Garage punk | |
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Stylistic origins | |
Cultural origins | 1980s, United States |
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Garage punk is a rock music fusion genre combining the influences of garage rock, punk rock, and often other genres, that took shape in the indie rock underground between the late 1980s and early 1990s. [2] Bands drew heavily from 1960s garage rock, stripped-down 1970s punk rock, [1] and Detroit proto-punk, [2] and often incorporated numerous other styles into their approach, such as power pop, 1960s girl groups, hardcore punk, blues, early R&B and surf rock. [3] [ verification needed ]
The term "garage punk" often also refers to the original 1960s garage rock movement rather than the 1980s-90s fusion style. The 1980s-90s style itself is sometimes referred to interchangeably as "garage rock" or "garage revival". [3] The term "garage punk" dates back as early as 1972 in reference to the original 1960s garage rock style, [4] although "punk" as it is known today was not solidified as its own distinct genre until 1976. Therefore, despite earlier references to 1960s garage rock as "garage punk", the usage of the term "punk" in regard to the 1980s-90s "garage punk" fusion genre refers to the fusion of 1960s garage rock with the late 1970s-1980s genre currently and more commonly referred to as “punk rock”. [5] After the 1980s, groups who were labelled as "garage punk" stood in contrast to the nascent retro garage revival scene, moving past a strictly mid 1960s influence. [1] Associated bands from that period contributed to the development of stoner rock, a more psychedelic variation of the genre. [2]
The term "punk rock" was first used to describe the music of American garage bands of the mid 1960s, and was not solidified as a genre until 1976. [5] When referring to 1960s groups, the term "garage punk" is usually deployed interchangeably with "garage rock". [6] The earliest known use of the term "garage punk" appeared in Lenny Kaye's track-by-track liner notes for the 1972 psychedelic music compilation Nuggets [4] to describe a song by the 1960s garage rock band, the Shadows of Knight, as "classic garage punk". [7] The Guardian 's Michael Hann writes: "Look at the tracklisting for Lenny Kaye's original Nuggets album, the record that codified garage punk and you'll find an awful lot of music that would not now fit comfortably into the genre [psychedelic music]." [8] MTV 's Beverly Bryan says that "garage punk" may be used "more likely" to refer to "garage rock" or "garage revival". [3]
Simon Reynolds traces garage punk to American garage rock bands in the 1960s. [10] He explains that mid 1960s garage punk was largely the domain of untrained teenagers who used sonic effects, such as fuzz tones, and relied heavily on riffs. [11] Hann locates the "golden years" of garage punk to 1965–67. [8] The Sonics are credited as a pioneering act in the genre. [9] [12] Critic Tim Sommer wrote: "The Sonics created the template for American garage punk, not to mention crafting the prototype for every punk rock band that thought that three chords and a horny shriek was enough to move a nation." [13]
In the 1980s, there began a revived interest in the music of the 1960s, starting with garage punk. [14] Labels like Crypt and Norton began reissuing the work of "lost mid-century weirdos", which led a new generation of punk musicians to rediscover older rock artists like Little Richard and the Sonics. [3] In contrast to the retro garage revival scene, bands who continued to draw heavily from stripped-down 1970s punk, rather than just mid-1960s styles, would be widely categorized as "garage punk". [1] [nb 1] According to the AllMusic guide, "Before the punk-pop wing of America's '90s punk revival hit the mainstream, a different breed of revivalist punk had been taking shape in the indie-rock underground. In general, garage punk was not nearly as melodic as punk-pop; instead, garage punk drew its inspiration chiefly from the Detroit protopunk of the Stooges and the MC5. [2]
Allan Rutter writes that the music is often fast-paced and characterized by dirty, choppy guitars and lyrics typically expressing rebelliousness and sometimes "bad taste", and may be performed by "low-fi" acts who are on independent record labels, or who are unsigned. [15] Bands are generally apolitical and tend to distance themselves from hardcore punk and generally avoid strict adherence to the types of social codes and ideologies associated with the punk subculture. [16] However, there are exceptions like the (International) Noise Conspiracy, who played a highly politicised variation of garage punk.
