Street punk | |
---|---|
Stylistic origins | |
Cultural origins | Early 1980s, United Kingdom |
Typical instruments | |
Derivative forms | D-beat |
Regional scenes | |
United Kingdom | |
Local scenes | |
Street punk (sometimes alternatively spelled streetpunk) is an urban working class [1] -based subgenre of punk rock, which partly emerged as a rebellion against the perceived artistic pretensions of the first wave of British punk. [2] Street punk emerged from the style of Oi! and hardcore punk bands. A key band in defining the aesthetic was the Exploited. [3] [4] [5] Street punks generally have a much more ostentatious and flamboyant appearance than the working class or skinhead image cultivated by many Oi! groups. [6] Street punks commonly sported multi-coloured hair, mohawks, tattoos, heavily studded vests and leather jackets, and clothing, especially plaids, adorned with political slogans, patches, and/or the names of punk bands. In the 1990s and 2000s, a street punk revival began with emerging street punk bands such as the Casualties.
Street punk music is characterized by single-note guitar lines and short solos. Unlike similar genres, such as traditional hardcore punk, street punk bands sometimes consisted of two guitarists, one of which plays guitar melodies while not singing. Street punk also makes frequent use of communal vocals, gang vocals, and sing–along choruses. Street punk lyrics commonly address topics such as fighting, drinking, partying, inner-city turmoil, gang violence, blue-collar issues, union or organized labor issues, [7] or personal relationships. Street punk bands sometimes express political viewpoints, typically of a left-wing variety, although some street punks eschew politics altogether in favor of a more hedonistic, nihilistic outlook. Street punk also had influences from New Wave of British Heavy Metal bands like Iron Maiden and Motörhead. [8]
Punk veteran Felix Havoc said:
It was aggressive, yet had melody. As opposed to today's "melodic" punk it still had a lot of energy. It was honest. Hence the term "street punk." There is and was a feel that this was the kids music, from the streets, and was uncorrupted by "professionalism" or "musicianship." As opposed to the anarcho bands its message was more bleak and irreverent. The music was not a-political, just a less intellectual expression of political views of working class youth. The music was marketed as being of and by the working class. I suspect this was not universally the case. Still most middle and upper class kids cringe at frank discussions of violence as evidenced in a typical Blitz song. Early 80's UK punk was catchy as hell; it has sing-a-long choruses and hooky riffs. [4]
UK 82 (also known as UK hardcore or second wave punk [9] ) took the existing punk sound and added faster drumbeats and an aggressive distorted guitar sound. [2] The term UK 82 is taken from the title of a song by the Exploited. [10] Cross-pollination existed between this era of British street punk and American hardcore punk. [11]
The lyrics of UK 82 bands tended to be much darker and more violent than the lyrics of earlier punk bands. They tended to focus on the possibilities of a nuclear holocaust, and other apocalyptic themes, partially due to the military tension of the Cold War atmosphere. The other mainstay of the lyrics of the era was unemployment, and the policies of the Conservative Party government. Lyrics frequently denounced the Conservative leader Margaret Thatcher [12] in the same way that American hardcore punk bands addressed the Ronald Reagan administration.
