Nintendocore

Last updated

Nintendocore [note 1] is a broadly defined style of music that most commonly fuses chiptune with various hardcore punk and/or heavy metal subgenres, most often metalcore and post-hardcore. The genre is sometimes considered a direct subgenre of post-hardcore [10] and a fusion genre between metalcore and chiptune. [9] The genre originated in the early 2000s and peaked around the late 2000s [11] with bands like Horse the Band, Karate High School and Sky Eats Airplane pioneering the genre.

Contents

Characteristics

Nintendocore frequently features the use of electric guitars, drum kits, and typical rock instrumentation alongside synthesizers, [12] chiptune, 8-bit sounds, and electronically produced beats. [1] [3] [13] It originated primarily from various subgenres of hardcore punk [3] [12] [14] and/or heavy metal, [15] (such as post-hardcore, [13] [16] metalcore, [12] [16] deathcore, cybergrind, [17] and screamo) [3] [18] but artists in the genre have also incorporated elements of electro, [3] noise rock, [1] [19] hardcore techno, ambient, glitch, breakcore, [20] and post-rock, among others. [16] [21] Nintendocore groups vary stylistically and come from a wide array of influences. Horse the Band combines metalcore, heavy metal, thrash metal, and post-hardcore with post-rock passages. [3] [16] [18] "The Black Hole" from Horse the Band's third album, The Mechanical Hand , is an example of Nintendocore, featuring screamed vocals, heavy "Nintendo riffs," and "sound effects from numerous games." [22] Math the Band includes electro and dance-punk styles. [23] Minibosses use Kyuss-inspired heavy metal riffing, [24] and The Advantage is associated with styles such as noise rock and post-rock. [25] The Depreciation Guild was an indie band that incorporated 8-bit sounds, video game music, and elements of shoegaze. [26]

Some bands feature singing, such as The Depreciation Guild, whose frontman Kurt Feldman provides "ethereal" and "tender vocals," [26] and The Megas, who write lyrics that mirror video game storylines. [27] Others, such as Horse the Band and Math the Band, add screamed vocals into the mix. [3] [4] [16] [18] [28] But yet other groups are strictly instrumental, such as Minibosses, [24] and The Advantage. [1] [21] While otherwise diverse, all Nintendocore groups "use specific instruments to mimic the sounds of Nintendo games." [13]

Etymology

The term "Nintendocore" is a portmanteau of Nintendo, the popular gaming company from which many of the genre's influences and samples originate and the "core" suffix, which is often used to denote the various subgenres of hardcore punk. [29] The term was first used in 2000, [30] by Horse the Band frontman, Nathan Winneke; the term later appeared on the band's I Am a Small Wooden Statue on a Patch of Crabgrass Next to a Dried Up Riverbed demo. [31] [32] However, several members of the group have since attempted to distance themselves from the descriptor, such as former bassist Dashiel Arkenstone, who stated: "I reject it [Nintendocore] because it cheapens our music." [33] Winneke later explained: "It sucks when everybody is just like 'Oh this song about your mom getting beat, what game is this about?' we're very serious most of the time about our music and art, it's only a reference to the idea of blending the digital music of the games and things we grew up on with all the other music we love. It was just a fun idea at the time but everyone took it a hundred yards too far." [34]

History

Precursors (1978-2000)

The earliest precursors to Nintendocore can be found with the relationship between video games and chiptune with rock music. After the success of video games and eventual entering of popular culture in the late 1970s during the golden age, many music artists began capitalizing on video games, often using samples of games or having songs lyrically about a specific game, as well as appearing in them.

One of the first artists to do this was synth-pop pioneers Yellow Magic Orchestra. [35] Emerging in the late 70's, [36] the group would sample Space Invaders sounds in their influential 1978 debut album, particularly the hit song "Computer Game". In turn, the band would have a major influence on much of the video game music produced after. Former Yellow Magic Orchestra member Haruomi Hosono would go on to release a 1984 album produced entirely from Namco arcade game music entitled simply Video Game Music, one of the first chiptune albums and the first video game music album. [37]

