The mod revival was a subculture that started in the United Kingdom in the late 1970s and later spread to other countries (to a lesser degree). The mod revival's mainstream popularity was relatively short, although its influence lasted for decades. The mod revival post-dated a Teddy Boy revival, and mod revivalists sometimes clashed with Teddy Boy revivalists, skinhead revivalists, casuals, punks and rival gang members.[3]
The Mod Revival started from the disillusionment with the punk scene when commercialism set in.[citation needed] It was featured in an article in Sounds music paper in 1976 and had a big following in Reading/London during that time. It gained momentum as an underground movement which was highlighted on London Weekend Show 20/05/1979, prior to the impending release of the film “Quadrophenia”.[citation needed]
The late 1970s mod revival was led by the band the Jam, who had adopted a stark mod look and mixed the energy of punk with the sound of early 1960s mod bands. It was heavily influenced by the 1979 film Quadrophenia. The mod revival was a conscious effort to hark back to the earlier generation in terms of style and presentation. In the early 1980s in the UK, a mod revival scene influenced by the original mod subculture of the 1960s developed.
The mod revival was largely set in motion by the Jam and their fans.[4] The band had adopted a stark mod look and mixed the energy of punk with the sound of 1960s mod bands. Their debut album In the City (1977), mixed R&B standards with originals modelled on the Who's early singles. They confirmed their status as the leading mod revival band with their third album All Mod Cons (1978), on which Paul Weller's song-writing drew heavily on the British-focused narratives of the Kinks.[5] The revival was also spurred on by small concerts at venues such as the Cambridge Hotel, Edmonton, Hop Poles Hotel and Howard Hall both in Enfield, the Wellington, Waterloo Road, London, and the Bridge House in Canning Town. In 1979, the film Quadrophenia, which romanticised the original 1960s mod subculture, widened the impact and popularity of the mod revival across the UK. The original mod revival fanzine, Maximum Speed started in 1979 and spawned other home-produced fanzines from then until the mid-to-late 1980s.
Bands grew up to feed the desire for mod music, often combining the music of 1960s mod groups with elements of punk music, including the Chords, Secret Affair, Purple Hearts and the Lambrettas.[6] These acts managed to develop cult followings and some had pop hits, before the revival petered out in the early 1980s.[7] More R'n'B based bands such as the Little Roosters, the Inmates, Nine Below Zero also became key acts in the growing mod revival scene in London.[8]
Another British tradition that returned at the same time was the penchant for members of youth subcultures to go to seaside resorts on bank holidays and fight members of other subcultures. This originated in the early 1960s with the mods and rockers fighting each other at places such as Brighton. The phenomenon returned in 1969 through to 1970 with skinheads fighting Teddy boys and bikers. In 1977 it returned yet again, with punks fighting Teddy Boys at Margate, and revival skinheads fighting Teddy boys, bikers and rockers at Southend and Margate. This carried on until 1978. In 1979 and 1980, the resorts became major battlegrounds on bank holidays for young skinheads and mods together against Teddy boys and rockers. Some of the main resorts involved were Margate, Brighton, Southend, Clacton, Hastings and Scarborough.[9]
In 1979 the mod scene in Australia began and took off particularly in Sydney & Melbourne, led by bands such as The Sets, Little Murders, Division 4, The Introverts & The Go. There was a documentary made in early 1981 called The Go-Set about the mod revival scene in Sydney & Melbourne. There was also a book published about the mod scene in Australia from 1979-1986.
