. Maybe there are some aspects in Christianity, maybe some Old Testament 'hang 'em high' kind of wrath that might actually find parallel with black metal.
While the Indonesian band Kekal has been labeled as unblack metal, the band has distanced itself from the movement. When asked if he was bothered by the fact that the first black metal bands were against Christianity, front-man Jeff Arwadi replied: "I think you're wrong if first black metal bands were highly against Christianity. […] I dig the very first black metal bands a lot... those 80s bands like Venom, Bathory, Hellhammer/Celtic Frost, early Sodom, etc. […] By my knowledge, none of those bands were against Christianity. They only had those kind of 'satanic' image which is more like some high-school Halloween movies or parent-shocker rather than Satanism as a philosophy or ideology".Earlier in the interview he even went as far as to say that "even bands like Celtic Frost were once considered 'white-metal' from some 'true' black metal fans because the band thanked God on album thanks list, and one member wearing a cross necklace instead of inverted cross. It's a totally relative issue, depending on how 'extreme' you would go, right?" Whereas Arwadi claimed that to his knowledge, "none of those bands were against Christianity", Bathory founder Quorthon rejected Christianity in numerous interviews.
In a 2007 Beat the Blizzard webzine's article, the writer Jan Lindsø states that "[m]any metal fans are of the opinion that Christians should 'not be allowed' to use the black metal aesthetics musically since they do not inherit this evil and perhaps misantropic [sic] trait that many people say is necessary in order to be convincing as black metal musicians".Kittil Kittilsen, who left Mayhem in 1988 after becoming a born-again Christian, expressed his concern for the unblack metal musicians: "I think they're completely off the mark. I cannot seriously understand how they even manage to do it. They have missed the target completely. I mean, if you want to be a Christian, be it with all you've got, and if you want to be metal, be it with all you've got. If those people really took their faith seriously, and followed the instructions of the One they profess to believe in, they would never be found in a context like that. They are on collision course with Christian life and teaching. I say this because of my own experience, and because of what is written in the Bible; rock music, metal music has nothing at all to do in a Christian setting!"
In an interview with Screams of Abel webzine, former Antestor member Morten Mageroy reacted with caution to the proliferation of unblack bands: "I really hope that people (who play Christian black metal) know what they are doing. I know this sounds very rough, but I have seen people being pulled into something they do not know. I am not saying that I know that these musicians are going to mess their lives up, but I have seen it happen to some people and it frightens me very much."Mageroy, however, defends the unblack metal bands' intentions: "A lot of Christian bands have done amazing things being led by God. I know that God is using many types of communication, and it is important that Christians is [sic] present in every field, in every genre, privately and in work. God might just as well use heavy metal to bring salvation to people."
Some of the original Norwegian black metal musicians believe that black metal does not need to hold any ideologies. For example, Jan Axel "Hellhammer" Blomberg of Mayhem has said in an interview with Metal Library: "In my opinion, black metal today is just music. I will tell you that neither I nor other [current] members of Mayhem never really were against religion or something else. We are primarily interested in music."Although rejecting the idea of "Christian black metal", Satyricon's vocalist Sigurd Wongraven stated in the Murder Music documentary that black metal "doesn't necessarily have to be all Satanic as long as it's dark".
Note that this list only includes bands described as unblack metal. Christian bands that are described only as black metal are not included, but can be found on the list of Christian metal artists and list of black metal bands.
|Ascending King||United States||2015|
|The Autumn League||Australia||2011|
|Frost Like Ashes||United States||2001|
|Hope for the Dying||United States||2006|
|O, Majestic Winter||United States||2008|
|Shadows of Paragon||Sweden||2001|
|Skald in Veum||Sweden||2013|
|Symphony of Heaven||United States||2017|
|Temple of Perdition||Finland/U.S.||2017|
|Vials of Wrath||United States||2011|
Black metal is an extreme subgenre of heavy metal music. Common traits include fast tempos, a shrieking vocal style, heavily distorted guitars played with tremolo picking, raw (lo-fi) recording, unconventional song structures, and an emphasis on atmosphere. Artists often appear in corpse paint and adopt pseudonyms.