Other songs based on or sampling video games soon followed, including "Disco Space Invaders" (1979) by Funny Stuff, [38] "Space Invader" (1980) by The Pretenders, [38] "Space Invaders" (1980) by Uncle Vic, [39] and "Pac-Man" (1981) by "Weird Al" Yankovic. [40] Similar sounds used in other songs include the "tackled" sound from a Mattel electronic football game used in "The Logical Song" (1979) by Supertramp and a version of the song "Dixie" generated by the alarm of a digital wrist watch owned by Mick Jones used in "Rock the Casbah" (1982) by The Clash. [41] [42] [43]

Ian MacKaye, a key figure in the development of hardcore punk has mentioned his relationship with video games and how he enjoyed video games as a kid. [44] [ better source needed ]

Buckner and Garcia, fans of Pac-Man , released novelty song "Pac-Man Fever" in 1981. Originally having little local radio success, CBS Records took notice and the single hit #9 on the Billboard charts in 1982. Later that same year, an album of the same name released on CBS Records quickly followed composed entirely of video game themed songs. Songs on the album featured audio samples of gameplay for each game, this in turn would be a precursor to the fusion of chiptune and rock used in Nintendocore.

Rock music has also influenced video game composers such as Koji Kondo, composer for Nintendo, often cited as being influenced by rock bands such as Deep Purple, Yes and Emerson, Lake & Palmer and Nobuo Uematsu who was influenced by Elton John and progressive rock. [45] [46]

In 1982, Journey's seventh album Escape would influence the release of Atari 2600 video game Journey Escape , making it one of the first video games to be based on a rock band. [47] Other rock band-centric video games soon followed. [48]

By the mid-1980s, the chiptune community had grown larger and often were associated with the Commodore 64 demoscene, often creating music for demos: self-contained, sometimes extremely small, computer programs that produce audiovisual presentations.[ citation needed ]

Starting in the late 1980s, heavy metal and punk rock became increasingly popular, due to this, its music started appearing in or influencing more video games. Video games featuring or inspired by heavy metal and/or punk rock music included Doom (1993), Quake (1996), Tony Hawk's Pro Skater (1999) and Crazy Taxi (2000). [49] [50] Around this time, post-hardcore, a more creatively experimental form of hardcore punk, and metalcore, a fusion of heavy metal and hardcore punk began to emerge as well as one of the first fusions of electronic music and hardcore punk, digital hardcore. [51] [52]

The first known rock band to cover a video game song from an actual game however, was all-female indie rock group Autoclave with their cover of the theme song from popular video game Paperboy which was recorded in 1990.[ citation needed ] Other early rock groups known to cover video game songs were alternative rock band Pixies, who released a cover version of the main theme from the arcade game Narc as a B-side to the single "Planet of Sound" in 1991, [53] and avant-garde metal band Mr. Bungle, with their live cover of the Super Mario Bros. theme song, which was a regular staple throughout their 1990s concert setlist. [54] Mr. Bungle would also sample sounds from video games on their debut album from 1991, specifically the endings of "Carousel" and "Egg".[ citation needed ] It may be possible that Nintendocore creators Horse the Band were inspired by Mr. Bungle. [55]

The early to mid-1990s would see the creation of cybergrind, an offshoot of grindcore which borrows heavily from electronic music. [56] [57] Certain Nintendocore bands would later take from cybergrind. [17]

Appearing in the mid to late 1990s, electropunk musician Atom and His Package's "unusual instrumentation" would be a major influence on artists such as Math the Band who were creating similar music combining chiptune with rock music. [58]

In 1998, Swedish hardcore punk band Refused would release their third album The Shape of Punk to Come , which has elements of techno and electronica. [59] This would later influence electronicore, a genre similar to and often confused with Nintendocore, bands such as Enter Shikari, one of the earliest electronicore bands. Also in 1998, Horse the Band would form with a more traditional hardcore punk sound and would release the Scabies, the Kangarooster, and You EP in 1999.[ citation needed ] The next year in 2000, self-defined "SID Metal" band Machinae Supremacy would form. The band combines power metal and alternative metal with the SID chip from the Commodore 64.[ citation needed ] The same year, software engineer Johan Kotlinski would release music tracker Little Sound Dj (often shortened to LSDj) for the Game Boy, made to create chiptune. [60]

Origins (2000-2005)

Horse the Band in 2009. Horse the Band Photo.jpg
Horse the Band in 2009.

