Crust punk

Last updated

Crust punk (also known as stenchcore or simply crust) [6] is a subgenre of punk rock influenced by the English punk scene as well as extreme metal. [1] The style, which evolved in the early 1980s in England, [7] often has songs with dark and pessimistic lyrics that linger on political and social ills. The term "crust" was coined by Hellbastard on their 1986 Ripper Crust demo. [8]

Contents

Crust is partly defined by its "bassy" and "dirty" sound. It is often played at a fast tempo with occasional slow sections. Vocals are usually raspy screams, but can also be grunted/growled. Crust punk takes cues from the anarcho-punk of Crass and Discharge [1] and the heavy metal of bands like Venom, Trouble, Hellhammer, Celtic Frost, Black Sabbath and Motörhead. [1] [9] While the term was first associated with Hellbastard, Amebix have been described as the originators of the style, along with Discharge and Antisect. [1]

Characteristics

Instrumentation

Crust punk is a derivative form of anarcho-punk, mixed with metal riffs. [1] The tempos are often fast, but just short of thrashcore or grindcore. However, many groups confine themselves to a crawling, sludgy pace. The overall musical sound has been described as being "stripped down". [10] Drumming is typically done at high speed, with D-beats sometimes being used. [2] In Sober Living for the Revolution: Hardcore Punk, Straight Edge, and Radical Politics, author Gabriel Kuhn referred to the genre as a "blend of 1977 British punk, roots culture and black metal", with the genre often taking influence from death metal, grindcore and powerviolence. [11]

Vocals and lyrics

Vocals in crust punk are often shrieked or shouted, and may be shared between two or more vocalists. The lyrical content of crust punk tends to be bleak and nihilistic, yet politically engaged. Crust punk songs are often about nuclear war, militarism, animal rights, police, personal grievances, oppressive states and fascism. Amebix were also interested in various forms of mysticism and Gnosticism. [9] Malcolm "Scruff" Lewty, guitarist and vocalist of Hellbastard, describes the distinction between metal and crust punk lyrics "Metal lyrics were so dumb, so far removed from daily life. Venom were going on about Satan... and bikes... and Satan... and women... and Satan! You know what? I never got up in the morning and said, 'Fuck yeah! Satan! Let's go and meet my disciples from Hell!' I'd switch on the TV and know I was going to see hundreds of people dying because there'd been an earthquake in the third world... and all these people starving to death while military expenditure still increased... That was — and still is — the reality of it. The whole heavy metal thing is just an escape from reality, into this other world of... well, bullshit basically." [12]

History

Precursors

The initial inspiration for the crust punk scene came from the anarcho-punk of Crass [1] and D-beat of Discharge. [5] Swedish D-beat groups such as Crude SS, Skitslickers/Anti Cimex and Mob 47 and the Finnish Rattus were also early influences. [13] Amebix also brought in influences from various post-punk bands, including Public Image Ltd., Bauhaus, Joy Division, and especially Killing Joke. [9]

1980s

Pioneering English crust punk band Antisect performing in Finland in 2011 Antisect Finland 2011.jpg
Pioneering English crust punk band Antisect performing in Finland in 2011