Christian metal, also known as white metal, Jesus metal or heavenly metal, is a form of heavy metal music usually defined by its message using song lyrics as well as the dedication of the band members to Christianity. Christian metal is typically performed by professed Christians principally for Christians who listen to heavy metal music and often produced and distributed through various Christian networks.
Antestor is a Norwegian unblack metal band formed in 1990 in Jessheim. Credited for starting the northern European Christian black metal scene, Antestor is the only Christian band to have an album released by Cacophonous Records, which has also released records by bands such as Dimmu Borgir, Sigh, and Cradle of Filth. The band's only release on Cacophonous, The Return of the Black Death, proved influential for the Christian black metal movement, and has sold over 10,000 copies.
Horde is the unblack metal solo project of Australian musician Jayson Sherlock, formerly of Mortification and Paramaecium. In 1994 the only album Hellig Usvart was released on Nuclear Blast. With a session line-up, Horde played live-shows in 2006, Norway, and in 2010 in Finland and Germany. Hellig Usvart proved to be a seminal release for the unblack metal movement, and the album was highly controversial in the secular black metal scene at the time it was released.
Satanic Warmaster is a Finnish black metal project from Lappeenranta consisting of the sole musician "Werwolf". Penttilä began recording under this name in 1998. Satanic Warmaster has sold tens of thousands of albums worldwide without the support of any major distribution companies or record labels. The band has toured around the world in countries such as Finland, Germany, Russia, Mexico, Japan and Italy. In November 2014, Satanic Warmaster's album "Fimbulwinter" reached the Finnish official chart on place #14 and the Rumba specialized stores' chart on place #2.
The Forsaken is the third studio album by the Christian black metal band Antestor, released in 2005 on Endtime Productions. The album features guest appearances of the established metal musicians Jan Axel Blomberg (Hellhammer) and Ann-Mari Edvardsen.
Hellig Usvart is the debut album by Australian unblack metal band Horde, released in 1994 on Nuclear Blast Records. Upon its release in 1994, the album created a controversy among many black metal fans; death threats were sent to Nuclear Blast demanding the label to drop the album from its catalogue because the album contains Christian, anti-satanic lyrics that counteract the usual black metal thematics at the time. Because of the strong lyrical contradiction, the album was thought to be a parody of the Norwegian black metal movement by magazines such as Morgenbladet in 1995.
The Return of the Black Death is the second recorded and first released studio album by the Norwegian unblack metal band Antestor. It was released on September 14, 1998. It is the band's only release on the British Cacophonous Records label. This album's working title was Kongsblod. Antestor recorded another album, Martyrium, prior to The Return of the Black Death, in 1994, and while bootleg versions of the recording circulated, this album did not see official release until 2000.
Drottnar is an extreme metal band from Fredrikstad, Norway. Formed in 1996, the band has released four albums, Spiritual Battle (2000), Welterwerk (2006), Stratum (2012) and Monolith (2019) and an EP titled Anamorphosis (2003). The first album was released on UK label Plankton Records. They are currently signed to Swedish label Endtime Productions.
Vaakevandring was a Norwegian unblack metal band that was active from 1996 to 2007. The name in Norwegian is a reference to the resurrection of Jesus. Vaakevandring played symphonic black metal with influences from Norwegian folk music.
Jayson Sherlock is a Christian metal musician from Australia. He began his career in the Australian death metal band Mortification, which was considered to be a major pioneer in the genre. Sherlock was the founder of the one-man project Unblack metal band Horde, in which he played every instrument. He has also been in other bands such as Paramaecium, inExordium, Altera Enigma, and Soundscape. During 2012, he was the drummer for Deliverance. He is currently the drummer for the death metal band Revulsed.