The earliest Nintendocore band is that of Horse the Band. The band first coined the term in 2000, the term later appearing printed on the CD label of their I Am a Small Wooden Statue on a Patch of Crabgrass Next to a Dried Up Riverbed demo in September 2001. [32] The EP would combine the heavy sound of metalcore with the melodic minimalism of chiptune.

One year later, Horse the Band booked its own tours starting the summer of 2002, including a three-month tour spanning seven countries, and also released the Beautiful Songs by Men EP.

In 2003, Horse the Band would release their debut album R. Borlax and gain a cult following. [61] Many of the songs on the album did not feature chiptune and instead featured "new-wave synths". [62]

Karate High School would be formed by multi-instrumentalist and producer Paul McGuire in 2004 featuring a layered, keyboard-driven style of "poppy punk, hyper post-hardcore, and eight-bit blips". [63] However, the band would not consider itself Nintendocore and later become unattached from the sound, later featuring a more general electronic sound. [64] [65]

Arlington Heights High School students Brack Cantrell and Lee Duck would form Sky Eats Airplane in 2005. The two left their previous band and began writing heavier music while experimenting with synthetic beats. The band would release debut album Everything Perfect on the Wrong Day and quickly gain a following on social network Myspace despite mixed reviews from critics. [66] [67]

Peak popularity (2006-2011)

Artists such as Dinotrax (pictured) would be associated with the Myspace Nintendocore community. Dinotrax.jpg
Artists such as Dinotrax (pictured) would be associated with the Myspace Nintendocore community.

Soon after, Nintendocore would become tied to Myspace and connected to cybergrind, a related genre that was emerging around the same time, with many artists combining Nintendocore with cybergrind. [68] Artists associated with the Myspace community included Bubblegum Octopus, [68] iamerror, Insert Disc, I Shot The Duck Hunt Dog, Dinotrax and Unicorn Hole. [69] [ better source needed ] [70] Music blogs such as Piranha Party and MusicNES soon after were used to find upcoming artists in Nintendocore and related genres. [68] [69]

In 2006, Horse the Band would release the Pizza EP and was notably part of Warped Tour 2006 and toured with DragonForce gaining a bigger audience in the process and gaining more exposure for Nintendocore. [71] [72]

Around the same time, various artists similar to Nintendocore would combine chiptune with various rock genres and were gaining traction. Artists such as Anamanaguchi, [73] I Fight Dragons, [74] Math the Band [75] and :( [76] would inspire terms such as "chiptune rock", "nintendo rock" and "chiptune punk". These artists would take from genres such as power pop, alternative rock and punk rock instead of metalcore, post-hardcore or cybergrind. [77] Around the same time, artists such as I Set My Friends on Fire and Rolo Tomassi would start to include elements of Nintendocore into their music. [78] [ better source needed ] [79]

Horse the Band would release A Natural Death in August 2007. Upon the album's release, "Murder" was frequently played on the Sirius Satellite Radio station, Hard Attack and the album would peak at #4 on the Top Heatseekers and on #27 on the Independent Albums charts. [80] The next year in March 2008, the band would embark on their "Earth Tour", a self-funded, self-booked, and self-promoted tour of 47 countries in 90 days. [81] [82] The band would then release two DVDs chronicling the tour. The first, We Flooded It, and There's Yogurt Everywhere: 48 Hours in Ukraine would be released in 2009 and the second, Earth Tour, a ten-hour film, in 2010. The band would later release Earth Tour on their website for free as a torrent. [83] [84]

Decline and recent developments (2012-present)

In 2016, a small group of modern Nintendocore artists including Unicorn Hole, [85] Polygon Horizon, [86] and Got Item! [87] released a compilation album themed after the original Super Smash Bros. game. This album was released by the net label "Nintendocore Lives", [88] in an attempt to revitalize the genre. [9]

Math the Band formed in 2002 and made use of "analog synthesizers, vintage drum machines, old video game systems and shitty guitars" which helped define the sound that is commonly associated with Nintendocore. [89] Having played shows in the U.K., Mexico, and Canada with a variety of artists and rappers, they have helped spread the genre to venues outside of the United States. [89] Math the Band is one of the bands with the Nintendocore sound still active today, performing at MAGFest 2020 [89] [90] and their latest album Flange Factory Five releasing in October 2020. [91]

See also

Notes

  1. ↑ Always intentionally spelled capitalized.