Crust was founded by the bands Amebix [2] [14] and Antisect. [1] The term "crust" was coined by Hellbastard on their 1986 Ripper Crust demo. [1] In his book Trapped in a Scene, punk historian Ian Glasper said "Rippercrust is widely regarded as the first time the word 'crust' was used in the punk context, and hence the specific starting point of the whole crust punk genre, although some would attribute that accolade to the likes of Disorder, Chaos UK, and Amebix several years earlier. [8] In the same book, he quoted the group's vocalist and guitarist Malcolm "Scruff" Lewty "A lot of people say we started the crust punk genre, but whatever. If they wanna say that, I don't mind, but I'm certainly no Malcolm McLaren, saying I invented something I didn't." [8] However, in Sober Living for the Revolution: Hardcore Punk, Straight Edge, and Radical Politics, author Gabriel Kuhn Punk stated that the name of the genre came from the "crusty" appearance of the genre's practitioning bands. [11] journalist Felix von Havoc contends that Doom, Excrement of War, Electro Hippies and Extreme Noise Terror were among the first bands to have the traditional UK "crust" sound. [1] Additional subgenres of this style began to develop. Deviated Instinct, from Norwich, created "stenchcore", bringing "both the look and sound — dirty and metallic, respectively — to their natural conclusion". [15] Initially an anarcho-punk group, they began to take increasing influence from metal. As vocalist Julian "Leggo" Kilsby comments "We were very much a part of the anarcho scene, to start with, very politically motivated... all the way through the band's existence, really, although it got less obvious as time went by. But I never really liked the straightforward 'War is bad...' lyrics that were so prevalent at the time, so as my writing skills improved I wanted to add more depth to our lyrics and make them more metaphorical; I'd always been into horror films, so that started to manifest itself in the imagery I was using. [16]

Extreme Noise Terror is credited with developing this style into grindcore. [5] However, Pete Hurley, the guitarist for the group, declared that he had no interest in being remembered as a pioneer of this style: "'grindcore' was a legendarily stupid term coined by a hyperactive kid from the West Midlands, and it had nothing to do with us whatsoever. ENT were, are, and — I suspect — always will be a hardcore punk band... not a grindcore band, a stenchcore band, a trampcore band, or any other sub-sub-sub-core genre-defining term you can come up with." [17]

American crust punk began in New York City, also in the mid-1980s, with the work of Nausea. The group emerged from the Lower East Side squat scene and New York hardcore, [18] living with Roger Miret of Agnostic Front. [19] The early work of Neurosis, from San Francisco, also borrowed from Amebix, and inaugurated crust punk on the West Coast. [20] [21] Disrupt (Boston), [22] Antischism (South Carolina), MISERY and Destroy (Minneapolis) were also significant U.S. crust groups. [1]

1990s

An important American crust punk band was Aus Rotten [23] from Pittsburgh, Pennsylvania. Crust punk also flourished in Minneapolis, shepherded by the Profane Existence label. [13] In this period, the ethos of crust punk became particularly codified, with vegetarianism, feminism, and sometimes straight edge being prescribed by many of the figures in the scene. [13] The powerviolence scene associated with Slap-a-Ham Records was in close proximity to crust punk, particularly in the case of Man Is the Bastard and Dropdead. [24] Crust was also prominent in the American South, where Prank Records and CrimethInc. acted as focal points of the scene. The most well-known representative of Southern crust was His Hero Is Gone. [2] [25] Prominent crust punk groups (Driller Killer, Totalitär, Skitsystem, Wolfbrigade, and Disfear) also emerged from Sweden, which had always had a strong D-beat scene. Many of these groups developed in parallel with the much more commercial Scandinavian death metal scene. [26]

2000s

Some notable crust bands in the 2000s include Iskra, [27] Behind Enemy Lines, [28] and Tragedy. The Spanish city A Coruña has a crust scene which includes bands as Black Panda, Ekkaia and Madame Germen. [29] In 2017, Bandcamp Daily wrote that Fluff Fest, held in Czechia since 2000, has become a "summer ritual" for many European crust fans. [30]

Relations with other genres

Vivian Slaughter of Gallhammer. Vivian Slaughter.jpg
Vivian Slaughter of Gallhammer.

Black metal

Crust punk groups, such as Antisect, Sacrilege and Anti System took some influence from early black metal bands like Venom, Hellhammer, and Celtic Frost, [1] while Amebix's lead vocalist and guitarist sent his band's early demo tape to Cronos of Venom, who replied by saying "We'll rip you off". [31] Similarly, Bathory was initially inspired by crust punk as well as heavy metal. [32]

