Pornogrind | |
---|---|
Other names | Porngrind, pornogore |
Stylistic origins | |
Cultural origins | Early 1990s Germany and U.S. |
Typical instruments | |
Other topics | |
Pornogrind (also known as porngrind or pornogore) is a musical microgenre offshoot of goregrind [1] [2] that lyrically deals with sexual and pornographic themes, hence the name. [3] [4]
The genre is related and similar to goregrind but does bear distinguishing features. Besides the eponymous emphasis on graphic sexual themes in lyrics and album artwork, which "would keep [these records] out of most stores", [4] from a technical perspective pornogrind songs are often simpler, slower, and more rock-like [2] than other grind genres.
Zero Tolerance described pornogrind as "the most downright perverted of the lot, often adding a dollop of filthy groove and vocals straight from the toilet." [5] Natalie Purcell, however, in her book Death Metal Music: The Passion and Politics of a Subculture, suggests that pornogrind is defined solely on the basis of its lyrical content and unique imagery, its focus on pornographic content. [2] Rolling Stone has said that it's "basically just grindcore, but with an over-the-top, juvenile obsession with sex, violence and the ways the two could combine on a woman’s body. Think samples from porno movies, lyrics about sexual violence and gross-out album art." [6]
Notable bands of the genre include Gut and Cock and Ball Torture. [2] [5] [7]
Pornogrind saw some limited mainstream media attention after the 2019 Dayton shooting when it came to light that the perpetrator, Connor Betts, performed live vocals in the pornogrind group Menstrual Munchies on multiple occasions. [8] After the attack, Vice published an article entitled "It’s Time to Stop Making Excuses for Extreme Metal’s Violent Misogynist Fantasies" criticising the lyrical content of pornogrind as "reflective of a sexist society", [9] [6] and the shooting also prompted heavy metal outlets like MetalSucks [10] and Kerrang, [11] and bands like Devourment [12] to re-examine the lyrics, with Svalbard's Serena Cherry saying the genre "represents an utterly stupid, thoughtless, cartoonish misogyny". [13] Conservative columnist Rod Dreher later expanded the blame on the band The Acacia Strain whose hoodie Betts was wearing; [14] MetalSucks addressed this by adding "The Acacia Strain are heavy, sure, but they aren’t violent". [10]
Death metal is an extreme subgenre of heavy metal music. It typically employs heavily distorted and low-tuned guitars, played with techniques such as palm muting and tremolo picking; deep growling vocals; aggressive, powerful drumming, featuring double kick and blast beat techniques; minor keys or atonality; abrupt tempo, key, and time signature changes; and chromatic chord progressions. The lyrical themes of death metal may include slasher film-style violence, political conflict, religion, nature, philosophy, true crime and science fiction.
Grindcore is an extreme fusion genre of heavy metal and hardcore punk that originated in the mid-1980s, drawing inspiration from abrasive-sounding musical styles, such as thrashcore, crust punk, hardcore punk, extreme metal, and industrial. Grindcore is considered a more noise-filled style of hardcore punk while using hardcore's trademark characteristics such as heavily distorted, down-tuned guitars, grinding overdriven bass, high-speed tempo, blast beats, and vocals which consist of growls, shouts and high-pitched shrieks. Early groups such as England's Napalm Death are credited with laying the groundwork for the style. It is most prevalent today in North America and Europe, with popular contributors such as Brutal Truth and Nasum. Lyrical themes range from a primary focus on social and political concerns, to gory subject matter and black humor.
Hardcore punk is a punk rock subgenre and subculture that originated in the late 1970s. It is generally faster, harder, and more aggressive than other forms of punk rock. Its roots can be traced to earlier punk scenes in San Francisco and Southern California which arose as a reaction against the still predominant hippie cultural climate of the time. It was also inspired by Washington, D.C., and New York punk rock and early proto-punk. Hardcore punk generally disavows commercialism, the established music industry and "anything similar to the characteristics of mainstream rock" and often addresses social and political topics with "confrontational, politically charged lyrics".
Goregrind is a fusion genre of grindcore and death metal. British band Carcass are commonly credited for the emergence of the genre. Goregrind is recognized for its heavily edited, pitch shifted vocals and abrasive musicianship rooted in grindcore.
A number of heavy metal genres have developed since the emergence of heavy metal during the late 1960s and early 1970s. At times, heavy metal genres may overlap or are difficult to distinguish, but they can be identified by a number of traits. They may differ in terms of instrumentation, tempo, song structure, vocal style, lyrics, guitar playing style, drumming style, and so on.