Related Research Articles

<span class="mw-page-title-main">Hardcore punk</span> Aggressive and fast subgenre of punk rock

Hardcore punk is a punk rock subgenre and subculture that originated in the late 1970s. It is generally faster, harder, and more aggressive than other forms of punk rock. Its roots can be traced to earlier punk scenes in San Francisco and Southern California which arose as a reaction against the still predominant hippie cultural climate of the time. It was also inspired by Washington, D.C., and New York punk rock and early proto-punk. Hardcore punk generally disavows commercialism, the established music industry and "anything similar to the characteristics of mainstream rock" and often addresses social and political topics with "confrontational, politically charged lyrics".

A number of heavy metal genres have developed since the emergence of heavy metal during the late 1960s and early 1970s. At times, heavy metal genres may overlap or are difficult to distinguish, but they can be identified by a number of traits. They may differ in terms of instrumentation, tempo, song structure, vocal style, lyrics, guitar playing style, drumming style, and so on.

<span class="mw-page-title-main">Screamo</span> Aggressive subgenre of emo

Screamo is an subgenre of emo that emerged in the early 1990s and emphasizes "willfully experimental dissonance and dynamics". San Diego–based bands Heroin and Antioch Arrow pioneered the genre in the early 1990s, and it was developed in the late 1990s mainly by bands from the East Coast of the United States such as Pg. 99, Orchid, Saetia, and I Hate Myself. Screamo is strongly influenced by hardcore punk and characterized by the use of screamed vocals. Lyrical themes usually include emotional pain, death, romance, and human rights. The term "screamo" has frequently been mistaken as referring to any music with screaming.

Extreme metal is a loosely defined umbrella term for a number of related heavy metal music subgenres that have developed since the early 1980s. It has been defined as a "cluster of metal subgenres characterized by sonic, verbal, and visual transgression".

Metalcore is a fusion genre combining elements of extreme metal and hardcore punk, that originated in the late 1980s. Metalcore is noted for its use of breakdowns, which are slow, intense passages conducive to moshing, while other defining instrumentation includes heavy guitar riffs often utilizing percussive pedal tones and double bass drumming. Vocalists in the genre typically perform screaming; more popular bands often combine this with the use of standard singing, usually during the bridge or chorus of a song. However, the death growl is also a popular technique within the genre.

Post-hardcore is a punk rock music genre that maintains the aggression and intensity of hardcore punk but emphasizes a greater degree of creative expression. Like the term "post-punk", the term "post-hardcore" has been applied to a broad constellation of groups. Initially taking inspiration from post-punk and noise rock, post-hardcore began in the 1980s with bands like Hüsker Dü and Minutemen. The genre expanded in the 1980s and 1990s with releases by bands from cities that had established hardcore scenes, such as Fugazi from Washington, D.C. as well as groups such as Big Black, Jawbox, Quicksand, and Shellac that stuck closer to post-hardcore's noise rock roots. Dischord Records became a major nexus of post-hardcore during this period.

Mathcore is a subgenre of hardcore punk and metalcore influenced by post-hardcore, extreme metal and math rock that developed during the 1990s. Bands in the genre emphasize complex and fluctuant rhythms through the use of irregular time signatures, polymeters, syncopations and tempo changes. Early mathcore lyrics were addressed from a realistic worldview and with a pessimistic, defiant, resentful or sarcastic point of view.

<span class="mw-page-title-main">New York hardcore</span> Punk music and associated subculture

New York hardcore is both the hardcore punk music created in New York City and the subculture and lifestyle associated with that music. The scene established many aspects that are fixtures of hardcore punk today, including its simplified name "hardcore", its hardcore skinhead and youth crew subcultures, the moshing style hardcore dancing, its association with street gangs and its prominent influence of heavy metal.

<span class="mw-page-title-main">Horse the Band</span> American metalcore band

Horse the Band is an American metalcore band from Lake Forest, California, who are best known for their 8-bit video game-influenced sound combined with metalcore. Frontman Nathan Winneke once jokingly described their sound as "Nintendocore", although the band have gone to lengths to distance themselves from the label, reiterating that this merely describes the sound, not the substance.