Blackened crust

Crust punk was affected by a second wave of black metal in the 1990s, with some bands emphasising these black metal elements. Iskra are probably the most obvious example of second wave black metal-influenced crust punk; [27] Iskra coined their own phrase "blackened crust" to describe their new style. The Japanese group Gallhammer also fused crust punk with black metal [33] while the English band Fukpig has been said to have elements of crust punk, black metal, and grindcore. [34] [35] Germany's Downfall of Gaia has been described as mixing crustgrind and black metal, along with elements of sludge metal, doom metal and post-metal. [36] North Carolina's Young and in the Way have been playing blackened crust since their formation in 2009. [37] In addition, Norwegian band Darkthrone have incorporated crust punk traits in their mid-to-late 2000s material. As Daniel Ekeroth wrote in 2008,

In a very ironic paradox, black metal and crust punk have recently started to embrace one another. Members of Darkthrone and Satyricon have lately claimed that they love punk, while among crusties, black metal is the latest fashion. In fact, the latest album by crust punk band Skitsystem sounds very black metal--while the latest black metal opus by Darkthrone sounds very punk! This would have been unimaginable in the early 90s.

—  [38]

Red and anarchist black metal

Red and anarchist black metal (also known as RABM or anarchist black metal) [39] [40] [41] is a subgenre that melds black metal with anarchist crust punk, promoting ideologies such as anarchism, environmentalism, or Marxism. [42] [43] [44] [45] Artists labelled RABM include Iskra, Panopticon, Skagos, [45] [46] Storm of Sedition, [39] Not A Cost, [39] Black Kronstadt, [39] and Vidargangr. [41]

Crack rock steady

Crack rock steady is a punk rock fusion-genre, which combines elements of crust punk and ska punk. [47] Lyrics often focus on themes such as drug-use, religion, [48] politics [49] and social issues. [47] Other genres sometimes incorporated in conjunction with the style include hardcore punk [48] and heavy metal. [50] Notable bands within the genre include Choking Victim, Leftöver Crack, Morning Glory and Star Fucking Hipsters. [48]

Crustcore

Crustcore (also known as crusty hardcore), is a sub-genre of crust punk that takes influence from hardcore punk and sometimes thrashcore. Felix Havoc described Extreme Noise Terror's segment of the "Earslaughter" split album with Chaos UK as the first album in the genre. Crustcore bands include Extreme Noise Terror, Doom, Disrupt, [1] Wolfbrigade, [51] Neurosis, [52] Baptists, [53] Discharge [54] and Filth. [55]

Grindcore

Crust punk had a major impact on grindcore's emergence. The first grindcore, practised by the British bands such as Napalm Death and Extreme Noise Terror emerged from the crust punk scene. [1] This early style is sometimes dubbed "crustgrind". [5]

Neo crust

Neo crust is a genre that merges crust punk with elements of various extreme music styles including black metal, screamo, post-rock, hardcore punk, [56] death metal and doom metal. [57] Unlike most other punk–metal fusion genres, neo-crust's sound is neither distinctively rooted in punk or metal, instead frequently shifting between the two, disregarding genre boundaries. [57] It is often dark and heavy however also melodic. [57] Notable bands include His Hero is Gone, Tragedy, [58] Fall of Efrafa [57] and From Ashes Rise. [59]

Culture

Crust punks are associated with a DIY-oriented branch of punk garb. Similar to anarcho-punk, most clothing is black in colour. Denim jackets and hooded sweatshirts with sewn-on patches, or vests covered in studs, spikes and band patches are characteristic elements of the crust punk style of dress or pants covered in band patches. [60] Crust punks also sometimes wear dreadlocks and piercings. [11] Julian "Leggo" Kilsby of Deviated Instinct describes crust as "a punk-y biker look, more akin to Mad Max. Mad Max 2 is the crustiest film ever made!" [61]

Members of the sub-culture are generally outspokenly political, possessing anarchist and anti-consumerist views. [11]

See also

Related Research Articles

Grindcore is an extreme fusion genre of heavy metal and hardcore punk that originated in the mid-1980s, drawing inspiration from abrasive-sounding musical styles, such as thrashcore, crust punk, hardcore punk, extreme metal, and industrial. Grindcore is considered a more noise-filled style of hardcore punk while using hardcore's trademark characteristics such as heavily distorted, down-tuned guitars, grinding overdriven bass, high-speed tempo, blast beats, and vocals which consist of growls, shouts and high-pitched shrieks. Early groups like Napalm Death are credited with laying the groundwork for the style. It is most prevalent today in North America and Europe, with popular contributors such as Brutal Truth and Nasum. Lyrical themes range from a primary focus on social and political concerns, to gory subject matter and black humor.