AllMusic adds: "Some of the first garage punk bands who appeared in the late '80s and early '90s (Mudhoney, the Supersuckers) signed with the Sub Pop label, whose early grunge bands shared some of the same influences and aesthetics (in fact, Mudhoney became one of the founders of grunge)." [2] Bands like New Bomb Turks, the Oblivians, the Gories, [17] the Mummies, the Dirtbombs, and the Humpers helped maintain a cult audience for the style through the 1990s and 2000s. [2] Associated bands from that period contributed to the development of stoner rock, a more psychedelic variation of the genre. [2]
No wave was an avant-garde music genre and visual art scene which emerged in the late 1970s in Downtown New York City. The term was a pun based on the rejection of commercial new wave music. Reacting against punk rock's recycling of rock and roll clichés, no wave musicians instead experimented with noise, dissonance, and atonality, as well as non-rock genres like free jazz, funk, and disco. The scene often reflected an abrasive, confrontational, and nihilistic world view.
Rock is a broad genre of popular music that originated as "rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles from the mid-1960s, particularly in the United States and the United Kingdom. It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from genres such as electric blues and folk, and incorporated influences from jazz and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a 4
4 time signature using a verse–chorus form, but the genre has become extremely diverse. Like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political. Rock was the most popular genre of music in the U.S. and much of the Western world from the 1950s to the 2010s.
Garage rock is a raw and energetic style of rock and roll that flourished in the mid-1960s, most notably in the United States and Canada, and has experienced a series of subsequent revivals. The style is characterized by basic chord structures played on electric guitars and other instruments, sometimes distorted through a fuzzbox, as well as often unsophisticated and occasionally aggressive lyrics and delivery. Its name derives from the perception that groups were often made up of young amateurs who rehearsed in the family garage, although many were professional.
Nuggets: Original Artyfacts from the First Psychedelic Era is a compilation album of American psychedelic and garage rock singles that were released during the mid-to-late 1960s. It was created by Lenny Kaye, who was a writer and clerk at the Village Oldies record shop in New York. He would later become the lead guitarist for the Patti Smith Group. Kaye produced Nuggets under the supervision of Elektra Records founder Jac Holzman. Kaye conceived the project as a series of roughly eight LP installments focusing on different US regions, but Elektra convinced him that one double album would be more commercially viable. It was released on LP by Elektra in 1972 with liner notes by Kaye that contained one of the first uses of the term "punk rock". It was reissued with a new cover design by Sire Records in 1976. In the 1980s, Rhino Records issued Nuggets in a series of fifteen installments, and in 1998 as a 4-cd box set.
Lenny Kaye is an American guitarist, composer, and writer who is best known as a member of the Patti Smith Group, led by vocalist and poet Patti Smith.
Acid rock is a loosely defined type of rock music that evolved out of the mid-1960s garage punk movement and helped launch the psychedelic subculture. While the term has sometimes been used interchangeably with "psychedelic rock", acid rock also specifically refers to a more musically intense, rawer, harder, louder, or heavier subgenre or sibling of psychedelic rock. Named after lysergic acid diethylamide (LSD), the style is generally defined by heavy, distorted guitars and often contains lyrics with drug references and long improvised jams.
American rock has its roots from 1940s and 1950s rock and roll, rhythm and blues, and country music, and also draws from folk music, jazz, blues, and classical music. American rock music was further influenced by the British Invasion of the American pop charts from 1964 and resulted in the development of psychedelic rock.
British rock describes a wide variety of forms of music made in the United Kingdom. Since around 1964, with the "British Invasion" of the United States spearheaded by the Beatles, British rock music has had a considerable impact on the development of American music and rock music across the world.