Frosthardr is a Norwegian Christian black metal band, formed in 1997. The band plays a rawer type of black metal music with occasional punk influences and lyrics from Christian point of view. The drummer Pål Daehlen (Savn) is a former member of the influential dark metal group Vaakevandring, and the vocalist/guitarist Jokull has played as a live member for the ground breaking act Antestor. Frosthardr has achieved some media notice: They appeared on the British 2007 documentary film Murder Music: A History of Black Metal, and are one of the featured bands on the 2008 documentary film, Light in Darkness – Nemesis Divina, focused on Christian black metal. Signed to Momentum Scandinavia, the band has released a demo and two EPs. In 2007, they played concerts at Cornerstone Festival, Bushnell, Illinois, USA.
Maktesløs is the first EP by the Norwegian unblack metal band Frosthardr released in 2004. The EP mixes the rawness of punkish old school black metal and the complicated song structures of progressive black metal. "Death - My Relief" is often cited as the highlight of the EP. The title track is an industrial music style intro, and the last song "Vandret" is an outro of the same style. The cover art was designed by Samuel Durling, depicting a negative of a black and white graveyard photo, and a logo that contains a crossbow element. Morten Magerøy of Vaakevandring and Antestor fame contributed some keyboards for the EP. Collin of Metal Storm wrote about the album that "This first EP proves that contrary to all expectations [that they were just another black metal band from Norway], Frosthardr is one of the most innovative and inventive bands I've heard this year (2005)."
Demo 98/99 is a demo from the Norwegian unblack symphonic black metal band Vaakevandring, released in 1999 through Nordic Mission, a label co-founded by Vaakevandring member Pål Dæhlen. Demo 98/99 was produced by Stian Aarstad, a former keyboardist from the symphonic black metal band Dimmu Borgir. Aaarstad also contributed vocals to the track "Fader Vaar". The band titled the recording as it did to ensure that listeners would not expect a studio quality album. The style of the album was described as symphonic and melodic black metal influenced by Norwegian folk music. The output was considered comparable to that of Sanctifica, Crimson Moonlight, and Dimmu Borgir. Though only a demo recording, the release was very well received and propelled the band into popularity. HM writer Matt Morrow rated the album 9.5 out of 10, and writer Johannes Jonsson gave the album 3 out of 5. The songs from the demo were later re-mastered and re-released with an additional song — "To Find Eternal Peace" — in 2004 as an extended play entitled Vaakevandring, through the label Momentum Scandinavia.
Chaos & Warfare is a split album between the bands Kekal, from Indonesia, and Slechtvalk, from the Netherlands, released in 2002 through Fear Dark Records.
Omen is the fourth studio album by the Norwegian Christian extreme metal band Antestor, released by Bombworks Records on November 16, 2012. Recording began in 2011, and was mostly conducted at the home of vocalist Ronny Hansen. The album cover is a painting by Polish artist Zdzisław Beksiński, and depicts a deformed, many-fingered humanoid creature playing a trumpet. Antestor met with critical praise for its musicianship and the progressive sound on the recording. Critics described the sound as primarily black metal, though the band prefers the more general term "extreme metal" to describe the sound on Omen.
Elgibbor, also known as Jarek Pozarycki or Fire, is an unblack metal project, that started in 1999. The band went on a hiatus around 2017, but reconvined with a full-lineup in 2020, consisting mostly of former live members.
Christageddon is an Unblack metal project, formed by Jesse McKinney of The Synics Awakening.
Tortured Conscience is a Christian extreme metal band from San Francisco, California.
And where secular Black Metal thrived, so did its Christian counterpart, Unblack Metal, with names like Satanicide, Neversatan, and Satan's Doom.CS1 maint: ref=harv (link)
The follow-up to the group's 2006 acclaimed album 'Tophet' will be issued this May and will be available as a limited release, with only 250 units to be produced.
Jotkut ovat vaivautuneet kikkailemaan semanttisesti nimeämällä tyylit uudestaan life metaliksi ja Anti-black metaliksi, mikä tuntuu melko turhalta. (Some [Christian metal fans] have bothered to come up with semantical gimmicks and rename the genres [death metal and black metal] as life metal and Anti-black metal, which feels rather pointless.