Crossover thrash is a fusion genre of thrash metal and hardcore punk. The genre emerged in the mid–1980s, when hardcore punk bands, such as Suicidal Tendencies, Cryptic Slaughter, Corrosion of Conformity and Dirty Rotten Imbeciles, began to incorporate the influence of thrash metal. At this time, the genre was particularly prominent in the New York hardcore scene, where groups including Agnostic Front, Leeway, Cro-Mags and Stormtroopers of Death were widely influential.

<span class="mw-page-title-main">Anamanaguchi</span> American chiptune-based pop and rock band

Anamanaguchi is an American chiptune-based pop and rock band from New York City. The band has four members: lead songwriters and guitarists Peter Berkman and Ary Warnaar, bassist James DeVito, and drummer Luke Silas.

<span class="mw-page-title-main">Math the Band</span> American chiptune-based synthpunk band

Math the Band is an American chiptune-based synthpunk band from Providence, Rhode Island formed in 2002 by Kevin Steinhauser. Originally being a solo project by Steinhauser, the band's style has been sometimes called Nintendocore. The band has performed over 1000 shows throughout the United States, Mexico, Canada, and the United Kingdom, touring with bands, artists and rappers such as Andrew W.K., Japanther, Wheatus, MC Frontalot, Horse the Band MC Chris, Peelander-Z, Anamanaguchi and MC Lars. Math the Band has been featured in several magazines such as Venus Zine and Keyboard Magazine, and were also featured on NPR Music. Still, with band members spread across the United States, Math the Band is based in Providence, Rhode Island and are a part of Providence's AS220 and have performed there multiple times.

Electronic metal may refer to:

Electronicore is a fusion genre of metalcore music with elements of various electronic music genres, often including trance, electronica, and dubstep.

<i>Beating a Dead Horse</i> (album) 2015 studio album by Jarrod Alonge

Beating a Dead Horse is the debut studio album by YouTube comedian Jarrod Alonge, self-released on May 26, 2015. The album features seven different fictitious bands created by Alonge to satirize the tropes and characteristics of alternative music genres such as metalcore, post-hardcore, pop punk, emo, progressive metal, hardcore punk and others.

Beatdown hardcore is a subgenre of hardcore punk which incorporates elements of thrash metal, hip hop and slam metal. The genre features aggressive vocals, heavy, palm muted guitar riffs and breakdowns. The genre has its origins in late 1980s tough guy hardcore bands such as Breakdown, Killing Time, and Madball, and was pioneered in the mid-1990s by bands like Bulldoze, Terror Zone, and Neglect. The definition of the genre has expanded over time to incorporate artists increasingly indebted to metal, notably Xibalba, Sunami, and Knocked Loose.