Anarcho-punk is an ideological subgenre of punk rock that promotes anarchism. Some use the term broadly to refer to any punk music with anarchist lyrical content, which may figure in crust punk, hardcore punk, folk punk, and other styles.

Swedish death metal is a death metal music scene developed in Sweden. Many Swedish death metal bands are associated with the melodic death metal movement, thus giving Swedish death metal a different sound from other variations of death metal. Unlike American death metal groups, the first Swedish bands were rooted in hardcore punk. Gothenburg has a large melodic death metal scene while Stockholm is known for its more raw death metal scene.

<i>Scum</i> (Napalm Death album) 1987 studio album by Napalm Death

Scum is the debut studio album by English grindcore band Napalm Death, released on 1 July 1987 by Earache Records. The two sides of the record were recorded by two different lineups in sessions separated by about a year; the only musician in both incarnations was drummer Mick Harris. The two sides are very different, and the two taken together serve to bridge stylistic elements of heavy metal and punk rock. While the songs on the A-side are influenced heavily by hardcore punk and anarcho-punk, the vocals and lower-tuned electric guitars on the B-side anticipate subsequent developments in extreme metal. Loudwire put it in the list of the best 10 metal albums of 1987.

A number of heavy metal genres have developed since the emergence of heavy metal during the late 1960s and early 1970s. At times, heavy metal genres may overlap or are difficult to distinguish, but they can be identified by a number of traits. They may differ in terms of instrumentation, tempo, song structure, vocal style, lyrics, guitar playing style, drumming style, and so on.

Extreme metal is a loosely defined umbrella term for a number of related heavy metal music subgenres that have developed since the early 1980s. It has been defined as a "cluster of metal subgenres characterized by sonic, verbal, and visual transgression".

<span class="mw-page-title-main">Thrashcore</span> Fast-tempo subgenre of hardcore punk

Thrashcore is a fast-tempo subgenre of hardcore punk that emerged in the early 1980s. Thrashcore is essentially sped-up hardcore, adopting a slightly more extreme style by means of its vocals, dissonance, and occasional use of blast beats. Songs are usually very brief, and thrashcore is in many ways a less dissonant, minimally metallic forerunner of grindcore. The genre is sometimes associated with the skateboarder subculture.

<span class="mw-page-title-main">British rock music</span> Rock music from the United Kingdom

British rock describes a wide variety of forms of music made in the United Kingdom. Since around 1964, with the "British Invasion" of the United States spearheaded by the Beatles, British rock music has had a considerable impact on the development of American music and rock music across the world.

<span class="mw-page-title-main">Discharge (band)</span> English punk band

Discharge are an English hardcore punk band formed in 1977 in Stoke-on-Trent, England. The band is known for influencing several sub-genres of extreme music and their songs have been covered by some of the biggest names in heavy metal and other genres. The musical sub-genre of D-beat is named after Discharge and the band's distinctive drumbeat.

<span class="mw-page-title-main">D-beat</span> Genre of hardcore punk

D-beat is a style of hardcore punk, developed in the early 1980s by imitators of Discharge, after whom the genre is named, as well as a drum beat characteristic of this subgenre. D-beat is known for its "grinding, distorted and brutally political" sound. Discharge may have themselves inherited the beat from Motörhead and the Buzzcocks. D-beat is closely associated with crust punk, which is a heavier, more complex variation. The style was particularly popular in Sweden, and developed there by groups such as Crude SS, Anti Cimex, Mob 47, and Driller Killer. Other D-beat groups include Doom and the Varukers from the UK; Disclose from Japan; Crucifix and Final Conflict from the U.S.; Ratos de Porão from Brazil; and MG15 from Spain. While the style initially developed in the early 1980s, a number of new groups working within the subgenre emerged in the mid-1990s. These include the Swedish groups Wolfbrigade, Totalitär, Avskum, Skitsystem, and Disfear.

