| Back Door Men | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1966 | |||
| Recorded | 1966 | |||
| Studio | Universal Recording Corp. (Chicago) | |||
| Genre | Garage rock [1] | |||
| Length | 43:27 | |||
| Label | Dunwich | |||
| Shadows of Knight chronology | ||||
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| Singles from Back Door Men | ||||
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| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [1] |
Back Door Men is the second album by The Shadows of Knight.
Back Door Men was recorded at Universal Recording in Chicago, Illinois, in late 1966. The album was recorded as a quick follow-up to the Shadows of Night # 10 debut release Gloria. By the time of this recording, Warren Rogers and Joe Kelley had traded instruments and David Wolinski had been added on keyboards. "Bad Little Woman", a cover of the Belfast band The Wheels, backed by "Gospel Zone" was released as the first single, but only charted as high as # 91. A second single, "I'm Gonna Make You Mine", a non-album cut backed by "I'll Make You Sorry" did only slightly better at # 90. A third single at that time, "Willie Jean" (a Hoyt Axton tune incorrectly identified on the label as "traditional")/"The Behemoth" did not chart. As with their first album, production was credited as "Produced for Dunwich Records" instead of crediting a specific producer. [2] The original album incorrectly lists Dino Valenti as the composer for "Hey Joe".
In a retrospective review for AllMusic, Bruce Eder noted "the original LP version of this album, the second by the legendary white Chicago garage punk/blues outfit, was one of the most sought-after artifacts of mid-'60s punk rock. Back Door Men was a loud, feedback-laden, sneering piece of rock & roll defiance, mixing raunchy anthems to teenage lust (Gospel Zone', 'Bad Little Woman'), covers of Chicago blues classics (Willie Dixon's 'Spoonful', Jimmy Reed's 'Peepin' and Hidin'), raga rock ('The Behemoth'), folk-rock ('Hey Joe', 'Three for Love', 'I'll Make You Sorry'), and a blues-punk grab off of commercial Top 40 ('Tomorrow's Gonna Be Another Day'), all on one 12" platter. What makes the record even more startling is that every one of these tracks, however far afield they go from one another, works." [1]
| Year | Single | Chart | Position |
|---|---|---|---|
| 1966 | "Bad Little Woman" | Billboard Hot 100 | 91 [4] |
Nuggets: Original Artyfacts from the First Psychedelic Era is a compilation album of American psychedelic and garage rock singles that were released during the mid-to-late 1960s. It was created by Lenny Kaye, who was a writer and clerk at the Village Oldies record shop in New York. He would later become the lead guitarist for the Patti Smith Group. Kaye produced Nuggets under the supervision of Elektra Records founder Jac Holzman. Kaye conceived the project as a series of roughly eight LP installments focusing on different US regions, but Elektra convinced him that one double album would be more commercially viable. It was released on LP by Elektra in 1972 with liner notes by Kaye that contained one of the first uses of the term "punk rock". It was reissued with a new cover design by Sire Records in 1976. In the 1980s, Rhino Records issued Nuggets in a series of fifteen installments, and in 1998 as a 4-cd box set.
The Shadows of Knight were an American rock band from Chicago, Illinois, that played a version of British blues influenced by their native city. When they began recording in 1965, the band's self-description was "the Stones, Animals and the Yardbirds took the Chicago blues and gave it an English interpretation. We've taken the English version of the Blues and re-added a Chicago touch," to which rock critic Richie Unterberger commented: "The Shadows of Knight's self-description was fairly accurate."
Un-Led-Ed is the debut album by Dread Zeppelin, released in 1990. The album received a public endorsement by Led Zeppelin vocalist Robert Plant, who claimed he preferred Dread Zeppelin's cover of "Your Time Is Gonna Come" to the Led Zeppelin original.
"Hey Joe" is an American song from the 1960s that has become a rock standard and has been performed in many musical styles by hundreds of different artists. The lyrics tell of a man who is on the run and planning to head to Mexico after shooting his unfaithful wife. In 1962, Billy Roberts registered "Hey Joe" for copyright in the United States.