The three most prominent UK82 bands, according to Ian Glasper, are the Exploited, Discharge, [13] and GBH. [14] The Exploited were controversial due to their aggressive lyrics and rowdy concerts, and were considered by Glasper to be "cartoon punks". [15] Glasper wrote: "For many, The Exploited were the quintessential second wave punk band with their senses-searing high-speed outbursts against the system, and wild-eyed frontman Walter 'Wattie' Buchan's archetypal orange mohican." [15] Discharge's early work proved to be enormously influential, providing the blueprint for an entire subgenre. Their later work, however, has been described as moving into heavy metal. [16]
D-beat (also known as Discore [17] or käng (boot), in Sweden [18] ) was developed in the early 1980s by imitators of the band Discharge, for whom the genre is named. [19] The first such group was the Varukers. [17] The vocal content of D-beat tends towards shouted slogans. The style is distinct from its predecessors by its minimal lyrical content and greater proximity to heavy metal. It is closely associated with crust punk, which is a heavier, more complex variation. [18] D-beat bands typically have anti-war, anarchist messages and closely follow the bleak nuclear war imagery of 1980s anarcho-punk bands. The style was particularly popular in Sweden, and was developed there by groups such as Anti Cimex [20] and Mob 47. [21]
In the 1990s, a new era of street punk began with emerging street punk bands like the Casualties and Rancid, [22] The Casualties became one of the most well-known street punk bands and achieved underground success. Their 2004 album On the Front Line peaked at number 8 on the Independent Albums chart. [23] On the Front Line and the Casualties' 2006 album Under Attack peaked at numbers 7 and 9 on the Heatseekers Albums chart, respectively. [24]
The 1990s also saw the spread of street punk to other countries, particularly Eastern European states that were previously behind the Iron Curtain. The Analogs, a group from Szczecin formed in 1995, gradually became one of the most active punk bands in Poland; [25] with roots in the antifascist Oi! scene, [26] [27] The Analogs are widely considered to be precursors of street punk in the country and are credited with popularising the genre there. [25] [28] [29] Their influence has spread to other countries in the region, as Mister X (started in 2003) – leaders of the street punk scene in Belarus [30] – have often cited The Analogs as one of their main inspirations. [31] [32]
International outfit Booze & Glory, originating from the Polish migrant punk scene in London, was formed in 2009. Playing punk rock, especially Oi! and street punk, they grew popular worldwide and have performed concerts selling thousands of tickets in Indonesia, where the hardcore punk scene is lively and growing. [33]
Grindcore is an extreme fusion genre of heavy metal and hardcore punk that originated in the mid-1980s, drawing inspiration from abrasive-sounding musical styles, such as thrashcore, crust punk, hardcore punk, extreme metal, and industrial. Grindcore is considered a more noise-filled style of hardcore punk while using hardcore's trademark characteristics such as heavily distorted, down-tuned guitars, grinding overdriven bass, high-speed tempo, blast beats, and vocals which consist of growls, shouts and high-pitched shrieks. Early groups like Napalm Death are credited with laying the groundwork for the style. It is most prevalent today in North America and Europe, with popular contributors such as Brutal Truth and Nasum. Lyrical themes range from a primary focus on social and political concerns, to gory subject matter and black humor.
Anarcho-punk is an ideological subgenre of punk rock that promotes anarchism. Some use the term broadly to refer to any punk music with anarchist lyrical content, which may figure in crust punk, hardcore punk, folk punk, and other styles.
The Exploited are a Scottish punk rock band from Edinburgh, formed in 1978 by Stevie Ross and Terry Buchan, with Buchan soon replaced by his brother Wattie Buchan. They signed to Secret Records in March 1981, and their debut EP, Army Life, and debut album, Punks Not Dead, were both released that year. The band maintained a large cult following in the 1980s among a hardcore working class punk and skinhead audience. Originally a street punk band, the Exploited eventually became a crossover thrash band with the release of their album Death Before Dishonour in 1987.
Crust punk is a subgenre of punk rock influenced by the English punk scene as well as extreme metal. The style, which evolved in the early 1980s in England, often has songs with dark and pessimistic lyrics that linger on political and social ills. The term "crust" was coined by Hellbastard on their 1986 Ripper Crust demo.
The Varukers are a British punk rock band formed in 1979 by vocalist Anthony "Rat" Martin. They produced their most influential recordings in the early 1980s. The band play in D-beat, the musical style of Discharge. Also like Discharge, the Varukers' lyrics carry an anarchist political ideology.
British rock describes a wide variety of forms of music made in the United Kingdom. Since around 1964, with the "British Invasion" of the United States spearheaded by the Beatles, British rock music has had a considerable impact on the development of American music and rock music across the world.
Discharge are an English hardcore punk band formed in 1977 in Stoke-on-Trent, England. The band is known for influencing several sub-genres of extreme music and their songs have been covered by some of the biggest names in heavy metal and other genres. The musical sub-genre of D-beat is named after Discharge and the band's distinctive drumbeat.
