Nu metalcore | |
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Other names | Nu-core |
Stylistic origins | |
Cultural origins | 2000s–2010s, United States, United Kingdom and Australia |
Typical instruments |
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Other topics | |
Nu metalcore (or nu-core) [1] is a fusion genre that combines elements of nu metal and metalcore. The genre often makes use of a combination of screamed and sung vocals, in addition to breakdowns, hip hop-influenced drum beats and electronic music elements.
During the 1990s, many nu metal groups took influence from the hardcore scene, and metalcore bands including Integrity, Norma Jean and Bury Your Dead embraced elements of nu metal at varying points in their careers. In the 2000s deathcore bands like Suicide Silence, Emmure and Whitechapel took influence from nu metal, which led to the first wave of nu metalcore in the 2010s. In 2013, genre defining works such as Bring Me the Horizon's Sempiternal , My Ticket Home's Strangers Only and Sworn In's the Death Card were released. By 2016, the formations of Cane Hill, Ocean Grove and Issues had led to a solidified first wave. A second strain of the genre, originating from the hardcore scene, soon emerged with Code Orange's Forever (2017), Vein.fm's Errorzone (2018) and Harm's Way's Posthuman (2018). In the 2020s, the genre continued to gain traction, with a new wave of groups including Loathe, Tetrarch and Tallah.
Nu metalcore often makes use of both screamed and sung vocals, breakdowns, heavy guitar riffs, hip hop-influenced drum beats and electronic music elements. [2] Loudwire described the style as mostly based around nu metal and hip hop, while also incorporating the breakdowns of hardcore punk and the guitar tones of djent. [3] Metal Injection writer Max Heilman specifically stated the style of metalcore that nu metalcore bands draw on his is the original 1990s "metallic hardcore" style. [4] An editorial for Thrash Hits cited Contemporary R&B as a key influence on the genre, comparing it the influence hip hop had on the original nu metal genre. [5]
Since its pioneering, nu metal had been influenced by hardcore, particularly beatdown hardcore and its ignorant take on heavy riffing. [6] Pioneering metalcore band Integrity's fifth album Integrity 2000 (1999) saw the band collaborate with members of nu metal band Mushroomhead. [7] The same year, Chimaira released the This Present Darkness EP, which merged elements of nu metal and metalcore, a trend that would be continued on their debut album Pass Out of Existence (2001). [8] Pioneering metalcore band Earth Crisis released the nu metal album Slither (2000). [9] Slipknot's 2001 nu metal album Iowa contained elements of late 1990s metalcore, being compared by PopMatters writer Ethan Stewart to Disembodied. [10] Influential metalcore band Norma Jean formed in 1997 playing nu metal under the name Luti-Kriss, before transitioning into metalcore with the release of Bless the Martyr and Kiss the Child (2002). [11] Japanese band Dir En Grey, formed in 1997, making music which Metal Hammer writer Alec Chillingworth referred to as "cutting edge, genuinely innovative music, taking influence from every pocket of the genre whether it be extreme metal, metalcore or nu metal." [12] Bury Your Dead's 2006 album Beauty and the Breakdown described as "straight-ahead, knotty, scorched earth nu-metal" while keeping "the ferocity of Bury Your Dead's hard-and-metalcore attack". [13] Other early bands to merge elements of both genres included Ill Nino, Demon Hunter and Maximum the Hormone. [2] As early as 2007, Lambgoat.com writer Rob Parker used the term "nu metalcore" to refer to the sound of Demon Hunter. [14]
In the mid-to-late 2000s, many deathcore groups began to embrace elements of nu metal, with Whitechapel and Suicide Silence making use of a "heavier and more groove-driven sound than their predecessors and increasingly bordered nu-metal", [10] and Emmure, Winds of Plague and the Acacia Strain embracing its urban, black aesthetics. [7] As early as 2011, publications including MetalSucks had begun to use the term "nu-deathcore" or "nu-dethcore" to refer to a wave of bands combining nu metal and deathcore, including Emmure, Suicide Silence, Here Comes the Kraken, Upon a Burning Body and Gorelord. [15] Suicide Silence's 2011 album The Black Crown , which features elements of nu metal and metalcore/deathcore, [15] peaked at number 28 on the Billboard 200 chart. [16] [17] This wave led Japanese band Dir En Grey to return to their nu metal influence sound while also embracing deathcore on songs such as "Different Sense". [18]
These nu deathcore bands, led to a popularisation of nu metal elements in metalcore beginning around 2010, when Infected Rain, In This Moment, Butcher Babies and Attila began creating a "proto nu metalcore" sound. [2] Metalcore band Bring Me the Horizon's 2013 album Sempiternal embraced elements of nu metal and was widely influential. [19] It peaked at number 3 on the UK albums chart, [20] and was one of the earliest releases by a UK metalcore band on a major label, through RCA Records. [21] My Ticket Home's Strangers Only (2013) too was a notable precedent of this wave, seeing a previously established metalcore act merge their style with dark, nu metal influence, together with Sworn In, they were one of the first to establish the modern nu metalcore sound. [22] Issues' merger of nu metal, metalcore and contemporary R&B gained them significant commercial success, with a number of publications crediting them as ushering a new wave of nu metal. [23] [24] Their debut self-titled album (2014) peaked at peaked at number nine on the Billboard 200 chart [25] and their second album Headspace (2016) reached number one on the Top Alternative Albums chart. [26] Furthermore, Bring Me the Horizon's fifth album That's the Spirit (2015) saw the band fully embrace nu metal, [27] which peaked at number 2 in both the UK and US. [28] [29]