<span class="mw-page-title-main">Amebix</span> British crust punk band

Amebix were an English crust punk band. Formed as the Band with No Name, the band's original run was from 1978 to 1987, during which time they released two EPs and three albums. The group reunited in 2008, released another full-length album in 2011, and disbanded again in November 2012.

<span class="mw-page-title-main">Gallhammer</span> Japanese extreme metal band

Gallhammer were a Japanese extreme metal group that drew on blackened crust, black metal, doom metal and crust punk. They formed in Tokyo in 2003 and released three studio albums.

<i>Hear Nothing See Nothing Say Nothing</i> 1982 studio album by Discharge

Hear Nothing See Nothing Say Nothing is the debut studio album by English hardcore punk band Discharge, released on 21 May 1982 by Clay Records.

A number of overlapping punk rock subgenres have developed since the emergence of punk rock in the mid-1970s. Even though punk genres at times are difficult to segregate, they usually show differing characteristics in overall structures, instrumental and vocal styles, and tempo. However, sometimes a particular trait is common in several genres, and thus punk genres are normally grouped by a combination of traits.

<span class="mw-page-title-main">Powerviolence</span> Music genre; subgenre of hardcore punk

Powerviolence is an extremely dissonant and fast subgenre of hardcore punk which is closely related to thrashcore and grindcore. In contrast with grindcore, which is a "crossover" idiom containing musical aspects of heavy metal, powerviolence is just an augmentation of the most challenging qualities of hardcore punk. Like its predecessors, it is usually socio-politically charged and iconoclastic.

Street punk is an urban working class-based subgenre of punk rock, which partly emerged as a rebellion against the perceived artistic pretensions of the first wave of British punk. Street punk emerged from the style of Oi! and hardcore punk bands. A key band in defining the aesthetic was the Exploited. Street punks generally have a much more ostentatious and flamboyant appearance than the working class or skinhead image cultivated by many Oi! groups. Street punks commonly sported multi-coloured hair, mohawks, tattoos, heavily studded vests and leather jackets, and clothing, especially plaids, adorned with political slogans, patches, and/or the names of punk bands. In the 1990s and 2000s, a street punk revival began with emerging street punk bands such as the Casualties.

Animal rights are closely associated with two ideologies of the punk subculture: anarcho-punk and straight edge. This association dates back to the 1980s and has been expressed in areas that include song lyrics, benefit concerts for animal rights organisations, and militant actions of activists influenced by punk music. Among the latter, Rod Coronado, Peter Daniel Young and members of SHAC are notable. This issue spread into various punk rock and hardcore subgenres, e.g. crust punk, metalcore and grindcore, eventually becoming a distinctive feature of punk culture.

<span class="mw-page-title-main">Hardcore punk in the United Kingdom</span> Genre of music in the UK

Hardcore punk in the United Kingdom began in the late 1970s and early 1980s with the second wave of punk rock in the country. The scene produced many successful and influential hardcore punk bands throughout the 1980s such as Discharge, GBH and the Exploited and led to the pioneering of genres such as grindcore, street punk, crust punk and D-beat.

