The punk subculture includes a diverse and widely known array of ideologies, fashion, and other forms of expression, visual art, dance, literature, and film. Largely characterised by anti-establishment views, the promotion of individual freedom, and the DIY ethics, the culture originated from punk rock.
A skinhead or skin is a member of a subculture that originated among working-class youths in London, England, in the 1960s. It soon spread to other parts of the United Kingdom, with a second working-class skinhead movement emerging worldwide in the late 1970s. Motivated by social alienation and working-class solidarity, skinheads are defined by their close-cropped or shaven heads and working-class clothing such as Dr. Martens and steel toe work boots, braces, high rise and varying length straight-leg jeans, and button-down collar shirts, usually slim fitting in check or plain. The movement reached a peak at the end of the 1960s, experienced a revival in the 1980s, and, since then, has endured in multiple contexts worldwide.
Hardcore punk is a punk rock music genre and subculture that originated in the late 1970s. It is generally faster, harder, and more aggressive than other forms of punk rock. Its roots can be traced to earlier punk scenes in San Francisco and Southern California which arose as a reaction against the still predominant hippie cultural climate of the time. It was also inspired by Washington, D.C., and New York punk rock and early proto-punk. Hardcore punk generally disavows commercialism, the established music industry and "anything similar to the characteristics of mainstream rock" and often addresses social and political topics with "confrontational, politically charged lyrics".
Punk fashion is the clothing, hairstyles, cosmetics, jewellery, and body modifications of the punk counterculture. Punk fashion varies widely, ranging from Vivienne Westwood designs to styles modeled on bands like The Exploited to the dressed-down look of North American hardcore. The distinct social dress of other subcultures and art movements, including glam rock, skinheads, greasers, and mods have influenced punk fashion. Punk fashion has likewise influenced the styles of these groups, as well as those of popular culture. Many punks use clothing as a way of making a statement.
Skinheads Against Racial Prejudice (SHARP) are anti-racist skinheads who oppose white power skinheads, neo-fascists and other political racists, particularly if they identify themselves as skinheads. SHARPs claim to reclaim the original multicultural identity of the original skinheads, hijacked by white power skinheads, who they sometimes deride as "boneheads".
Iron Cross was a Oi!/hardcore band from Washington D.C. They played a rough form of Oi! and were the first band in the US to adopt the skinhead look and the Oi! musical style. Some of its members had close ties to the Washington hardcore punk subculture, due to its relationship with other hardcore bands, with Ian Mackaye, and with Dischord Records. Singer Sab Grey was one of the many roommates in the Dischord House in Arlington, Virginia. The band's name, and the fact that most of its members were skinheads, led to accusations of fascism, which Grey and others in the band and the original D.C. skins, always denied, declaring that they "hate Nazis".
New York hardcore is both the hardcore punk music created in New York City and the subculture and lifestyle associated with that music. New York hardcore grew out of the hardcore scene established in Washington, D.C., by bands such as Bad Brains and Minor Threat. Initially a local phenomenon of the 1980s and 1990s, New York hardcore eventually grew to establish an international reputation with little to moderate mainstream popularity but with a dedicated and enthusiastic underground following, primarily in Europe and the United States. With a history spanning over more than four decades, many of the early New York hardcore bands are still in activity to this day. Some of them have been continuously or almost continuously active since their formation as well as having reunion shows.
George Lawrence Petros is an American art designer, author, editor, interviewer and illustrator. From 1984 through 1992 he published and edited EXIT, a punk-inspired art and science fiction magazine he founded with Adam Parfrey and Kim Seltzer. From 1992 through 2000 he edited and art-directed Seconds, an all-interview music and culture magazine founded by Steven Blush. From 2000 through 2005 he was a contributing editor of Juxtapoz, the low-brow art magazine founded by Robert Williams, and the senior editor of Propaganda, a goth/industrial music and style magazine founded by Fred H. Berger. He is the author of Art That Kills: A Panoramic Portrait of Aesthetic Terrorism 1984-2001, The New Transsexuals: The Next Step In Human Evolution, and the editor of American Hardcore: A Tribal History.