References

  1. 1 2 3 4 Payne, Will B. (2006-02-14). "Nintendo Rock: Nostalgia or Sound of the Future". The Harvard Crimson . Retrieved 2011-03-14.
  2. ↑ Weingarten, Marc (29 April 2004). "Resurrecting the Riffs, A Nintendo Rock Band". The New York Times. Retrieved 21 March 2011.
  3. 1 2 3 4 5 6 7 Wright (2010-12-09). "Subgenre(s) of the Week: Nintendocore (feat. Holiday Pop)". The Quest. Archived from the original on 2 January 2015. Retrieved 2 January 2015.
  4. 1 2 Yun, Elizabeth (4 January 2011). "Math the Band Strive to 'Take Fun Seriously' Exclusive Video". Spinner.com . AOL. Archived from the original on 17 November 2011. Retrieved 30 March 2011.
  5. ↑ Raj, Josh (28 April 2012). "Nerdcore: I Fight Dragons". nerdsontherocks.com. Retrieved December 18, 2020. The type of music is called "Nerdcore" sometimes "Nintendocore." Basically, this is a genre of music that takes today's rock music and adding in chiptune, the few note songs from classic video games, and creating a very unique style.
  6. ↑ "11 of the weirdest metal subgenres". 30 March 2020. Retrieved January 12, 2021– via Louder.
  7. ↑ Moses, Jeff (2015-06-16). "Minibosses Celebrate 15 Years of Gaming-Centric Music". Phoenix New Times. Retrieved 2017-06-17.
  8. ↑ "The Most Intolerable Fan Bases in Music | Dallas Observer" . Retrieved January 5, 2021– via Dallas Observer.
  9. 1 2 3 "New 8-bit metalcore album revives nintendocore with brutal N64 theme—listen". July 17, 2016. Retrieved February 15, 2021– via Alternative Press.
  10. ↑ "HORSE the Band Songs, Albums, Reviews, Bio & More". AllMusic .
  11. ↑ "Google Trends". Google Trends. Archived from the original on 2018-07-23. Retrieved 2020-10-03.
  12. 1 2 3 Greer, Nick (2005-01-24). "HORSE the band R. Borlax". Sputnikmusic. Retrieved 2011-03-14.
  13. 1 2 3 Loftus, Johnny. "HORSE the Band". Allmusic . Rovi Corporation . Retrieved 2011-03-14.
  14. ↑ Sutherland, Sam (December 2006). "Horse the Band - Pizza EP". Exclaim! . Retrieved 10 July 2011.
  15. ↑ Turull, Alisha (6 October 2009). "New Releases: Lita Ford, the Fall of Troy, Horse the band, Immortal, Inhale Exhale". Noisecreep . AOL . Retrieved 30 March 2011.
  16. 1 2 3 4 5 "Horse The Band, Super 8 Bit Brothers, Endless Hallway ,and Oceana". The A.V. Club . The Onion. 8 November 2010. Archived from the original on 15 March 2012. Retrieved January 2, 2015.
  17. 1 2 "NINTENDOCORE, a metal music subgenre".
  18. 1 2 3 Loftus, Johnny. "R. Borlax [Bonus Tracks]". Allmusic . Rovi Corporation . Retrieved 10 April 2011.
  19. ↑ Leahey, Andrew. "A Natural Death". Allmusic . Rovi Corporation . Retrieved 8 May 2011.
  20. ↑ "What is Nintendocore?". 2 February 2021.
  21. 1 2 Loftus, Johnny. "The Mechanical Hand". Allmusic . Rovi Corporation . Retrieved 10 April 2011.
  22. ↑ Weber, Scott. "Horse the Band - The Mechanical Hand". AbsolutePunk . Retrieved 2011-05-07.
  23. ↑ Trivett, Ben (21 October 2010). "Math the Band Play Blistering Set at CMJ -- Exclusive Photos". Spinner.com . AOL. Archived from the original on 1 January 2011. Retrieved 30 March 2011.
  24. 1 2 Borges, Mario Mesquita. "Minibosses". Allmusic . Rovi Corporation . Retrieved 10 April 2011.
  25. ↑ Trivett, Ben (21 October 2010). "Math the Band Play Blistering Set at CMJ -- Exclusive Photos". Spinner.com . AOL. Archived from the original on 1 January 2011. Retrieved 30 March 2011.
  26. 1 2 Moerder, Adam. "The Depreciation Guild - In Her Gentle Jaws". Pitchfork Media . Retrieved 2011-05-09.
  27. ↑ Bayer, Jonah (2009-03-05). "Like Video Games? You'll Love Nintendocore". Gibson Guitar Corporation. Archived from the original on 2009-05-11. Retrieved 2011-03-15.
  28. ↑ Synyard, Dave (September 2007). "Horse the Band - A Natural Death". Exclaim! . Retrieved 10 July 2011.