References

  1. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 Von Havoc, Felix (1 January 1984). "Rise of Crust". Profane Existence. Archived from the original on 15 June 2008. Retrieved 16 June 2008.
  2. 1 2 3 4 Peter Jandreus, The Encyclopedia of Swedish Punk 1977-1987, Stockholm: Premium Publishing, 2008, p. 11.
  3. ↑ "A History Of Metal - Punk Special: Crust Punk".{{cite journal}}: Cite journal requires |journal= (help)
  4. ↑ Popoff, Martin (2017). Speed Metal.
  5. 1 2 3 4 "In Grind We Crust," p. 46.
  6. ↑ Cunha, Ricardo. "Crust: the other side of the coin" . Retrieved 30 June 2018.
  7. ↑ "In Crust We Trust" . Retrieved 19 July 2018.
  8. 1 2 3 Glasper 2009, 185
  9. 1 2 3 Glasper 2006. "Amebix." p. 198-201.
  10. ↑ Loolwa Khazzoom, Special to The Chronicle (11 March 2005). "Livermore: All's well with the Bay Area punk scene say members of the Sick". Sfgate.com. Retrieved 1 August 2010.
  11. 1 2 3 4 Kuhn, Gabriel (2010). Sober Living for the Revolution: Hardcore Punk, Straight Edge, and Radical Politics . PM Press. p.  16. ISBN   9781604860511.
  12. ↑ Glasper 2009, 183."
  13. 1 2 3 "In Grind We Crust," p. 51.
  14. ↑ "The Gauntlet". The Gauntlet. 29 February 2008. Retrieved 1 August 2010.
  15. ↑ Glasper 2009, 284
  16. ↑ Glasper 2009, 286
  17. ↑ Glasper 2009, 279
  18. ↑ Init 5, 25 September 2007. Access date: 18 June 2008.
  19. ↑ John John Jesse interview, Hoard Magazine, June 2005. "John John Jesse interview - HOARD MAGAZINE". Archived from the original on 21 September 2008. Retrieved 12 October 2009. Access date: 18 June 2008
  20. ↑ Adam Louie, Mastodon, Neurosis show review, Prefix magazine, 29 January 2008 Access date: 18 June 2008
  21. ↑ Anthony Bartkewicz, Decibel Magazine No. 31, May 2007. Access date: 18 June 2008
  22. ↑ Nick Mangel, Disrupt LP review, Maximum Rock'n'Roll #301, June 2008, record reviews section.
  23. ↑ "Crust-punks Behind Enemy Lines release One Nation Under The Iron Fist of God Archived 2011-11-28 at the Wayback Machine
  24. ↑ "Powerviolence: The Dysfunctional Family of Bllleeeeaaauuurrrgghhh!!." Terrorizer no. 172. July 2008. p. 36-37.
  25. ↑ Andrew Childers, "Kick in the South: A Look Back at Prank Records and the Southern Crust Scene." 5 April 2008. Access date: 21 June 2008
  26. ↑ Ekeroth, p. 107, 266.
  27. 1 2 Iskra Interviews Archived 15 June 2006 at the Wayback Machine .
  28. ↑ Mervis, Scott (1 February 2007). "Pittsburgh Calling: A capsule look at Pittsburgh bands making news". Post-gazette.com. Retrieved 1 August 2010.
  29. ↑ es:Crust punk#D.C3.A9cada de los 90s.2F00s .28Portland.2C Suecia.2C Espa.C3.B1a.29
  30. ↑ Sanna, Jacopo (20 September 2017). "The Sincere and Vibrant World of the Czech DIY Scene". Bandcamp. Retrieved 7 October 2017.
  31. ↑ Dunlap, Xander. "Directionless people are malleable—easily pointed in the wrong directions". Thrasher . Retrieved 19 July 2018.
  32. ↑ Ekeroth, p. 27.
  33. ↑ "Hard of Hearing", Terrorizer no. 171, June 2008, p. 56.
  34. ↑ "Fukpig". Supersonic Festival. 22 October 2010. Retrieved 24 March 2019.
  35. ↑ "C: Do you think that FUKPIG has founded a style of his own? Misery: Nah its just d-beat crust, with added horror C: and then What difference to FUKPIG from the rest of the bands? Misery: We add more black metal / horror influences, but are still inspired by the same things C: Is Necro-Punk your style? Misery: Yeah, necro in the black metal style playing crust punk, so yeah Necro Punk." Interview: Fukpig Archived 10 November 2013 at the Wayback Machine