By 2016, nu metalcore had solidified itself as a movement, [10] with the fusion began to be embraced by Cane Hill, [10] Ocean Grove, [30] Alpha Wolf [31] and DangerKids. [5] According to The Soundboard in 2016, "nu-metalcore has become [...] omnipresent." [32] Many bands who had already made a name for themselves playing metalcore began to shift their sound towards nu metalcore, including Parkway Drive on Atlas (2012), [5] Of Mice & Men on Restoring Force (2014) and Cold World (2016) [33] [34] [35] and Northlane on Alien (2019). [36]
Metallic hardcore band Code Orange saw critical acclaim and success with their Roadrunner Records debut Forever in 2017. It saw the band embraced the influence of nu metal, and according to PopMatters writer Ethan Stewart, led to nu metalcore becoming "one of the most prominent flavors of contemporary metal". [10] Forever's title track was also nominated Grammy for Best Metal Performance in 2018. [37] [38] [39] [40] Because of its influence, many metallic hardcore bands began incorporating nu metal and industrial into the sound, leading to the releases of the White Noise's AM/PM (2017), Vein.fm's Errorzone (2018) and Harm's Way's Posthuman (2018). [41]
In 2020, Metal Hammer published an article titled "The most exciting new sound of 2020 is... nu metal", citing Loathe, Blood Youth, Tetrarch, Ocean Grove and Tallah as the bands fronting the newest wave of nu metalcore. [36] Loathe's second album I Let It in and It Took Everything (2020) saw critical acclaim, and was consistently praised for expanding the scope of metalcore by incorporating elements of nu metal, shoegaze, emo, post-rock, progressive metal and industrial music. [42] [43] [44] The band's use of the Fender Bass VI guitar, which tunes to an octave below a standard tuning guitar, became widely sought after following the album's release. [45] The same year, Alternative Press additionally cited Sylar and Void of Vision as "essential nü-metal metalcore bands". [46]
Nu metal is a subgenre of alternative metal that combines elements of heavy metal music with elements of other music genres such as hip hop, funk, industrial, and grunge. Nu metal rarely features guitar solos or other displays of musical technique, and emphasizes rhythm with instrumentation that is heavily syncopated. Nu metal guitarists typically use seven-string guitars that are down-tuned to produce a heavier sound. Vocal styles are often rhythmic and influenced by hip hop, and include singing, rapping, screaming and sometimes growling. DJs are occasionally featured to provide instrumentation such as sampling, turntable scratching and electronic background music. Nu metal is one of the key genres of the new wave of American heavy metal.
A number of heavy metal genres have developed since the emergence of heavy metal during the late 1960s and early 1970s. At times, heavy metal genres may overlap or are difficult to distinguish, but they can be identified by a number of traits. They may differ in terms of instrumentation, tempo, song structure, vocal style, lyrics, guitar playing style, drumming style, and so on.
Melodic death metal is a subgenre of death metal that employs highly melodic guitar riffs, often borrowing from traditional heavy metal. The genre features the heaviness of death metal but with highly melodic or harmonized guitar riffs and solos, and often features high-pitched shrieked vocals alongside the low-pitched growls commonly featured in traditional death metal. Pioneered by the English heavy metal band Carcass with their 1993 album Heartwork, melodic death metal developed further in Sweden in the mid-1990s. The Swedish death metal scene did much to popularise the style, soon centering in the "Gothenburg metal" scene. At the Gates' Slaughter of the Soul, Dark Tranquillity's The Gallery, and In Flames' The Jester Race, all released in the mid-1990s, were highly influential albums in melodic death metal, with At the Gates and In Flames being the two most common influences on North American 2000s heavy metal bands. Many American heavy metal bands emulated At the Gates' sound, resulting in the usage of the phrase "At the Gates worship".
Metalcore is a broadly defined fusion genre combining elements of extreme metal and hardcore punk, that originated in the late 1980s. Metalcore is noted for its use of breakdowns, which are slow, intense passages conducive to moshing, while other defining instrumentation includes heavy guitar riffs often utilizing percussive pedal tones and double bass drumming. Vocalists in the genre typically perform screaming; more popular bands often combine this with the use of standard singing, usually during the bridge or chorus of a song. However, the death growl is also a popular technique within the genre.
New York hardcore is both the hardcore punk music created in New York City and the subculture and lifestyle associated with that music. The scene established many aspects that are fixtures of hardcore punk today, including its simplified name "hardcore", its hardcore skinhead and youth crew subcultures, the moshing style hardcore dancing, its association with street gangs and its prominent influence of heavy metal.