  29. ↑ ""-core" Is the Suffix of Our Time | Washingtonian (DC)". Washingtonian. 2015-04-07. Retrieved 2020-10-03.
  30. ↑ https://web.archive.org/web/20031125140838/http://pub12.ezboard.com/fhorsethebandtalkaboutus?page=20
  31. ↑ Willschick, Aaron (2007-06-03). "Interview with HORSE The Band bassist Dash Arkenstone". PureGrainAudio. ProtogenLabs. Archived from the original on 2012-03-30. Retrieved 2011-03-14.
  32. 1 2 "Entrevista a HORSE the band: «Somos más que nintendocore»". portalternativo.com (in Spanish). 2010. Retrieved March 15, 2024.
  33. ↑ "The Death of Nintendocore". Kotaku Australia. 2018-03-13. Retrieved 2020-10-03.
  34. ↑ "Horse the Band (Last.fm Live)". YouTube . 12 August 2013. Retrieved September 3, 2022.
  35. ↑ "John Lewis meets the trio that is Yellow Magic Orchestra". TheGuardian.com . July 3, 2008.
  36. ↑ "ymo.org". ymo.org. Retrieved 2020-10-01.
  37. ↑ "Haruomi Hosono". redbullmusicacademy.com. Retrieved 2020-10-01.
  38. 1 2 "The Wire, Issues 221–226", The Wire , p. 44, 2002, retrieved 2011-05-25
  39. ↑ Lovelace, Craven (August 27, 2010). "Take a waka-waka-waka on the wild side". Grand Junction Free Press. Archived from the original on January 27, 2013. Retrieved 15 July 2011.
  40. ↑ Barsanti, Sam (16 February 2017). ""Weird Al" Yankovic shares his unreleased Beatles parody about Pac-Man". The A.V. Club. Retrieved June 8, 2024.
  41. ↑ DeRiso, Nick (22 July 2013). "Top 10 Supertramp Songs". Ultimate Classic Rock. Retrieved 8 June 2022.
  42. ↑ Buskin, Richard (July 2005). CLASSIC TRACKS: Supertramp's 'Logical Song', Sound on Sound .
  43. ↑ Webb, Spike (3 May 2012). Topper Headon (The Clash) talks about 'Mad, Bad and Dangerous' (Interview). 2:42 minutes in. Archived from the original on 12 December 2021.
  44. ↑ "As in the Sky — Interview from 2005". dayafterdc.wordpress.com. November 17, 2014. Retrieved June 8, 2024.
  45. ↑ "Weirdness: Legendary Composer Koji Kondo Drew Inspiration From '70s Rock Bands". Nintendo Life. 31 January 2015. Retrieved 18 October 2021.
  46. ↑ Kondo, Koji (March 11, 2007). "VGL: Koji Kondo". Wired (Interview). Interviewed by Chris Kohler. Archived from the original on August 22, 2019. Retrieved June 8, 2024.
  47. ↑ Wawzenek, Bryan (December 15, 2018). "Rock Stars in Video Games: A Complete History" . Retrieved June 8, 2024.
  48. ↑ Diver, Mike (December 16, 2020). "A short history of heavy metal in video games". Kerrang! . Retrieved June 8, 2024.
  49. ↑ "10 Video Games With Awesome Punk Rock Soundtracks". screenrant.com. 10 March 2022. Retrieved June 8, 2024.
  50. ↑ Winkie, Luke (April 22, 2019). "10 Heaviest Video Game Soundtracks". revolvermag.com. Retrieved June 8, 2024.
  51. ↑ Interview with J. Amaretto of DHR, WAX Magazine, issue 5, 1995. Included in liner notes of Digital Hardcore Recordings, Harder Than the Rest!!! compilation CD.
  52. ↑ Alec Empire. on the Digital Hardcore scene and its origins, Indymedia.ie , 2006-12-28. Retrieved on 2008-05-28.
  53. ↑ "Theme from Narc". Archived from the original on 2015-05-20. Retrieved June 10, 2024.
  54. ↑ "Mr. Bungle Frequently Asked Questions". bunglefever.com. Retrieved 2016-03-27.
  55. ↑ Shultz, Brian (September 28, 2007). "HORSE the Band - A Natural Death | Punknews.org". Punknews.org. Retrieved August 14, 2024. Musically, HORSE has clearly been inspired by the likes of avant-rock acts, perhaps Patton's Mr. Bungle
  56. ↑ Kevin Stewart-Panko, "Shock Tactics", "Grindcore Special", part 2, p. 52-53
  57. ↑ Andrew Childers, "The Body Electric", "Grind and Punishment" 15 March 2010 Access Date: June 8, 2024
  58. ↑ "A Look Back on Atom and His Package, the One-Man Band That Made Punk Uncool Again". Vice . 19 April 2016. Retrieved June 8, 2024.
