Death metal is an extreme subgenre of heavy metal music. It typically employs heavily distorted and low-tuned guitars, played with techniques such as palm muting and tremolo picking; deep growling vocals; aggressive, powerful drumming, featuring double kick and blast beat techniques; minor keys or atonality; abrupt tempo, key, and time signature changes; and chromatic chord progressions. The lyrical themes of death metal may include slasher film-style violence, political conflict, religion, nature, philosophy, true crime and science fiction.
Progressive metal is a broad fusion music genre melding heavy metal and progressive rock, combining the loud "aggression" and amplified guitar-driven sound of the former with the more experimental, cerebral or quasi-classical compositions of the latter.
Thrash metal is an extreme subgenre of heavy metal music characterized by its overall aggression and fast tempo. The songs usually use fast percussive beats and low-register guitar riffs, overlaid with shredding-style lead guitar work.
Voivod is a Canadian heavy metal band from Jonquière Quebec. The original line-up consisted of vocalist Denis "Snake" Bélanger, guitarist Denis "Piggy" D'Amour, drummer Michel "Away" Langevin and bassist Jean-Yves "Blacky" Thériault. The band has had numerous members changes throughout its 42-year career, with Langevin as the only consistent member. Their current line-up includes Langevin, Bélanger, Daniel "Chewy" Mongrain (guitar) and Dominic "Rocky" Laroche (bass).
Suffocation is an American death metal band formed in 1988 in Centereach, New York, currently consisting of lead guitarist Terrance Hobbs, bassist Derek Boyer, rhythm guitarist Charlie Errigo, drummer Eric Morotti, and vocalist Ricky Myers. The band rose to prominence with their 1991 debut album Effigy of the Forgotten, which became a blueprint for death metal in the 1990s. Since then, Suffocation has recorded eight albums. These feature growled vocals with downtuned guitars, fast and complex guitar riffs and drumming, open chord notes and occasional breakdowns.
A number of heavy metal genres have developed since the emergence of heavy metal during the late 1960s and early 1970s. At times, heavy metal genres may overlap or are difficult to distinguish, but they can be identified by a number of traits. They may differ in terms of instrumentation, tempo, song structure, vocal style, lyrics, guitar playing style, drumming style, and so on.
Atheist is a Florida death metal band from Sarasota, Florida, founded in 1987.
Extreme metal is a loosely defined umbrella term for a number of related heavy metal music subgenres that have developed since the early 1980s. It has been defined as a "cluster of metal subgenres characterized by sonic, verbal, and visual transgression".
Avant-garde metal is a subgenre of heavy metal music loosely defined by use of experimentation and innovative, avant-garde elements, including non-standard and unconventional sounds, instruments, song structures, playing styles, and vocal techniques. Avant-garde metal is influenced by progressive rock and extreme metal, particularly death metal, and is closely related to progressive metal. Some local scenes include Los Angeles, the San Francisco Bay Area, Boston, and Seattle in the United States, Oslo in Norway, and Tokyo in Japan.
Pestilence is a Dutch death metal band founded in Enschede in 1986. They have been through various membership changes throughout their existence, with guitarist-vocalist Patrick Mameli as the sole constant member. After disbanding in order to pursue other musical directions in 1994, Pestilence reunited in 2008, and was put on a "permanent hold" in July 2014. However, the band reunited once again in October 2016. To date, Pestilence has released ten studio albums, and they are one of "progressive death metal's Big Four", along with Death, Atheist, and Cynic.
Coroner is a Swiss thrash metal band from Zürich formed in 1983, better known for the lineup formed in 1985. They garnered relatively little attention outside of Europe. The band broke up in 1996, but reformed 14 years later. The band has performed at multiple live venues and festivals around worldwide since 2011, and as of 2023, they are working on their first studio album in more than three decades.
Watchtower is an American progressive metal band based in Austin, Texas, active from 1982 to 1993 and they have reunited occasionally since 1999. The band has released two studio albums―Energetic Disassembly (1985) and Control and Resistance (1989)―as well as one compilation album, four digital singles, one EP and three demo cassettes, and has been featured on numerous compilation albums. They are also notable for featuring vocalist Jason McMaster, who left Watchtower after the release of Energetic Disassembly to form Dangerous Toys, and was replaced by Alan Tecchio, who appeared on Control and Resistance and the band's 2016 EP Concepts of Math: Book One. After leaving the band once again in 2010, McMaster returned to Watchtower for the second time in 2023.
Effigy of the Forgotten is the debut full-length album by New York–based death metal band Suffocation, released in 1991. The album features several tracks that are re-recorded versions of tracks that appeared on the band's Reincremation demo and Human Waste EP. The cover artwork was created by Dan Seagrave.
Consuming Impulse is the second album by Dutch death metal band Pestilence, released in 1989. While retaining some of the thrash metal elements from its predecessor Malleus Maleficarum (1988), Consuming Impulse saw the band progress further towards the traditional death metal genre with progressive influences; this can be seen as one of the earliest examples of technical death metal, a subgenre that would be used and expanded on Pestilence's subsequent albums. Consuming Impulse was also their first release with then-new guitarist Patrick Uterwijk, and their last one to feature bassist and vocalist Martin van Drunen.
Control and Resistance is the second and final album by progressive metal band Watchtower, released in 1989. This was the band's last album before disbanding in 1993 while working on its never-released third album Mathematics, and their first release with vocalist Alan Tecchio and guitarist Ron Jarzombek. Control and Resistance combines elements of thrash metal, progressive metal and jazz fusion, and has been cited as one of the most influential albums in the technical thrash metal genre, as well as a major influence on the then-emerging technical death metal scene.
Terrorizer was an extreme music magazine published by Dark Arts Ltd. in the United Kingdom. It was released every four weeks with thirteen issues a year and featured a "Fear Candy" covermount CD, a twice yearly "Fear Candy Unsigned" CD, and a double-sided poster.
The Key is the debut studio album by American technical death metal band Nocturnus. It was released on Earache Records on October 1, 1990.
Target Earth is the thirteenth studio album, and the sixteenth release overall, by the Canadian heavy metal band Voivod, which was released on January 22, 2013. This is the first Voivod studio album to feature Daniel Mongrain on guitar and the only one since 1991's Angel Rat with Jean-Yves Thériault on bass.
Florida death metal is a regional scene and stylistic subdivision of death metal. Some of the most significantly pioneering and best-selling death metal acts emerged in Florida, especially in the Tampa Bay area. As a result, Tampa is unofficially known by many death metal fans as the "capital of death metal." The scene coalesced in the mid-1980s through early 1990s around the output of bands such as Death, Nasty Savage, Deicide, Monstrosity, Morbid Angel, Atheist, Obituary, and others. The producer Scott Burns and the studio Morrisound Recording were also instrumental in developing and popularizing the Florida scene. Some bands which originated outside of Florida, such as Malevolent Creation and Cannibal Corpse, relocated to the state in order to participate in this burgeoning scene. The Florida bands featured a more technical approach to the evolving death metal sound, a style which spread beyond the confines of the state, and some were instrumental in creating the progressive death metal subgenre. The death metal genre as a whole, including the Florida scene, declined in popularity in the second half of the 1990s, but many bands within the Florida scene persisted and the scene resurged in popularity in subsequent decades. Although the scene attracted more media attention, it continued to be underground due to its extreme nature.