1980s
Two highly accessorised "mod-style" Lambretta scooters in 2007
Paul Weller broke up the Jam in 1982 and formed the Style Council, who abandoned most of the punk rock elements to adopt music much more based in R&B and early soul.[10]
In the mid-1980s, there was a brief mod revival centered on bands such as the Prisoners. Fanzines following on from Maximum Speed – such as Mission Impossible, Patriotic, Roadrunner, Extraordinary Sensations and Chris Hunt and Karl Bedingfield's Shadows & Reflections – helped generate further interest in this stage of the mod revival.[11] The Phoenix List was a weekly newsletter listing national events, and they organised a series of national rallies. A main player in the 1980s UK mod revival was Eddie Piller, who founded Countdown Records, and then went on to develop the acid jazz movement of the late 1980s.[11] In 1985, the mod all-dayer in Walthamstow paid tribute to Band Aid, was sponsored by Unicorn Records, and had a host of 80s mod revival bands playing, old and new: Making Time (probably one of the biggest mod revival bands of the 80s after the Jam) and a well-known north London mod band called the Outlets, with band members Steve Byrne and Mario Vitrano, who also supported Steve Marriott's Packet of 3 and Geno Washington at various gigs in north London in the mid-80s.
The UK mod revival was followed by a mod revival in North America in the early 1980s, particularly in Southern California, led by bands such as the Untouchables,[3][12][13] The Question, and Manual Scan. While on the East Coast (yet touring heavily in California) Mod Fun carried the revival torch. In Brazil the band Ira! led the mod revival releasing their first album Mudança de comportamento in 1985 on the WEA label. Their 1986 followup "Vivendo e Não Aprendendo" further established them as leaders of the mod revival in Brazil. They quickly achieved Gold Album status in sales of "Vivendo e Não Aprendendo".
1990s and later
Bands associated with Britpop in the mid-1990s often championed aspects of mod culture. Blur were fans of Quadrophenia, with the film's star Phil Daniels featuring on the title track of the band's album Parklife and appearing in the song's video, whilst Oasis' Noel Gallagher struck up a high-profile friendship with Paul Weller. Around this time the UK music press championed a number of bands as constituting a new wave of the mod revival under the name "New Mod", including Menswe@r and the Bluetones, both of whom were later identified with Britpop.[14][15][16]
A number of 1970s mod revival bands have reunited in recent years to play concerts, including Secret Affair,[17] the Chords and the Purple Hearts.[18][19]
A fanzine is a non-professional and non-official publication produced by enthusiasts of a particular cultural phenomenon for the pleasure of others who share their interest. The term was coined in an October 1940 science fiction fanzine by Russ Chauvenet and first popularized within science fiction fandom, and from there the term was adopted by other communities.
The punk subculture includes a diverse and widely known array of ideologies, fashion, and other forms of expression, visual art, dance, literature, and film. Largely characterised by anti-establishment views, the promotion of individual freedom, and the DIY ethics, the culture originated from punk rock.
A skinhead or skin is a member of a subculture that originated among working-class youths in England, in the 1960s. It soon spread to other parts of the United Kingdom, with a second working-class skinhead movement emerging worldwide in the late 1970s. Motivated by social alienation and working-class solidarity, skinheads are defined by their close-cropped or shaven heads and working-class clothing such as Dr. Martens and steel toe work boots, braces, high rise and varying length straight-leg jeans, and button-down collar shirts, usually slim fitting in check or plain. The movement reached a peak at the end of the 1960s, experienced a revival in the 1980s, and, since then, has endured in multiple contexts worldwide.
Mods and rockers were two conflicting British youth subcultures of the late 1950s to mid 1960s. Media coverage of the two groups fighting in 1964 sparked a moral panic about British youth, and they became widely perceived as violent, unruly troublemakers.
Two-tone or 2 tone, also known as ska-rock and ska revival, is a genre of British popular music of the late 1970s and early 1980s that fused traditional Jamaican ska, rocksteady, and reggae music with elements of punk rock and new wave music. Its name derives from 2 Tone Records, a record label founded in 1979 by Jerry Dammers of the Specials, and references a desire to transcend and defuse racial tensions in Thatcher-era Britain: many two-tone groups, such as the Specials, the Selecter and the Beat, featured a mix of black, white, and multiracial people.
Skinheads Against Racial Prejudice (SHARP) are anti-racist skinheads who oppose white power skinheads, neo-fascists and other political racists, particularly if they identify themselves as skinheads. SHARPs claim to reclaim the original multicultural identity of the original skinheads, hijacked by white power skinheads, who they sometimes deride as "boneheads".