  36. ↑ Weber, Austin (4 December 2014). "Downfall of Gaia: "Aeon Unveils the Thrones of Decay"". No Clean Singing . Retrieved 20 October 2016.
  37. ↑ Zorgdrager, Bradley. "Young and in the Way When Life Comes to Death". Exclaim! . Retrieved 19 July 2018.
  38. ↑ Ekeroth, p. 258.
  39. 1 2 3 4 "Canadian Crust Punks Storm of Sedition Go Off the Grid on Their Furious New 'Decivilize' LP | NOISEY". NOISEY. April 2016. Retrieved 10 May 2016.
  40. ↑ "Skagos: Anarchic Album Review | Pitchfork". pitchfork.com. Retrieved 10 May 2016.
  41. 1 2 Berto. "Review Vidargangr – A World That has To Be Opposed". Lords of Metal. Retrieved 10 May 2016.
  42. ↑ "De Zwaarste Metalgids: 66 metalgenres in één zin uitgelegd". Studio Brussel (in German). Retrieved 20 February 2021.
  43. ↑ Gevorgyan, Elen. "Music, Ideology and How They Interact: A Journey from Sacred Music to Black Metal" (PDF). American University of Armenia . Retrieved 20 February 2021.
  44. ↑ Nonjon, Adrien (2019). Black Metal Theory Symposium Program. University of Ljubljana . Retrieved 20 February 2021.
  45. 1 2 "If It Ain't Got No Blastbeat, It's Not My Revolution: Panopticon". PopMatters. 19 July 2012. Retrieved 10 May 2016.
  46. ↑ "Skagos: Anarchic Album Review – Pitchfork". pitchfork.com.
  47. 1 2 "14 Bush-era political artworks that stood the test of time". The A.V. Club . 23 January 2017. Retrieved 3 January 2019.
  48. 1 2 3 GENTILE, JOHN (12 September 2015). "Sonic Reducer: Crack Rock Steady" . Retrieved 3 January 2019.
  49. ↑ MOSES, JEFF. "Leftover Crack Doesn't Just Talk About Being Punk". Phoenix New Times . Retrieved 3 January 2019.
  50. ↑ VERDUCCI, RICHARD (8 October 2010). "Scott Sturgeon (Leftover Crack/Star F*cking Hipsters)" . Retrieved 3 January 2019.
  51. ↑ LUEDTKE, CHRISTOPHER (15 May 2017). "Album Review: WOLFBRIGADE Run With The Hunted". Metal Injection. Retrieved 2 January 2019.
  52. ↑ Kelly, Kim (14 August 2015). "Thrash 'n burn: why 1985 was metal's defining year". TheGuardian.com . Retrieved 2 January 2019.
  53. ↑ Adams, Gregory. "Ladyhawk Celebrate 10th Anniversary with "Decade of Passive Aggression" Canadian Tour, Outline New Album Possibilities". Exclaim! . Retrieved 2 January 2019.
  54. ↑ Adams, Gregory. "Discharge Sign with Nuclear Blast for First Album in 8 Years". Exclaim! . Retrieved 2 January 2019.
  55. ↑ Breihan, Tom (30 October 2013). "White Fence – "Today's Lesson" (Filth Cover)" . Retrieved 2 January 2019.
  56. ↑ Kelly, Kim (31 March 2016). "Ancst's Anti-Fascist Agenda Bleeds into the Urgent Black Metal Crust of Their New Album 'Moloch'". Vice Media . Retrieved 16 February 2022.
  57. 1 2 3 4 Tiernan, Jake (20 November 2015). "Starter Kit: Neo Crust" . Retrieved 16 February 2022.
  58. ↑ Silva, Thiago “Índio” (19 September 2018). "10 bandas de metal extremo pra você que é esquerdista". Vice Media . Retrieved 16 February 2022.
  59. ↑ "Neo-Crust". 16 March 2021. Retrieved 16 February 2022.
  60. ↑ Kevin Stewart-Panko, "I Saw Disfear Three Times in Three Days", Decibel, no. 46, August 2008, p. 22.
  61. ↑ Glasper 2009, 287

Further reading

This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.