Synth-pop (also known as electropop or technopop) [1] [2] is a music genre that uses the synthesizer as the dominant musical instrument. With the genre becoming popular in the late 1970s and 1980s, the following article is a list of notable synth-pop acts, listed by the first letter in their name (not including articles such as "a", "an", or "the"). Individuals are listed by last name.
Note: ≈ indicates a member of the Rock and Roll Hall of Fame
Synth-pop is a music genre that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s.
Delores LaVern Baker was an American rhythm and blues singer who had several hit records on the pop charts in the 1950s and early 1960s. Her most successful records were "Tweedle Dee" (1955), "Jim Dandy" (1956), and "I Cried a Tear" (1958).
Thriller is the sixth studio album by the American singer and songwriter Michael Jackson, released on November 29, 1982, by Epic Records. It was produced by Quincy Jones, who previously worked with Jackson on his 1979 album Off the Wall. Jackson wanted to create an album where "every song was a killer". With the ongoing backlash against disco music at the time, he moved in a new musical direction, resulting in a mix of pop, post-disco, rock, funk, synth-pop, and R&B sounds, and darker themes. Paul McCartney appears on "The Girl Is Mine", the first credited appearance of a featured artist on a Michael Jackson album. Recording took place from April to November 1982 at Westlake Recording Studios in Los Angeles, California, with a budget of $750,000.
Baltimora was an Italian music project from Milan, active from 1984 to 1987. They are best known for their 1985 single "Tarzan Boy" and are often considered a one-hit wonder in the United Kingdom and the United States. In other European countries, including their native Italy, Baltimora scored a follow-up hit "Woody Boogie" the same year.
Corley (...) flows comfortably from techno-pop to funk to even jazz.
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