D-beat is a style of hardcore punk, developed in the early 1980s by imitators of Discharge, after whom the genre is named, as well as a drum beat characteristic of this subgenre. D-beat is known for its "grinding, distorted and brutally political" sound. Discharge may have themselves inherited the beat from Motörhead and the Buzzcocks. D-beat is closely associated with crust punk, which is a heavier, more complex variation. The style was particularly popular in Sweden, and developed there by groups such as Crude SS, Anti Cimex, Mob 47, and Driller Killer. Other D-beat groups include Doom and the Varukers from the UK; Disclose from Japan; Crucifix and Final Conflict from the U.S.; Ratos de Porão from Brazil; and MG15 from Spain. While the style initially developed in the early 1980s, a number of new groups working within the subgenre emerged in the mid-1990s. These include the Swedish groups Wolfbrigade, Totalitär, Avskum, Skitsystem, and Disfear.
Punk ideologies are a group of varied social and political beliefs associated with the punk subculture and punk rock. It is primarily concerned with concepts such as mutual aid, against selling out, hierarchy, white supremacy, authoritarianism, eugenics, class and classism, while supporting anti-consumerism, anti-corporatism, anti-war, anti-imperialism, leftism, anti-globalization, anti-gentrification, anti-racism, anti-sexism, gender equality, anti-homophobia, racial equality, animal rights, free-thought and non-conformity. One of its main tenets is a rejection of mainstream, corporate mass culture and its values. It continues to evolve its ideology as the movement spreads throughout North America from its origins in England and New York and embraces a range of anti-racist and anti-sexist belief systems. Punk does not necessarily lend itself to any particular political ideology as it is primarily anti-establishment although leftist punk is more common due to the prevalence of liberal and conservative ideologies in the status-quo.
The Analogs are a Polish street punk band. Originating in Szczecin, they have been successful on the local and international punk rock scene with hundreds of concerts played across Europe as well as musical releases in Poland, Russia, and the USA. The Analogs have seen coverage in major Polish news outlets as well as many alternative music publications and punk zines.
Chron Gen are a British punk band, formed in January 1978 in Letchworth, Hertfordshire, England.
Hear Nothing See Nothing Say Nothing is the debut studio album by English hardcore punk band Discharge, released on 21 May 1982 by Clay Records.
A number of overlapping punk rock subgenres have developed since the emergence of punk rock in the mid-1970s. Even though punk genres at times are difficult to segregate, they usually show differing characteristics in overall structures, instrumental and vocal styles, and tempo. However, sometimes a particular trait is common in several genres, and thus punk genres are normally grouped by a combination of traits.
Captain Oi! Records is a punk rock and Oi! record label based in High Wycombe, England. The company has released over 300 albums by many notable punk and Oi! bands of the late 1970s and 1980s. The label was set up by Mark Brennan, former bassist of The Business, who had previously co-run Link Records and the Dojo subsidiary of Castle Records. Brennan's inspiration had been Ace Records, with Captain Oi! targeted at being "the Ace Records of retro punk rock", reissuing material by classic punk bands.
The Defects are a punk rock band from Belfast, Northern Ireland, formed in 1978.
Political Asylum was a Scottish anarcho-punk band formed in Stirling in 1982 and active until 1993. One of the most popular bands within that scene, they played hundreds of gigs across the U.K., Europe and America and were, according to author Ian Glasper, "an integral part of the fiercely independent underground that existed at the time."
Animal rights are closely associated with two ideologies of the punk subculture: anarcho-punk and straight edge. This association dates back to the 1980s and has been expressed in areas that include song lyrics, benefit concerts for animal rights organisations, and militant actions of activists influenced by punk music. Among the latter, Rod Coronado, Peter Daniel Young and members of SHAC are notable. This issue spread into various punk rock and hardcore subgenres, e.g. crust punk, metalcore and grindcore, eventually becoming a distinctive feature of punk culture.
Hardcore punk in the United Kingdom began in the late 1970s and early 1980s with the second wave of punk rock in the country. The scene produced many successful and influential hardcore punk bands throughout the 1980s such as Discharge, GBH and the Exploited and led to the pioneering of genres such as grindcore, street punk, crust punk and D-beat.
The Chisel are an English punk rock formed in London in 2020. Founded by former Arms Race members Nicholas Sarnella and Charlie "Chubby Charles" Manning-Walker, as well as Cal Graham, the band has released two studio albums and four EPs. Maximum Rocknroll writer Eric Anderson named them one of the leaders of "the new wave of Oi!".
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