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Minneapolis hardcore is regional hardcore punk from the Minneapolis-St. Paul area of Minnesota.
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Minneapolis hardcore is regional hardcore punk from the Minneapolis-St. Paul area of Minnesota.
The Minneapolis hardcore and punk scene has a strong DIY ethic. Accomplishments have included community-sponsored venues to basement shows to an all-volunteer independent record store Extreme Noise Records. [1] [2]
The punk subculture includes a diverse and widely known array of music, ideologies, fashion, and other forms of expression, visual art, dance, literature, and film. Largely characterised by anti-establishment views, the promotion of individual freedom, and the DIY ethics, the culture originated from punk rock.
Soul Asylum is an American rock band formed in 1981 in Minneapolis, Minnesota. Their 1993 hit "Runaway Train" won the Grammy Award for Best Rock Song.
Shellac is an American noise rock band from Chicago, Illinois, formed in 1992 by Steve Albini, Bob Weston and Todd Trainer. Their lineup remained consistent until Albini's death in May 2024.
The music of Minnesota began with the native rhythms and songs of Indigenous peoples, the first inhabitants of the lands which later became the U.S. state of Minnesota. Métis fur-trading voyageurs introduced the chansons of their French ancestors in the late eighteenth century. As the territory was opened up to white settlement in the 19th century, each group of immigrants brought with them the folk music of their European homelands. Celtic, German, Scandinavian, and Central and Eastern European song and dance remain part of the vernacular music of the state today.
The music of Indiana was strongly influenced by a large number of German and Irish immigrants who arrived in the 1830s. A prime example is "I'll Take You Home Again, Kathleen" written by Thomas Westendorf, from Hendricks County, Indiana, in 1875.
Queercore is a cultural/social movement that began in the mid-1980s as an offshoot of the punk subculture and a music genre that comes from punk rock. It is distinguished by its discontent with society in general, and specifically society's disapproval of the LGBT community. Queercore expresses itself in a DIY style through magazines, music, writing and film.
Hüsker Dü was an American punk rock band formed in Saint Paul, Minnesota in 1979. The band's continuous members were guitarist/vocalist Bob Mould, bassist Greg Norton, and drummer/vocalist Grant Hart. They first gained notability as a hardcore punk band, and later crossed over into alternative rock. Mould and Hart were the band's principal songwriters, with Hart's higher-pitched vocals and Mould's baritone taking the lead in alternating songs.
Profane Existence is a Minneapolis-based anarcho-punk collective. Established in 1989, the collective publishes a nationally known zine, as well as releasing and distributing anarcho-punk, crust, and grindcore music, and printing and publishing pamphlets and literature. Stacy Thompson describes the collective as "the largest, longest-lasting, and most influential collective in Anarcho-Punk so far." The collective folded in 1998, although its distribution arm, then called Blackened Distribution, continued operating. It restarted in 2000. "Making punk a threat again" is the group's slogan.
Dillinger Four is an American punk rock band formed in 1994 in Minneapolis, Minnesota. They have released four full-length studio albums. Since 1996, the band's lineup has been Patrick Costello on bass guitar and vocals, Erik Funk and Bill Morrisette on guitars and vocals, and Lane Pederson on drums.
ABC No Rio is a collectively-run nonprofit arts organization on New York City's Lower East Side. Founded in 1980 in a squat at 156 Rivington Street, following the eviction of the 1979–80 Real Estate Show, the center featured an art gallery space, a zine library, a darkroom, a silkscreening studio, and public computer lab. In addition, it played host to a number of radical projects including weekly hardcore punk matinees and the city Food Not Bombs collective.
The Suburbs are an alternative punk rock/funk/new wave band from Minneapolis, Minnesota.
Jay's Longhorn Bar was a small scale concert venue, known for being a nexus of the punk rock and New Wave scenes in Minneapolis, Minnesota, in the late 1970s and early 1980s.
Man Sized Action was a post-punk group from Minneapolis. John Leland of Trouser Press described the band as an "unpretentious lot" in the vein of Hüsker Dü who "opened up punk structures with distorted, ringing guitar, some off-kilter rhythms and ... a neanderthal, propulsive attack to fundamentally poppy songs." Influential musician and producer Steve Albini of Big Black called them "one of the finest bands in Minneapolis or anywhere."
The Greek punk scene was small but powerful in the Greek capital, Athens, in the 1980s. Bands such as Adiexodo, Genia Tou Chaous, Stress, Panx Romana, Ex-humans, Anti functioned as a bunch of related bands, who gave concerts together, in the same locations. Like elsewhere, punk attitude has been loosely used by various individuals, but most of the times the key element was the youthful anger and the provocative anti-establishment attitude.
Kent McClard is a record label owner and zine publisher from Goleta, California.
The Awesome Snakes were a two-person punk rock band from Minneapolis, Minnesota, featuring Annie "Sparrows" Holoien on bass and Danny Henry on drums.
Rifle Sport was an American post punk band active in the 1980s and 1990s, from Minneapolis, Minnesota.
Venom is a 2006 album by Minneapolis punk rock band Awesome Snakes, a side project of then-Soviettes members Annie "Sparrows" Holoien and Danny Henry.
Boiled in Lead is a folk-punk/worldbeat band based in Minneapolis, Minnesota, and founded in 1983. Tim Walters of MusicHound Folk called the group "the most important folk-rock band to appear since the 1970s." Influential record producer and musician Steve Albini called the band's self-titled first album "the most impressive debut record from a rock band I've heard all year." Their style, sometimes called "rock 'n' reel," is heavily influenced by both traditional folk music and punk rock, and has drawn them praise as one of the few American bands of the 1980s and 1990s to expand on Fairport Convention's rocked-up take on traditional folk. Folk Roots magazine noted that Boiled in Lead's "folk-punk" approach synthesized the idealistic and archival approach of 1960s folk music with the burgeoning American alternative-rock scene of the early 1980s typified by Hüsker Dü and R.E.M. The band also incorporates a plethora of international musical traditions, including Russian, Turkish, Bulgarian, Scottish, Vietnamese, Hungarian, African, klezmer, and Romani music. Boiled in Lead has been hailed as a pioneering bridge between American rock and international music, and a precursor to Gogol Bordello and other gypsy-punk bands. While most heavily active in the 1980s and 1990s, the group is still performing today, including annual St. Patrick's Day concerts in Minneapolis. Over the course of its career, Boiled in Lead has released nearly a dozen albums and EPs, most recently 2012's The Well Below.
Terry James Katzman was a producer, sound engineer, archivist, and record-store owner in Minneapolis, Minnesota, known for his work with the Twin Cities music scene, particularly during the formative early years of Hüsker Dü, The Replacements, and The Suburbs.
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