Deathcore is an extreme metal subgenre that combines death metal with metalcore. The genre consists of death metal guitar riffs, blast beats, and metalcore breakdowns. While there are some precursors to the concept of death metal fused with metalcore/hardcore elements seen in the 1990s, deathcore itself emerged in the early 2000s and gained prominence beginning in the mid-2000s within the southwestern United States, especially Arizona and inland southern California, which are home to many notable bands and various festivals.
Groove metal, sometimes also called neo-thrash or post-thrash, is a subgenre of heavy metal music that began in the early 1990s. The genre is primarily derived from thrash metal, but played in slower tempos, and making use of rhythmic guitar parts. It was pioneered in the late 1980s by groups like Exhorder, Prong and the Bad Brains, and then popularized by the commercial success of Pantera, White Zombie, Machine Head and Sepultura. The genre went on to be influential in the development of the new wave of American heavy metal, nu metal and metalcore, and continued to gain traction in the 2000s with Lamb of God, DevilDriver and Five Finger Death Punch, and 2010s with Killer Be Killed and Bad Wolves.
Bring Me the Horizon are a British rock band, formed in Sheffield in 2004. The group currently consists of lead vocalist Oli Sykes, drummer Matt Nicholls, guitarist Lee Malia and bassist Matt Kean. They are signed to RCA Records globally and Columbia Records exclusively in the United States.
Melodic metalcore is a fusion genre, incorporating elements of melodic death metal and metalcore; it has a heavy emphasis on melodic instrumentation, distorted guitar tones, palm muting, double bass drumming, blast beats, metalcore-stylized breakdowns, and vocals that range from aggressive screaming and death growls to clean singing. The genre has seen commercial success for employing a more accessible sound at times compared to other forms of extreme music. Many notable melodic metalcore bands have been influenced by At the Gates and In Flames.
Emmure is an American metalcore band formed in 2003. Originally based in New Fairfield, Connecticut, before moving to Queens, New York, the group has released eight albums, with their first public release being a 2006 EP entitled The Complete Guide to Needlework.
The scene subculture is a youth subculture that emerged during the early 2000s in the United States from the pre-existing emo subculture. The subculture became popular with adolescents from the mid 2000s to the early 2010s. Members of the scene subculture are referred to as scene kids, trendies, or scenesters. Scene fashion consists of skinny jeans, bright-colored clothing, a signature hairstyle consisting of straight, flat hair with long fringes covering the forehead, and bright-colored hair dye. Music genres associated with the scene subculture include metalcore, crunkcore, deathcore, electronic music, and pop punk.
Sempiternal is the fourth studio album by British rock band Bring Me the Horizon. It was released on 1 April 2013 worldwide through RCA Records, a subsidiary label of Sony Music, and 2 April 2013 in the United States and Canada through Epitaph Records. It is the first album to feature former Worship keyboardist Jordan Fish and the first with guitarist Lee Malia playing both lead and rhythm parts.
"Sleepwalking" is a song by British rock band Bring Me the Horizon. Written by the band's vocalist Oliver Sykes, guitarist Lee Malia and keyboardist Jordan Fish, it was produced by Terry Date and appeared on the band's fourth studio album Sempiternal, released in 2013. The song was released as the second single from the album on 1 March 2013, reaching number three on the UK Rock & Metal Singles Chart.
Beating a Dead Horse is the debut studio album by YouTube comedian Jarrod Alonge, self-released on May 26, 2015. The album features seven different fictitious bands created by Alonge to satirize the tropes and characteristics of alternative music genres such as metalcore, post-hardcore, pop punk, emo, progressive metal, hardcore punk and others.
Beatdown hardcore is a subgenre of hardcore punk which incorporates elements of thrash metal and hip hop. The genre features aggressive vocals, heavy, palm muted guitar riffs and breakdowns. The genre has its origins in late 1980s tough guy hardcore bands such as Breakdown, Killing Time, and Madball, and was pioneered in the mid-1990s by bands like Bulldoze, Terror Zone, and Neglect. The definition of the genre has expanded over time to incorporate artists increasingly indebted to metal, notably Xibalba, Sunami, and Knocked Loose. Later acts also feature slam death metal riffs.
Loathe are an English heavy metal band from Liverpool. Formed in 2014, the group consists of lead vocalist Kadeem France, guitarist and second vocalist Erik Bickerstaffe, drummer Sean Radcliffe and bassist Feisal El-Khazragi.
Sylar is an American metalcore band formed in Queens, New York in 2011. The band members formed from various bands in the New York City post-hardcore scene, and took their name from the Heroes villain Sylar. The band is part of the NYHC movement, and consisted of vocalist Jayden Panesso, rhythm guitarist/clean vocalist Miguel Cardona, lead guitarist Dustin Jennings, bassist Travis Hufton, and drummer Cody Ash.
I Let It In and It Took Everything is the second studio album by British heavy metal band Loathe. It was released on 7 February 2020 through SharpTone Records. The album received positive reviews; Metal Hammer named it as the 12th-best metal album of 2020.