Crust punk is a subgenre of punk rock influenced by the English punk scene as well as extreme metal. The style, which evolved in the early 1980s in England, often has songs with dark and pessimistic lyrics that linger on political and social ills. The term "crust" was coined by Hellbastard on their 1986 Ripper Crust demo.
Extreme metal is a loosely defined umbrella term for a number of related heavy metal music subgenres that have developed since the early 1980s. It has been defined as a "cluster of metal subgenres characterized by sonic, verbal, and visual transgression".
Metalcore is a fusion genre combining elements of extreme metal and hardcore punk, that originated in the late 1980s. Metalcore is noted for its use of breakdowns, which are slow, intense passages conducive to moshing, while other defining instrumentation includes heavy guitar riffs often utilizing percussive pedal tones and double bass drumming. Vocalists in the genre typically perform screaming; more popular bands often combine this with the use of standard singing, usually during the bridge or chorus of a song. However, the death growl is also a popular technique within the genre.
From Enslavement to Obliteration is the second studio album by English grindcore band Napalm Death, released in 1988. It is the final studio album with vocalist Lee Dorrian and guitarist Bill Steer, and the first to feature bassist Shane Embury, the band's longest-tenured member to date. A remastered version was released on 2 April 2012. Loudwire put it on the list of the 10 best metal albums of 1988.
The Acacia Strain is an American deathcore band that was founded in 2001 and originally based in Chicopee, Massachusetts, but now based in Albany, New York. The group is currently signed to Rise Records and initially consisted of high school friends Vincent Bennett, Christopher Daniele, and Ben Abert, Karrie Whitfield, Daniel "DL" Laskiewicz, and Daniel Daponde joining shortly after. They recorded and released their debut album ...And Life Is Very Long in 2002 via Devil's Head records. Since then, the band has released eleven more full-length albums.
Deathcore is an extreme metal subgenre that combines death metal with metalcore. The genre consists of death metal guitar riffs, blast beats, and metalcore breakdowns. While there are some precursors to the concept of death metal fused with metalcore/hardcore elements seen in the 1990s, deathcore itself emerged in the early 2000s and gained prominence beginning in the mid-2000s within the southwestern United States, especially Arizona and inland southern California, which are home to many notable bands and various festivals.
Symphonies of Sickness is the second album by British extreme metal band Carcass. It was released through Earache Records on 4 December 1989.
Gut is a German grindcore band, often credited as the "fathers of pornogrind". The group was founded in 1991 and is known for their over-the-top vocals and morbid, pornographic imagery. The band is also noted for its members performing in masked outfits, which became something of a staple in the pornogrind genre thereafter.
A number of overlapping punk rock subgenres have developed since the emergence of punk rock in the mid-1970s. Even though punk genres at times are difficult to segregate, they usually show differing characteristics in overall structures, instrumental and vocal styles, and tempo. However, sometimes a particular trait is common in several genres, and thus punk genres are normally grouped by a combination of traits.
Carnal Diafragma is a Czech goregrind band formed in 1997 in Ostrava. The band's songs do not include any lyrics. Known for their instrumental songs, the band has experienced several lineup changes throughout its history. They have released four studio albums as well as a number of demos and split albums with other groups.
Heavy metal lyrics are the words used in songs by heavy metal artists. Given that there are many genres of heavy metal, it is difficult to make generalizations about the lyrics and lyrical themes. In 1989, two metal scholars wrote that heavy metal lyrics concentrate "on dark and depressing subject matter to an extent hitherto unprecedented" in any form of popular music. Jeffrey Arnett states that metal songs are "overwhelmingly dominated" by "ugly and unhappy" themes which express "no hope" for the future.
Venom Prison are a Welsh death metal band. Stephen Hill of Metal Hammer described their second album as "2019’s most anticipated extreme metal albums". Their lead vocalist Larissa Stupar was described by Kerrang! as "metal's most important - and uncompromising - voice". The band has released four studio albums.
On August 4, 2019, 24-year-old Connor Betts shot and killed nine people, including his brother, and wounded 17 others near the entrance of the Ned Peppers Bar in the Oregon District of Dayton, Ohio. Betts was fatally shot by responding police officers 32 seconds after the first shots were fired. A total of 27 people were taken to area hospitals. It is the deadliest mass shooting to occur in Ohio since the 1975 Easter Sunday Massacre.
Misogynist terrorism is terrorism that is motivated by the desire to punish women. It is an extreme form of misogyny—the policing of women's compliance to patriarchal gender expectations. Misogynist terrorism uses mass indiscriminate violence in an attempt to avenge nonconformity with those expectations or to reinforce the perceived superiority of men.