Goregrind | |
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Stylistic origins | |
Cultural origins | Late 1980s, England and United States |
Typical instruments | |
Regional scenes | |
Netherlands, United States, Spain, Czech Republic, Sweden, Poland, Japan | |
Other topics | |
Goregrind is a fusion genre of grindcore and death metal. [1] British band Carcass are commonly credited for the emergence of the genre. Goregrind is recognized for its heavily edited, pitch shifted vocals and abrasive musicianship rooted in grindcore.
Despite the early impact of albums such as Repulsion's Horrified and Impetigo's Ultimo Mondo Cannibale , [2] the origins of the genre really lie with the British band Carcass, [3] who began their career in the late 1980s. In their Reek of Putrefaction era, Carcass used pitch shifters, medical imagery and several visceral associations—all of which are tropes that would become synonymous with goregrind.
According to Matthew Harvey,
Gore-Grind (sic) music is characterized by its preoccupation with pitch-shifted or extremely low vocals, use of gore and forensic pathology as its exclusive subject matter, and often very fast tempos. Gore-Grind bands also have the refreshing tendency not to take themselves or their lyrics too seriously. This is evidenced by ... the often intricate and disgusting yet undeniably cartoonish splatter drawings that adorn many Gore-Grind album sleeves. [1]
Zero Tolerance described goregrind as being defined by "detuned guitars, blasting drums (sometimes with a high-tuned, clanging 'biscuit tin' snare drum sound), sickening lyrics and often heavily processed/distorted vocals." [4] Goregrind bands commonly use extremely low or pitch-shifted vocals. [5] The lyrics' subject matter often features violent themes including gore, forensic pathology, death, and rape. Lyrics sometimes have a clear tongue-in-cheek Z-grade horror-movie feel and are not expected to be taken seriously. [1] Cyjan, former drummer for Polish goregrind band Dead Infection, commented, "Musically, there's no real difference between grindcore and goregrind, but lyrically, whereas the first is socially and politically concerned, goregrind, as the name implies, deals with everything related to blood, pathological aspects or accidents with fatal results." [2]
Pornogrind (also known as porngrind or pornogore) is a microgenre, which is similar and related to goregrind, that deals with sexual and pornographic themes, hence the name. [6] [7] Notable bands include Gut and Cock and Ball Torture. [1] [4] [8]
Death metal is an extreme subgenre of heavy metal music. It typically employs heavily distorted and low-tuned guitars, played with techniques such as palm muting and tremolo picking; deep growling vocals; aggressive, powerful drumming, featuring double kick and blast beat techniques; minor keys or atonality; abrupt tempo, key, and time signature changes; and chromatic chord progressions. The lyrical themes of death metal may include slasher film-style violence, political conflict, religion, nature, philosophy, true crime and science fiction.
Grindcore is an extreme fusion genre of heavy metal and hardcore punk that originated in the mid-1980s, drawing inspiration from abrasive-sounding musical styles, such as thrashcore, crust punk, hardcore punk, extreme metal, and industrial. Grindcore is considered a more noise-filled style of hardcore punk while using hardcore's trademark characteristics such as heavily distorted, down-tuned guitars, grinding overdriven bass, high-speed tempo, blast beats, and vocals which consist of growls, shouts and high-pitched shrieks. Early groups like Napalm Death are credited with laying the groundwork for the style. It is most prevalent today in North America and Europe, with popular contributors such as Brutal Truth and Nasum. Lyrical themes range from a primary focus on social and political concerns, to gory subject matter and black humor.
Doom metal is an extreme subgenre of heavy metal music that typically uses slower tempos, low-tuned guitars and a much "thicker" or "heavier" sound than other heavy metal genres. Both the music and the lyrics are intended to evoke a sense of despair, dread, and impending doom. The genre is strongly influenced by the early work of Black Sabbath, who formed a prototype for doom metal. During the first half of the 1980s, a number of bands such as Witchfinder General and Pagan Altar from England, American bands Pentagram, Saint Vitus, the Obsessed, Trouble, and Cirith Ungol, and Swedish band Candlemass defined doom metal as a distinct genre. Pentagram, Saint Vitus, Trouble and Candlemass have been referred to as "the Big Four of Doom Metal".
Assück was an American grindcore band from Saint Petersburg, Florida, active from 1987 to 1998.
A number of heavy metal genres have developed since the emergence of heavy metal during the late 1960s and early 1970s. At times, heavy metal genres may overlap or are difficult to distinguish, but they can be identified by a number of traits. They may differ in terms of instrumentation, tempo, song structure, vocal style, lyrics, guitar playing style, drumming style, and so on.