"Spoonful" is a blues song written by Willie Dixon and first recorded in 1960 by Howlin' Wolf. Called "a stark and haunting work", it is one of Dixon's best known and most interpreted songs. Etta James and Harvey Fuqua had a pop and R&B record chart hit with their duet cover of "Spoonful" in 1961, and it was popularized in the late 1960s by the British rock group Cream.
Screamin' and Hollerin' the Blues: The Worlds of Charley Patton is a boxed set collecting remastered versions of the recorded works of blues singer Charley Patton, with recordings by many of his associates, supplementary interviews and historical data. The set won three Grammy awards, for Best Historical Album, Best Boxed or Special Limited Edition Package, and Best Album Notes.
Creedence Clearwater Revival: Box Set is a career-spanning box set by Creedence Clearwater Revival, released in 2001. It contains the entirety of their seven studio albums, two live albums, and material recorded by the band under their previous names "The Golliwogs" and "The Blue Velvets", which comprises the majority of their released output. In November 2013, the box set was reissued with different artwork.
King of the Blues is a compilation album by American blues musician B. B. King covering the years 1949 through 1991. Released by MCA Records in 1992, the four CD box set includes some of King's most popular songs as well as some newer recordings.
"Wang Dang Doodle" is a blues song written by Willie Dixon. Music critic Mike Rowe calls it a party song in an urban style with its massive, rolling, exciting beat. It was first recorded by Howlin' Wolf in 1960 and released by Chess Records in 1961. In 1965, Dixon and Leonard Chess persuaded Koko Taylor to record it for Checker Records, a Chess subsidiary. Taylor's rendition quickly became a hit, reaching number thirteen on the Billboard R&B chart and number 58 on the pop chart. "Wang Dang Doodle" became a blues standard and has been recorded by various artists. Taylor's version was added to the United States National Recording Registry in 2023.
Live in Detroit is a double CD live album by the American rock band the Doors. It was recorded at the Cobo Arena in Detroit on May 8, 1970 during the band's 1970 Roadhouse Blues Tour. It was released on October 23, 2000 on Rhino Records.
James D. Helms is an American soul singer, known as a member of Londonbeat but who also had solo hits such as "Gonna Make You an Offer You Can't Refuse".
English Freakbeat, Volume 2 is a compilation album in the English Freakbeat series, featuring recordings that were released decades earlier, in the mid-1960s.
Chris Demetriou born in Paphos, Cyprus, is a British songwriter, musician, and record producer. A cover of a song he co-wrote with John Kongos, "He's Gonna Step On You Again", appears in Q magazine's top hundred singles of all time.
Gloria is the first album by the Shadows of Knight, released in 1966 on Dunwich Records 666. The title track, a cover of the song by Them, became the group's biggest hit, reaching number 10 on the Billboard charts.
"The Lonesome Road" is a 1927 song with music by Nathaniel Shilkret and lyrics by Gene Austin, alternately titled "Lonesome Road", "Look Down that Lonesome Road" and "Lonesome Road Blues." It was written in the style of an African American folk song.
This is a list of songs produced by Tim & Bob.
Classic Rock was a 31-volume series issued by Time Life during the late 1980s and early 1990s. The series spotlighted popular music played on Top 40 radio stations of the mid-to-late-1960s.
Raw 'n' Alive at the Cellar, Chicago 1966! is a live album by the American garage rock band the Shadows of Knight, and was released on Sundazed Records in 1992. The album consists of recordings from the band's appearance at the Cellar in Arlington Heights, Illinois in December 1966. Although the tapes were never anticipated to be released publicly, Raw 'n' Alive at the Cellar is commended for its good sound quality, and represents one of the better live concert recordings to emerge from the garage rock era.
Shadows of Knight is the third studio album by American garage rock band The Shadows of Knight, and was released on Super K Productions, SKS 6002, in 1969. Recording for the album came after lead vocalist Jim Sohns revamped the Shadows of Knight's line-up and signed with Super K. Although Shadows of Knight did not chart and was the last album featuring new material by the group until A Knight to Remember, a single taken from the effort, "Shake", became a moderate national success in the United States.