Post-punk revival is a genre or movement of indie rock that emerged in the early 2000s as musicians started to play a stripped down and back-to-basics version of guitar rock inspired by the original sounds and aesthetics of post-punk, new wave and garage rock. It is closely associated with new wave revival and garage rock revival.
Neo-psychedelia is a diverse genre of psychedelic music that draws inspiration from the sounds of 1960s psychedelia, either updating or copying the approaches from that era. Originating in the 1970s, it has occasionally seen mainstream pop success but is typically explored within alternative rock scenes. It initially developed as an outgrowth of the British post-punk scene, where it was also known as acid punk. After post-punk, neo-psychedelia flourished into a more widespread and international movement of artists who applied the spirit of psychedelic rock to new sounds and techniques.
Psychedelic music is a wide range of popular music styles and genres influenced by 1960s psychedelia, a subculture of people who used psychedelic drugs such as DMT, LSD, mescaline, and psilocybin mushrooms, to experience synesthesia and altered states of consciousness. Psychedelic music may also aim to enhance the experience of using these drugs and has been found to have a significant influence on psychedelic therapy.
The history of the punk subculture involves the history of punk rock, the history of various punk ideologies, punk fashion, punk visual art, punk literature, dance, and punk film. Since emerging in the United States, the United Kingdom and Australia in the mid-1970s, the punk subculture has spread around the globe and evolved into a number of different forms. The history of punk plays an important part in the history of subcultures in the 20th century.
Nuggets is a series of compilation albums, started by Elektra Records in 1972 and continued by Rhino Records thereafter. The series focuses primarily on relatively obscure garage and psychedelic rock songs from the 1960s, but with some hits and pop-oriented songs also included.
A number of overlapping punk rock subgenres have developed since the emergence of punk rock in the mid-1970s. Even though punk genres at times are difficult to segregate, they usually show differing characteristics in overall structures, instrumental and vocal styles, and tempo. However, sometimes a particular trait is common in several genres, and thus punk genres are normally grouped by a combination of traits.
Post-punk is a broad genre of music that emerged in 1977 in the wake of punk rock. Post-punk musicians departed from punk's traditional elements and raw simplicity, instead adopting a broader, more experimental approach that encompassed a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and do it yourself ethic but determined to break from rock cliches, artists experimented with styles like funk, electronic music, jazz, and dance music; the production techniques of dub and disco; and ideas from art and politics, including critical theory, modernist art, cinema and literature. These communities produced independent record labels, visual art, multimedia performances and fanzines.
Experimental rock, also called avant-rock, is a subgenre of rock music that pushes the boundaries of common composition and performance technique or which experiments with the basic elements of the genre. Artists aim to liberate and innovate, with some of the genre's distinguishing characteristics being improvisational performances, avant-garde influences, odd instrumentation, opaque lyrics, unorthodox structures and rhythms, and an underlying rejection of commercial aspirations.
Electronic rock is a music genre that involves a combination of rock music and electronic music, featuring instruments typically found within both genres. It originates from the late 1960s when rock bands began incorporating electronic instrumentation into their music. Electronic rock acts usually fuse elements from other music styles, including punk rock, industrial rock, hip hop, techno and synth-pop, which has helped spur subgenres such as indietronica, dance-punk and electroclash.
A microgenre is a specialized or niche genre. The term has been used since at least the 1970s to describe highly specific subgenres of music, literature, film, and art. In music, examples include the myriad sub-subgenres of heavy metal and electronic music. Some genres are sometimes retroactively created by record dealers and collectors as a way to increase the monetary value of certain records, with early examples including Northern soul, freakbeat, garage punk, and sunshine pop. By the early 2010s, most microgenres were linked and defined through various outlets on the Internet, usually as part of generating popularity and hype for a newly perceived trend. Examples of these include chillwave, witch house, seapunk, shitgaze, and vaporwave.
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