Crust punk is a subgenre of punk rock influenced by the English punk scene as well as extreme metal. The style, which evolved in the early 1980s in England, often has songs with dark and pessimistic lyrics that linger on political and social ills. The term "crust" was coined by Hellbastard on their 1986 Ripper Crust demo.
Melodic death metal is a subgenre of death metal that employs highly melodic guitar riffs, often borrowing from traditional heavy metal. The genre features the heaviness of death metal but with highly melodic or harmonized guitar riffs and solos, and often features high-pitched shrieked vocals alongside the low-pitched growls commonly featured in traditional death metal. Pioneered by the English heavy metal band Carcass with their 1993 album Heartwork, melodic death metal developed further in Sweden in the mid-1990s. The Swedish death metal scene did much to popularise the style, soon centering in the "Gothenburg metal" scene. At the Gates' Slaughter of the Soul, Dark Tranquillity's The Gallery, and In Flames' The Jester Race, all released in the mid-1990s, were highly influential albums in melodic death metal, with At the Gates and In Flames being the two most common influences on North American 2000s heavy metal bands. Many American heavy metal bands emulated At the Gates' sound, resulting in the usage of the phrase "At the Gates worship".
Extreme metal is a loosely defined umbrella term for a number of related heavy metal music subgenres that have developed since the early 1980s. It has been defined as a "cluster of metal subgenres characterized by sonic, verbal, and visual transgression".
Extreme Noise Terror are a British extreme metal band formed in Ipswich, England in 1985 and one of the earliest and most influential crust bands. Noted for one of the earliest uses of dual vocalists in hardcore, and for recording a number of sessions for BBC Radio 1 DJ John Peel, the band started as crust punks and helped characterise the early, archetypal grindcore sound with highly political lyrics, fast guitars and tempos, and often very short songs.
D-beat is a style of hardcore punk, developed in the early 1980s by imitators of Discharge, after whom the genre is named, as well as a drum beat characteristic of this subgenre. D-beat is known for its "grinding, distorted and brutally political" sound. Discharge may have themselves inherited the beat from Motörhead and the Buzzcocks. D-beat is closely associated with crust punk, which is a heavier, more complex variation. The style was particularly popular in Sweden, and developed there by groups such as Crude SS, Anti Cimex, Mob 47, and Driller Killer. Other D-beat groups include Doom and the Varukers from the UK; Disclose from Japan; Crucifix and Final Conflict from the U.S.; Ratos de Porão from Brazil; and MG15 from Spain. While the style initially developed in the early 1980s, a number of new groups working within the subgenre emerged in the mid-1990s. These include the Swedish groups Wolfbrigade, Totalitär, Avskum, Skitsystem, and Disfear.
Mortician is an American death metal band formed in Yonkers, New York, in 1989. They have released most of their albums since their House by the Cemetery EP with Relapse Records, but have released their latest album with their own label, Mortician Records. They have toured several times throughout America and Europe. The band is inspired by horror and slasher films, which is heavily expressed in the lyrics, artwork, and the uses of samples throughout their discography.
Repulsion is an American grindcore band from Flint, Michigan, founded in 1984.
Symphonies of Sickness is the second album by British extreme metal band Carcass. It was released through Earache Records on 4 December 1989.
Gorerotted were an English deathgrind band formed in 1997 that disbanded in January 2008 and reformed with new members as The Rotted. Gorerotted's lyrics and song titles were largely inspired by horror films and serial killers. The band's song titles often incorporated humorous rhymes or puns such as "Cut, Gut, Beaten, Eaten", "Put Your Bits in a Concrete Mix", and "Only Tools and Corpses", a pun on the popular British sitcom Only Fools and Horses, the latter beginning with a similar introductory drumbeat to the sitcom's theme music.
Haemorrhage is a Spanish goregrind band from Madrid.
Terrorizer was an extreme music magazine published by Dark Arts Ltd. in the United Kingdom. It was released every four weeks with thirteen issues a year and featured a "Fear Candy" covermount CD, a twice yearly "Fear Candy Unsigned" CD, and a double-sided poster.
Machetazo was a Spanish grindcore/goregrind band from A Coruña formed in 1994. They were one of the few surviving bands from the Spanish underground extreme music scene of the nineties.
Pornogrind is a musical microgenre offshoot of goregrind that lyrically deals with sexual and pornographic themes, hence the name.
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