  59. ↑ Lyons, Patrick (26 October 2018). "Was Refused's 'The Shape Of Punk To Come' Actually The Shape Of Punk To Come?". Stereogum . Retrieved June 8, 2024.
  60. ↑ "Little Sound Dj v1.0B Operation Manual" (PDF). Retrieved August 21, 2024.
  61. ↑ Danny P. (March 22, 2007). "Horse The Band". v13.net. Retrieved August 8, 2024.
  62. ↑ White-Glutz, Jasamine (November 30, 2003). "Horse the Band". Exclaim! . Retrieved July 29, 2023.
  63. ↑ Nintendocore at AllMusic
  64. ↑ "KARATE HIGH SCHOOL". 9 July 2008. Archived from the original on 2021-12-14. Retrieved May 6, 2021– via YouTube.
  65. ↑ Pertola, Petteri (28 May 2009). "Karate High School - Invaders". Rockfreaks.net. Retrieved 2 January 2015.
  66. ↑ "Sky Eats Airplane : Equal Vision Records". Archived from the original on 2011-05-25. Retrieved 2011-07-11.
  67. ↑ Synyard, Dave (February 18, 2008). "Sky Eats Airplane - Everything Perfect On The Wrong Day". Exclaim! . Retrieved August 8, 2024.
  68. 1 2 3 Eyes, Terra (June 10, 2024). "The Complete(ly abridged) History of Cybergrind". Left of the Dial. Retrieved August 8, 2024.
  69. 1 2 Wolff, Dave (August 9, 2016). "Blogger Interview: TRAVIS VALOIS (Nintendocore Lives)". aeafanzine.blogspot.com. Retrieved August 8, 2024.
  70. ↑ "Meet Unicorn Hole". canvasrebel.com. November 14, 2022. Retrieved August 8, 2024.
  71. ↑ "Dragonforce, ATR, Horse The Band tour". lambgoat.com. August 11, 2006. Retrieved August 8, 2024.
  72. ↑ Sutherland, Sam (August 31, 2006). "Warped Tour". Exclaim! . Retrieved August 9, 2024.
  73. ↑ Reyes, Chris (August 11, 2010). "The Music of Scott Pilgrim vs. The World: The Game – Anamanaguchi". capsulecomputers.com.au. Retrieved August 9, 2024.
  74. ↑ Wilusz, Luke (October 18, 2010). "Chiptune geek-rockers Fight Dragons". The Columbia Chronicle. Retrieved May 19, 2021.
  75. ↑ Comingore, Aly (June 4, 2020). "Not for the Faint of Heart". independent.com. Retrieved August 14, 2024.
  76. ↑ "20 era-defining MySpace bands: Where are they now?". Kerrang! . 24 September 2019. Retrieved August 9, 2024.
  77. ↑ "Bleep Bloop: The Charms of Chiptune". The New York Times . May 21, 2013. Retrieved August 9, 2024.
  78. ↑ "I Set My Friends On Fire - Astral Rejection". sputnikmusic.com. June 23, 2011. Retrieved August 9, 2024.
  79. ↑ Pertola, Petteri (February 5, 2013). "Rolo Tomassi – Astraea". Rock Freaks. Retrieved August 14, 2024.
  80. ↑ A Natural Death's chart performance at allmusic
  81. ↑ "Horse the Band Need Your Help Booking Tour. " AbsolutePunk . January 21, 2008.
  82. ↑ "Horse The Band "Earth Tour" dates". lambgoat.com. February 20, 2008. Retrieved August 14, 2024.
  83. ↑ Raub, Jesse (2009). "HORSE the Band release DVD 'We Flooded It, and There's Yoghurt Everywhere' | Punknews.org". Punknews.org. Retrieved August 14, 2024.
  84. ↑ Pertola, Petteri (March 17, 2011). "Horse The Earth Tour DVD, now on torrents - Rockfreaks.net". Rockfreaks.net. Retrieved August 14, 2024.
  85. ↑ "Unicorn Hole". Unicorn Hole. Retrieved 2020-10-03.
  86. ↑ "Polygon Horizon". Polygon Horizon. Retrieved 2020-10-03.
  87. ↑ "Porcine Menace, by Got Item!". Got Item!. Retrieved 2020-10-03.
  88. ↑ "Music | Nintendocore Lives". Nintendocorelives.bandcamp.com. 2015-05-11. Retrieved 2022-05-04.
  89. 1 2 3 "Math the Band". Super Magfest. 21 November 2019. Retrieved 2020-10-03.
  90. ↑ "MAGFest 2020: Math the Band". YouTube . 4 January 2020. Archived from the original on 2021-12-15. Retrieved December 15, 2020.
  91. ↑ "Math the Band on Twitter:Album premier tonight!! Streaming live at 9est , and sticking around to answer any questions". Twitter. Retrieved 2020-10-03.
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.