A punk zine is a zine related to the punk subculture and hardcore punk music genre. Often primitively or casually produced, they feature punk literature, such as social commentary, punk poetry, news, gossip, music reviews and articles about punk rock bands or regional punk scenes.
Rude boy is a subculture that originated from 1960s Jamaican street culture. In the late 1970s, there was a revival in England of the terms rude boy and rude girl, among other variations like rudeboy and rudebwoy, being used to describe fans of two-tone and ska. This revival of the subculture and term was partially the result of Jamaican immigration to the UK and the so-called ”Windrush” generation. The use of these terms moved into the more contemporary ska punk movement as well. In the UK and especially Jamaica, the terms rude boy and rude girl are used in a way similar to gangsta, yardie, or badman.
Mod, from the word modernist, is a subculture that began in 1950s London and spread throughout Great Britain, eventually influencing fashions and trends in other countries. It continues today on a smaller scale. Focused on music and fashion, the subculture has its roots in a small group of stylish London-based young men and women in the late 1950s who were termed modernists because they listened to modern jazz. Elements of the mod subculture include fashion ; music and motor scooters. In the mid-1960s, the subculture listened to rock groups such as the Who and Small Faces. The original mod scene was associated with amphetamine-fuelled all-night jazz dancing at clubs.
British rock describes a wide variety of forms of music made in the United Kingdom. Since around 1964, with the "British Invasion" of the United States spearheaded by the Beatles, British rock music has had a considerable impact on the development of American music and rock music across the world.
The 20th century saw the rise and fall of many subcultures.
White power skinheads, also known as racist skinheads and neo-Nazi skinheads, are members of a neo-Nazi, white supremacist and antisemitic offshoot of the skinhead subculture. Many of them are affiliated with white nationalist organizations and some of them are members of prison gangs. The movement emerged in the United Kingdom between the late 1960s and the late 1970s, before spreading across Eurasia and North America in the 1980–1990s.
The suedehead subculture was an early-1970s offshoot of skinhead subculture in the United Kingdom and Ireland. Although sharing similarities to 1960s skinheads, suedeheads grew their hair longer and dressed more formally. Although often working class like skinheads, some had white collar jobs. A female suedehead was a sort.
The history of the punk subculture involves the history of punk rock, the history of various punk ideologies, punk fashion, punk visual art, punk literature, dance, and punk film. Since emerging in the United States, the United Kingdom and Australia in the mid-1970s, the punk subculture has spread around the globe and evolved into a number of different forms. The history of punk plays an important part in the history of subcultures in the 20th century.
Eddie Piller is a British DJ, radio show host, and founder/managing director of Acid Jazz Records.
Oi! is a subgenre of punk rock that originated in the United Kingdom in the late 1970s. The music and its associated subculture had the goal of bringing together punks, skinheads, and other disaffected working-class youth. The movement was partly a response to the perception that many participants in the early punk rock scene were, in the words of The Business guitarist Steve Kent, "trendy university people using long words, trying to be artistic... and losing touch."
Garage punk is a rock music fusion genre combining the influences of garage rock, punk rock, and often other genres, that took shape in the indie rock underground between the late 1980s and early 1990s. Bands drew heavily from 1960s garage rock, stripped-down 1970s punk rock, and Detroit proto-punk, and often incorporated numerous other styles into their approach, such as power pop, 1960s girl groups, hardcore punk, blues, early R&B and surf rock.
'Hoxton' Tom McCourt is the former bassist and bandleader of punk rock/Oi! band, The 4-Skins. He was one of the most influential members of the skinhead revival of 1977 to 1978, the mod revival of 1978 to 1979 and the Oi! movement from 1979 to 1984.
A revivalist artist or revivalist band is a musical group, singer, or musician dedicated to reviving interest in a musical genre from an earlier era.
A scooterboy is a member of one of several scooter-related subcultures of the 1960s and later decades, alongside rude boys, mods and skinheads. The term is sometimes used as a catch-all designation for any scootering enthusiast who does not fall into the latter three categories.
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