White power skinheads, also known as racist skinheads and neo-Nazi skinheads, are members of a neo-Nazi, white supremacist and antisemitic offshoot of the skinhead subculture. Many of them are affiliated with white nationalist organizations and some of them are members of prison gangs. The movement emerged in the United Kingdom between the late 1960s and the late 1970s, before spreading across Eurasia and North America in the 1980–1990s.
Trojan skinheads are individuals who identify with the original British skinhead subculture of the middle 1960s, when ska, rocksteady, reggae, and soul music were popular, and there was a heavy emphasis on mod-influenced clothing styles. Named after the record label Trojan Records, these skinheads identify with the subculture's Jamaican rude boy and British working class roots.
This Is Boston, Not L.A. is a hardcore punk compilation released in 1982. It is considered the definitive album from the Boston hardcore scene, as several of its most prominent bands appear on the record, namely, Jerry's Kids, the Proletariat, the Groinoids, the F.U.'s, Gang Green, Decadence, and the Freeze. For them, with the exception of the latter, This Is Boston, Not L.A. was also their debut release. Al Barile's band, SSD, were asked to contribute, but they refused to participate.
Fashion of the 1980s was characterized by a rejection of 1970s fashion. Punk fashion began as a reaction against both the hippie movement of the past decades and the materialist values of the current decade. The first half of the decade was relatively tame in comparison to the second half, which was when apparel became very bright and vivid in appearance.
The fashion of the 2000's is often described as a global mash up, where trends saw the fusion of vintage styles, global and ethnic clothing, as well as the fashions of numerous music-based subcultures. Hip-hop fashion generally was the most popular among young people of both sexes, followed by the retro inspired indie look later in the decade.
Oi! is a subgenre of punk rock that originated in the United Kingdom in the late 1970s. The music and its associated subculture had the goal of bringing together punks, skinheads, and other disaffected working-class youth. The movement was partly a response to the perception that many participants in the early punk rock scene were, in the words of The Business guitarist Steve Kent, "trendy university people using long words, trying to be artistic... and losing touch."
Sab Grey is the founder of Iron Cross, the United States' first skinhead hardcore/Oi! band. As a teenager, he began to attend hardcore punk concerts in Washington DC, where he met Ian Mackaye, Henry Rollins, and others in the burgeoning Washington, DC hardcore subculture.
Hub City Stompers is an American ska, reggae and oi! band formed in 2002, based out of New Brunswick, New Jersey. The band includes former members of Inspecter 7, Professor Plum, Predator Dub Assassins, Bigger Thomas, The Best of the Worst, and Bomb Town among others. They are influenced by various styles of music, including reggae, oi!, punk rock, hardcore, hip-hop and jazz.
Bodgies and widgies refer to a youth subculture that existed in Australia and New Zealand in the 1950s, similar to the rocker culture in the UK or Greaser culture in the United States. Most bodgies rode motorbikes but some had cars, many of which were hotted-up with accessories such as mag wheels and hot dog mufflers. Males were called bodgies and females were called widgies.
American Hardcore: A Tribal History is a book written by Steven Blush that relates the history of the hardcore punk movement that took place in Northern America between 1980 and 1986. It was first published by Feral House in October 2001.
Straight edge is a subculture of hardcore punk whose adherents refrain from using alcohol, tobacco, and recreational drugs in reaction to the punk subculture's excesses. Some adherents refrain from engaging in promiscuous or casual sex, follow a vegetarian or vegan diet and do not consume caffeine or prescription drugs. The term "straight edge" was adopted from the 1981 song "Straight Edge" by the hardcore punk band Minor Threat.
Steven Blush is an American author, journalist, record collector and film maker who is best known for his book American Hardcore and the movie of the same name. Blush has written five books, is the founder of Seconds magazine and has written articles for many magazines. Two of his books have been made into movies. Blush's work mainly specializes in hardcore punk music.
