The Electric Prunes are an American psychedelic rock band, formed in Los Angeles, California, in 1965. Much of the band's music was, as music historian Richie Unterberger described it, possessed of "an eerie and sometimes anguished ambiance." Their most successful material was by songwriters Annette Tucker and Nancie Mantz, though the group also penned their own songs. Incorporating psychedelia and elements of embryonic electronic rock, the band's sound was marked by innovative recording techniques with fuzz-toned guitars and oscillating sound effects. In addition, guitarist Ken Williams' and singer James Lowe's concept of "free-form garage music" provided the band with a richer sonic palette and exploratory lyrical structure than many of their contemporaries.
The Chocolate Watchband is an American garage rock band that formed in 1965 in Los Altos, California. The band went through several lineup changes during its existence. Combining psychedelic and garage rock components, their sound was marked by David Aguilar's lead vocals, songwriting, as well as proto-punk musical arrangements. The band's rebellious musical posture made them one of the harder-edged groups of the period with many critics labeling them as America's answer to the Rolling Stones.
The Gants was an American garage rock band that formed in 1964 in Greenwood, Mississippi, in the cultural and geographic Deep South.
Rising Sons was an American folk-rock band formed in Los Angeles in 1965. Their initial career was short-lived, but the group found retrospective fame for launching the careers of singer Taj Mahal and guitarist Ry Cooder.
The Outsiders were an American rock and roll band from Cleveland, Ohio, that was founded and led by guitarist Tom King. The band released the hit single "Time Won't Let Me" in early 1966, which peaked at No. 5 in the US in April. The band had three other Hot 100 top 40 hit singles in 1966, but none on the Hot 100 afterwards, and released a total of four albums in the mid-1960s.
Jerry McGeorge came to prominence in late 1965 as an American guitarist with the Chicago rock band The Shadows of Knight. He later joined the psychedelic rock band H.P. Lovecraft on bass in the summer of 1967, appearing on their debut album, H. P. Lovecraft.
The Rising Storm is an American rock group that was active at Phillips Academy in Andover, Massachusetts, United States, between 1965 and 1967. Their music is considered to belong in the folk rock and garage rock genres. The original members of the group were Bob Cohan (guitar), Todd Cohen (bass), Charlie Rockwell (keyboards), Tom Scheft (drums), Tony Thompson, and Rich Weinberg.
The Pleazers were an Australian-formed rhythm and blues musical group which were popular in New Zealand. They began in Brisbane as the G-Men in 1964. They released a sole studio album, Definitely Pleazers, in 1966, before disbanding in the following year.
Back Door Men is the second album by The Shadows of Knight.
New Colony Six is an American garage and later soft rock band from Chicago, formed in 1964. Original members were Ray Graffia Jr. (vocals), who was born March 28, 1946; Chic James (drums); Pat McBride (harmonica); Craig Kemp (organ); Wally Kemp (bass); and Gerry Van Kollenburg (guitar), who was born June 26, 1946. Ronnie Rice replaced Craig Kemp in 1966. There were numerous changes in the lineup over the years. Richie Unterberger characterized the group's sound as "a poppier American Them with their prominent organ, wobbly Lesley-fied guitar amplifications, and rave-up tempos", later devolving into "a cabaret-ish band with minor national hits to their credit by the end of the 1960s." Like Paul Revere & the Raiders - with whom NC6 shared a two-flat before either band hit the charts or knew that the other had nearly identical stage wear, they wore colonial outfits on stage.
The Lovin' Spoonful Anthology is a compilation album by the folk rock group the Lovin' Spoonful, released in 1990.
Gloria is the first album by the Shadows of Knight, released in 1966 on Dunwich Records 666. The title track, a cover of the song by Them, became the group's biggest hit, reaching number 10 on the Billboard charts.
The Mauds were an influential band in the 1960s, 1970s Chicago jazz rock, blue-eyed soul, blues rock, garage rock scene that included The Buckinghams, Chicago, Shadows of Knight, and The Ides of March. The Mauds was founded in 1964 by Bill Durling, rhythm guitar. Bill knew Jimy Rogers from 1964 and convinced him to start singing lead for Bill's band. Jimy and Bill then asked Billy Winter, bass, Robert “Fuzzy” Fuscaldo, lead guitar and Craig Baumgard, drums to join and the Mauds were born. These musicians built the Mauds unmistakable Chicago Blue-Eyed Soul Sound c.1965 to 1967. The name Mauds was a play on the 1960s British slang expression "mod", which meant modern. Bill Durling went off to college in Storm Lake, Iowa and was replaced by Timmy Coniglio on rhythm guitar and brass. Then, Craig Baumgard was replaced by Phil Weinberg on drums, and later, Denny Horan replaced Weinberg, and Bill Winter was replaced by Bill Sunter.
The Wheels were a 1960s R&B and blues-influenced rock band from Belfast, Northern Ireland, who came from the same music scene that produced the better-known band, Them, led by Van Morrison. Their best-known membership consisted of Brian Rossi, Rod Demick, Herbie Armstrong, Tito Tinsley, and Victor Catling (drums). Morrison briefly joined them live, on saxophone, before they became known as the Wheels. They are best remembered for writing and recording the original version of "Bad Little Woman", later covered in America by The Shadows of Knight.
The Banshees were an American garage rock band formed in Chicago, Illinois, in 1966. The group is best remembered for its sole single, featuring the dissonant proto-punk anthem, "Project Blue". The song has become a classic of the musical genre of garage rock and is featured prominently on several compilation albums.
The Preachers were an American garage rock band formed in Los Angeles, California, in 1964. Musically, the group took an intense, and pounding musical approach that was heavily influenced by the British Invasion groups, particularly the Rolling Stones and the Dave Clark Five, and their take on American R&B. In their brief recording career, the Preachers released three singles, with their most acclaimed recording being a high-energy rendition of Bo Diddley's, "Who Do You Love?".
"Action Woman" is a song by the American garage rock band the Litter, written by their record producer Warren Kendrick, and first released as the group's debut single on Scotty Records in January 1967. The song also appeared on the band's first album Distortions. Although "Action Woman" never broke out on the national charts, it is now revered as a classic piece of the musical genre of garage rock. Accordingly, the composition has appeared on several compilation albums – most famously as the opening track on Pebbles, Volume 1, incorporating a skip in the recording – and has been the subject of cover versions.
Raw 'n' Alive at the Cellar, Chicago 1966! is a live album by the American garage rock band the Shadows of Knight, and was released on Sundazed Records in 1992. The album consists of recordings from the band's appearance at the Cellar in Arlington Heights, Illinois in December 1966. Although the tapes were never anticipated to be released publicly, Raw 'n' Alive at the Cellar is commended for its good sound quality, and represents one of the better live concert recordings to emerge from the garage rock era.
"You're a Better Man Than I", alternately listed as "Mr. You're a Better Man Than I" or "Better Man Than I", is a song first recorded by the English rock band the Yardbirds. It was written by brothers Mike and Brian Hugg, and became the opening track to the group's second American album, Having a Rave Up with the Yardbirds (1965). Three months later in February 1966, it was released in the UK as the B-side to the "Shapes of Things" single.
Shadows of Knight is the third studio album by American garage rock band The Shadows of Knight, and was released on Super K Productions, SKS 6002, in 1969. Recording for the album came after lead vocalist Jim Sohns revamped the Shadows of Knight's line-up and signed with Super K. Although Shadows of Knight did not chart and was the last album featuring new material by the group until A Knight to Remember, a single taken from the effort, "Shake", became a moderate national success in the United States.
